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Edith Wharton and the Art of Fiction by Penelope Vita-Finzi Pdf
Vita-Finzi (English literature and theatre studies, Ealing College, London) explores Wharton's concept of the artist through a study of her fiction, published and unpublished, and autobiographical material. She shows that Wharton's views were rooted in 19th century thought rather than contemporary literary and intellectual debates, and refutes the view of Wharton as a standard 19th century "woman writer". Annotation copyrighted by Book News, Inc., Portland, OR
Among the many twentieth century treatises on the art of writing, there were few that attempted to analyze the development of form and style. But Edith Wharton's bestselling classic, 'The Writing of Fiction' did just that. Complete with chapters devoted to the invaluable insight on character, pacing, structure, the short story, the novel, and a wide-range of approaches to modern fiction. The book is a window into the mind of one of America's most important and enduring voices. In 1921, Edith Wharton became the first woman to win a Pulitzer Prize for her 1920 novel 'The Age of Innocence'. Edith Wharton (1862–1937) was a prolific novelist and one of the twentieth century’s greatest authors. 'The Age of Innocence', her Pulitzer-winning novel was made into the acclaimed Martin Scorsese film of the same name – starring Daniel Day-Lewis, Michelle Pfeiffer, and Winona Ryder. Wharton's work has sold millions of copies worldwide. Among her other renowned works are 'The House of Mirth' and 'Ethan Frome'.
Edith Wharton and the Visual Arts by Emily J. Orlando Pdf
This work explores Edith Wharton's career-long concern with a 19th-century visual culture that limited female artistic agency and expression. Wharton repeatedly invoked the visual arts as a medium for revealing the ways that women's bodies have been represented (as passive, sexualized, infantalized, sickly, dead). Well-versed in the Italian masters, Wharton made special use of the art of the Pre-Raphaelite Brotherhood, particularly its penchant for producing not portraits of individual women but instead icons onto whose bodies male desire is superimposed.
Based on extensive new archival research, Edith Wharton and Genre: Beyond Fiction offers the first study of Wharton’s full engagement with original writing in genres outside those with which she has been most closely identified. So much more than an acclaimed novelist and short story writer, Wharton is reconsidered in this book as a controversial playwright, a gifted poet, a trailblazing travel writer, an innovative and subversive critic, a hugely influential design writer, and an author who overturned the conventions of autobiographical form. Her versatility across genres did not represent brief sidesteps, temporary diversions from what has long been read as her primary role as novelist. Each was pursued fully and whole-heartedly, speaking to Wharton’s very sense of herself as an artist and her connected vision of artistry and art. The stories of these other Edith Whartons, born through her extraordinary dexterity across a wide range of genres, and their impact on our understanding of her career, are the focus of this new study, revealing a bolder, more diverse, subversive and radical writer than has long been supposed.
Despite the popularity of Edith Wharton's novels and stories, her artistic genius has never been fully appreciated. Accordingly, this book provides new readings of such familiar favourites as The House of Mirth and The Age of Innocence as well as neglected works such as Twilight Sleep and The Glimpses of the Moon. The effect of this study is to require reassessment not only of the critical possibilities of Edith Wharton's work and the private life about which she was so reticent, but also of her position in American literature. The book concludes that as a bridge between the Victorian and modern periods, Edith Wharton should stand independently as an American writer of the first rank.
"The Early Short Fiction of Edith Wharton " by Edith Wharton. Edith Wharton was pulitzer prize-winning American novelist, short story writer, and designer (1862-1937).
Edith Wharton constructs a stunning, poignant tale that skillfully explores the shattered lives of distraught parents left behind as their son enlists to fulfill his military duty during World War I.
First published in 1899, "The Greater Inclination" was the first collection of short stories by Edith Wharton. It contains eight works, inducing seven short stories and a two-act play: The Muse's Tragedy", "A Journey", "The Pelican", "Souls Belated", "A Coward", "The Twilight of the God", "A Cup of Cold Water", and "The Portrait". Edith Wharton (January 24, 1862 - August 11, 1937) was an American novelist, writer of short stories, and designer. She won the Pulitzer Prize for literature in won the 1921 for her novel "The Age of Innocence" (1920) and was nominated for the Nobel prize in 1927, 1928 and 1930. Wharton was famous for her novels, within which she married her person experience of life in America's privileged classes with brilliant wit and mastery of language. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in an affordable, modern, high-quality edition complete with a specially commissioned new biography of the author.
Blake Nevius’s close analysis and appraisal of Edith Wharton’s novels and stories reveals the modernity of her fiction and shows why she should have a permanent claim on our attention. Wharton is the only American novelist who has dealt successfully and at length with the remains of traditional New York society, which barely survived the beginning of the twentieth century. She illuminated, as no other novelist of her generation was able to do, a major aspect of U.S. social history through the dramatic conflict between the ideals of the old mercantile and the new industrial societies. Nevius also argues that Wharton, next to Henry James, is our most successful novelist of manners and, along with him, helped preserve the artistic dignity of the novel This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1953.
Three novels are contained in this title from the TWENTIETH CENTURY CLASSICS series, each looking ironically at the affairs of the old and new wealthy American classes moving to Europe. Previous works by Edith Wharton include THE AGE OF INNOCENCE, ETHAN FROME and SUMMER.
Glennard had never thought himself a hero; but he had been certain that he was incapable of baseness.The Touchstone is a novella, written by Edith Wharton in 1900; it was the first of her many stories describing life in old New York.The story of a young man who scorns the love of a tortured novelist, only to have her words come back to haunt him from the dead, The Touchstone shows off the skills Wharton became famous for in novels such as Ethan Frome and House of Mirth, particularly her piercing and delicious talent for satiric observation. But despite its masterly control, this startlingly modern tale is also a simmering, rebel cri de coeur unleashed by a writer who was herself unappreciated in her own time. The combination of these attributes make this edgy novella a moving and suspenseful homage to the power of literature itself.Too short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.
Edith Wharton, one of America's foremost women of letters, chronicled the glittering world of New York society in the early twentieth century. Her stories, collected in such volumes as The Greater Inclination (1899), The Descent of Man and Other Stories (1904), and Tales of Men and Ghosts (1910), scrutinize the moral decay beneath the glamorous facade of wealth and good manners. Although Wharton's sensibilities are closely aligned with Victorian literary tastes, she anticipated the spirit of the 1920s in her use of fallible narrators. Her writing set the stage for the coming generation of modernist writers. Barbara A. White examines Wharton's short fiction from a contemporary feminist perspective, arguing that her work can best be understood in terms of her biography. Suggesting that Wharton was probably the victim of incest, White demonstrates how this terrible experience deeply affected her life and art. White also analyzes Wharton's criticism of social convention, particularly her treatment of the institution of marriage. Closing with selections from Wharton's own writings and from other prominent critics, this provocative study illuminates the psychological complexity and astute social observation inherent in Wharton's work. Edith Wharton: A Study of the Short Fiction is certain to be a seminal work in Wharton studies.
Selected Poems of Edith Wharton by Edith Wharton,Irene Goldman-Price Pdf
Edith Wharton, the first woman to win the Pulitzer Prize for Fiction with her novel The Age of Innocence, was also a brilliant poet. This revealing collection of 134 poems brings together a fascinating array of her verse—including fifty poems that have never before been published. The celebrated American novelist and short story writer Edith Wharton, author of The House of Mirth, Ethan Frome, and the Pulitzer Prize–winning The Age of Innocence, was also a dedicated, passionate poet. A lover of words, she read, studied, and composed poetry all of her life, publishing her first collection of poems at the age of sixteen. In her memoir, A Backward Glance, Wharton declared herself dazzled by poetry; she called it her “chiefest passion and greatest joy.” The 134 selected poems in this volume include fifty published for the first time. Wharton’s poetry is arranged thematically, offering context as the poems explore new facets of her literary ability and character. These works illuminate a richer, sometimes darker side of Wharton. Her subjects range from the public and political—her first published poem was about a boy who hanged himself in jail—to intimate lyric poems expressing heartbreak, loss, and mortality. She wrote frequently about works of art and historical figures and places, and some of her most striking work explores the origins of creativity itself. These selected poems showcase Wharton’s vivid imagination and her personal experience. Relatively overlooked until now, her poetry and its importance in her life provide an enlightening lens through which to view one of the finest writers of the twentieth century.