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John Philip O'Neill,Musée du Louvre,Metropolitan Museum of Art (New York, N.Y.)
Author : John Philip O'Neill,Musée du Louvre,Metropolitan Museum of Art (New York, N.Y.) Publisher : Metropolitan Museum of Art Page : 480 pages File Size : 42,6 Mb Release : 1996 Category : Art metal-work ISBN : 9780870997587
Enamels of Limoges by John Philip O'Neill,Musée du Louvre,Metropolitan Museum of Art (New York, N.Y.) Pdf
Treasuries of France, and other sources. The works of Limoges were created for important ecclesiastical and royal patrons. The wealth of enameling preserved from the Treasury of the abbey of Grandmont, just outside Limoges, is due chiefly to the Plantagenet patronage of Henry II and his queen, Eleanor of Aquitaine. Enamels created during their reign resonate with the elegant style of the court, and the dramatic history of Henry's monarchy is evoked by such works as the.
Marie-Madeleine Gauthier,Philipppe de Montebello,Pierre Rosenberg,Bernadette Barrière,Jean Becquet,Elisabeth Taburet-Delahaye,Barbara Drake Boehm,Isabelle Biron,Pete Dandridge,Mark T. Wypyski,Jean-René Gaborit,Michel Pastoureau,Béatrice de Chancel-Bardelot,Metropolitan Museum of Art (New York, N.Y.),Musée du Louvre (Paris)
Author : Marie-Madeleine Gauthier,Philipppe de Montebello,Pierre Rosenberg,Bernadette Barrière,Jean Becquet,Elisabeth Taburet-Delahaye,Barbara Drake Boehm,Isabelle Biron,Pete Dandridge,Mark T. Wypyski,Jean-René Gaborit,Michel Pastoureau,Béatrice de Chancel-Bardelot,Metropolitan Museum of Art (New York, N.Y.),Musée du Louvre (Paris) Publisher : Unknown Page : 478 pages File Size : 49,7 Mb Release : 1995 Category : Electronic ISBN : OCLC:949774601
Enamels of Limoges by Marie-Madeleine Gauthier,Philipppe de Montebello,Pierre Rosenberg,Bernadette Barrière,Jean Becquet,Elisabeth Taburet-Delahaye,Barbara Drake Boehm,Isabelle Biron,Pete Dandridge,Mark T. Wypyski,Jean-René Gaborit,Michel Pastoureau,Béatrice de Chancel-Bardelot,Metropolitan Museum of Art (New York, N.Y.),Musée du Louvre (Paris) Pdf
Enamels of Limoges, 1100-1350 : [Musée du Louvre, Paris, October 23, 1995 - January 22, 1996] : [Metropolitan Museum of Art, New York, March 5 - June 16, 1996] by Anonim Pdf
Los Angeles County Museum of Art,Susan L. Caroselli
Author : Los Angeles County Museum of Art,Susan L. Caroselli Publisher : Thames & Hudson Page : 216 pages File Size : 44,8 Mb Release : 1993 Category : Architecture ISBN : 0500974063
The Painted Enamels of Limoges by Los Angeles County Museum of Art,Susan L. Caroselli Pdf
The collection of enamels in the Los Angeles County Museum of Art comprises forty-five works by many of the major enamel painters of the Renaissance.The museum's collection is catalogued in detailed entries that include photographic documentation of all decorated surfaces, as well as comparative illustrations of the printed sources from which the images were derived.
It is very hard not to be seduced by the allure and magic of the enamels of the Art Deco period, particularly by the art that came out of the Fauré workshop: whether blooming flowers in their brazen natural state or detailed geometric patterns, it is always a pleasing experience. The hard, shiny surface of enamelled metal, the intensity of its colours, and the technique of sculpting volumes and geometrical forms in the enamel itself - a technique for which the Fauré workshop was famous - are all expressions of the vitality of Art Deco. Limoges has been the centre of enamelling for centuries, with workshops in existence since the end of the 12th century. During the early 20th century the Art Deco style was embraced by enamellers; at the forefront of this style revolution was the workshop of Camille Fauré, which produced some of the finest enamelled art objects of the period. The superb quality of the Fauré creations gave the firm a reputation that has lasted for decades. For Fauré, workmanship was the most important factor in the atelier. Great effort was given to detail, composition and beauty. Time was of no importance. The end product was paramount. If a piece was allowed to leave the Fauré workshop and be offered for sale, one could be sure that it was absolutely perfect. With over 200 colour images of collectors' pieces, Camille Fauré, Limoges Art Deco Enamels, The Geometry of Joy lavishly illustrates the vibrancy and brilliance that emanated from the Fauré Atelier. Painstakingly researched, as well as detailing Camille Fauré's biography, his family life and the history of his famous company, this beautiful book explains many of the enamelling techniques, lists and displays the various vase shapes and illustrates original patterns. A half-century has gone by since Camille Fauré's death, and almost twenty years since the Fauré enamel workshop closed its doors for good. Yet today, Fauré enamels are more sought-after than ever. They are prized for their beauty, for the superb quality of their workmanship and their quintessential embodiment of the Art Deco aesthetic. And at the heart of their unique vibrancy, their bold harmonies of colour and form, their generous volumes and dancing rhythms, lies the essence of the Fauré style: the geometry of joy. Illustrations of over 200 vases and other objects, including those from never-before-seen private collectionsIllustrations of over 200 vases and other objects, including many from never-before-seen private collections Unique insight into Fauré's records, which were kept by the family and artists who worked at his studio 320 col., 45 b.&w.
Limoges Enamels at the Frick Collection by Ian Wardropper,Julia Berniece Day Pdf
A sumptuously illustrated book featuring 46 examples from The Frick's remarkable collection of French fifteenth-, sixteenth and seventeenth century enamels.
Limoges Enamel Triptychs: 3 Masterpiec by Ciseri VENTURELLI Pdf
* The tryptichs, that for the occasion have undergone extensive conservation work, will be housed from June 2022 in a new air-conditioned showcaseThe French city of Limoges was world famous for the production of champlevé enamels during the Middle Ages. During the Renaissance a revival of Limoges enamels took place, but the technique employed was that of painted enamel. Triptychs with a sacred subject, conceived as a painting but shining like jewelry and built with durable materials, became popular. The three works held at the Bargello National Museum in Florence are attributable to Nardon Pénicaud (1470-1542), a primary artist with an active workshop. The three enamel paintings came from the famous collection of Louis Carrand, a Lyon antiquarian, who donated them to the Bargello in the 19th century. Their story is told in Ilaria Ciseri's essay. Paola Venturelli analyses the historical and artistic aspects of the works and places them in the context of contemporary enamel production. The final contributions from the Opificio delle Pietre Dure address the conservation of the three delicate enamels and analyzes materials and pigments.
On the Theory and Practice of Art-Enamelling Upon Metals by H. H. Cunynghame Pdf
This vintage book is a complete and profusely illustrated treatise on artistic enamelling, being an exposition of its theory with step-by-step instructions, chapters on weights and measures, information concerning enamelling on various materials, helpful hints and tips, and much more. This volume will be of considerable utility to anyone with an interest in enamelling and would make for a worthy addition to collections of related literature. Contents include: “On the Choice of a Style in Enamelling”, “The Mode of Executing 'Limoges Enamels'”, “Cloisonné Enamels, Jewellery, and Imitation Glass Gems”, and “The Manufacture of Enamel”. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern edition complete with a specially commissioned new introduction. First published in 1899.
L'art de l'émail à Limoges by Jean-Marc Ferrer,Véronique Notin Pdf
Edition bilingue anglais-français. Propose une synthèse illustrée de l'histoire de l'art de l'émail à Limoges du Moyen Age à nos jours. Ce panorama est jalonné d'oeuvres célèbres et de découvertes récentes. Aborde l'orfèvrerie religieuse, la vaisselle décorative de la Renaissance, l'Art nouveau et l'Art déco. Comporte également un descriptif des techniques de l'émail
Melting glass onto metal creates colorful, imaginative, and lustrous designs. “Cohen covers the traditional forms of enameling as well as some crossover techniques from other crafts such as raku firing and silkscreen application. Projects by several artists for small items illustrate specific techniques....Will be very useful in public library or academic crafts collections.”—Library Journal.
Western Decorative Arts: Volume 1 by National Gallery of Art (U.S.),Rudolf Distelberger Pdf
This volume is one of several that examines the National Gallery of Art's distinguished collection of decorative arts. (The second volume will be published in 1996.) The group treated here is composed primarily of works acquired from the Widener Collection, and amplified by holdings acquired from the Kress family. Included are more than eighty Medieval, Renaissance, and later historic objects in a wide variety of media, encompassing metalwork, stained glass, enamels, ceramics, and jewels. Among the highlights are a Limoges reliquary chasse, a Mosan lion aquamanile, thirty-eight pieces in a remarkable cohesive group of Italian maiolica, three of the very rare pottery objects known as 'Saint-Porchaire', and, the centerpiece of the collection, the Suger chalice, an ancient sardonyx cup to which the Abbot Suger added a bejewelled golden setting in the twelfth century. Like other volumes in the Systematic Catalogue of the National Gallery of Art Collections,Western Decorative Arts includes a thoroughly researched entry for each object, together with an artist biography, up-to-date bibliography, and a technical analysis.
First Published in 1998 , The Dictionary of Enamelling is the first book to provide a comprehensive guide to this most diverse of the decorative arts.Indispensable for anyone interested in the evolution of enamelling technique, the book includes some 400 entries covering every aspect of its history. There are entries on key pieces, individual enamellers, designers, schools, techniques, and the major achievements are described in every era. The knowledge and insight of Erika Speel’s account are supported and enhanced by a brilliantly researched collection of 200 illustrations, 100 in colour, portraying the most dazzling and important pieces, a unique visual record of enamelling history. The Dictionary of Enamelling will be invaluable to people who collect, study, create and enjoy enamels.
