Elizabeth Stoddard The Boundaries Of Bourgeois Culture
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Letters and Cultural Transformations in the United States, 1760-1860 by Sharon M. Harris Pdf
This volume illustrates the significance of epistolarity as a literary phenomenon intricately interwoven with eighteenth- and nineteenth-century cultural developments. Rejecting the common categorization of letters as primarily private documents, this collection of essays demonstrates the genre's persistent public engagements with changing cultural dynamics of the revolutionary, early republican, and antebellum eras. Sections of the collection treat letters' implication in transatlanticism, authorship, and reform movements as well as the politics and practices of editing letters. The wide range of authors considered include Mercy Otis Warren, Charles Brockden Brown, members of the Emerson and Peabody families, Margaret Fuller, Elizabeth Stoddard, Catherine Brown, John Brown, and Harriet Jacobs. The volume is particularly relevant for researchers in U.S. literature and history, as well as women's writing and periodical studies. This dynamic collection offers scholars an exemplary template of new approaches for exploring an understudied yet critically important literary genre.
The Oxford Handbook of American Literary Realism by Keith Newlin Pdf
The scholarship devoted to American literary realism has long wrestled with problems of definition: is realism a genre, with a particular form, content, and technique? Is it a style, with a distinctive artistic arrangement of words, characters, and description? Or is it a period, usually placed as occurring after the Civil War and concluding somewhere around the onset of World War I? This volume aims to widen the scope of study beyond mere definition, however, by expanding the boundaries of the subject through essays that reconsider and enlarge upon such questions. The Oxford Handbook of American Literary Realism aims to take stock of the scholarly work in the area and map out paths for future directions of study. The Handbook offers 35 vibrant and original essays of new interpretations of the artistic and political challenges of representing life. It is the first book to treat the subject topically and thematically, in wide scope, with essays that draw upon recent scholarship in literary and cultural studies to offer an authoritative and in-depth reassessment of major and minor figures and the contexts that shaped their work. Contributors here tease out the workings of a particular concept through a variety of authors and their cultural contexts. A set of essays explores realism's genesis and its connection to previous and subsequent movements. Others examine the inclusiveness of representation, the circulation of texts, and the aesthetic representation of science, time, space, and the subjects of medicine, the New Woman, and the middle class. Still others trace the connection to other arts--poetry, drama, illustration, photography, painting, and film--and to pedagogic issues in the teaching of realism. As a whole, this volume forges exciting new paths in the study of realism and writers' unending labor to represent life accurately.
"Recommended" by Choice Enterprising Youth examines the agenda behind the shaping of nineteenth-century children’s perceptions and world views and the transmission of civic duties and social values to children by adults. The essays in this book reveal the contradictions involved in the perceptions of children as active or passive, as representatives of a new order, or as receptacles of the transmitted values of their parents. The question, then, is whether the business of telling children's stories becomes an adult enterprise of conservative indoctrination, or whether children are enterprising enough to read what many of the contributors to this volume see as the subversive potential of these texts. This collection of literary and historical criticism of nineteenth-century American children’s literature draws upon recent assessments of canon formations, gender studies, and cultural studies to show how concepts of public/private, male/female, and domestic/foreign are collapsed to reveal a picture of American childhood and life that is expansive and constrictive at the same time.
The Fortress of American Solitude by Shawn Thomson Pdf
For individuals who are interested in how Defoe's Robinson Crusoe and other narratives of shipwrecks and castaways influenced antebellum American Culture, Shawn Thomson's The Fortress of American Solitude is useful. More specifically, for Melville scholars, the second, third, and fourth chapters provide some interesting insight into possible readings for how Defoe's novel-and the castaway genre in general-may have influenced Melville's call to sea and the penning of some of his most interesting characters.
Mad/Bad/Sad: Philosophical, Political, Poetic and Artistic Reflections on the History of Madness by Gonzalo Araoz Pdf
This volume collects a series of writings exploring the notion, the experience and the representation of madness from different disciplinary perspectives and in different cultural contexts.
George Orwell, Doubleness, and the Value of Decency by Anthony Stewart Pdf
In its analysis of Animal Farm, Burmese Days, Keep the Aspidistra Flying and Nineteen Eighty-Four, this book argues that George Orwell's fiction and non-fiction weigh the benefits and costs of a doubled perspective.
Beginning with The Portrait of a Lady, this book shows how, in developing his unique form of realism, James highlights the tragic consequences of his American heroine's Romantic imagination, in particular, her Emersonian idealism. In order to expose Emerson's blind spot, a lacuna at the very centre of his New England Transcendentalism, James draws on the Gothic effects of Nathaniel Hawthorne and Edgar Allan Poe, thereby producing an intensification of Isabel Archer's psychological state and precipitating her awakening to a fuller, heightened consciousness. Thus Romanticism takes an aesthetic turn, becoming distinctly Paterian and unleashing queer possibilities that are further developed in James's subsequent fiction. This book follows the Paterian thread, leading to The Author of Beltraffio and Théophile Gauthier, and thereby establishing an important connection with French culture. Drawing on James's famous analogy between the art of fiction and the art of the painter, the book explores a possible link to the Impressionist painters associated with the literary circle Émile Zola dominated. It then turns to A New England Winter, a tale about an American Impressionist painter, and finds traces leading back to James's initiation prèmiere. The book closes with an exploration of the possible sources of Kate Croy's unspeakable father in The Wings of the Dove and proposes a possible intertext, one that provides direct insight into the Victorian closet.
Somewhat on the Community System by Andrew Loman Pdf
Hawthorne wrote much of his major fiction in the decade that the theories of Charles Marie François Fourier crossed the Atlantic and contributed to a wave of communitarian experimentation in the American North. Famously, Hawthorne briefly lived and worked at Brook Farm, a Transcendentalist commune that formally converted to Fourierism when he had left and was embroiled in litigation to recover money he had invested in the community. In his fiction, Hawthorne responded directly to Fourierism and its critique of capitalism. He used his experiences at Brook Farm as the inspiration for The Blithedale Romance, and in The House of the Seven Gables cast one of the principal characters as a recovering Fourierist. In The Scarlet Letter he engaged with Fourierist debates on marriage and the regulation of desire. Somewhat on the Community-System examines these interventions, and argues that Hawthorne's fiction both seeks to contain Fourierism and responds to its allure. Moreover, in formulating alternative, morally acceptable utopias (ones that are predicated on middle-class marriage), Hawthorne's fiction appropriates key aspects of Fourierist theory
No Image There and the Gaze Remains by Catherine Karaguezian Pdf
To date, no book-length study of the work of poet Jorie Graham has been published. Graham now holds the prestigious Boylston Professorship of Rhetoric and Oratory at Harvard University; recipient of a MacArthur Fellowship and a Pulitzer Prize, Graham has established herself as one of the most important poets of her generation. This book addresses the connection between Graham's work and the legacy of American Modernism, arguing that her recurring interest in the visible world and how best to represent it in her poetry can be seen as a continuation of the work of Eliot and Stevens. For Graham, the visible world is a means of approaching the ineffable, or the divine. The poet's approach to the ineffable in her work is conflated at times with the relationship between the self and the other: maintaining the integrity of both and accurately representing the truth of what she sees become a moral project for the poet, aligning her work with that of the Moderns. The book addresses Graham's entire body of work, now nine books of poetry, and interprets her poetic preoccupation with visuality through the lens of psychoanalytic criticism.
Traces the Bohemian movement in late nineteenth-century France, looks at key individuals, including Baudelaire, Verlaine, Satie, Apollinaire, Rimbaud, and Breton, and discusses the characteristics of the movement
A formal analysis A Singing Contest comprises close readings of Seamus Heaney's poetry. Tyler argues that in an era of fractured poetry and politics, Seamus Heaney stands out: his impulse is towards unity and regeneration. Her book considers the interplay between different kinds of literary tradition and community in his poetry. For Heaney, poetry represents a structure allowing imaginative mediation of conflicts that appear irreconcilable in the social, political and historical realms. By detailed structural analysis of diction, meter, imagery and generic form, Tyler illustrates how Heaney's poems create concords from discords, unities from fracture. From the preface by Rosanna Warren: A Singing Contest is written with imaginative and emotional urgency, and in some large sense, as it examines Heaney's spells, it seems itself to want to cast a spell against death. Hence Tyler's return, in various ways, to readings of elegy, whether the fictive elegies of classical pastoral poems, or Heaney's personal elegies. She pores in detail over Clearances, the sonnet sequence composed in memory of the poet's mother in The Haw Lantern, and she concludes her book with a chapter on literary elegies, Heaney's farewells to his friends and admired contemporaries Ted Hughes, Zbigniew Herbert, and Joseph Brodsky. In these analyses, one sees the wholeness of Tyler's project: her argument that for Heaney, literary tradition itself, rightly received and transformed, reaches into the voids made by death, and establishes connection across rupture. Her thesis is an ancient one, and she gives it particular shape and force in asking us to contemplate it at work in Heaney, where it binds individual to collective experience, and past to present.
Edith Wharton as Spatial Activist and Analyst by Reneé Somers Pdf
Because she devoted much of her life to exploring the relationships that exist between people and their built environment, Edith Wharton developed a set of philosophies that she expressed in many arenas, including interior design, architecture, and landscaping. Her theories of space were practiced and materially executed, in addition to being expressed in her writing. This book explores Wharton's theories of space in Newport, Rhode Island during the Gilded Age when the town was transformed from a rustic seaport to a playground for the fabulously wealthy. The built environment played a pivotal role as social, economic and personal conflicts were enacted among private and public spaces. As a cultural worker and as an author, Wharton stood squarely in the middle of these conflicts and directly participated in them. Accordingly, the book shows Wharton in a new light by exploring texts such as The Decoration of Houses and The House of Mirth as well as by examining the architecture and aesthetics of three of Wharton's primary homes.