Download Full eBooks in PDF
Emotion And Meaning In Music Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Emotion And Meaning In Music book. This book definitely worth reading, it is an incredibly well-written.
Author : Leonard B. Meyer
Publisher : University of Chicago Press
Page : 324 pages
File Size : 49,8 Mb
Release : 1956
Category : Music
ISBN : 0226521397
Lays the groundwork for exhaustive study of the basic problem of music theory and aesthetics, the relationship between pattern and meaning, and provides a basis for the meaningful discussion of emotion and meaning in all art.
Author : Leonard B. Meyer
Publisher : Unknown
Page : 328 pages
File Size : 51,6 Mb
Release : 1956
Category : Music
ISBN : UOM:49015000730219
"Altogether it is a book that should be required reading for any student of music, be he composer, performer, or theorist. It clears the air of many confused notions . . . and lays the groundwork for exhaustive study of the basic problem of music theory and aesthetics, the relationship between pattern and meaning."—David Kraehenbuehl, Journal of Music Theory "This is the best study of its kind to have come to the attention of this reviewer."—Jules Wolffers, The Christian Science Monitor "It is not too much to say that his approach provides a basis for the meaningful discussion of emotion and meaning in all art."—David P. McAllester, American Anthropologist "A book which should be read by all who want deeper insights into music listening, performing, and composing."—Marcus G. Raskin, Chicago Review
Author : Leonard B. Meyer
Publisher : Unknown
Page : 307 pages
File Size : 53,5 Mb
Release : 2003-01
Category : Electronic
ISBN : 0758125909
"Altogether it is a book that should be required reading for any student of music, be he composer, performer, or theorist. It clears the air of many confused notions . . . and lays the groundwork for exhaustive study of the basic problem of music theory and aesthetics, the relationship between pattern and meaning."--David Kraehenbuehl, "Journal of Music Theory """ "This is the best study of its kind to have come to the attention of this reviewer."--Jules Wolffers, "The Christian Science Monitor ""It is not too much to say that his approach provides a basis for the meaningful discussion of emotion and meaning in all art."--David P. McAllester, "American Anthropologist ""A book which should be read by all who want deeper insights into music listening, performing, and composing."--Marcus G. Raskin, "Chicago Review "
Author : Leonard B. Meyer
Publisher : University of Chicago Press
Page : 320 pages
File Size : 44,5 Mb
Release : 2008-06-01
Category : Music
ISBN : 9780226521374
"Altogether it is a book that should be required reading for any student of music, be he composer, performer, or theorist. It clears the air of many confused notions . . . and lays the groundwork for exhaustive study of the basic problem of music theory and aesthetics, the relationship between pattern and meaning."—David Kraehenbuehl, Journal of Music Theory "This is the best study of its kind to have come to the attention of this reviewer."—Jules Wolffers, The Christian Science Monitor "It is not too much to say that his approach provides a basis for the meaningful discussion of emotion and meaning in all art."—David P. McAllester, American Anthropologist "A book which should be read by all who want deeper insights into music listening, performing, and composing."—Marcus G. Raskin, Chicago Review
Author : Charles O. Nussbaum
Publisher : MIT Press
Page : 401 pages
File Size : 41,6 Mb
Release : 2007
Category : Emotions in music
ISBN : 9780262140966
How human musical experience emerges from the audition of organized tones is a riddle of long standing. In The Musical Representation, Charles Nussbaum offers a philosophical naturalist's solution. Nussbaum founds his naturalistic theory of musical representation on the collusion between the physics of sound and the organization of the human mind-brain. He argues that important varieties of experience afforded by Western tonal art music since 1650 arise through the feeling of tone, the sense of movement in musical space, cognition, emotional arousal, and the engagement, by way of specific emotional responses, of deeply rooted human ideals. Construing the art music of the modern West as representational, as a symbolic system that carries extramusical content, Nussbaum attempts to make normative principles of musical representation explicit and bring them into reflective equilibrium with the intuitions of competent listeners. Nussbaum identifies three modes of musical representation, describes the basis of extramusical meaning, and analyzes musical works as created historical entities (performances of which are tokens or replicas). In addition, he explains how music gives rise to emotions and evokes states of mind that are religious in character. Nussbaum's argument proceeds from biology, psychology, and philosophy to music--and occasionally from music back to biology, psychology, and philosophy. The human mind-brain, writes Nussbaum, is a living record of its evolutionary history; relatively recent cognitive acquisitions derive from older representational functions of which we are hardly aware. Consideration of musical art can help bring to light the more ancient cognitive functions that underlie modern human cognition. The biology, psychology, and philosophy of musical representation, he argues, have something to tell us about what we are, based on what we have been.
Author : Patrik N. Juslin,John Sloboda
Publisher : OUP Oxford
Page : 992 pages
File Size : 42,7 Mb
Release : 2011-03-17
Category : Psychology
ISBN : 9780191620720
Music's ability to express and arouse emotions is a mystery that has fascinated both experts and laymen at least since ancient Greece. The predecessor to this book 'Music and Emotion' (OUP, 2001) was critically and commercially successful and stimulated much further work in this area. In the years since publication of that book, empirical research in this area has blossomed, and the successor to 'Music and Emotion' reflects the considerable activity in this area. The Handbook of Music and Emotion offers an 'up-to-date' account of this vibrant domain. It provides comprehensive coverage of the many approaches that may be said to define the field of music and emotion, in all its breadth and depth. The first section offers multi-disciplinary perspectives on musical emotions from philosophy, musicology, psychology, neurobiology, anthropology, and sociology. The second section features methodologically-oriented chapters on the measurement of emotions via different channels (e.g., self report, psychophysiology, neuroimaging). Sections three and four address how emotion enters into different aspects of musical behavior, both the making of music and its consumption. Section five covers developmental, personality, and social factors. Section six describes the most important applications involving the relationship between music and emotion. In a final commentary, the editors comment on the history of the field, summarize the current state of affairs, as well as propose future directions for the field. The only book of its kind, The Handbook of Music and Emotion will fascinate music psychologists, musicologists, music educators, philosophers, and others with an interest in music and emotion (e.g., in marketing, health, engineering, film, and the game industry). It will be a valuable resource for established researchers in the field, a developmental aid for early-career researchers and postgraduate research students, and a compendium to assist students at various levels. In addition, as with its predecessor, it will also attract interest from practising musicians and lay readers fascinated by music and emotion.
Author : David Hargreaves,Alexandra Lamont
Publisher : Cambridge University Press
Page : 365 pages
File Size : 55,8 Mb
Release : 2017-08-31
Category : Music
ISBN : 9781107052963
A comprehensive, up-to-date introduction to the psychology of musical development in children and adults, from theory to research and applications.
Author : Cleanth Brooks
Publisher : UNC Press Books
Page : 224 pages
File Size : 49,5 Mb
Release : 2018-02-01
Category : Poetry
ISBN : 9781469639383
This study presents the revolutionary thesis that English poetry and poetic theory were deflected from their richest line of development by the scientific rationalism that came with Hobbes and has continued its restrictive influence to the present day, when such poets as Yeats and Eliot have begun the reestablishment of the earlier line of development. Originally published in 1939. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author : Michael Spitzer
Publisher : Oxford University Press, USA
Page : 457 pages
File Size : 47,6 Mb
Release : 2020
Category : Music
ISBN : 9780190061753
"This book is the first history of musical emotion in any language. Combining intellectual history, music studies, philosophy and cognitive psychology, it unfolds a history of musical emotion across a thousand years of Western art music, from chant to pop. It affords a new way of analysing music, revealing the relationship between emotion and musical structure. The book also provides an introduction to the latest approaches to emotion research, as well as an original theory of how musical emotion works. The book is disposed in two parts. Part 1 (chapters 1-4) comprises the theoretical foundation of the book. Part 2 (chapters 5-9) provides an historical narrative from medieval to contemporary music. Chapter 1 summarizes contemporary theories of emotion in general, and of musical emotion in particular, bringing together seminal philosophers and psychologists. Chapter 2 contains the core of the book's original thesis: that five basic emotions (happiness, sadness, anger, tenderness, and fear) constitute five categories of musical emotion throughout the common-practice period. Chapter 3 outlines a variety of complex musical emotions, such as wonder, nostalgia, envy, and disgust. Chapter 4 explores the historiography of emotion, including the seminal writings of Elias, Rosenwein, and Reddy. Part 2 of the book (chapters 5-9) explores a millennium of Western music in terms of shifting categories of emotion: from affections and passions through sentiments, emotions proper, to modern affect"--
Author : Malcolm Budd
Publisher : Routledge
Page : 205 pages
File Size : 54,8 Mb
Release : 2002-11
Category : Music
ISBN : 9781134882113
Is there any artistically important connection between music and emotions? Budd examines the theories of music that support and deny such a correction.
Author : Patrik N. Juslin,John A. Sloboda
Publisher : Oxford University Press, USA
Page : 487 pages
File Size : 41,7 Mb
Release : 2001
Category : Architecture
ISBN : 0192631896
This new volume in the Series in Affective Science is the first book in over 40 years to tackle the complex and powerful relationship between music and emotion. The book brings together leading researchers in both areas to present the first integrative review of this powerful relationship. This is a book long overdue, and one that will fascinate psychologists, musicologists, music educators, and philosophers.
Author : W. A. Mathieu
Publisher : Simon and Schuster
Page : 576 pages
File Size : 42,8 Mb
Release : 1997-08-01
Category : Music
ISBN : 9781620554012
An exploration of musical harmony from its ancient fundamentals to its most complex modern progressions, addressing how and why it resonates emotionally and spiritually in the individual. W. A. Mathieu, an accomplished author and recording artist, presents a way of learning music that reconnects modern-day musicians with the source from which music was originally generated. As the author states, "The rules of music--including counterpoint and harmony--were not formed in our brains but in the resonance chambers of our bodies." His theory of music reconciles the ancient harmonic system of just intonation with the modern system of twelve-tone temperament. Saying that the way we think music is far from the way we do music, Mathieu explains why certain combinations of sounds are experienced by the listener as harmonious. His prose often resembles the rhythms and cadences of music itself, and his many musical examples allow readers to discover their own musical responses.
Author : Tom Cochrane,Bernardino Fantini,Klaus R. Scherer
Publisher : OUP Oxford
Page : 392 pages
File Size : 53,5 Mb
Release : 2013-07-18
Category : Psychology
ISBN : 9780191504952
How can an abstract sequence of sounds so intensely express emotional states? How does music elicit or arouse our emotions? What happens at the physiological and neural level when we listen to music? How do composers and performers practically manage the expressive powers of music? How have societies sought to harness the powers of music for social or therapeutic purposes? In the past ten years, research into the topic of music and emotion has flourished. In addition, the relationship between the two has become of interest to a broad range of disciplines in both the sciences and humanities. The Emotional Power of Music is a multidisciplinary volume exploring the relationship between music and emotion. Bringing together contributions from psychologists, neuroscientists, musicologists, musicians, and philosophers, the volume presents both theoretical perspectives and in-depth explorations of particular musical works, as well as first-hand reports from music performers and composers. In the first section of the book, the authors consider the expression of emotion within music, through both performance and composing. The second section explores how music can stimulate the emotions, considering the psychological and neurological mechanisms that underlie music listening. The third section explores how different societes have sought to manage and manipulate the power of music. The book is valuable for those in the fields of music psychology and music education, as well as philosophy and musicology
Author : Mari Riess Jones,Richard R. Fay,Arthur N. Popper
Publisher : Springer Science & Business Media
Page : 264 pages
File Size : 53,6 Mb
Release : 2010-08-17
Category : Medical
ISBN : 9781441961143
The Springer Handbook of Auditory Research presents a series of comprehensive and synthetic reviews of the fundamental topics in modern auditory research. The v- umes are aimed at all individuals with interests in hearing research including advanced graduate students, post-doctoral researchers, and clinical investigators. The volumes are intended to introduce new investigators to important aspects of hearing science and to help established investigators to better understand the fundamental theories and data in fields of hearing that they may not normally follow closely. Each volume presents a particular topic comprehensively, and each serves as a synthetic overview and guide to the literature. As such, the chapters present neither exhaustive data reviews nor original research that has not yet appeared in pe- reviewed journals. The volumes focus on topics that have developed a solid data and conceptual foundation rather than on those for which a literature is only beg- ning to develop. New research areas will be covered on a timely basis in the series as they begin to mature.
Author : Patrik N. Juslin,John A. Sloboda
Publisher : Oxford University Press, USA
Page : 487 pages
File Size : 40,9 Mb
Release : 2001
Category : Psychology
ISBN : 0192631888
The position of emotion in music has been a subject of considerable interest and debate. However emotional aspects of music have received surprising little attention in the 45 years since the publication of Leonard Meyer's classic work 'Emotion and meaning in music.' During that time, both'music psychology' and 'emotion' have developed as lively areas of research, and the time is fitting therefore to try and bring together this multidisciplinary interest and take stock of what we now know about this important relationship. A new volume in the Series in Affective Science, Music andEmotion; Theory and Research brings together leading researchers interested in both these topics to present the first integrative review of this subject. The first section reflects the various interdisciplinary perspectives, taking on board views from philosophy, psychology, musicology, biology,anthropology, and sociology. The second section addresses the role of our emotions in the composition of music, the ways that emotions can be communicated via musical structures, the use of music to express emotions within the cinema. The third section looks at the emotions of the performer - how dothey communicate emotion, how does their emotional state affect their own performance. The final section looks at the ways in which our emotions are guided and influenced while listening to music, whether actively or passively. Music and Emotion is a timely book, one that will interestpsychologists, musicologists, music educators, and philosophers.