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Author : Olufemi Onabajo,Ritchard M'Bayo
Publisher : Unknown
Page : 360 pages
File Size : 54,5 Mb
Release : 2009-01-01
Category : Motion picture industry
ISBN : 0980162637
Author : Bala A. Musa
Publisher : Springer Nature
Page : 264 pages
File Size : 45,9 Mb
Release : 2019-11-16
Category : Performing Arts
ISBN : 9783030306632
This book gives a panoramic view of the rise and growth of Nollywood, Nigeria’s movie and home video entertainment industry, into the second largest and most prolific movie-producing industry in the world. It offers an analysis of Nollywood’s influence as a local and global cultural force. Scholars from Africa, the African Diaspora and beyond examine the factors that have shaped Nollywood’s unique story-telling, production, and distribution system. The volume shows how internal and external economic, social, cultural and technological changes intersect to define Nollywood’s film-making and entertainment ethos. It is grounded in sound theoretical perspectives that help readers understand the texts and subtexts of the industry’s emergence, transformation, and impact. The range of subjects covered span Nollywood’s historical roots in Nigeria pre-colonial traveling/community theatre to colonial era film-making, and its contemporary spin-offs and inspired cousins across Africa and in Europe. It illuminates the interface of artistic, business, cultural and technological innovation and creativity at the heart of Africa’s local and global pop culture explosion.
Author : Toks Dele Oyedemi,René A. Smith
Publisher : Taylor & Francis
Page : 233 pages
File Size : 53,8 Mb
Release : 2024-05-20
Category : Social Science
ISBN : 9781003840664
A comprehensive and accessible introduction, this book examines a range of issues pertaining to theory, history and critiques of media in Africa. Featuring contributions from global scholars, that represent both new and established voices on the African continent and the diaspora, this volume explores themes of decolonization, media freedom, media censorship, identity, representation, pluralism, media framing, political economy of the media with emphasis on ownership, market trends and transnational media operations in Africa. Contributors explore these and other topics across a variety of media tiers, types, genres and platforms. The book also features contributions from practicing journalists and media practitioners working in Africa, providing students with hands-on knowledge from the field. Chapters in this volume take an instructional approach with contributors engaging key concepts and related theories to explore the praxis of media in Africa through specific case studies. An essential text for students of media, communication, journalism, and cultural studies who are studying media in Africa, as well as those studying global media.
Author : Olufemi Onabajo,Ritchard M'Bayo
Publisher : Unknown
Page : 360 pages
File Size : 53,9 Mb
Release : 2009
Category : Motion picture industry
ISBN : 9780980164
Author : Kene Igweonu,Osita Okagbue
Publisher : Cambridge Scholars Publishing
Page : 180 pages
File Size : 52,5 Mb
Release : 2014-04-11
Category : Performing Arts
ISBN : 9781443859219
This book is part of a three-volume book-set published under the general title of Performative Inter-Actions in African Theatre. Each of the three books in the set has a unique subtitle that works to better focus its content and differentiates it from the other two volumes. The contributors’ backgrounds and global spread adequately reflect the international focus of the three books that make up the collection. The contributions, in their various ways, demonstrate the many advances and ingenious solutions adopted by African theatre practitioners in tackling some of the challenges arising from the adverse colonial experience, as well as the “one-sided” advance of globalisation. The contributions attest to the thriving nature of African theatre and performance, which in the face of these challenges, has managed to retain its distinctiveness, while at the same time acknowledging, contesting, and appropriating influences from elsewhere into an aesthetic that is identifiably African. Consequently, the three books are presented as a comprehensive exploration of the current state of African theatre and performance, both on the continent and diaspora. Performative Inter-Actions in African Theatre 2: Innovation, Creativity and Social Change contains essays that address performativity as a process, particularly in the context of theatre’s engagement with contemporary realities with the hope of instigating social change. The innovativeness of the examples explored within the book points to the ingenuity and adaptive capacity of African theatre in ways that engage indigenous forms in the service of contemporary realities. Contributions in Innovation, Creativity and Social Change explore forms such as Theatre for Development, community and applied theatre, and indigenous juridical performances, as well as the work of contemporary dramatists and performers who set out to instigate change in society.
Author : Matthew H. Brown
Publisher : Duke University Press
Page : 185 pages
File Size : 45,6 Mb
Release : 2021-08-23
Category : Social Science
ISBN : 9781478021506
In Indirect Subjects, Matthew H. Brown analyzes the content of the prolific Nigerian film industry's mostly direct-to-video movies alongside local practices of production and circulation to show how screen media play spatial roles in global power relations. Scrutinizing the deep structural and aesthetic relationship between Nollywood, as the industry is known, and Nigerian state television, Brown tracks how several Nollywood films, in ways similar to both state television programs and colonial cinema productions, invite local spectators to experience liberal capitalism not only as a form of exploitation but as a set of expectations about the future. This mode of address, which Brown refers to as “periliberalism,” sustains global power imbalances by locating viewers within liberalism but distancing them from its processes and benefits. Locating the wellspring of this hypocrisy in the British Empire's practice of indirect rule, Brown contends that culture industries like Nollywood can sustain capitalism by isolating ordinary African people, whose labor and consumption fuel it, from its exclusive privileges.
Author : Jonathan Haynes
Publisher : Ohio University Press
Page : 291 pages
File Size : 48,8 Mb
Release : 2000
Category : Motion pictures
ISBN : 9780896802117
Nigerian video films--dramatic features shot on video and sold as cassettes--are being produced at the rate of nearly one a day, making them the major contemporary art form in Nigeria. The history of African film offers no precedent for such a huge, popularly based industry. The contributors to this volume, who include film and television directors, an anthropologist, and scholars of film studies and literature, take a variety of approaches to this flourishing popular art. Topics include aesthetic forms and distribution; the configurations of various ethnic audiences; the new media environment dominated by cassette technology; the video's materialism in a period of economic collapse; transformation of the traditional Yoruba traveling theater; individualism and the moral crisis in Igbo society; Hausa cultural values; the negotiation of gender roles, and the genre of Christian videos.
Author : Anonim
Publisher : Unknown
Page : 212 pages
File Size : 41,5 Mb
Release : 2012
Category : Arts, Nigerian
ISBN : STANFORD:36105219946592
Author : Pierre Barrot,Ibbo Daddy Abdoulaye
Publisher : Unknown
Page : 164 pages
File Size : 54,9 Mb
Release : 2008
Category : Literary Collections
ISBN : UOM:39076002374895
With over 1,200 video films produced each year, Nigeria has become one of the most prolific producers of film fiction in the world. The majority of the films are of poor quality, made on very low budgets and in a very short time, but their production has a big impact on people in Nigeria and the industry's influence is extending across the continent. This book examines how the experiences and lives of Nigerians are narrated through the storyboards of the video producers, who copy with confidence and energy the recipes and formulas of popular films. As a home-grown industry that emerged spontaneously and without outside support, its vitality is a counter to 'Afro-pessimism' and demonstrates the possibility of reviving the African film industry and developing a cinema-going public to support it. PIERRE BARROT works in the Dept for Cultural Co-operation and Action at the French Embassy in Algiers, and was formerly the Regional Audio-Visual Attach at the French Embassy in Lagos. Contributors include TUNDE KELANI, OLIVIER BARLET, TUNDE OLADUNJOYE, FREDERIC NOY, DON PEDRO OBASEKI, IBBO DADDY ABDOULAYE, FRANCK BAKU FUITA, GODEFROID BWITI LUMISA & OGOVA ONDEGO Revised & updated from an earlier French edition published by Harmattan; Published in association with the French Embassy of Abuja; North America: Indiana University Press; Nigeria: HEBN
Author : Tsiga, Ismaila A.,Bhadmus, M.O.
Publisher : Safari Books Ltd
Page : 409 pages
File Size : 53,8 Mb
Release : 2016-02-22
Category : Literary Criticism
ISBN : 9789788431879
This unique collection of articles on literature in northern Nigeria is in three parts. Part one presents an overview of the running theme, in which Na’Allah explores the theoretical relationship between literature, history and identity in northern Nigeria, using the proverbial story of the blind man who holds a lamp while walking alone in the night. Similarly, Tsiga undertakes in a long bibliographical essay, a notable survey of the relationship between literature, history and identity in northern Nigeria, chronicling the development of life writing in the region dating back three hundred years. Part two focuses on the relationship between literature and history in northern Nigeria and begins with the article in which Illah investigates the theme. He uses the image of the bus to underscore the point he makes concerning the uniqueness of northern Nigerian literature, which continues its journey, even without a spare tyre. Equally in this part, Balogun discusses Yerima’s Attahiru, Ameh Oboni: The Great as theatres of colonial resistance; just as Methuselah also examines the heroism celebrated in Ahmed Yerima’s Attahiru. Adamu revisits the trans-fictional use of the Grimm Brothers’ tale in the early published Hausa written narratives, while Yunusa and Malumfashi examine similar historical concerns in Abubakar Imam and Sa’adu Zungur, respectively. This part concludes with Garba assessing the transformation of the written Hausa prose narratives into radio broadcasts; while Abiodun examines in a historiographic survey the various forms and composition of Ilorin music. In what might have been the scholar’s last conference article before his sudden death, Nasidi, in Part three, opens the debate on literature and identity in northern Nigeria, eloquently theorising on the relationship with Foucault, his favourite philosopher. AbdulRaheem illustrates how the literature of the people of Ilorin is their identity marker, while Kazaure investigates the split character in Labo Yari’s Man of the Moment. Ibrahim explores identity in marriage between migrants and natives in Kanchana Ugbabe’s Soul Mates, while Aondofa investigates globalisation and indigenous television. Using Tiv film typology, like Aondofa, Sulaiman examines the use of diction in characterisation in the film industry. The third of the contributors on the film industry, AbdulBaqi, uses films shown on DSTV’s African Magic channels to investigate matrimonial harmony in North Central Nigeria. Jaji revisits the antecedents and prospects in the relationship between prose and identity in northern Nigeria. Giwa offers a detailed investigation of Zaynab Alkali’s The Initiates on gender politics. Similarly, Muhammad and Muhammad are concerned with identity and the gender politics in Bilkisu Abubakar’s To Live Again and The Woman in Me. The last article in the book, jointly written by Yusuf, Anwonmeh and Agulonye, offers the only viewpoint on children’s literature in northern Nigeria.
Author : Tiziana Morosetti
Publisher : Springer
Page : 246 pages
File Size : 45,9 Mb
Release : 2018-12-06
Category : Performing Arts
ISBN : 9783319945088
This collection of essays investigates the way Africa has been portrayed on the London stage from the 1950s to the present. It focuses on whether — and, if so, to what extent — the Africa that emerges from the London scene is subject to stereotype, and/or in which ways the reception of audiences and critics have contributed to an understanding of the continent and its arts. The collection, divided into two parts, brings together well-established academics and emerging scholars, as well as playwrights, directors and performers currently active in London. With a focus on Wole Soyinka, Athol Fugard, Bola Agbaje, Biyi Bandele, and Dipo Agboluaje, amongst others, the volume examines the work of key companies such as Tiata Fahodzi and Talawa, as well as newer companies Two Gents, Iroko Theatre and Spora Stories. Interviews with Rotimi Babatunde, Ade Solanke and Dipo Agboluaje on the contemporary London scene are also included.
Author : Jonathan Haynes
Publisher : Ohio University Press
Page : 302 pages
File Size : 55,7 Mb
Release : 2000
Category : Motion pictures
ISBN : UCSC:32106017663144
Nigerian video films--dramatic features shot on video and sold as cassettes--are being produced at the rate of nearly one a day, making them the major contemporary art form in Nigeria. The history of African film offers no precedent for such a huge, popularly based industry. The contributors to this volume, who include film and television directors, an anthropologist, and scholars of film studies and literature, take a variety of approaches to this flourishing popular art. Topics include aesthetic forms and distribution; the configurations of various ethnic audiences; the new media environment dominated by cassette technology; the video's materialism in a period of economic collapse; transformation of the traditional Yoruba traveling theater; individualism and the moral crisis in Igbo society; Hausa cultural values; the negotiation of gender roles, and the genre of Christian videos.
Author : Kleer Jerzy,Nawrot Katarzyna Anna
Publisher : World Scientific
Page : 480 pages
File Size : 54,9 Mb
Release : 2018-02-12
Category : Political Science
ISBN : 9781786344281
Megacities of over 10 million inhabitants are unique entities in their own right, both challenging and supporting the policies, governance and cohesion of states. In developing and developed economies, the rise of megacities can be seen to have negative and positive effects; from exacerbating and deepening societal problems inherent in inequality and poverty, to increasing opportunities for innovation, education, interconnectivity and development. The Rise of Megacities takes a multidisciplinary and interdisciplinary approach to analysis of their growth. It examines both the major new challenges that the expansion of megacities brings for development at large, and the opportunities they might create for the public good. In addition, it shows how more established cities, such as Tokyo, New York or European examples can provide lessons for governance and development of rapidly urbanizing populations. Using case studies and academic theory it takes into account both the similarities and differences of megacities and gives a comprehensive study of them. This book is perfect for students and researchers of development economics, urban studies, international relations and the social sciences, as well as those interested in how the world economy is changing through globalization. Contents: Foreword (Edward L Glaeser, Fred and Eleanor Glimp Professor of Economics at the Harvard University)About the EditorsList of ContributorsAcknowledgementsIntroduction (Jerzy Kleer and Katarzyna A Nawrot)The Complexity of and Challenges in the Emergence of Megacities: The Rise of Megacities — An Empirical Overview of the Demographic Changes in the World Economy and an Introduction to an Integral Theory of Megacities (Jerzy Kleer and Katarzyna A Nawrot)Megacities: Devastation of the Public Sphere (Jerzy Kleer)From Metropolis to Megacity (Piotr Korcelli and Ewa Korcelli-Olejniczak)Governance of Megacities — Selected Aspects of International Experience (Tadeusz Markowski)Development Patterns of Megacities and Their Future (Zygmunt Ziobrowski)Threats and Challenges Posed by the Rise of Megacities (Konrad Prandecki, Wojciech Kazanecki, and Sylwia Śmietanko)Megacities and Threats to Human Health (Agata Penconek)The Impact of Megacities on Human Nature (Maria Szyszkowska)Opportunities in the Development of Megacities — Regional, National and Multidisciplinary Perspectives: Rural–Urban Migration, Urbanization, and Megacities in China (Feng Wengmeng)Megacities in India: Where are the Opportunities? (Gaurang Rami and Yogesh N Vansiya)African Megacities as Emerging Innovation Ecosystems (Katarzyna A Nawrot, Calestous Juma, and James Donald)A Smart Future for Energy in Megacities (Jessen Page)What Future Lies Ahead for Megacities in Europe? (Jerzy Kleer and Katarzyna A Nawrot)Case Studies of Selected Megacities: Tokyo and Delhi — A Comparative Analysis of Asian Megacities (Katarzyna A Nawrot)Shanghai — The First Megalopolis on the Globe? (Bogdan Góralczyk)Mexico City — An Antithesis of Sustainable Development? (Urszula Żuławska and Elżbieta Żuławska-Sobczyk)Dhaka — The Perils and Promises of an Asian Megacity (Adnan Morshed)Lagos — Directions of Development of Nigerian Metropolis in the First Decades of the 21st Century (Malwina Bakalarska)New York — A City of Progress (Bohdan Szklarski and Piotr Szyja)Epilogue:
Author : Malu, Linus Nnabuike
Publisher : Malthouse Press
Page : 419 pages
File Size : 42,5 Mb
Release : 2016-04-30
Category : Law
ISBN : 9789785193268
This study of the state of media law in Nigeria contains analyses of the interplay of law, politics, the economy and other social factors on the state of freedom of expression. Juxtaposed are the regime of media law and regulations, judicial interpretation of these laws, the existing environment for the realisation of freedom of expression and the associated general political, social and economic environment. Critical attention is given to the various enactments regulating freedom of expression and the provisions on freedom of expression in the 1963, 1979 and 1999 Constitutions of Nigeria. How national media laws compare with international treaties and how regulators influence media contents, are also examined. The book is addressed to a wide audience: mass communication and law students, lecturers and teachers in tertiary institutions offering relevant courses, legal practitioners, journalists and those working in the field of mass communication, human rights and political activists, politicians and party bureaucracies, policy makers, researchers and experts in think tanks.
Author : Foluke Ogunleye
Publisher : Integritas Services
Page : 178 pages
File Size : 41,9 Mb
Release : 2003
Category : Video recordings
ISBN : 0797829318
This book considers the current state and status of the video film in different parts of Africa: Nigeria, Ghana, Lesotho, and Congo Kinshasa. It addresses technological, ethical and gender considerations, and issues of language and ethnicity, suggesting in the concluding chapters that the video film in Africa has become an art form that crosses borders, and an important means of communication within the continent. The editor thus argues it must be treated seriously as an art form and cultural industry in its own right, and as worthy of the scholarship such that this volume is conceived to encourage.
