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Author : Daniel Stolzenberg Publisher : University of Chicago Press Page : 320 pages File Size : 47,9 Mb Release : 2013-04 Category : Foreign Language Study ISBN : 9780226924144
Stolzenberg presents a new interpretation of Kircher's hieroglyphic studies, placing them in the context of seventeenth-century scholarship on paganism and Oriental languages. Situating Kircher in the social world of baroque Rome, with its scholars, artists, patrons, and censors, he shows how Kircher's study of ancient paganism depended on the circulation of texts, artifacts, and people between Christian and Islamic civilisations.
"Given the historical orientation of philosophy, is it unreasonable to suggest a wider cast of the net into the deep waters of magic? By encountering magical thought as theory, we come to a new understanding of a thought that looks back at us from a funhouse mirror."-from The Occult Mind Divination, like many critical modes, involves reading signs, and magic, more generally, can be seen as a kind of criticism that takes the universe-seen and unseen, known and unknowable-as its text. In The Occult Mind, Christopher I. Lehrich explores the history of magic in Western thought, suggesting a bold new understanding of the claims made about the power of various belief systems. In closely interlinked essays on such disparate topics as ley lines, the Tarot, the Corpus Hermeticum, writing and ritual in magical practice, and early attempts to decipher Egyptian hieroglyphics, Lehrich treats magic and its parts as an intellectual object that requires interpretive zeal on the part of readers/observers. Drawing illuminating parallels between the practice of magic and more recent interpretive systems-structuralism, deconstruction, semiotics-Lehrich deftly suggests that the specter of magic haunts all such attempts to grasp the character of knowledge. Offering a radical new approach to the nature and value of occult thought, Lehrich's brilliantly conceived and executed book posits magic as a mode of theory that is intrinsically subversive of normative conceptions of reason and truth. In elucidating the deep parallels between occult thought and academic discourse, Lehrich demonstrates that sixteenth-century occult philosophy often touched on issues that have become central to philosophical discourse only in the past fifty years.
The land of pyramids and sphinxes, pharaohs and goddesses, Egypt has been a source of awe and fascination from the time of the ancient Greeks to the twenty-first century. In Egyptomania, Ronald H. Fritze takes us on a historical journey to unearth the Egypt of the past, a place inhabited by strange gods, powerful magic, spell-binding hieroglyphs, and the uncanny, mummified remains of ancient people. Walking among monumental obelisks and through the dark corridors of long-sealed tombs, he reveals a long-standing fascination with an Egypt of incredible wonder and mystery. As Fritze shows, Egypt has exerted a powerful force on our imagination. Medieval Christians considered it a holy land with many connections to biblical lore, while medieval Muslims were intrigued by its towering monuments, esoteric sciences, and hidden treasures. People of the Renaissance sought Hermes Trismegistus as the ancient originator of astrology, alchemy, and magic, and those of the Baroque pondered the ciphers of the hieroglyphs. Even the ever-practical Napoleon was enchanted by it, setting out in a costly campaign to walk in the footsteps of Alexander the Great through its valleys, by then considered the cradle of Western civilization. And of course the modern era is one still susceptible to the lure of undiscovered tombs and the curses of pharaohs cast on covetous archeologists. Raising ancient Egyptian art and architecture into the light of succeeding history, Fritze offers a portrait of an ancient place and culture that has remained alive through millennia, influencing everything from religion to philosophy to literature to science to popular culture.
From Roman villas to Hollywood films, ancient Egypt has been a source of fascination and inspiration in many other cultures. But why, exactly, has this been the case? In this book, Christina Riggs examines the history, art, and religion of ancient Egypt to illuminate why it has been so influential throughout the centuries. In doing so, she shows how the ancient past has always been used to serve contemporary purposes. Often characterized as a lost civilization that was discovered by adventurers and archeologists, Egypt has meant many things to many different people. Ancient Greek and Roman writers admired ancient Egyptian philosophy, and this admiration would influence ideas about Egypt in Renaissance Europe as well as the Arabic-speaking world. By the eighteenth century, secret societies like the Freemasons looked to ancient Egypt as a source of wisdom, but as modern Egypt became the focus of Western military strategy and economic exploitation in the nineteenth and early twentieth centuries, its ancient remains came to be seen as exotic, primitive, or even dangerous, tangled in the politics of racial science and archaeology. The curse of the pharaohs or the seductiveness of Cleopatra were myths that took on new meanings in the colonial era, while ancient Egypt also inspired modernist, anti-colonial movements in the arts, such as in the Harlem Renaissance and Egyptian Pharaonism. Today, ancient Egypt—whether through actual relics or through cultural homage—can be found from museum galleries to tattoo parlors. Riggs helps us understand why this “lost civilization” continues to be a touchpoint for defining—and debating—who we are today.
In 1500 few Europeans regarded nature as a subject worthy of inquiry. Yet fifty years later the first museums of natural history had appeared in Italy, dedicated to the marvels of nature. Italian patricians, their curiosity fueled by new voyages of exploration and the humanist rediscovery of nature, created vast collections as a means of knowing the world and used this knowledge to their greater glory. Drawing on extensive archives of visitors' books, letters, travel journals, memoirs, and pleas for patronage, Paula Findlen reconstructs the lost social world of Renaissance and Baroque museums. She follows the new study of natural history as it moved out of the universities and into sixteenth- and seventeenth-century scientific societies, religious orders, and princely courts. Findlen argues convincingly that natural history as a discipline blurred the border between the ancients and the moderns, between collecting in order to recover ancient wisdom and the development of new textual and experimental scholarship. Her vivid account reveals how the scientific revolution grew from the constant mediation between the old forms of knowledge and the new.
In the field of classical studies, the psychoanalytic construction of the unconscious is rarely regarded as a fruitful methodological concept. Commonly understood as a modern conceptual invention rather than the discovery of a psychic reality, the notion of the unconscious is often criticized as an anachronistic lens, one that ineluctably subjects ancient experience to modern patterns of thought. The Ancient Unconscious seeks to challenge this ambivalent theoretical disposition toward the psychoanalytic concept and reclaim the value of the unconscious as a methodological tool for the study of ancient texts by transforming our understanding of what the unconscious means, the way it operates, and how it relates to textual hermeneutics. It considers the debate over whether the ancients had an unconscious as an invitation to rethink the relationship between antiquity and modernity, investigating the meaning of textuality through contact between historical moments that have no priority under the law of chronology: associations and connections between the past and its future - including the present - belong to the sphere of the unconscious, which is primarily employed here in order to study the inherent, often hidden, links that bind modernity to classical antiquity and modern to ancient experiences. Drawing on an incisive examination of the complicated, often conflicted, relationship between classical studies and psychoanalytic theory, the volume aims to explain why the concept of the unconscious is in fact inseparable from, and crucial for, the study of the ancient text and, more generally, the methodology of classical philology.
Burma is a resource-rich country in transition: from monarchy to British colony, from independence to military dictatorships, and from the Generals to the Lady, Aung San Suu Kyi. This book traces one of the longest civil wars in history. It’s about the Rohingya, a brutally persecuted people. It’s about pro-democracy uprisings, about sacrifice, and above all, the human resilience and capacity for hope. The book is based on true events and provides unique firsthand insights into key players in this enigmatic and troubled nation.
Eleusis and Enlightenment by Ferdinand Saumarez Smith Pdf
The age of Enlightenment – the so-called age of reason – was also, paradoxically, the age of the Eleusinian mysteries. By attempting to reveal Demeter's secret cult, British, French, and German thinkers and freemasons of the eighteenth century revealed more than they bargained for: the pagan origins of Christian doctrines such as the Trinity and the afterlife, and through the mythical gift of law and agriculture to Eleusis an alternative narrative of the origins of civilisation to that found in the Bible.
How The Book of Mormon Came to Pass by Lars Nielsen Pdf
Several explanations for the seemingly sudden appearance of The Book of Mormon in 1829 (first published in 1830) have been put forth by both historians and apologists alike. Each holds some value to its advocates while displaying obvious inconsistencies and unexplained features. However, significant new evidence necessitates the revision of all such authorship theories, including and especially the sole-authorship hypothesis—that Joseph Smith, Jr. (between the ages of twenty-two and twenty-three) single-handedly composed all the sentences in The Book of Mormon through creative writing, automatic writing, or inspired dictation. Neoteric observations reveal deliberately hidden details in Mormonism’s keystone scripture that could not have been put there by Smith. What is the real story behind how the two bookending characters (Nephi and Mormon) got their names? Where did the idea of Nephi being guided through the wilderness by a spiritually magnetic compass—a curious ball having pointers, spindles, and writing on its sides—truly come from? In this book, such details are called “Kircherisms,” a new class of anachronisms in The Book of Mormon. These Kircherisms have revealed a fresh set of influences, an undiscovered source text, and a wellspring of intriguing evidence that has never been published anywhere else. With an infusion of new data, this book presents a novel and distinctive exegesis as well as a mutually exclusive and collectively exhaustive framework for organizing and evaluating the merits of all prior authorship theories. One mechanism, in particular, has emerged as the most comprehensive, evidence-based, and satisfying explanation for how The Book of Mormon came to pass. Trigger Warning: This book is not written for true-believing Mormons (TBMs). If you are a TBM and you do not yet have a robust support system outside of the Mormon church, do not read this book. If you continue to read it, you accept the responsibility of managing your immediate or eventual faith crisis in a way that will not result in harm to yourself or others.
Ancient Egypt in the Modern Imagination by Eleanor Dobson,Nichola Tonks Pdf
Ancient Egypt has always been a source of fascination to writers, artists and architects in the West. This book is the first study to address representations of Ancient Egypt in the modern imagination, breaking down conventional disciplinary boundaries between fields such as History, Classics, Art History, Fashion, Film, Archaeology, Egyptology, and Literature to further a nuanced understanding of ancient Egypt in cultures stretching from the eighteenth century to the present day, emphasising how some of the various meanings of ancient Egypt to modern people have traversed time and media. Divided into three themes, the chapters scrutinise different aspects of the use of ancient Egypt in a variety of media, looking in particular at the ways in which Egyptology as a discipline has influenced representations of Egypt, ancient Egypt's associations with death and mysticism, as well as connections between ancient Egypt and gendered power. The diversity of this study aims to emphasise both the multiplicity and the patterning of popular responses to ancient Egypt, as well as the longevity of this phenomenon and its relevance today.
The Wisdom of Egypt by Peter J Ucko,Timothy Champion Pdf
The Wisdom of Egypt examines the sources of evidence about Ancient Egypt available to scholars, and the changing visions of Egypt and of Egypt's role in human history that they produced. Its scope extends from the Classical world, through Europe and the Arabic worlds in the Middle Ages, to writers of the Renaissance, to the work of scholars and scientists of Early Modern Europe.
Author : Donald S. Lopez Jr. Publisher : University of Chicago Press Page : 272 pages File Size : 41,7 Mb Release : 2016-11-10 Category : History ISBN : 9780226391236
Strange Tales of an Oriental Idol by Donald S. Lopez Jr. Pdf
How did word of the Buddha first reach Western ears? Over the centuries, until the first reliable introduction to Buddhism was published in France in 1844, rumors and reports of this "oriental idol” and his teachings reached the West in haphazard but fascinating ways. A Jesuit missionary traveling with a Thai delegation to the court of Louis XIV spent months at sea with a Buddhist monk and asked him many questions. A Russian ship captain was held captive for three years in Japan and learned about the Buddha from his jailors. A Catholic priest in China dressed like a Confucian gentleman and learned in this way to disparage the Buddha. British army officers on surveys of India struggled to decipher monuments, inscriptions, and statues. Western references to Buddhism extend back to the first years of the third century CE, and during the sixteenth, seventeenth, and eighteenth centuries, European contact with, and writing about, Buddhism was extensive. Because much of this writing is considered wrong today, it is often forgotten or dismissed, but in this anthology Donald S. Lopez Jr. shows their great importance for understanding how our view of the Buddha evolved, from an idol worshipped by heathens to the revered founder of a religion. This fascinating compendium begins with Clement of Alexandria around 200 and ends with the great French scholar Eugène Burnouf in 1844. It can be read as a companion to Lopez’s 2013 book "From Stone to Flesh: A Short History of the Buddha” (forthcoming in paperback in the same season) or enjoyed on its own for its strange but instructive tales.
The Egyptian Renaissance by Brian Anthony Curran Pdf
Fascination with ancient Egypt is a recurring theme in Western culture, and here Brian Curran uncovers its deep roots in the Italian Renaissance, which embraced not only classical art and literature but also a variety of other cultures that modern readers don't tend to associate with early modern Italy. Patrons, artists, and spectators of the period were particularly drawn, Curran shows, to Egyptian antiquity and its artifacts, many of which found their way to Italy in Roman times and exerted an influence every bit as powerful as that of their more familiar Greek and Roman counterparts. Curran vividly recreates this first wave of European Egyptomania with insightful interpretations of the period's artistic and literary works. In doing so, he paints a colorful picture of a time in which early moderns made the first efforts to decipher Egyptian hieroglyphs, and popes and princes erected pyramids and other Egyptianate marvels to commemorate their own authority. Demonstrating that the emergence of ancient Egypt as a distinct category of historical knowledge was one of Renaissance humanism's great accomplishments, Curran's peerless study will be required reading for Renaissance scholars and anyone interested in the treasures and legacy of ancient Egypt.
