East Asian Film Noir

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East Asian Film Noir

Chi-Yun Shin,Mark Gallagher
East Asian Film Noir Book PDF

Author : Chi-Yun Shin,Mark Gallagher
Publisher : I.B. Tauris
Page : 256 pages
File Size : 50,9 Mb
Release : 2015-03-31
Category : Performing Arts
ISBN : 1780760086

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East Asian Film Noir by Chi-Yun Shin,Mark Gallagher Pdf

Film noir is often known as a Hollywood genre. But the downbeat sensibility of classic American noir also finds expression in later films from Japan, South Korea and greater China (including Hong Kong) that both participate in and are excluded from circuits of global noir traffic, past and present. This book explores these films and the firmmakers who make them. Looking at a range of examples from the 1950s to the present, it conceptualizes and articulates an internationally situated 'East Asian film noir'. In doing so, it offers fascinating insights into the terms on which national, regional and transnational cinemas conceive artistic expression.

Hong Kong Neo-Noir

Esther Yau
Hong Kong Neo Noir Book PDF

Author : Esther Yau
Publisher : Edinburgh University Press
Page : 280 pages
File Size : 53,9 Mb
Release : 2017-04-28
Category : Performing Arts
ISBN : 9781474412681

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Hong Kong Neo-Noir by Esther Yau Pdf

The first comprehensive collection on the subject of Hong Kong neo-noir cinema, this book examines the way Hong Kong has developed its own unique and culturally specific version of the neo-noir genre, while at the same time drawing on and adapting existing international noir cinemas. With a range of contributions from established and emerging scholars, this book illuminates the origins of Hong Kong neo-noir, its styles and contemporary manifestations, and its connection to mainland China. Case studies include classics such as The Wild Wild Rose (1960) and more recent films like Full Alert (1997) and Exiled (2007), as well as an in-depth look at the careers of iconic figures like Johnnie To and Jackie Chan. By examining at its past and its contemporary development, Hong Kong Neo-Noir also points towards the genre's possible future development.

Renegotiating Film Genres in East Asian Cinemas and Beyond

Lin Feng,James Aston
Renegotiating Film Genres in East Asian Cinemas and Beyond Book PDF

Author : Lin Feng,James Aston
Publisher : Springer Nature
Page : 266 pages
File Size : 40,8 Mb
Release : 2020-11-16
Category : Performing Arts
ISBN : 9783030550776

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Renegotiating Film Genres in East Asian Cinemas and Beyond by Lin Feng,James Aston Pdf

This book brings together nine original chapters to examine genre agency in East Asian cinema within the transnational context. It addresses several urgent and pertinent issues such as the distribution and exhibition practices of East Asian genre films, intra-regional creative flow of screen culture, and genre’s creative response to censorship. The volume expands the scholarly discussion of the rich heritage and fast-changing landscape of filmmaking in East Asian cinemas. Confronting the complex interaction between genres, filmic narrative and aesthetics, film history and politics, and cross-cultural translation, this book not only reevaluates genre’s role in film production, distribution, and consumption, but also tackles several under-explored areas in film studies and transnational cinema, such as the history of East Asian commercial cinema, the East Asian film industry, and cross-media and cross-market film dissemination.

International Noir

Pettey Homer B. Pettey
International Noir Book PDF

Author : Pettey Homer B. Pettey
Publisher : Edinburgh University Press
Page : 404 pages
File Size : 41,9 Mb
Release : 2014-11-11
Category : Performing Arts
ISBN : 9780748691128

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International Noir by Pettey Homer B. Pettey Pdf

Following World War II, film noir became the dominant cinematic expression of Cold War angst, influencing new trends in European and Asian filmmaking. International Noir examines film noir's influence on the cinematic traditions of Britain, France, Scandinavia, Japan, Hong Kong, Korea, and India. This book suggests that the film noir style continues to appeal on such a global scale because no other cinematic form has merged style and genre to effect a vision of the disturbing consequences of modernity. International noir has, however, adapted and adopted noir themes and aesthetic elements so that national cinemas can boast an independent and indigenous expression of the genre. Ranging from Japanese silent films and women's films to French, Hong Kong, and Nordic New Waves, this book also calls into question critical assessments of noir in international cinemas. In short, it challenges prevailing film scholarship to renegotiate the concept of noir. Ending with an examination of Hollywood's neo-noir recontextualization of the genre, and post-noir's reinvigorating critique of this aesthetic, International Noir offers Film Studies scholars an in-depth commentary on this influential global cinematic art form, further offering extensive bibliography and filmographies for recommended reading and viewing.

Cinema at the City's Edge

Yomi Braester,James Tweedie
Cinema at the City s Edge Book PDF

Author : Yomi Braester,James Tweedie
Publisher : Hong Kong University Press
Page : 218 pages
File Size : 41,9 Mb
Release : 2010-12-01
Category : Social Science
ISBN : 9789622099845

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Cinema at the City's Edge by Yomi Braester,James Tweedie Pdf

East Asia is a pivotal region in the advancement of media technologies, globalized consumerism and branding economies. City and urban spaces are now attracting cinematic imaginaries and the academic examination of visual images and urban space in East Asian contexts. Highlighting changing conceptions and blurring boundaries of "where city ends and cinema begins," this collection offers an original contribution to film/media and cultural studies, urban studies, and sociology.-Koichi Iwabucchi, Waseda University The originality of this book on the fragmented cities of Asia lies in the manner in which it pins down the relationship between visual images and urban space. The arguments are eloquent and persuasive, with close readings of critical media texts. Many of the dynamic issues tackled in the book are "on the edge" of film and cultural studies in Asia and should attract a wide readership.-Zhou Xuelin, University of Auckland

Film Noir

Mark Bould
Film Noir Book PDF

Author : Mark Bould
Publisher : Wallflower Press
Page : 160 pages
File Size : 43,6 Mb
Release : 2005
Category : Fiction
ISBN : 1904764509

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Film Noir by Mark Bould Pdf

"Film Noir explores the murky world of a genre responsible for many of film's most enduring images. Mark Bould discusses problems of definition and the often ambiguous nature of film noir and looks at contemporary 'neo-noir' films. Iconic and enduring, film noir attracted great stars (Bogart, Bacall, Mitchum, Lancaster), many of the best directors of the postwar period (Wilder, Lang, Preminger, Hawks, Siodmak, Welles) and in considering the history and continuing importance of noir, from Weimar Cinema to Sin City, this book is an indispensible guide to this still popular genre."--

East Asian Cinemas

Leon Hunt,Leung Wing-Fai
East Asian Cinemas Book PDF

Author : Leon Hunt,Leung Wing-Fai
Publisher : Bloomsbury Publishing
Page : 272 pages
File Size : 55,8 Mb
Release : 2010-10-18
Category : Performing Arts
ISBN : 9780857712271

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East Asian Cinemas by Leon Hunt,Leung Wing-Fai Pdf

Cinemas from East Asia are among the most exciting and influential in the world. They are attracting popular and critical attention on a global scale, with films from the region circulating as art house, cult, blockbuster and 'extreme' cinema, or as Hollywood remakes. This book explores developments in the global popularity of East Asian cinema, from Chinese martial arts, through Japanese horror, to the burgeoning new Korean cinema, with particular emphasis on crossovers, remakes, hybrids and co-productions. It examines changing cinematic traditions in Asia alongside the 'Asianisation' of western cinema. It explores the dialogue not only between 'East' and 'West', but between different cinemas in the Asia Pacific. What do these trends mean for global cinema? How are co-productions and crossover films changing the nature of Hollywood and East Asian cinemas? The book includes in-depth studies of Park Chan-wook, 'Infernal Affairs', 'Seven Samurai', and 'Princess Mononoke'.

Tourist Distractions

Youngmin Choe
Tourist Distractions Book PDF

Author : Youngmin Choe
Publisher : Duke University Press
Page : 264 pages
File Size : 42,8 Mb
Release : 2016-03-25
Category : Performing Arts
ISBN : 9780822374343

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Tourist Distractions by Youngmin Choe Pdf

In Tourist Distractions Youngmin Choe uses hallyu (Korean-wave) cinema as a lens to examine the relationships among tourism and travel, economics, politics, and history in contemporary East Asia. Focusing on films born of transnational collaboration and its networks, Choe shows how the integration of the tourist imaginary into hallyu cinema points to the region's evolving transnational politics and the ways Korea negotiates its colonial and Cold War past with East Asia's neoliberal present. Hallyu cinema's popularity has inspired scores of international tourists to visit hallyu movie sets, filming sites, and theme parks. This tourism helps ease regional political differences; reimagine South Korea's relationships with North Korea, China, and Japan; and blur the lines between history, memory, affect, and consumerism. It also provides distractions from state-sponsored narratives and forges new emotional and economic bonds that foster community and cooperation throughout East Asia. By attending to the tourist imaginary at work in hallyu cinema, Choe helps us to better understand the complexities, anxieties, and tensions of East Asia's new affective economy as well as Korea's shifting culture industry, its relation to its past, and its role in a rapidly changing region.

Craziness and Carnival in Neo-Noir Chinese Cinema

Harry H. Kuoshu
Craziness and Carnival in Neo Noir Chinese Cinema Book PDF

Author : Harry H. Kuoshu
Publisher : Springer Nature
Page : 167 pages
File Size : 53,8 Mb
Release : 2021-04-20
Category : Literary Criticism
ISBN : 9783030730819

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Craziness and Carnival in Neo-Noir Chinese Cinema by Harry H. Kuoshu Pdf

Craziness and Carnival in Neo-Noir Chinese Cinema offers an in-depth discussion of the “stone phenomenon” in Chinese film production and cinematic discourses triggered by the extraordinary success of the 2006 low-budget film, Crazy Stone. Surveying the nuanced implications of the film noir genre, Harry Kuoshu argues that global neo noir maintains a mediascape of references, borrowings, and re-workings and explores various social and cultural issues that constitute this Chinese episode of neo noir. Combining literary explorations of carnival, postmodernism, and post-socialism, Kuoshu advocates for neo noir as a cultural phenomenon that connects filmmakers, film critics, and film audiences rather than an industrial genre.

The Asian Influence on Hollywood Action Films

Barna William Donovan
The Asian Influence on Hollywood Action Films Book PDF

Author : Barna William Donovan
Publisher : McFarland
Page : 272 pages
File Size : 51,7 Mb
Release : 2014-09-17
Category : Performing Arts
ISBN : 9781476607702

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The Asian Influence on Hollywood Action Films by Barna William Donovan Pdf

Filmmakers of the Pacific Rim have been delivering punches and flying kicks to the Hollywood movie industry for years. This book explores the ways in which the storytelling and cinematic techniques of Asian popular culture have migrated from grainy, low-budget martial arts movies to box-office blockbusters such as The Magnificent Seven, Star Wars, The Matrix and Transformers. While special effects gained prominence, the raw and gritty power of live combat emerged as an audience favorite, spawning Asian stars Bruce Lee and Jackie Chan and martial arts-trained stars Chuck Norris and Steven Seagal. As well as capturing the sheer onscreen adrenaline rush that characterizes the films discussed, this work explores the impact of violent cinematic entertainment and why it is often misunderstood. Instructors considering this book for use in a course may request an examination copy here.

Film Noir: A Very Short Introduction

James Naremore
Film Noir A Very Short Introduction Book PDF

Author : James Naremore
Publisher : Oxford University Press
Page : 144 pages
File Size : 54,7 Mb
Release : 2019-02-21
Category : Art
ISBN : 9780192509505

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Film Noir: A Very Short Introduction by James Naremore Pdf

Film noir, one of the most intriguing yet difficult to define terms in cinema history, is usually associated with a series of darkly seductive Hollywood thrillers from the 1940s and 50s - shadowy, black-and-white pictures about private eyes, femme fatales, outlaw lovers, criminal heists, corrupt police, and doomed or endangered outsiders. But as this VSI demonstrates, film noir actually predates the 1940s and has never been confined to Hollywood. International in scope, its various manifestations have spread across generic categories, attracted the interest of the world's great directors, and continue to appear even today. In this Very Short Introduction James Naremore shows how the term film noir originated in in French literary and film criticism, and how later uses of the term travelled abroad, changing its implications. In the process, he comments on classic examples of the films and explores important aspects of their history: their critical reception, their major literary sources, their methods of dealing with censorship and budgets, their social and cultural politics, their variety of styles, and their future in a world of digital media and video streaming. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Chinese Cinema

Jeff Kyong-McClain,Russell Meeuf,Jing Jing Chang
Chinese Cinema Book PDF

Author : Jeff Kyong-McClain,Russell Meeuf,Jing Jing Chang
Publisher : Hong Kong University Press
Page : 267 pages
File Size : 50,9 Mb
Release : 2022-07-12
Category : Performing Arts
ISBN : 9789888528530

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Chinese Cinema by Jeff Kyong-McClain,Russell Meeuf,Jing Jing Chang Pdf

In Chinese Cinema: Identity, Power, and Globalization, a variety of scholars explore the history, aesthetics, and politics of Chinese cinema as the Chinese film industry grapples with its place as the second largest film industry in the world. Exploring the various ways that Chinese cinema engages with global politics, market forces, and film cultures, this edited volume places Chinese cinema against an array of contexts informing the contours of Chinese cinema today. The book also demonstrates that Chinese cinema in the global context is informed by the intersections and tensions found in Chinese and world politics, national and international co-productions, the local and global in representing Chineseness, and the lived experiences of social and political movements versus screened politics in Chinese film culture. This work is a pioneer investigation of the topic and will inspire future research by other scholars of film studies. “This edited volume offers a much-needed account of alternative ways of envisioning Chinese cinema in the special context of China and the world. Its vigorous theoretical framework, which puts emphasis on interactions in the context of China and the world, will complement and update publications in related areas.” —Yiu-Wai Chu, The University of Hong Kong; author of Main Melody Films: Hong Kong Directors in Mainland China “Chinese Cinema: Identity, Power, and Globalization offers a collection of studies of modern Chinese films and their global connections, with a contemporary emphasis. Its authors’ insightful analyses of films—famous, obscure, and new to the twenty-first-century screen—elucidate numerous contextual factors relevant for understanding the history and aesthetics of Chinese cinemas.” —Christopher Rea, The University of British Columbia; author of Chinese Film Classics, 1922–1949

Korean Horror Cinema

Alison Peirse
Korean Horror Cinema Book PDF

Author : Alison Peirse
Publisher : Edinburgh University Press
Page : 256 pages
File Size : 53,9 Mb
Release : 2013-03-14
Category : Performing Arts
ISBN : 9780748677658

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Korean Horror Cinema by Alison Peirse Pdf

As the first detailed English-language book on the subject, Korean Horror Cinema introduces the cultural specificity of the genre to an international audience, from the iconic monsters of gothic horror, such as the wonhon (vengeful female ghost) and the gumiho (shapeshifting fox), to the avenging killers of Oldboy and Death Bell. Beginning in the 1960s with The Housemaid, it traces a path through the history of Korean horror, offering new interpretations of classic films, demarcating the shifting patterns of production and consumption across the decades, and introducing readers to films rarely seen and discussed outside of Korea. It explores the importance of folklore and myth on horror film narratives, the impact of political and social change upon the genre, and accounts for the transnational triumph of some of Korea's contemporary horror films. While covering some of the most successful recent films such as Thirst, A Tale of Two Sisters, and Phone, the collection also explores the obscure, the arcane and the little-known outside Korea, including detailed analyses of The Devil's Stairway, Woman's Wail and The Fox With Nine Tails. Its exploration and definition of the canon makes it an engaging and essential read for students and scholars in horror film studies and Korean Studies alike.

Exploiting East Asian Cinemas

Ken Provencher,Mike Dillon
Exploiting East Asian Cinemas Book PDF

Author : Ken Provencher,Mike Dillon
Publisher : Bloomsbury Publishing USA
Page : 248 pages
File Size : 55,6 Mb
Release : 2018-01-11
Category : Performing Arts
ISBN : 9781501319662

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Exploiting East Asian Cinemas by Ken Provencher,Mike Dillon Pdf

From the 1970s onward, “exploitation cinema” as a concept has circulated inside and outside of East Asian nations and cultures in terms of aesthetics and marketing. However, crucial questions about how global networks of production and circulation alter the identity of an East Asian film as “mainstream” or as “exploitation” have yet to be addressed in a comprehensive way. Exploiting East Asian Cinemas serves as the first authoritative guide to the various ways in which contemporary cinema from and about East Asia has trafficked across the somewhat-elusive line between mainstream and exploitation. Focusing on networks of circulation, distribution, and reception, this collection treats the exploitation cinemas of East Asia as mobile texts produced, consumed, and in many ways re-appropriated across national (and hemispheric) boundaries. As the processes of globalization have decoupled products from their nations of origin, transnational taste cultures have declared certain works as “art” or “trash,” regardless of how those works are received within their native locales. By charting the routes of circulation of notable films from Japan, China, and South Korea, this anthology contributes to transnationally-accepted formulations of what constitutes “East Asian exploitation cinema.”

Film Noir and the Spaces of Modernity

Edward Dimendberg
Film Noir and the Spaces of Modernity Book PDF

Author : Edward Dimendberg
Publisher : Harvard University Press
Page : 342 pages
File Size : 42,8 Mb
Release : 2004-06-15
Category : Performing Arts
ISBN : 9780674261570

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Film Noir and the Spaces of Modernity by Edward Dimendberg Pdf

Film noir remains one of the most enduring legacies of 1940s and ’50s Hollywood. Populated by double-crossing, unsavory characters, this pioneering film style explored a shadow side of American life during a period of tremendous prosperity and optimism. Edward Dimendberg compellingly demonstrates how film noir is preoccupied with modernity—particularly the urban landscape. The originality of Dimendberg’s approach lies in his examining these films in tandem with historical developments in architecture, city planning, and modern communications systems. He confirms that noir is not simply a reflection of modernity but a virtual continuation of the spaces of the metropolis. He convincingly shows that Hollywood’s dark thrillers of the postwar decades were determined by the same forces that shaped the city itself. Exploring classic examples of film noir such as The Asphalt Jungle, Double Indemnity, Kiss Me Deadly, and The Naked City alongside many lesser-known works, Dimendberg masterfully interweaves film history and urban history while perceptively analyzing works by Raymond Chandler, Edward Hopper, Siegfried Kracauer, and Henri Lefebvre. A bold intervention in cultural studies and a major contribution to film history, Film Noir and the Spaces of Modernity will provoke debate by cinema scholars, urban historians, and students of modern culture—and will captivate admirers of a vital period in American cinema.