Egon Schiele And His Contemporaries

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Egon Schiele and His Contemporaries

Author : Rudolf Leopold,Kunsthaus Zürich
Publisher : Prestel Publishing
Page : 304 pages
File Size : 47,9 Mb
Release : 1989
Category : Art
ISBN : UOM:39015015838470

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Egon Schiele and His Contemporaries by Rudolf Leopold,Kunsthaus Zürich Pdf

Egon Schiele and His Contemporaries

Author : Rudolf Leopold,Kunsthaus Zürich
Publisher : Prestel Pub
Page : 295 pages
File Size : 51,7 Mb
Release : 1989
Category : Art
ISBN : 3791309218

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Egon Schiele and His Contemporaries by Rudolf Leopold,Kunsthaus Zürich Pdf

Egon Schiele

Author : Simon Wilson
Publisher : Phaidon
Page : 84 pages
File Size : 55,7 Mb
Release : 1993-09-13
Category : Art
ISBN : UOM:39015017430995

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Egon Schiele by Simon Wilson Pdf

An exploration of the influences that have shaped the Austrian Expressionist.

Egon Schiele

Author : Alessandra Comini,Egon Schiele
Publisher : Unknown
Page : 138 pages
File Size : 44,8 Mb
Release : 2017-01-03
Category : Art
ISBN : 1632931672

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Egon Schiele by Alessandra Comini,Egon Schiele Pdf

The Art of Egon Schiele

Author : Erwin Mitsch,Egon Schiele
Publisher : Unknown
Page : 288 pages
File Size : 47,5 Mb
Release : 1988
Category : Drawing, Austrian
ISBN : UCSC:32106011088033

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The Art of Egon Schiele by Erwin Mitsch,Egon Schiele Pdf

This study examines the character and development of Egon Schiele whoseistinctive and original Expressionism reaffirmed the unrecognized role ofienna as one of the leading centres of the fine arts. He is regarded as onef the major artists of the twentieth century here and the text examines hisontact with and influences of Munch, Rodin, Klimt and other contemporaries.;he plate section consists of examples of his paintings, watercolours andrawings in chronological order - nudes, portraits, allegories and landscapesntil his death in 1918.

Egon Schiele

Author : Danielle Knafo
Publisher : Unknown
Page : 206 pages
File Size : 47,6 Mb
Release : 1993
Category : Art
ISBN : UOM:39015032756093

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Egon Schiele by Danielle Knafo Pdf

Study of the work of the Australian artist

Austrian Information

Author : Anonim
Publisher : Unknown
Page : 194 pages
File Size : 52,5 Mb
Release : 1993
Category : Austria
ISBN : UOM:39015068982324

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Austrian Information by Anonim Pdf

Egon Schiele, 1890-1918

Author : Reinhard Steiner,Egon Schiele
Publisher : Taschen
Page : 108 pages
File Size : 52,7 Mb
Release : 2000
Category : Art
ISBN : 3822863270

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Egon Schiele, 1890-1918 by Reinhard Steiner,Egon Schiele Pdf

Schiele had the most long-lasting influence on the Vienna art scene after the great era of Klimt came to a close. After a short flirtation with the style of his mentor Klimt, Schiele soon questioned the aesthetic orientation to the beautiful surface of the Viennese Art Nouveau with his rough and not easily accessible paintings.

Between Ruin and Renewal

Author : Professor Kimberly A Smith,Kimberly A. Smith,Egon Schiele
Publisher : Yale University Press
Page : 244 pages
File Size : 48,8 Mb
Release : 2004-01-01
Category : Art
ISBN : 9780300097481

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Between Ruin and Renewal by Professor Kimberly A Smith,Kimberly A. Smith,Egon Schiele Pdf

Smith takes a provocative look at the fascinating and beautiful landscapes painted by Austrian artist Egon Schiele (1890-1918), renowned for his intensely confrontational portraits, self-portraits, erotic images, and allegories. 90 illustrations, 50 in color.

Egon Schiele

Author : Gemma Blackshaw,Kathryn Simpson
Publisher : Paul Holberton Publishing
Page : 0 pages
File Size : 53,7 Mb
Release : 2014
Category : Nude in art
ISBN : 1907372695

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Egon Schiele by Gemma Blackshaw,Kathryn Simpson Pdf

Rising to prominence in Vienna alongside Gustav Klimt and Oskar Kokoschka in the turbulent years around the First World War, Egon Schiele (1890-1918) is one of the most important artists of the early 20th century and a central figure of Austrian Expressionism. He produced some of the most radical depictions of the human figure created in modern times - so radical that in 1912 Schiele was imprisoned for two months for exhibiting his 'offensive' nudes. At the trial the judge is alleged to have burned some of the artist's drawings in open court with a candle flame. Accompanying the first ever museum show in this country devoted entirely to the artist, this publication will explore in detail one of Schiele's most vital and original subjects - his extraordinary drawings and watercolors of male and female nudes. It will bring together an outstanding group of the artist's works to chart his groundbreaking approach during his short but urgent career. Schiele's technical virtuosity, highly original vision and unflinching depictions of the naked figure distinguish these works as being among his most significant contributions to the development of modern art. This sharply focused catalogue will be provide an opportunity to examine more than thirty of these radical works, assembled from international public and private collections for the exhibition. Schiele arrived in Vienna in 1906, aged just fifteen, to train as an artist. He quickly proved his precocious talent and the following year sought out Klimt, who mentored Schiele and helped establish his reputation. Nothing he produced during these first few years in Vienna prepares us for the extraordinary breakthrough Schiele made in 1910 when he began to draw the figure in an entirely new way and the subject of the nude took on an increasingly important role. Highly gestural and expressive, his nudes from this year are manipulated to perform a psychologically charged body language that soon became a hallmark of his art. This catalogue will begin with a rich selection of nudes from this seminal year including a number of Schiele's powerful naked self-portraits. The main section will explore his provocative nudes of the following few years when he pushed artistic convention to offer a more direct expression of human experience, bound up with themes of self-expression, procreation, sexuality and eroticism. Many of these works affronted contemporary standards of morality and were considered pornographic. The last part of the book will look at works from the final productive years of Schiele's short life before his untimely death in 1918 from Spanish influenza, aged just 28. His later nudes suggest a more classical solidity and sometimes lyricism, whilst retaining their unflinching rawness as naked bodies. Throughout the book will be a number of major self-portraits, demonstrating how Schiele's approach was linked to his sense of self and his ongoing examination of his physical and psychological make-up. An important aspect of all these works is Schiele's unique draftsmanship and the authors will investigate the development of his technique and approach to the medium that he made so distinctively his own, as well as his wide-ranging influence on the course of modern art that still resonates today.

Egon Schiele

Author : Egon Schiele
Publisher : Unknown
Page : 0 pages
File Size : 44,7 Mb
Release : 1998
Category : Art
ISBN : OCLC:850164420

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Egon Schiele by Egon Schiele Pdf

Egon Schiele

Author : Egon Schiele,Rudolf Leopold,Elisabeth Leopold,Leopold Museum
Publisher : Prestel Publishing
Page : 294 pages
File Size : 52,6 Mb
Release : 2009
Category : Art
ISBN : UCSD:31822036440055

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Egon Schiele by Egon Schiele,Rudolf Leopold,Elisabeth Leopold,Leopold Museum Pdf

The Leopold Museum in Vienna is a Mecca for devotees of Egon Schiele as it houses the world's largest permanent collection of the artist's works. Comprising works from 1905 to 1918, the year of Schiele's death, this book features large-scale reproductions that allow readers to closely examine the artist's extraordinary use of line and colour. Presented chronologically, these works on paper are accompanied by insightful commentary. An introduction and biography of Schiele by Rudolf Leopold discuss the artist's influences, his controversial career, and his place in the pantheon of twentieth-century artists.

Egon Schiele, 1890-1918

Author : Reinhard A. Steiner,Egon Schiele
Publisher : Taschen
Page : 100 pages
File Size : 42,7 Mb
Release : 1993
Category : Art
ISBN : STANFORD:36105017210423

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Egon Schiele, 1890-1918 by Reinhard A. Steiner,Egon Schiele Pdf

Painting and Sculpture in Europe, 1880-1940

Author : George Heard Hamilton
Publisher : Yale University Press
Page : 628 pages
File Size : 46,5 Mb
Release : 1993-01-01
Category : Art
ISBN : 0300056494

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Painting and Sculpture in Europe, 1880-1940 by George Heard Hamilton Pdf

This new edition of 'a book that offers the best available grounding in its huge subject,' as the Sunday Times called it, includes color plates and a revised and expanded bibliography. Professor Hamilton traces the origins and growth of modern art, assessing the intrinsic qualities of individual works and describing the social forces in play. The result is an authoritative guide through the forest of artistic labels-Impressionism and Expressionism, Symbolism, Cubism, Constructivism, Surrealism, etc.-and to the achievements of Degas and Cezanne, Ensor and Munch, Matisse and Kandinsky, Picasso, Braque, and Epstein, Mondrian, Dali, Modigliani, Utrillo and Chagall, Klee, Henry Moore, and many other artists in a revolutionary age.

Egon Schiele and the Art of Popular Illustration

Author : Claude Cernuschi
Publisher : Taylor & Francis
Page : 416 pages
File Size : 47,7 Mb
Release : 2022-09-02
Category : Art
ISBN : 9781000648355

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Egon Schiele and the Art of Popular Illustration by Claude Cernuschi Pdf

Presenting a radically different picture of Egon Schiele’s work, this study documents (in one-to-one comparisons) the extent of the artist’s visual borrowings from the Viennese humoristic journal, Die Muskete. Claude Cernuschi analyzes each comparison on a case-by-case basis, primarily because the interpretation of cartoons and caricatures is highly contingent on their specific historical and cultural context. Although this connection has gone unnoticed in the literature, in retrospect, this correlation makes perfect sense. Not only was Schiele’s artistic production frequently compared to caricature (and derided for being “grotesque”), but Expressionism and caricature are natural allies. One may belong to “high” art and the other to “popular” culture, yet both presuppose similar assumptions and deploy a similar rhetorical position: namely, that the exaggeration of human physiognomy allows deeper psychological “truths” to emerge. The book will be of interest to scholars working in art history, visual culture, popular culture, and politics.