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Dive into a captivating realm of speculative wonders with this bold and imaginative collection of post-apocalyptic tales. Within these pages, you’ll encounter extraordinary individuals who dare to seek a life beyond the confines of their small world, defying conventions and pushing boundaries. Venture forth with them as they journey beyond the horizon in search of the elusive source of ice, scale an enigmatic mountain to uncover its secrets, master the art of horsemanship, or strive to escape the wrath of a relentless apocalypse of disease and fire. But these stories are not only about physical journeys. Each story pushes the boundaries of the characters’ world while also defying readers’ expectations in regard to gender, identity, and sexuality. As philosophical as they are inventive, Echoes of the Red Earth will challenge readers to reconsider their own world, pushing them to view the things they take for granted in an entirely new light.
Dive into a captivating realm of speculative wonders with this bold and imaginative collection of post-apocalyptic tales. Within these pages, you’ll encounter extraordinary individuals who dare to seek a life beyond the confines of their small world, defying conventions and pushing boundaries. Venture forth with them as they journey beyond the horizon in search of the elusive source of ice, scale an enigmatic mountain to uncover its secrets, master the art of horsemanship, or strive to escape the wrath of a relentless apocalypse of disease and fire. But these stories are not only about physical journeys. Each story pushes the boundaries of the characters’ world while also defying readers’ expectations in regard to gender, identity, and sexuality. As philosophical as they are inventive, Echoes of the Red Earth will challenge readers to reconsider their own world, pushing them to view the things they take for granted in an entirely new light.
In the heart of Indigenous Australia in 1886, Wirrin, a spirited young member of the local community, discovers unusual tracks near his camp. Concerned, he seeks guidance from Murrigan, a wise elder with a profound connection to Dreamtime stories.
In this “dazzling adventure” from the New York Times–bestselling author, a man adrift in space finds himself facing the edge of madness (Jack McDevitt). The Frank Tipler is just one of a thousand survey vessels sent out into the bubble of space surrounding Earth, seeking habitable worlds and signs of advanced life. Its crew has stumbled across artifacts left behind by a benevolent trader species, but the decision to study them is fraught with danger and uncertainty. The Tipler's crew consists of forty flawed electronic copies of human beings, some of them profoundly damaged—and Earth stopped responding to signals over a century ago. Caught between madness and political machinations, Alander stands on the brink of what might be the greatest discovery humanity has ever made—and a gift that humanity can’t afford to accept. “ECHOES OF EARTH is a dazzling adventure, sweeping the reader along from marvel to wonder, and it includes one of the most heart-stopping moments I've encountered in a novel in years.” —Jack McDevitt “[The] book can't be discussed or even described without spoiling some of the surprises, which are mutually reinforcing as well as juicy in themselves. I will, however, give in to the temptation to drop a few more of the names that came to mind as I was reading: the Three Gregs (Bear, Benford, Egan), Linda Nagata, and Frederik Pohl…. As the first of a series... ECHOES promises to rev its Ideas right past the red-line and drive them hard.” —Locus “The science in Dix and Williams’s work shines, entrancing with its glitter and innovation… and you won’t find any of their novels without fully-fleshed out characters, complex plots, vivid settings and thoughtful exploration of issues.” —SF Site “The authors have already made a name for themselves as writers of intelligent space opera, and ECHOES OF EARTH is sure to further bolster that reputation. The book is chock full of marvelous events, cosmic significance, mysterious alien motivations, and the wonder of outer space.” —Science Fiction Chronicle Winner of the Ditmar Award.
BUCKLEY, BATMAN & MYNDIE: Echoes of the Victorian culture-clash frontier by Anonim Pdf
SOUNDING 3 begins with Echo 34: DERRIMUTT THE GO-BETWEEN. This clan head of the Bunurong people was the traditional ‘owner’ of the town site that became Melbourne’s CBD on the western side of the river. Bible-bashing Protector Thomas’s journals of camping with the natives at what is now the Botanic Gardens is eye-opening and reveals mind-bending mysteries and misery with grog and gun-control issues that resonate on up to today. This Sounding personalises many local Kulin identities such as Polierong aka Billy Lonsdale and Yabbee aka Billy Hamilton who name-swapped with the early leading townsmen and squatters on their ‘country’. Next follow snippets from Mick Woiwod’s fictional but faithful novel The Last Cry, along with his Yarra Valley anthropology and reconciliatory vision. Surveying and selling off the Yarra and Diamond Valley ‘badlands’ stringybark forest leads into discussions on sorcery, smallpox and culture-collapse into fringe-dwelling. The frontier moves on north, west and east and the tone changes to academic, political and biographic studies of Aboriginal workers and surviving kooris including the life and times of Wurundjeri clan heads Billibellary, Simon Wonga and William Barak. In the decades after World War 2, academic historical analysis led to the politicized ‘history wars’ as reaction to the racist colonial ‘white Australia policy’ lies, fears and distortions cloaked by denial and patriotism. Echo 49: THE NATIVE POLICE – Turncoats or adaptation [?] is the largest echo in this Sounding and the question is posed in five parts, the last being Irish observer Claire Dunne on applying the bloody colonial lessons of Port Phillip to frontier Queensland and beyond to Central Australia’s mass-murderer Constable Willshire and the cultural logic of settler nationalism. Echoes follow on re-visioning Aboriginal / white history and historical geography research of ‘high country’ clans and language groups in my unsatisfied search of a supposed ‘superior tribe’ in the Alps who reportedly ‘dwelt in stone houses all year round’. Sounding 3 ends with echoes titled COLONIAL OBSERVATIONS OF HIGH SOCIETY EMIGRANTS containing Georgina and her son George McCrae’s journals of Yarra-side and pioneering the Mornington peninsula in the 1840s along with early 1860s photographs of native people collected by gentleman squatter John Hunter Kerr.
Blue lights in the red dust... Echo Springs on the edge of the outback – a town where everyone knows your name, and your business. But the wholesome country living and welcoming community aren't what they used to be. Echo Springs has a dark underbelly, and it is seeping ever outward. Jacinta Buchanan understands stress. Between trying to keep the family farm going and convince her father that she's the best (and only) option to take over permanently, she has a lot on her plate. So when one of the old mines on the property blows up, killing a local teenager, she can barely hold it together. But finding out that she's a suspect and the cop sent to investigate her is her brother's best friend is the absolute last straw. Country cop Mac Hudson is used to disappointment. He's watched friends, classmates, townspeople he likes and respects cross the line time and time again, and it's his job to dole out the consequences. But discovering that Jac Buchanan has a meth lab on her property is an unexpected blow, so when she hatches a plan to prove her innocence and draw out the real culprits, he agrees to go along. But there's a darkness on Bull's Run that runs deeper than they expect and a darkness in Echo Springs that stretches further than they can imagine. In their quest for the truth, Jacinta and Mac will have to risk the town they both love and the future they're only beginning to imagine. Echo Springs, book 4
Blue lights in the red dust... Echo Springs on the edge of the outback – a town where everyone knows your name, and your business. But the wholesome country living and welcoming community aren't what they used to be. Echo Springs has a dark underbelly, and it is seeping ever outward. Brilliant forensic pathologist, Erika Hanson, fled from Echo Springs as a teenager, leaving behind a past of tragedy and pain. But when local police announce they've found her beloved brother's body in a meth lab explosion, she knows she must return to clear Peter's name and find out what really happened. Because Peter would never get involved with the drug tag sweeping across the small town of Australia and destroying lives. Hartley Cooper has a past with Erika Hanson, but that's not going to keep him from doing his job. He's seen what grief can do, and denial is only the first step. But Erika is convinced that Peter can't be involved, and her meticulous, professional skills start to convince Hartley as well. When Erika's digging and questions get too personal, the town turns against them, Hartley knows Erika might run again. But this time he's ready. And he's not going to let her go. Echo Springs, book 1
J. W. Chafe,Historical and Scientific Society of Manitoba,Manitoba Historical Society
Author : J. W. Chafe,Historical and Scientific Society of Manitoba,Manitoba Historical Society Publisher : Manitoba Historical Society ; Toronto : McClelland and Stewart Page : 184 pages File Size : 44,9 Mb Release : 1973 Category : Manitoba ISBN : UVA:X002555735
Backgazing: Reverse Time in Modernist Culture by Paul Giles Pdf
This volume trace ways in which time is represented in reverse forms throughout modernist culture, from the beginning of the twentieth century until the decade after World War II. Though modernism is often associated with revolutionary or futurist directions, this book argues instead that a retrograde dimension is embedded within it. By juxtaposing the literature of Europe and North America with that of Australia and New Zealand, it suggests how this antipodean context serves to defamiliarize and reconceptualize normative modernist understandings of temporal progression. Backgazing thus moves beyond the treatment of a specific geographical periphery as another margin on the expanding field of 'New Modernist Studies'. Instead, it offers a systematic investigation of the transformative effect of retrograde dimensions on our understanding of canonical modernist texts. The title, 'backgazing', is taken from Australian poet Robert G. FitzGerald's 1938 poem 'Essay on Memory', and it epitomizes how the cultural history of modernism can be restructured according to a radically different discursive map. Backgazing intellectually reconfigures US and European modernism within a planetary orbit in which the literature of Australia and the Southern Hemisphere, far from being merely an annexed margin, can be seen substantively to change the directional compass of modernism more generally. By reading canonical modernists such as James Joyce and T. S. Eliot alongside marginalized writers such as Nancy Cunard and others and relatively neglected authors from Australia and New Zealand, this book offers a revisionist cultural history of modernist time, one framed by a recognition of how its measurement is modulated across geographical space.
Red Earth is a sprawling prose poem and source code for Michael Salu's broader interdisciplinary artistic study. Conversing with Dante, probabilistic computation and Yoruba metaphysics, Red Earth is a meditation on the precarity of life and death. Engaging geographical dissonance and varied cultural interpretations of time and morality, Red Earth eventually questions what the virtual realm means for the self and memory, and in particular, memories unacknowledged by the dichotomous 'universal' language of code.
Ayesha Ramachandran reconstructs the imaginative struggles of early modern artists, philosophers, and writers to make sense of something that we take for granted: the world, imagined as a whole. 'The Worldmakers' moves beyond histories of globalisation to explore how 'the world' itself - variously understood as an object of inquiry, a comprehensive category, and a system of order - was self-consciously shaped by human agents.
Bell Telephone Laboratories, inc. Libraries and Information Systems Center,Bell Telephone Laboratories. Libraries and Information Systems Center
Author : Bell Telephone Laboratories, inc. Libraries and Information Systems Center,Bell Telephone Laboratories. Libraries and Information Systems Center Publisher : Unknown Page : 586 pages File Size : 48,5 Mb Release : 1984 Category : Electrical engineering ISBN : UOM:39015009802748
Bell Laboratories Talks and Papers by Bell Telephone Laboratories, inc. Libraries and Information Systems Center,Bell Telephone Laboratories. Libraries and Information Systems Center Pdf
Aboriginal Music in Contemporary by Anna Hoefnagels,Beverley Diamond Pdf
First Nations, Inuit, and Métis music in Canada is dynamic and diverse, reflecting continuities with earlier traditions and innovative approaches to creating new musical sounds. Aboriginal Music in Contemporary Canada narrates a story of resistance and renewal, struggle and success, as indigenous musicians in Canada negotiate who they are and who they want to be. Comprised of essays, interviews, and personal reflections by Aboriginal and non-Aboriginal musicians and scholars alike, the collection highlights themes of innovation, teaching and transmission, and cultural interaction. Individual chapters discuss musical genres ranging from popular styles including country and pop to nation-specific and intertribal practices such as powwows, as well as hybrid performances that incorporate music with theatre and dance. As a whole, this collection demonstrates how music is a powerful tool for articulating the social challenges faced by Aboriginal communities and an effective way to affirm indigenous strength and pride. Juxtaposing scholarly study with artistic practice, Aboriginal Music in Contemporary Canada celebrates and critically engages Canada's vibrant Aboriginal music scene. Contributors include Véronique Audet (Université de Montreal), Columpa C. Bobb (Tsleil Waututh and Nlaka'pamux, Manitoba Theatre for Young People), Sadie Buck (Haudenosaunee), Annette Chrétien (Métis), Marie Clements (Métis/Dene), Walter Denny Jr. (Mi'kmaw), Gabriel Desrosiers (Ojibwa, University of Minnesota, Morris), Beverley Diamond (Memorial University), Jimmy Dick (Cree), Byron Dueck (Royal Northern College of Music), Klisala Harrison (University of Helsinki), Donna Lariviere (Algonquin), Charity Marsh (University of Regina), Sophie Merasty (Dene and Cree), Garry Oker (Dane-zaa), Marcia Ostashewski (Cape Breton University), Mary Piercey (Memorial University), Amber Ridington (Memorial University), Dylan Robinson (Stó:lo, University of Toronto), Christopher Scales (Michigan State University), Gilles Sioui (Wendat), Gordon E. Smith (Queen's University), Beverly Souliere (Algonquin), Janice Esther Tulk (Memorial University), Florent Vollant (Innu) and Russell Wallace (Lil'wat).
