End Of Art Philosophy In Hegel Nietzsche And Danto

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End-of-Art Philosophy in Hegel, Nietzsche and Danto

Author : Stephen Snyder
Publisher : Springer
Page : 301 pages
File Size : 51,6 Mb
Release : 2018-11-04
Category : Philosophy
ISBN : 9783319940724

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End-of-Art Philosophy in Hegel, Nietzsche and Danto by Stephen Snyder Pdf

This book examines the little understood end-of-art theses of Hegel, Nietzsche, and Danto. The end-of-art claim is often associated with the end of a certain standard of taste or skill. However, at a deeper level, it relates to a transformation in how we philosophically understand our relation to the ‘world’. Hegel, Nietzsche, and Danto each strive philosophically to overcome Cartesian dualism, redrawing the traditional lines between mind and matter. Hegel sees the overcoming of the material in the ideal, Nietzsche levels the two worlds into one, and Danto divides the world into representing and non-representing material. These attempts to overcome dualism necessitate notions of the self that differ significantly from traditional accounts; the redrawn boundaries show that art and philosophy grasp essential but different aspects of human existence. Neither perspective, however, fully grasps the duality. The appearance of art’s end occurs when one aspect is given priority: for Hegel and Danto, it is the essentialist lens of philosophy, and, in Nietzsche’s case, the transformative power of artistic creativity. Thus, the book makes the case that the end-of-art claim is avoided if a theory of art links the internal practice of artistic creation to all of art’s historical forms.

Arthur Danto and the End of Art

Author : Raquel Cascales
Publisher : Cambridge Scholars Publishing
Page : 158 pages
File Size : 53,6 Mb
Release : 2019-08-20
Category : Art
ISBN : 9781527538771

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Arthur Danto and the End of Art by Raquel Cascales Pdf

To get a comprehensive understanding of the core concept of “the end of art”, this book analyses the intellectual trajectory of Arthur Danto, highlighting his successive achievements in philosophy of action, philosophy of history and philosophy of art. If, as Danto says, everything is extensively associated with everything else, it is impossible to avoid putting the philosophy of art in relation with his whole philosophical system.

The Philosophical Disenfranchisement of Art

Author : Arthur C. Danto
Publisher : Columbia University Press
Page : 254 pages
File Size : 48,5 Mb
Release : 2005
Category : Art
ISBN : 0231132271

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The Philosophical Disenfranchisement of Art by Arthur C. Danto Pdf

In this text, first published in 1986, the author explored the inextricably linked but often misunderstood relationship between art and philosophy. In this new edition, Jonathan Gilmore provides a foreword discussing how scholarship has changed in response to it.

Danto and His Critics

Author : Mark Rollins
Publisher : John Wiley & Sons
Page : 339 pages
File Size : 48,8 Mb
Release : 2012-05-15
Category : Philosophy
ISBN : 9780470673447

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Danto and His Critics by Mark Rollins Pdf

Updated and revised, the Second Edition of Danto and His Critics presents a series of essays by leading Danto scholars who offer their critical assessment of the influential works and ideas of Arthur C. Danto, the Johnsonian Professor Emeritus in the Department of Philosophy at Columbia University and long-time art critic for The Nation. Reflects Danto's revisions in his theory of art, reworking his views in ways that have not been systematically addressed elsewhere Features essays that critically assess the changes in Danto's thoughts and locate Danto's revised theory in the larger context of his work and of aesthetics generally Speaks in original ways to the relation of Danto's philosophy of art to his theory of mind Connects and integrates Danto's ideas on the nature of knowledge, action, aesthetics, history, and mind, as well as his provocative thoughts on the philosophy of art for the reader

The End of Art and Beyond

Author : Arto Haapala,Jerrold Levinson,Veikko Rantala
Publisher : Humanities Press International
Page : 238 pages
File Size : 51,8 Mb
Release : 1997
Category : Art
ISBN : UCSD:31822023745961

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The End of Art and Beyond by Arto Haapala,Jerrold Levinson,Veikko Rantala Pdf

The first half of this collection addresses these themes as given voice by the philosopher and critic Arthur Danto, while the second part contains essays of a more independent cast which assume a variety of stating points aimed at illuminating the theoreticity, temporality, computability, and abstract possibilities of present and future arts.

Action, Art, History

Author : Daniel Alan Herwitz,Michael Kelly
Publisher : Columbia University Press
Page : 266 pages
File Size : 54,7 Mb
Release : 2007
Category : Philosophy
ISBN : 0231137966

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Action, Art, History by Daniel Alan Herwitz,Michael Kelly Pdf

Arthur C. Danto is unique among philosophers for the breadth of his philosophical mind, his eloquent writing style, and the generous spirit embodied in all his work. Any collection of essays on his philosophy has to engage him on all these levels, because this is how he has always engaged the world, as a philosopher and person. In this volume, renowned philosophers and art historians revisit Danto's theories of art, action, and history, and the depth of his innovation as a philosopher of culture. Essays explore the importance of Danto's philosophy and criticism for the contemporary art world, along with his theories of perception, action, historical knowledge, and, most importantly for Danto himself, the conceptual connections among these topics. Danto himself continues the conversation by adding his own commentary to each essay, extending the debate with characteristic insight, graciousness, and wit. Contributors include Frank Ankersmit, Hans Belting, Stanley Cavell, Donald Davidson, Lydia Goehr, Gregg Horowitz, Philip Kitcher, Daniel Immerwahr, Daniel Herwitz, and Michael Kelly, testifying to the far-reaching effects of Danto's thought. Danto brought to philosophy the artist's unfettered imagination, and his ideas about postmodern culture are virtual road maps of the present art world. This volume pays tribute to both Danto's brilliant capacity to move between philosophy and contemporary culture and his pathbreaking achievements in philosophy, art history, and art criticism.

Wake of Art

Author : Arthur C. Danto,Gregg Horowitz,Tom Huhn,Saul Ostrow
Publisher : Routledge
Page : 232 pages
File Size : 52,7 Mb
Release : 2013-09-13
Category : Art
ISBN : 9781134395453

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Wake of Art by Arthur C. Danto,Gregg Horowitz,Tom Huhn,Saul Ostrow Pdf

Since the mid-1980s, Arthur C. Danto has been increasingly concerned with the implications of the demise of modernism. Out of the wake of modernist art, Danto discerns the emergence of a radically pluralistic art world. His essays illuminate this novel art world as well as the fate of criticism within it. As a result, Danto has crafted the most compelling philosophy of art criticism since Clement Greenberg. Gregg Horowitz and Tom Huhn analyze the constellation of philosophical and critical elements in Danto's new- Hegelian art theory. In a provocative encounter, they employ themes from Kantian aesthetics to elucidate the continuing persistence of taste in shaping even this most sophisticated philosophy of art.

Arthur Danto's Philosophy of Art: Essays

Author : Noël Carroll
Publisher : BRILL
Page : 236 pages
File Size : 48,9 Mb
Release : 2021-07-19
Category : Philosophy
ISBN : 9789004468368

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Arthur Danto's Philosophy of Art: Essays by Noël Carroll Pdf

From the nineteen-eighties on, Arthur Danto was the most significant art critic and philosopher of art in world. This book provides a comprehensive, systematic view of his philosophy and criticism including his views in relation to not only painting and sculpture but to cinema and dance.

After the End of Art

Author : Arthur C. Danto
Publisher : Princeton University Press
Page : 350 pages
File Size : 55,6 Mb
Release : 2021-06-08
Category : Art
ISBN : 9780691209302

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After the End of Art by Arthur C. Danto Pdf

The classic and provocative account of how art changed irrevocably with pop art and why traditional aesthetics can’t make sense of contemporary art A classic of art criticism and philosophy, After the End of Art continues to generate heated debate for its radical and famous assertion that art ended in the 1960s. Arthur Danto, a philosopher who was also one of the leading art critics of his time, argues that traditional notions of aesthetics no longer apply to contemporary art and that we need a philosophy of art criticism that can deal with perhaps the most perplexing feature of current art: that everything is possible. An insightful and entertaining exploration of art’s most important aesthetic and philosophical issues conducted by an acute observer of contemporary art, After the End of Art argues that, with the eclipse of abstract expressionism, art deviated irrevocably from the narrative course that Vasari helped define for it in the Renaissance. Moreover, Danto makes the case for a new type of criticism that can help us understand art in a posthistorical age where, for example, an artist can produce a work in the style of Rembrandt to create a visual pun, and where traditional theories cannot explain the difference between Andy Warhol’s Brillo Box and the product found in the grocery store. After the End of Art addresses art history, pop art, “people’s art,” the future role of museums, and the critical contributions of Clement Greenberg, whose aesthetics-based criticism helped a previous generation make sense of modernism. Tracing art history from a mimetic tradition (the idea that art was a progressively more adequate representation of reality) through the modern era of manifestos (when art was defined by the artist’s philosophy), Danto shows that it wasn’t until the invention of pop art that the historical understanding of the means and ends of art was nullified. Even modernist art, which tried to break with the past by questioning the ways in which art was produced, hinged on a narrative.

The End of Art

Author : Eva Geulen
Publisher : Stanford University Press
Page : 220 pages
File Size : 40,7 Mb
Release : 2006
Category : Philosophy
ISBN : 0804744246

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The End of Art by Eva Geulen Pdf

Since Hegel, the idea of an end of art has become a staple of aesthetic theory. This book analyzes its role and its rhetoric in Hegel, Nietzsche, Benjamin, Adorno, and Heidegger in order to account for the topic's enduring persistence. In addition to providing a general overview of the main thinkers of post-Idealist German aesthetics, the book explores the relationship between tradition and modernity. For despite the differences that distinguish one philosopher's end of art from another's, all authors treated here turn the end of art into an occasion to thematize and to reflect on the very thing that modernism cannot or should not be: tradition. As a discourse, the end of art is one of our modern traditions.

The Death of Art

Author : Arthur C. Danto
Publisher : Unknown
Page : 296 pages
File Size : 42,9 Mb
Release : 1984
Category : Aesthetics
ISBN : UOM:39015010592973

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The Death of Art by Arthur C. Danto Pdf

The lead essay by Arthur Danto "addresses the possibility that art as it has been enshrined in the museums, galleries, and other canonizing institutions of modern culture has reached an end, that it has nothing more to do or say." The other essays in the book are reactions to the lead essay.

The End of Literature, Hegel, and the Contemporary Novel

Author : Francesco Campana
Publisher : Springer Nature
Page : 277 pages
File Size : 50,5 Mb
Release : 2019-11-28
Category : Philosophy
ISBN : 9783030313951

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The End of Literature, Hegel, and the Contemporary Novel by Francesco Campana Pdf

This book explores the concept of the end of literature through the lens of Hegel's philosophy of art. In his version of Hegel's 'end of art' thesis, Arthur Danto claimed that contemporary art has abandoned its distinctive sensitive and emotive features to become increasingly reflective. Contemporary art has become a question of philosophical reflection on itself and on the world, thus producing an epochal change in art history. The core idea of this book is that this thesis applies quite well to all forms of art except one, namely literature: literature resists its 'end'. Unlike other arts, which have experienced significant fractures in the contemporary world, Campana proposes that literature has always known how to renew itself in order to retain its distinguishing features, so much so that in a way it has always come to terms with its own end. Analysing the distinct character of literature, this book proposes a new and original interpretation of the 'end of art' thesis, showing how it can be used as a key conceptual framework to understand the contemporary novel.

Art of the Modern Age

Author : Jean-Marie Schaeffer
Publisher : Princeton University Press
Page : 371 pages
File Size : 54,7 Mb
Release : 2023-09-26
Category : Philosophy
ISBN : 9780691259536

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Art of the Modern Age by Jean-Marie Schaeffer Pdf

This is a sweeping and provocative work of aesthetic theory: a trenchant critique of the philosophy of art as it developed from the eighteenth century to the early twentieth century, combined with a carefully reasoned plea for a new and more flexible approach to art. Jean-Marie Schaeffer, one of France's leading aestheticians, explores the writings of Kant, Schlegel, Novalis, Hegel, Schopenhauer, Nietzsche, and Heidegger to show that these diverse thinkers shared a common approach to art, which he calls the "speculative theory." According to this theory, art offers a special kind of intuitive, quasi-mystical knowledge, radically different from the rational knowledge acquired by science. This view encouraged theorists to consider artistic geniuses the high-priests of humanity, creators of works that reveal the invisible essence of the world. Philosophers came to regard inexpressibility as the aim of art, refused to consider second-tier creations genuine art, and helped to create conditions in which the genius was expected to shock, puzzle, and mystify the public. Schaeffer shows that this speculative theory helped give birth to romanticism, modernism, and the avant-garde, and paved the way for an unfortunate divorce between art and enjoyment, between "high art" and popular art, and between artists and their public. Rejecting the speculative approach, Schaeffer concludes by defending a more tolerant theory of art that gives pleasure its due, includes popular art, tolerates less successful works, and accounts for personal tastes. "[A] remarkable work.... [Schaeffer's] writing is governed by ... the ideals of clarity and consequence, the ideas of logic, truth, and evidence.... Schaeffer is so precise and unrelenting a philosophical critic that one wonders how some of the philosophies he anatomizes here can possibly survive the operation."--From the foreword by Arthur C. Danto

Art's Claim to Truth

Author : Gianni Vattimo
Publisher : Columbia University Press
Page : 216 pages
File Size : 50,9 Mb
Release : 2010-04-26
Category : Philosophy
ISBN : 9780231138512

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Art's Claim to Truth by Gianni Vattimo Pdf

Following Heidegger's interpretation of the history of philosophy, Gianni Vattimo outlines the existential ontological conditions of aesthetics, paying particular attention to the works of Kandinsky, which reaffirm the ontological implications of art. Vattimo then builds on Hans-Georg Gadamer's theory of aesthetics and provides an alternative to a rationalistic-positivistic criticism of art. This is the heart of Vattimo's argument, and with it he demonstrates how hermeneutical philosophy reaffirms art's ontological status and makes clear the importance of hermeneutics for aesthetic studies. In a final section, Vattimo articulates the consequences of reclaiming the ontological status of aesthetics without its metaphysical implications, holding Aristotle's concept of beauty responsible for the dissolution of metaphysics itself.

Nietzsche and the Fate of Art

Author : Philip Pothen
Publisher : Routledge
Page : 243 pages
File Size : 49,6 Mb
Release : 2017-08-03
Category : Philosophy
ISBN : 9781351585033

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Nietzsche and the Fate of Art by Philip Pothen Pdf

This title was first published in 2002. Challenging the accepted orthodoxy on Nietzsche's views on art, this book seeks both to challenge and to establish a new set of concerns as far as discourses on Nietzsche's thoughts on aesthetics are concerned, whilst at the same time using such insights to illuminate more central concerns of Nietzsche scholarship, such as the will to power, the illusion/truth question, the eternal return, the death of God, tragedy, Wagner. Following the development of Nietzsche's thoughts on art from his earliest writings to his last, Pothen counters traditionally accepted interpretations by suggesting a need to recognize the deep suspicion and at times hostility that Nietzsche displays towards art and the artist throughout his text by emphasising the philosophical arguments underlying this deep suspicion, and by viewing this tendency as something deeply connected to the other areas of his thought. Readers with interests in Nietzsche studies, aesthetics, German philosophy, and the philosophy of music, will find this a particularly invaluable and distinctive contribution to Nietzsche scholarship.