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Author : David Taras,Christopher Waddell Publisher : University of Toronto Press Page : 234 pages File Size : 47,7 Mb Release : 2020 Category : Public broadcasting ISBN : 9781487593520
End of the CBC by David Taras,Christopher Waddell Pdf
After almost 90 years, the CBC, Canada's public broadcaster, has reached a crossroads. This book examines the political, economic, social, media, and cultural forces that have pushed the CBC to the point where it must be reimagined and re-invented.
This Is Not the End of Me by Dakshana Bascaramurty Pdf
NATIONAL BESTSELLER A BEST BOOK OF 2020 CBC – The Best Canadian Nonfiction of 2020 The Globe and Mail’s Globe 100: Our Favourite Books of 2020 Chatelaine’s 10 Best Books of 2020 The Walrus’s Favourite Books of 2020 For readers of Paul Kalanithi's When Breath Becomes Air and Will Schwalbe, the moving, inspiring story of a young husband and father who, when diagnosed with terminal cancer at the age of thirty-three, sets out to build a legacy for his infant son. i can't make you feel what it's like to be a young, dumb, naïve thirty-year-old sitting in the back of a walk-in clinic waiting to be handed what is essentially a death sentence any more than i can show you what it feels like to have a husband or father or child who's dying and knowing there is nothing you can do to stop it. i can only describe to you how i feel today. angry. at peace. scared. grateful. a giant, spiky, flowering heart-shaped bouquet of contradictions. Layton Reid was a globe-trotting, risk-taking, sunshine-addicted bachelor--then came a melanoma diagnosis. Cancer startled him out of his arrested development--he returned home to Halifax to work as a wedding photographer--and remission launched him into a new, passionate life as a husband and father-to-be. When the melanoma returned, now at Stage IV, Layton and his family put all their stock into a punishing alternative therapy, hoping for a cure. This Is Not the End of Me recounts Layton's three-year journey as he tried desperately to stay alive for his young son, Finn, and then found purpose in preparing Finn for a world without him. With incredible intimacy, grit, and empathy, reporter Dakshana Bascaramurty casts an unsentimental eye on who her good friend was: his effervescence, his twisted wit, his anger, his vulnerability. Interweaving Layton's own reflections--his diaries written for Finn, his letters to his wife, Candace, and his public journal--she paints a keenly observed portrait of Layton's remarkable evolution. In detailing the ugly, surprising, and occasionally funny ways in which Layton and his family faced his mortality, the book offers an unflinching look at how a person dies, and how we might build a legacy in our information-saturated age. Powerful and unvarnished, This is Not the End of Me is about someone who didn't get a very happy ending, but learned to squeeze as much life as possible from his final days.
Only one generation in history (ours) will experience life both with and without the Internet. For everyone who follows us, online life will simply be the air they breathe. Today, we revel in ubiquitous information and constant connection, rarely stopping to consider the implications for our logged-on lives. Michael Harris chronicles this massive shift, exploring what we’ve gained—and lost—in the bargain. In this eloquent and thought-provoking book, Harris argues that our greatest loss has been that of absence itself—of silence, wonder and solitude. It’s a surprisingly precious commodity, and one we have less of every year. Drawing on a vast trove of research and scores of interviews with global experts, Harris explores this “loss of lack” in chapters devoted to every corner of our lives, from sex and commerce to memory and attention span. The book’s message is urgent: once we’ve lost the gift of absence, we may never remember its value.
The Scotiabank Giller Prize–winning novel from Elizabeth Hay. Harry Boyd, a hard-bitten refugee from failure in Toronto television, has returned to a small radio station in the Canadian North. There, in Yellowknife, in the summer of 1975, he falls in love with a voice on air, though the real woman, Dido Paris, is both a surprise and even more than he imagined. Dido and Harry are part of the cast of eccentric, utterly loveable characters, all transplants from elsewhere, who form an unlikely group at the station. Their loves and longings, their rivalries and entanglements, the stories of their pasts and what brought each of them to the North, form the centre. One summer, on a canoe trip four of them make into the Arctic wilderness (following in the steps of the legendary Englishman John Hornby, who, along with his small party, starved to death in the barrens in 1927), they find the balance of love shifting, much as the balance of power in the North is being changed by the proposed Mackenzie Valley gas pipeline, which threatens to displace Native people from their land. With unforgettable characters, vividly evoked settings, in this award–winning novel, Hay brings to bear her skewering intelligence into the frailties of the human heart and her ability to tell a spellbinding story. Written in gorgeous prose, laced with dark humour, Late Nights on Air is Hay’s most seductive and accomplished novel yet.
Nobody Ever Talks About Anything But the End by Liz Levine Pdf
*Finalist, Hubert Evans Nonfiction Prize A genuinely moving, funny, and inventive account of loss and grief, mental illness and suicide, from film and TV producer Liz Levine (Story of a Girl), written in the aftermath of the deaths of her sister and best friend. I feel like I might be a terrible person to be laughing in these moments. But it turns out, I’m not alone. In November of 2016, Liz Levine’s younger sister, Tamara, reached a breaking point after years of living with mental illness. In the dark hours before dawn, she sent a final message to her family then killed herself. In Nobody Ever Talks About Anything But the End, Liz weaves the story of what happened to Tamara with another significant death—that of Liz’s childhood love, Judson, to cancer. She writes about her relationship with Judson, Tamara’s struggles, the conflicts that arise in a family of challenging personalities, and how death casts a long shadow. This memorable account of life and loss is haunting yet filled with dark humor—Tamara emails her family when Trump is elected to check if she’s imagining things again, Liz discovers a banana has been indicted as a whistleblower in an alleged family conspiracy, and a little niece declares Tamara’s funeral the “most fun ever!” With honesty, Liz exposes the raw truths about grief and mourning that we often shy away from—and almost never share with others. And she reveals how, in the midst of death, life—with all its messy complications—must also be celebrated.
56 very short stories about death by Giller Prize finalist John Gould The End of Me is an astonishing set of sudden stories that explores the experience of mortality. With an ear attuned to the uncanny and the ironic, John Gould catches his characters at moments of illumination as they encounter the dark mystery of their finite being. A marooned astronaut bonds with a bereft cat; kids get caught pelting a funeral procession with plums; a woman’s dreams swarm with victims of the new age of extinction; a young girl ponders the brief brutality of her last life, and braces herself for the next one. Rife with invention, with fresh ideas and arresting voices, this collection of flash fiction—funny, sad, absurd—draws from the imponderable a great compassion and vitality.
In the 2016 CBC Massey Lectures, former Special Advisor to the UN Secretary-General and international relations specialist Jennifer Welsh delivers a timely, intelligent, and fascinating analysis of twenty-first-century geopolitics. In 1989, as the Berlin Wall crumbled and the Cold War dissipated, the American political commentator Francis Fukuyama wrote a famous essay, entitled “The End of History,” which argued that the demise of confrontation between Communism and capitalism, and the expansion of Western liberal democracy, signalled the endpoint of humanity’s sociocultural and political evolution, and the path toward a more peaceful world. But a quarter of a century after Fukuyama’s bold prediction, history has returned: arbitrary executions, attempts to annihilate ethnic and religious minorities, the starvation of besieged populations, invasion and annexation of territory, and the mass movement of refugees and displaced persons. It has also witnessed cracks and cleavages within Western liberal democracies as a result of deepening economic inequality. The Return of History argues that our own liberal democratic society was not inevitable, but that we must all, as individual citizens, take a more active role in its preservation and growth.
Winner of the Amazon.ca First Novel Award and a finalist for the Rogers Writers’ Trust Fiction Prize and the Governor General’s Literary Award, The Break is a stunning and heartbreaking debut novel about a multigenerational Métis–Anishnaabe family dealing with the fallout of a shocking crime in Winnipeg’s North End. When Stella, a young Métis mother, looks out her window one evening and spots someone in trouble on the Break — a barren field on an isolated strip of land outside her house — she calls the police to alert them to a possible crime. In a series of shifting narratives, people who are connected, both directly and indirectly, with the victim — police, family, and friends — tell their personal stories leading up to that fateful night. Lou, a social worker, grapples with the departure of her live-in boyfriend. Cheryl, an artist, mourns the premature death of her sister Rain. Paulina, a single mother, struggles to trust her new partner. Phoenix, a homeless teenager, is released from a youth detention centre. Officer Scott, a Métis policeman, feels caught between two worlds as he patrols the city. Through their various perspectives a larger, more comprehensive story about lives of the residents in Winnipeg’s North End is exposed. A powerful intergenerational family saga, The Break showcases Vermette’s abundant writing talent and positions her as an exciting new voice in Canadian literature.
Songs for the End of the World by Saleema Nawaz Pdf
An enthralling, hopeful novel about the power of human connection in a time of crisis, as the bonds of love, family, and duty are tested. NATIONAL BESTSELLER. How quickly he'd forgotten a fundamental truth: the closer you got to the heart of a calamity, the more resilience there was to be found. This is the story of a handful of people living through an unfolding catastrophe. Elliot is a first responder in New York, a man running from past failures and struggling to do the right thing. Emma is a pregnant singer preparing to headline a benefit concert for victims of a growing outbreak—all while questioning what kind of world her child is coming into. Owen is the author of a bestselling novel with eerie similarities to the real-life crisis, and as fact and fiction begin to blur, he must decide whether his lifelong instinct for self-preservation has been worth the cost. As we discover these characters' ties to one another—and to the mystery of the so-called ARAMIS Girl—what emerges is an extraordinary web of connection and community that reveals none of us is ever truly alone. Brilliantly told by an unforgettable chorus of voices, this glittering novel is a moving and hopeful meditation on what we owe to ourselves and to each other. It reminds us that disaster can bring out the best in people—and that coming together may be what saves us in the end.
Lambda Literary Award winner This exciting and groundbreaking fiction anthology showcases a number of new and emerging 2SQ (Two-Spirit and queer Indigenous) writers from across Turtle Island. These visionary authors show how queer Indigenous communities can bloom and thrive through utopian narratives that detail the vivacity and strength of 2SQness throughout its plight in the maw of settler colonialism’s histories. Here, readers will discover bio-engineered AI rats, transplanted trees in space, the rise of a 2SQ resistance camp, a primer on how to survive Indigiqueerly, virtual reality applications, motherships at sea, and the very bending of space-time continuums queered through NDN time. Love after the End demonstrates the imaginatively queer Two-Spirit futurisms we have all been dreaming of since 1492. Contributors include Darcie Little Badger, Mari Kurisato, Kai Minosh Pyle, David Alexander Robertson, and jaye simpson. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.
You Don't Have to Die in the End by Anita Daher Pdf
Shortlisted for the 2021 McNally Robinson Book for Young People AwardEugenia Grimm is a tough girl living in a tough town at the foothills of the Rocky Mountains. She drinks and fights and pushes against expectations. She is also hurting. After her father died by suicide on her eight birthday her older brothers drifted away and her mother up and left when she turned 14. Eugenia has not made the best choices. After a last-straw violent incident and faced with the possibility of incarceration, she is sentenced to time at an Intensive Support and Supervision Program located at a remote mountain ranch. There, she begins to make connections, explore difficult truths, and might even turn things around-until a series of events pull her into a dark spiral she may not have the strength to resist.
"A finalist for the 2003 Giller Prize, Canada's most prestigious literary award, Kilter is a subtle, funny, ironic, and startling chronicle of contemporary life, full of individuals catching odd glimpses of themselves--a young woman puzzles over the identity of her lost brother; a husband describes a sixteenth-century painting to explain his lover to his wife--and of big ideas working themselves out in strange but revealing ways--a dead man laments the suicide note he failed to write; a wife and husband disagree about the shape of the semen stain on their son's pajamas, he seeing it as an image of Jesus, she as the image of her dog as a puppy. John Gould has updated and westernized the form of the palm-of-the-hand story, invented eighty years ago by Yasunari Kawabata, who wanted a way to write a fiction writer's poetry. In spare, elegant prose, Gould crafts quirky gems, compact fusions of humor and pathos. At the center of this multifaceted collection is a vision of human beings as paradoxical creatures, finite and haunted by infinite longings. In story after story, Gould locates the fulcrum on which a life tilts from kilter to off-kilter and back again."--Publisher's website.
Our lives are defined by a story of endless growth and consumption. Now a climate crisis demands that we change. Can we write new stories? In All We Want, award-winning author Michael Harris dismantles our untenable consumer culture and delivers surprising, heartwarming alternatives. Drawing on the wisdom of philosophers, scientists, and artists, Harris uncovers three realms where humans have always found deeper meaning: the worlds of Craft, the Sublime, and Care. Past attempts to blunt our impact on the environment have simply redirected our consumption—we bought fuel-efficient cars and canvas tote bags. We cannot, however, buy our way out of this crisis. We need, instead, compelling new stories about life's purpose. Part meditation and part manifesto, All We Want is a blazing inquest into the destructive and unfulfilling promise of our consumer society, and a roadmap toward a more humane future.
This stunningly intimate collection of stories is an exquisite portrait of a Jewish community — the secular and religious families who inhabit it and the tensions that exist there — that illuminates the unexpected ways we remain connected during times of change. When Uncle Isaac moves back from L.A. to help his sister, Elaine Levine, care for her suddenly motherless grandchildren, he finds himself embroiled in even more drama than he would like in their suburban neighbourhood. Meanwhile, a nanny miles from her own family in the Philippines, cares for a young boy who doesn’t fit in at school. A woman in mid-life contends with the task of cleaning out the house in which she grew up, while her teenage son struggles with why his dad moved out. And down the street, a mother and her two daughters prepare for a wedding and transitions they didn’t see coming. Spanning fifteen years in the lives of a multi-generational family and their neighbours, this remarkable collection is an intimate portrait of a suburban Jewish community by a writer with a keen eye for detail, a gentle sense of humour, and an immense literary talent.