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"A richly illustrated, faithful record of Eastwood’s work, containing film stills and set photographs as well as previously unpublished photographs from his personal collection, dating from his youth and early years as an actor." --Publishers description.
Through extensive, exclusive interviews with Eastwood (and the friends and colleagues of a lifetime), Time magazine film critic Richard Schickel has penetrated a complex character who has always been understood too quickly, too superficially. Schickel pierces Eastwood's monumental reserve to reveal the anger and the shyness, the shrewdness and frankness, the humor and powerful will that have helped make him what he is today. of photos.
The Ethical Vision of Clint Eastwood by Sara Anson Vaux Pdf
Clint Eastwood is a Hollywood icon, with five Academy Awards, five Golden Globes, and numerous other accolades for his work as an actor, director, producer, and composer. Yet because he rose to fame in "spaghetti westerns" and Dirty Harry shoot-em-ups, few critics have ventured to explore Eastwood's philosophical, ethical, and artistic agenda as an intellectual filmmaker. Addressing this void, film scholar Sara Anson Vaux analyzes fifteen of Eastwood's best-known films from narrative, artistic, and thematic perspectives. She traces the nuanced development of Eastwood's unfolding moral vision over a forty-year continuum, showing how this vision has grown more sophisticated even as many of the motifs expressing it -- justice, confession, war and peace, the gathering, the search for a perfect world -- have remained the same.
Clint Eastwood by Robert E. Kapsis,Kathie Coblentz Pdf
Clint Eastwood (b. 1930) is the only popular American dramatic star to have shaped his own career almost entirely through films of his own producing, frequently under his own direction; no other dramatic star has directed himself so often. He is also one of the most prolific active directors, with thirty-three features to his credit since 1971. As a star, he is often recalled primarily for two early roles--the "Man with No Name" of three European-made Westerns, and the uncompromising cop "Dirty" Harry Callahan. But on his own as a director, Eastwood has steered a remarkable course. A film industry insider who works through the established Hollywood system and respects its traditions, he remains an outsider by steadfastly refusing to heed cultural and aesthetic trends in film production and film style. His films as director have examined an eclectic variety of themes, ranging from the artist's life to the nature of heroism, while frequently calling into question the ethos of masculinity and his own star image. Yet they have remained accessible to a popular audience worldwide. With two Best Director and two Best Picture Oscars to his credit, Eastwood now ranks among the most highly honored living filmmakers. These interviews range over the more than four decades of Eastwood's directorial career, with an emphasis on practical filmmaking issues and his philosophy as a filmmaker. Nearly a third are from European sources--several appearing here in English for the first time.
The Philosophy of Clint Eastwood by Richard T. McClelland,Brian B. Clayton Pdf
Famous for his masculine swagger and gritty roles, American cultural icon Clint Eastwood has virtually defined the archetype of the tough lawman. Beginning with his first on-screen appearance in the television series Rawhide (1959--1965) and solidified by his portrayal of the "Man with No Name" in Sergio Leone's "Dollars" trilogy (1964--1966), he rocketed to stardom and soon became one of the most recognizable actors in Hollywood. The Philosophy of Clint Eastwood examines the philosophy and psychology behind this versatile and controversial figure, exploring his roles as actor, musician, and director. Led by editors Richard T. McClelland and Brian B. Clayton, the contributors to this timely volume discuss a variety of topics. They explore Eastwood's arresting critique and revision of the traditional western in films such as Unforgiven (1992), as well as his attitudes toward violence and the associated concept of masculinity from the Dirty Harry movies (starting in 1971) to Gran Torino (2008). The essays also chart a shift in Eastwood's thinking about the value of so-called rugged individualism, an element of many of his early films, already questioned in Play Misty for Me (1971) and decisively rejected in Million Dollar Baby (2004). Clint Eastwood has proven to be a dynamic actor, a perceptive and daring director, as well as an intriguing public figure. Examining subjects such as the role of civil morality and community in his work, his use of themes of self-reliance and religious awareness, and his cinematic sensibility, The Philosophy of Clint Eastwood will provide readers with a deeper sense of Eastwood as an artist and illuminate the philosophical conflicts and resolutions that drive his films.
Masters of Cinema: Clint Eastwood by Bernard Benoliel Pdf
Clint Eastwood (USA, b. 1930) is a veteran among the grand masters of contemporary American cinema, whose rise through the system took a highly unusual form. After playing iconic roles in Sergio Leone's spaghetti westerns of the 1960s, he returned to Hollywood and underwent a controversial reincarnation as the ultraviolent cop Harry. In the 1970s Eastwood began to direct and, in the style of the great directors of the past, made masterpieces in genres ranging from the western (Unforgiven, 1992) to film noir (Mystic River, 2003), a war epic (Letters from Iwo Jima, 2006), a jazz bio-pic (Bird, 1988), a melodrama (The Bridges of Madison County, 1995) and a sports picture (Million Dollar Baby, 2004). His most recent film, Invictus, takes Eastwood to South Africa and the historic figure of Nelson Mandela, as he continues to explore the question underlying all his films: can human beings overcome experiences of violence and evil?
In American Rebel, bestselling author and acclaimed film historian Marc Eliot examines the ever-exciting, often-tumultuous arc of Clint Eastwood's life and career. As a Hollywood icon, Clint Eastwood--one of film's greatest living legends--represents some of the finest cinematic achievements in the history of American cinema. Eliot writes with unflinching candor about Eastwood's highs and lows, his artistic successes and failures, and the fascinating, complex relationship between his life and his craft. Eliot's prodigious research reveals how a college dropout and unambitious playboy rose to fame as Hollywood's "sexy rebel," eventually and against all odds becoming a star in the Academy pantheon as a multiple Oscar winner. Spanning decades, American Rebel covers the best of Eastwood's oeuvre, films that have fast become American classics: Fistful of Dollars, Dirty Harry, Unforgiven, Mystic River, Million Dollar Baby, and Gran Torino. Filled with remarkable insights into Eastwood's personal life and public work, American Rebel is highly entertaining and the most complete biography of one of Hollywood's truly respected and beloved stars–-an actor who, despite being the Man with No Name, has left his indelible mark on the world of motion pictures.
Eastwood's Iwo Jima by Anne Gjelsvik,Rikke Schubart Pdf
With Flags of Our Fathers (2006) and Letters from Iwo Jima (2006), Clint Eastwood made a unique contribution to film history, being the first director to make two films about the same event. Eastwood's films examine the battle over Iwo Jima from two nations' perspectives, in two languages, and embody a passionate view on conflict, enemies, and heroes. Together these works tell the story behind one of history's most famous photographs, Leo Rosenthal's "Raising the Flag on Iwo Jima." In this volume, international scholars in political science and film, literary, and cultural studies undertake multifaceted investigations into how Eastwood's diptych reflects war today. Fifteen essays explore the intersection among war films, American history, and Japanese patriotism. They present global attitudes toward war memories, icons, and heroism while offering new perspectives on cinema, photography, journalism, ethics, propaganda, war strategy, leadership, and the war on terror.
Clint Eastwood and Issues of American Masculinity by Drucilla Cornell Pdf
In this risk-taking book, a major feminist philosopher engages the work of the actor and director who has progressed from being the stereotypical “man’s man” to pushing the boundaries of the very genres—the Western, the police thriller, the war or boxing movie—most associated with American masculinity. Cornell’s highly appreciative encounter with the films directed by Clint Eastwood revolve around the questions “What is it to be a good man?” and “What is it to be, not just an ethical person, but specifically an ethical man?” Focusing on Eastwood as a director rather than as an actor or cultural icon, she studies Eastwood in relation to major philosophical and ethical themes that have been articulated in her own life’s work. In her fresh and revealing readings of the films, Cornell takes up pressing issues of masculinity as it is caught up in the very definition of ideas of revenge, violence, moral repair, and justice. Eastwood grapples with this involvement of masculinity in and through many of the great symbols of American life, including cowboys, boxing, police dramas, and ultimately war—perhaps the single greatest symbol of what it means (or is supposed to mean) to be a man. Cornell discusses films from across Eastwood’s career, from his directorial debut with Play Misty for Me to Million Dollar Baby. Cornell’s book is not a traditional book of film criticism or a cinematographic biography. Rather, it is a work of social commentary and ethical philosophy. In a world in which we seem to be losing our grip on shared symbols, along with community itself, Eastwood’s films work with the fragmented symbols that remain to us in order to engage masculinity with the most profound moral and ethical issues facing us today.
Through extensive, exclusive interviews with Eastwood (and the friends and colleagues of a lifetime), Time magazine film critic Richard Schickel has penetrated a complex character who has always been understood too quickly, too superficially. Schickel pierces Eastwood's monumental reserve to reveal the anger and the shyness, the shrewdness and frankness, the humor and powerful will that have helped make him what he is today. of photos.
LIFE Icons Clint Eastwood by The Editors of LIFE Pdf
To launch our new line of LIFE books celebrating legendary figures in our world, who better than Clint Eastwood? He is an icon among icons, a titanic figure in movie history still going strong at age 82. The recent dustup over his "Halftime in America" ad during the Super Bowl only confirms how large Eastwood looms in the American imagination: He is a Will Rogers or John Wayne walking among us. Clinton Eastwood Jr. was born in San Francisco, and nothing about him might have presaged his future except for rugged good looks. Those alone were enough to get him a supporting role in the TV series "Rawhide" in 1959. LIFE magazine was a weekly chronicler of Hollywood at the time, and we have been on the Eastwood case ever since: the spaghetti westerns (A Fistful of Dollars, etc.); the Dirty Harry movies; the directorial efforts, beginning with Play Misty for Me and right up through Unforgiven, Mystic River, Million Dollar Baby and Gran Torino; even the sideline jobs-his love of jazz piano and his career as a composer; his nonpartisan mayoralty of his chosen California town, Carmel-by-the-Sea. LIFE has visited Eastwood at home and even played golf with him on his own course overlooking the Pacific, and this will be an up-close-and-personal look at a man who is, perhaps as much as any American, too often seen as mere symbol. LIFE's new book series, ICONS, will present the famous in a way that allows our readers to know these people-often in a way they had never known them before.
This book assembles an unprecedented selection of film art that spans Eastwood's entire career - from the 1950s to the present. Culling together over 400 pieces amassed by collector David Frangioni, this trove of promotional artwork gathers together posters, lobby cards, studio ads, and other marketing ephemera that have been used to advertise and define Eastwood's films and image throughout the world. From his early roles as the nameless gunslinger in Sergio Leone's Spaghetti Westerns, to the vigilante films of the 1970s and 1980s, through his maturation into a major American director, this study in film iconology by Frangioni and film historian Thomas Schatz documents and assesses the stunning art that has helped make Eastwood a powerful presence and a truly classic figure of cinema.
