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Author : Joseph Singer,Richard E. Ballou Publisher : Alfred Music Page : 44 pages File Size : 53,9 Mb Release : 1956 Category : Music ISBN : 1457452464
Embouchure Building for French Horn by Joseph Singer,Richard E. Ballou Pdf
This book has been compiled to aid teachers and students in the development of the French Horn embouchure, particularly in the important period following elementary development. It is based upon the theory that, mechanically, nearly all of the problems to be met by the player in the orchestra, band, chamber ensemble, etc., can be covered by a comprehensive daily routine of practice. Various drills have been devised, with no claim to originality, to cope with the various mechanical problems of embouchure with which the player is faced in the field.
This book has been designed as a supplementary study to be used along with any standard method book. The studies contained herein are excellent for use in the warm-up period prior to each daily practice or performance session. The technicality of the fingerings is comparatively simple and the studies can be used to advantage by the young student with only a few weeks of formal study. This book contains much valuable material essential to successful performance not found within standard instructional material.
The Art of French Horn Playing by Philip Farkas Pdf
First to be published in the series was The Art of French Horn Playing by Philip Farkas, now Distinguished Professor Emeritus of Music at Indiana University. In 1956, when Summy-Birchard published Farkas's book, he was a solo horn player for the Chicago Symphony and had held similar positions with other orchestras, including the Boston Symphony, Cleveland Orchestra, and Kansas City Conservatory, DePaul University, Northwestern University, and Roosevelt University in Chicago. The Art of French Horn Playing set the pattern, and other books in the series soon followed, offering help to students in learning to master their instruments and achieve their goals.
Embouchure Builder has been designed as a supplementary study to be used along with any standard trumpet instruction book. The studies herein are excellent for use in the warm-up period prior to each daily session of practice. The technicality of the fingerings is comparatively simple and the studies can be used to advantage by a young student with only a few weeks of formal study. This book contains much valuable material essential to successful performance not found within standard instructional material.
Practical Hints on Playing the French Horn by Alfred Music Pdf
Practical Hints is a unique and highly informative series developed to answer the many questions raised by the beginning student as well as the more advanced musician. Designed for individual use, the Practical Hints books cover such vital topics as care and maintenance, reeds and mouthpieces, playing position, embouchure, tuning, tonguing, tone quality, range, and practice methodology. Each book has been written by a nationally known instrumental specialist in collaboration with James D. Ployhar. Serving as a handy and informative guide, an appropriate Practical Hints book should be in every musician's library.
The Teaching of Instrumental Music by Richard Colwell,Michael Hewitt Pdf
This book introduces music education majors to basic instrumental pedagogy for the instruments and ensembles most commonly found in the elementary and secondary curricula. This text focuses on the core competencies required for teacher certification in instrumental music. The first section of the book focuses on essential issues for a successful instrumental program: objectives, assessment and evaluation, motivation, administrative tasks, and recruiting and scheduling (including block scheduling). The second section devotes a chapter to each wind instrument plus percussion and strings, and includes troubleshooting checklists for each instrument. The third section focuses on rehearsal techniques from the first day through high school.
Building The Embouchure for Tuba (E-book 1) by Angelo Piazzini Pdf
All my teaching methods are intended as ready-to-use manuals. I should therefore specify that it isn’t necessary to follow the order of the exercises indicated, rather you can choose to start from one exercise instead of another and/or draw up a “customized” daily sequence, playing those that are most useful and work best for you, or pick exercises depending on your activities, be they lessons, auditions, competitions or concerts. It is advisable to start from a comfortable speed - I would say 70 - 75 on the metronome - and then increase it a little at a time, speeding up gradually. As for the dynamics, it is advisable not to overdo it. Experience dealing with these exercises suggests it’s preferable to tackle them working with a range from mp (mezzo piano) until you reach a maximum of f (forte), or from p (piano) to mf (mezzo forte) . This method, like my others, provides students with exercises to consolidate a winning "daily routine" that’s personalized for every instrumentalist, developing those individual aspects that we need every day in performance practice: attacks, legato, octaves, register, control and embouchure. These exercises constitute a useful daily practice routine, aimed at training, developing and maintaining a good and correct embouchure. Angelo Piazzini
Building The Embouchure for Tuba (E-book 2) by Angelo Piazzini Pdf
All my teaching methods are intended as ready-to-use manuals. I should therefore specify that it isn’t necessary to follow the order of the exercises indicated, rather you can choose to start from one exercise instead of another and/or draw up a “customized” daily sequence, playing those that are most useful and work best for you, or pick exercises depending on your activities, be they lessons, auditions, competitions or concerts. It is advisable to start from a comfortable speed - I would say 70 - 75 on the metronome - and then increase it a little at a time, speeding up gradually. As for the dynamics, it is advisable not to overdo it. Experience dealing with these exercises suggests it’s preferable to tackle them working with a range from mp (mezzo piano) until you reach a maximum of f (forte), or from p (piano) to mf (mezzo forte) . This method, like my others, provides students with exercises to consolidate a winning "daily routine" that’s personalized for every instrumentalist, developing those individual aspects that we need every day in performance practice: attacks, legato, octaves, register, control and embouchure. These exercises constitute a useful daily practice routine, aimed at training, developing and maintaining a good and correct embouchure. Angelo Piazzini
Embouchure Self-Analysis the Stevens-Costello Embouchure Technique (Complete) by Roy Stevens Pdf
First published in 1971, Roy Steven's Embouchure Self-Analysis and The Stevens-Costello Embouchure Technique (Complete) is considered to be the authoritative text on embouchure analysis incorporating physical laws, scientific principles and muscular physiology in establishing a consistent embouchure for the brass player. This revised second edition by the original editor, William Moriarity, reflects the timelessness and relevance of this book. Can be used as a workbook with audio and video demos at www.roystevens.org
Horn Player's Audition Handbook by Arthur LaBar Pdf
The Horn Player's Audition Handbook provides a handy, one-volume reference guide to the literature, especially for those players preparing for an imminent auditions, containing, as it does, the repertoire most frequently asked for by American orchestras. Since audition lists almost always include a few "non-standard" works, the well-versed student will also want to have employed the more comprehensive collections of excerpts in the course of his/her general preparation for an orchestral career. However, the advantages of having the most "important" audition material under one cover will readily be appreciated and makes this book a welcome addition to the literature.
Technical Studies for the Cornet by Herbert L. Clarke Pdf
There are many books written for the Piano, Violin, etc., entirely devoted to Technic. This Work is especially written to enable the Student, by practice and application, to overcome any obstacle which may occur in musical passages written for the Cornet. By controlling the Wind Power to play these Exercises as written, in one breath, the Student will acquire ENDURANCE without strain or injury. Train the Muscles which control the Lips, to make them elastic and strong, as only a slight pressure is necessary, and not brute force. The highest as well as the lowest notes can be played with equal tone quality if practiced according to the instructions that precede each Study. Every Cornet Player should have reached a degree of excellence before attempting to play these Exercises. To become an Expert on the Cornet, one should be familiar with as many Cornet Methods as possible, and so gain the experience of each. Every Exercise in this Book is possible, and not so very difficult if practiced slowly at first, and not too long at a time. I have used them for my daily practice for years, and they have been the means of my reaching the highest notes after playing a two-hour Concert, also of preserving my lips so that they never tire, and what has been a help to me is surely good for other Cornet Players. You cannot expect to attain the highest point of excellence without hard work and perseverance. Never be perfectly satisfied with yourself. Try to make some improvement each day, feeling that it is a pleasure to have conquered that which seemed an impossibility at first. Do not neglect to correct immediately the least fault you make. Bad habits are easily formed, but are difficult to remedy. There are few Celebrated Cornet Soloists, although thousands play the instrument. Most players abuse their practicing by not knowing the proper way, and neglecting to pay more attention to the elementary work. These Studies have been found to be excellent for Clarinet Players as well as Cornet Players. The Clarinet being a Wind Instrument also, all these Exercises will appeal to the Player of that Instrument by following the same instructions.
Author : Robert W. Getchell Publisher : Alfred Music Publishing Page : 36 pages File Size : 52,5 Mb Release : 1985-03 Category : Music ISBN : 0769228496
Practical Studies for French Horn, Bk 2 by Robert W. Getchell Pdf
The Second Book of Practical Studies is designed to logically extend the techniques already presented in the First Book and also to introduce and develop new techniques and rhythms that will offer a challenge to the intermediate student. Through the use of slightly more difficult and more extended studies, it is hoped that the material included in this book may more fully develop general musicianship and more feeling for style and interpretation and thus act as a foundation for solo literature.
Collected Thoughts on Teaching and Learning, Creativity, and Horn Performance by Douglas Hill Pdf
Douglas Hill is professor of music and horn at the University of Wisconsin at Madison as well as a past President of the International Horn Society, and a respected teacher and clinician. The 27 chapters of Collected Thoughts cover topics ranging from getting started to preparing for college and professional auditions, and include other subjects such as composing and improvising. There are seven chapters on repertoire that include reviews of music and texts that are the most comprehensive of any horn (or other instrumental) text to date. The process of learning and teaching is extremely insightful for everyone, from the serious student to the most experienced instructor. This book is a must for anyone interested in the horn. It is invaluable!!
