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Elements of Criticism, Vol. 3 (Classic Reprint) by Henry Home Kames Pdf
Excerpt from Elements of Criticism, Vol. 3 Nor conid the Greeks repel the Lycian pow' rs, Nor the bold Lycians force the Grecian tow' rs. As on the confines of adjoining grounds, Two' fiubborn fw ains with blows difpu te their bounds; They tugg, they fweat; but neither gain, nor yield, One foot, one inch, of the contended field Thus obfiinate to death, they fight, they fall. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Elements of Criticism, Vol. 2 (Classic Reprint) by Henry Home Kames Pdf
Excerpt from Elements of Criticism, Vol. 2 Contrary to this rule, the introduction to the third mu lume of the Cbarafienfiicr, is a continued chain of metaphors. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Elements of Criticism, Vol. 2 of 2 (Classic Reprint) by Henry Home Kames Pdf
Excerpt from Elements of Criticism, Vol. 2 of 2 This subject requires the following order: The sounds of the different letters come first: next, these sounds as united in syliables: third, sylla bles united in words; fourth, words united in a period: and, in the last place, periods united in a discourse. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Elements of Criticism, Vol. 1 of 2 (Classic Reprint) by Henry Home Kames Pdf
Excerpt from Elements of Criticism, Vol. 1 of 2 H AT nothing external is perceived till firft it make an impreflion upon the 01. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Elements of Criticism, Vol. 1 (Classic Reprint) by Henry Home Kames Pdf
Excerpt from Elements of Criticism, Vol. 1 Upon that account, they are conceived to be more refined and fpiritual, than what are derived from taiting, touching, and fmelling; for the latter feelings, leeming to exil't externally at the organ of feule, are conceived to be merely cor . About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Elements of Criticism, Vol. 2 by Henry Home Kames Pdf
Excerpt from Elements of Criticism, Vol. 2: With the Author's Last Corrections and Additions, First American From the Seventh London Edition With refpeet to the firft article, every vowel is founded w e expiration of air from the wind-pipe, e cavity of the mouth. By varying this cavity, the ditiierent vowels are founded for the air in paliing throunh cavities differing in lize. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Principles and Methods of Literary Criticism (Classic Reprint) by Lorenzo Sears Pdf
Excerpt from Principles and Methods of Literary Criticism While no formal classification of the chapters in separate sections has been indicated beyond the table of contents, the titles will be found to be grouped, as there, under the general topics of General Features of Criticism, Com mon Forms, Higher Methods, Values, and The Critic. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Cambridge History of Literary Criticism: Volume 1, Classical Criticism by George Alexander Kennedy Pdf
Surveying the beginnings of critical consciousness in Greece and proceeding to the writings of Aristophanes, Plato, Aristotle, and Hellenistic and Roman authors, this volume is not only for classicists but for those with no Greek or Latin who are interested in the origins of literary history, theory, and criticism.
Elements of Criticism (Classic Reprint) by Henry Home Kames Pdf
Excerpt from Elements of Criticism But we are not bound down to this succession by any law of necessity the God of nature offers it to us, in order to advance our happiness; and it is su icient, that he hath enabled us to carry iton in a natural course; Nor has he made our task either disa greeable or difficult on the contrary, the transition is sweet and easy, from corporeal pleasures to the more refined pleasures of sense; and no ess so, from these to the exalted pleasures of mo rality and religion. We stand therefore e d in honour, as well as interest, to second the purposes of nature, y cultivating the pleasures of the eye and ear, those especially that require extraor dinary culture, such as arise from poetry, pain sculpture, ma sic, gardening; and architecture. This especial y is the duty of the opulent, who have leisure to improve their minds and t eir feelings. The fine arts are contrived to give pleasure to the eye and the ear, disregarding the inferior senses. A taste for these arts is a plant that grows naturally in many soils; but, without culture, scarce to perfection in any soil: it is susceptible of much refinement; and is, by proper care, greatly improved. In this re spect, a taste in the fine arts goes hand in hand with the moral sense, to which indeed it is nearly allied: both of them discover what is right and what is wrong; fashion, temper, and education have an influence to vitiate both, or to preserve them pure and un tainted: neither of them are arbitrary nor local: being rooted in human nature, and governed by principles common to all me: . The design of the present undertaking, which aspires not to mo rality, is, to examine the sensitive branch of human nature, to trace the objects that are naturally recable, as well as those that are naturally disagreeable and byatlrese means to discover, if we can, what are the genuine principles of the fine arts. The man who aspires to 'be a critic in these' arts must pierce still deeper: he must acquire a clear perception of what objects are lofty, what low, what proper or impmper, what manly, and what mean or trivial. Hence a foundation for reasoning upon the taste of any individual, and for passing sentence upon it: where it is conforma ble to principles, we can pronounce with certainty that it is cor rect; otherwise, that it is incorrect, and perhaps whimsical. Thus the fine arts, like morals, become a rational science and, like morals, may be cultivated to a high degree of refinement. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
Comparative Criticism: Volume 3 by E. S. Shaffer Pdf
This 1981 volume addresses literary theory and criticism, comparative studies in terms of theme, genre movement and influence, and interdisciplinary perspectives.
The Cambridge History of Literary Criticism: Volume 3, The Renaissance by George Alexander Kennedy,Glyn P. Norton Pdf
This 1999 volume was the first to explore as part of an unbroken continuum the critical legacy both of the humanist rediscovery of ancient learning and of its neoclassical reformulation. Focused on what is arguably the most complex phase in the transmission of the Western literary-critical heritage, the book encompasses those issues that helped shape the way European writers thought about literature from the late Middle Ages to the late seventeenth century. These issues touched almost every facet of Western intellectual endeavour, as well as the historical, cultural, social, scientific, and technological contexts in which that activity evolved. From the interpretative reassessment of the major ancient poetic texts, this volume addresses the emergence of the literary critic in Europe by exploring poetics, prose fiction, contexts of criticism, neoclassicism, and national developments. Sixty-one chapters by internationally respected scholars are supported by an introduction, detailed bibliographies for further investigation and a full index.
