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Twenty-seven years ago, technology died. The fundamental laws of the universe had inexplicably changed. Now, Fred Garey's best friend Yan believes he's found a way to reverse the Change. But Fred fears the repercussions of such drastic, irreversible steps.
“Part post-apocalypse, part road-trip, part sword-and-sorcery . . . One of my favorite adventure novels of all time.” —Cory Doctorow At four-thirty one Saturday afternoon the laws of physics as we know them underwent a change. Electronic devices, cars, industries stopped. The lights went out. Any technology more complicated than a lever or pulley simply wouldn't work. A new set of rules took its place—laws that could only be called magic. Ninety-nine percent of humanity has simply vanished. Cities lie abandoned. Supernatural creatures wander the silenced achievements of a halted civilization. Pete Garey has survived the Change and its ensuing chaos. He wanders the southeastern United States, scavenging, lying low. Learning. One day he makes an unexpected friend: a smartassed unicorn with serious attitude. Pete names her Ariel and teaches her how to talk, how to read, and how to survive in a world in which a unicorn horn has become a highly prized commodity. When they learn that there is a price quite literally on Ariel's head, the two unlikely companions set out from Atlanta to Manhattan to confront the sorcerer who wants her horn. And so begins a haunting, epic, and surprisingly funny journey through the remnants of a halted civilization in a desolated world.
This rich and elegant work describes how the unsettled cultural climate provided fertile soil for the flourishing of elegy. John Rosenberg shows how the phenomenon of elegy pervaded the writing of the period, tracing it through the voices of individuals from Carlyle, Tennyson, Darwin and Ruskin, to Swinburne, Pater, Dickens and Hopkins. Finally, he turns from particular elegists to a common experience that touched them all - the displacement of the older idea of the earthly city as a New Jerusalem by the rise of a new image of the Victorian city as an industrial Inferno, a wasteland of sprawling towns and of rivers so polluted they caught on fire.
Index of American Periodical Verse 1983 by Rafael Catalá,James D. Anderson Pdf
The Index of American Periodical Verse is an important work for contemporary poetry research and is an objective measure of poetry that includes poets from the United States, Canada, and the Caribbean as well as other lands, cultures, and times. It reveals trends in the output of particular poets and the cultural influences they represent. The publications indexed cover a broad cross-section of poetry, literary, scholarly, popular, general, and "little" magazines, journals, and reviews.
Francis Webb (1925-1973) grew up in North Sydney with his paternal grandparents, who encouraged his love of music, books and the sea. This is a collecton of poems by Francis Webb.
Is there an allure of spoiled places? Spoil islands are overlooked places that combine dirt with paradise, waste-land with “brave new world,” and wildness with human intervention. Although they are mundane products of dredging, these islands form an uninvestigated archipelago that demonstrates the potential value and contested re-valuation of landscapes of waste. To explore these islands, Spoil Island: Reading the Makeshift Archipelago navigates a course along the U.S. east coast, moving from New York City to Florida. Along the way, a general populace squats, picnics, and reflects on the islands, while other forces are also at work. New York City parks commissioner Robert Moses first deplores then adopts Hoffman and Swinburne Islands, UN Secretary General U Thant meditates on the East River’s Belmont Island, businessman John D. MacArthur rejects the purchase of Peanut Island, artist Christo surrounds Miami’s spoil islands, Key Westers debate the futures of two spoil islands that mark their sunset view, and artist Robert Smithson augments this archipelago materially and conceptually. Historical and contemporary stories highlight each island’s often contradictory ecologies that pair nature with infrastructure, public concerns with private development, rationalized urbanism with artistic impulse, and order with disorder. Spoil islands put you in places you normally wouldn’t—and perhaps shouldn’t—be. To examine these marginalized topographies is to understand emergent concerns of twenty-first-century place-making, public space, and natural and artificial infrastructure. Today, spoil islands constitute an unprecedented public commons, where human agency and nature are inextricably linked. Spoil Island will be of interest to anyone working in the areas of architecture, cultural history, cultural geography, environmental studies, or environmental philosophy. Linking the islands with their environmental aesthetics, Charlie Hailey provides a lively and critical topography of places that play a part in current events and local situations with global implications.
The Metatheater of Tennessee Williams by Laura Michiels Pdf
Tennessee Williams' characters set the stage for their own dramas. Blanche DuBois (A Streetcar Named Desire), arrived at her sister's apartment with an entire trunk of costumes and props. Amanda Wingfield (The Glass Menagerie) directed her son on how to eat and tries to make her daughter act like a Southern Belle. This book argues for the persistence of one metatheatrical strategy running throughout Williams' entire oeuvre: each play stages the process through which it came into being--and this process consists of a variation on repetition combined with transformation. Each chapter takes a detailed reading of one play and its variation on repetition and transformation. Specific topics include reproduction in Sweet Bird of Youth (1959), mediation in Something Cloudy, Something Clear (1981), and how the playwright frequently recycled previous works of art, including his own.
The elegiac aspect of Ted Hughes' poetry has been frequently overlooked, an oversight which this book sets out to rectify. Encompassing a broad range of themes, from the decline of nature and local industry to the national grief caused by the First World War, this book is a comprehensive addition to the study of Hughes' poetry.
Today genre studies are flourishing, and nowhere more vigorously perhaps than in the field of Renaissance literature, given the importance to Renaissance writers of questions of genre. These studies have been nourished, as Barbara Lewalski points out, by the varied insights of contemporary literary theory. More sophisticated conceptions of genre have led to a fuller appreciation of the complex and flexible Renaissance uses of literary forms. The eighteen essays in this volume are striking in their diversity of stance and approach. Three are addressed to genre theory explicitly, and all reveal a concern with theoretical issues. The contributors are Earl Miner, Ann E. Imbrie, Claudio Guillen, Alastair Fowler, Harry Levin, Morton W. Bloomfield, Mary T. Crane, Barbara J. Bono, Janel M. Mueller, Annabel Patterson, Steven N. Zwicker, Marjorie Garber, Robert N. Watson, John N. King, Heather Dubrow, John Klause, James S. Baumlin, and Francis C. Blessington.
The Band Music Handbook by Christopher M. Cicconi Pdf
The Band Music Handbook: A Comprehensive Catalog of Band Repertoire presents professional, college, community, and school band directors with an essential tool for discovering and selecting appropriate repertoire. Christopher M. Cicconi presents a wide-ranging catalog of band music composed in the past twenty-five years. From the work of John Adams to Ellen Taaffe Zwilich, the music cataloged includes works appropriate for all ages and skill levels. Each work listed includes date of origin, duration, exact instrumentation, and publisher. A number of appendixes further classify the repertoire by composer, title, and duration and offer a detailed list of publishers, a bibliography for further reading, and a comprehensive march list. Following the model of the best-selling Daniels’ Orchestral Music, The Band Music Handbook puts the information that band conductors, directors, and musicians need right at their fingertips. It is also an essential tool for future music educators and instrumental music education students seeking assistance in repertoire selection.
Historical Dictionary of Fantasy Literature by Allen Stroud Pdf
Fantasy is a genre in motion, gradually expanding its reach and historical sources to embrace a global identity Historical Dictionary of Fantasy Literature, Second Edition is a snapshot of the genre in this moment, identifying new themes and sources that are emerging to inspire, enhance and invigorate the published works of fantasy writers.
Kristi McKim offers close-analyses of films in which attachment and detachment, intimacy and distance, ephemera and endurance become more visible and meaningful. Films discussed include Wim Wenders' Wings of Desire , Agnès Varda's Jacquot de Nantes , Doris Dörrie's Cherry Blossoms and Olivier Assayas' Summer Hours.
This book is the definitive guide to Victorian poetry, which its author approaches in the light of modern critical concerns and contemporary contexts. Valentine Cunningham exhibits encyclopedic knowledge of the poetry produced in this period and offers dazzling close readings of a number of well-known poems Draws on the work of major Victorian poets and their works as well as many of the less well-known poets and poems Reads poems and poets in the light of both Victorian and modern critical concerns Places poetry in its personal, aesthetic, historical, and ideological context Organized in terms of the Victorian anxieties of self, body, and melancholy Argues that rhyming/repetition is the major formal feature of Victorian poetry Highlights the Victorian obsession with small subjects in small poems Shows how Victorian poetry attempts to engage with the modern subject and how its modernity segues into modernism and postmodernism