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WINNER OF THE PULITZER PRIZE • NATIONAL BESTSELLER • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle). • From the bestselling author of The Passenger A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other. The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.
"My name is Brian Keene. I'm a writer by trade and a road warrior by heart. Neither of these things are wise career or life choices. The tolls add up.Over the last twenty years, things have changed. Book tours have changed, publishing has changed, bookselling has changed, conventions have changed, horror fiction-and the horror genre-have changed. I've changed, too.The only things that haven't changed are writing and the road. They stay the same. The words we type today are the past tomorrow. Everything is connected like the highways on a map are connected. This holds true for the history of our genre, as well.I rode into town twenty years ago. Now I'm riding out. You're all coming with me..."So begins Brian Keene's End of the Road-a memoir, travelogue, and post-Danse Macabre examination of modern horror fiction, the people who write it, and the world they live-and die-in. Exhilarating, emotional, heartfelt, and at times hilarious, End of the Road is a must-read for fans of the horror genre. Introduction by Gabino Iglesias.
25th ANNIVERSARY EDITION • From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road: an epic novel of the violence and depravity that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Based on historical events that took place on the Texas-Mexico border in the 1850s, Blood Meridian traces the fortunes of the Kid, a fourteen-year-old Tennesseean who stumbles into the nightmarish world where Indians are being murdered and the market for their scalps is thriving. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.
When five college friends cross America in a minivan to find themselves, they chance upon a road that isn’t on any map. They can’t resist exploring it. The van breaks down. They find a town, a massive trailer park steeped in squalor. The town isn’t on any map either. They find people in town. They’ll wish they hadn’t. The only sanctuary is the Big House–a giant mansion at the center of town that appears to be abandoned, only all the lights come on at night. Inside the Big House is the secret of the town. Inside, they’ll finally find themselves. They won’t like what they find.
Since the earliest days of civilization, streets have played an important role in shaping society – but what is a street? Is it a living ecosystem, a public space, a social space, an economic space or a combination of these? The focus on automotive travel over the past century has changed the role of streets in cities. This has degraded the quality of urban life and contributed to public health issues. This book offers a unique look at streets as locations that can evolve to support the economic, social, cultural and natural aspects of cities. Using modern urban design examples, it challenges readers to focus not only on the livability and travel benefits of roads, but on how the power of streets can be harnessed. In so doing, it shapes more dynamic spaces for walking, biking and living, and aims to stimulate urban vitality and community regeneration, encouraging policymakers and individuals to make changes in their own communities.
End of the Road is a novel drawing from an unpublished manuscript by a 110-year-old man in the year 2050 about his trip around the country in a $200-car in 1995. A group of graduate students in 2050 interview him in his assisted-living apartment for their video oral-history thesis project. The story shifts back and forth between the trip in 1995 and the interviews in 2050. The old man's quaint philosophies and his connection with the past intrigue the students. As the theis project progresses, the old man becomes more than a mere interview subject. As the young people gain a perspective on their past, the old man reconnects with the present. Readers may additionally find looking back at our turn-of-the-century road and automobile culture from a viewpoint of young people living in the year 2050 a delightful experience in itself.
From the award-winning author of Paradise Boys, Scotch and Oranges, and Ghost Dancer, comes End of the Road, Americans fighting their fates, striving to succeed. In the multi-layered, multi-nuanced narratives that readers have come expect in the Mendelson landscape, San Francisco reporter Damian Vrabel goes off looking for America. Returning with 36 tightly written short stories-each exactly 1,000 words-Vrabel chronicles departure and disappointment, betrayal and bereavement. Traveling the length and breadth of the continent, its heartland and its edges-San Diego and Alaska, Key West and Peggy's Cove, even Paris and Prague-Vrabel encounters terminal patients, shell-shocked soldiers, and ex-convicts; the troubled, lost, and bewildered. Witnessing every person's loss, Vrabel helps each to articulate a sad epiphany. Subtitled American Elegies, the book shares it tales of failure-while discovering hope in all of us. As Vrabel-and his readers-look to re-discover the American Dream, they find instead the End of the Road.
The truth takes a detour in this cozy camping whodunit set in the beautiful New Mexico wilderness—first in the Black Horse Campground Mystery series. The Black Horse Campground, outside of Bonney, New Mexico, has been in Corrie Black’s family for years. But since her father’s death, she’s been running it alone—along with her trusted employees and an eccentric group of year-rounders and regular visitors. In between spring break and summer is usually a downtime for Corrie and the campground, even with Bike Rally Weekend on the horizon. This April, however, peace and quiet are not an option. A disconcertingly attractive biker arrives, who arouses the suspicions of Corrie’s childhood friend and one-time ex, Sheriff Rick Sutton. Then, one of Corrie’s favorite guests is shot dead in his own RV, leaving his wheelchair-bound wife in the care of a son whom no one knew existed. And though Corrie is warned by Rick to stay out of his investigation, she can’t sit by while her home and friends are threatened. And no one is more surprised than Corrie when she discovers that her little piece of paradise is brimming with secrets and scandals that put a gun in the hands of a most unlikely killer . . .
Unable to cope with the difficult responsibility of step parenting, Peter and Carol flee the emotional turmoil that has come to a boil with their families and each other. The couple, already struggling with basic and serious incompatibilities, believe they can salvage their marriage in a far state. Weary of battling with in-laws who stubbornly refuse to compromise on issues surrounding her stepson, Carol issues an ultimatum to Peter that they should move away or end the marriage. A reluctant Peter, with a heavy heart, agrees to leave. The two pack up and leave their home state of North Carolina and go to New Mexico where they confront an unfamiliar geographical and cultural terrain. Here they are confronted with some new and very unexpected problems. Their stay in New Mexico ends in a startling and unimagined way.
“California!” raps a voice in this echoing band of novellas. “California, that land where the fruits of Modern Times have been plucked on such a scale that we seem to find in its ripest form what old tradition has prized – Freedom! ah, Freedom… And what is the nature of this eternal mirage?” Many quests are pursued through these five interlinked tales, which travel from London to L.A., Southwest City to Araby, real to unreal landscapes where the Anglo has thrived, in license or pathos, until he or she begins to seem a vanishing breed. Kerouacian bodhisattvas, soap-opera plutocrats, shape-shifting femme fatales, redemptive spirits ready to lay down and die on a beach – through realms of materialism, erotic longing and anomie, a cast of personae from a receding past plays out its epic melodrama. The end of the road is at once gorgeous, grotesque, transcendental and aesthetically haunting.
“We had finally found the magic land at the end of the road and we never dreamed the extent of the magic.” Mexico, an escape route, inspiration, and ecstatic terminus of the celebrated novel On the Road, was crucial to Jack Kerouac’s creative development. In this dramatic and highly compelling account, Jorge García-Robles, leading authority on the Beats in Mexico, re-creates both the actual events and the literary imaginings of Kerouac in what became the writer’s revelatory terrain. Providing Kerouac an immediate spiritual freshness that contrasted with the staid society of the United States, Mexico was perhaps the single most important country in his life. Sourcing material from the Beat author’s vast output and revealing correspondence, García-Robles vividly describes the milieu and people that influenced him while sojourning there and the circumstances between his myriad arrivals and departures. From the writer’s initial euphoria upon encountering Mexico and its fascinating tableau of humanity to his tortured relationship with a Mexican prostitute who inspired his novella Tristessa, this volume chronicles Kerouac’s often illusory view of the country while realistically detailing the incidents and individuals that found their way into his poetry and prose. In juxtaposing Kerouac’s idyllic image of Mexico with his actual experiences of being extorted, assaulted, and harassed, García-Robles offers the essential Mexican perspective. Finding there the spiritual nourishment he was starved for in the United States, Kerouac held fast to his idealized notion of the country, even as the stories he recounts were as much literary as real.
Join Kathleen and Michael Pitt as they leave the comfort and temperate climate of suburban Vancouver to spend an isolated winter north of the Arctic Circle. With neither power nor running water, over 40 kilometres from the nearest community of 75 people, this middle-aged couple learns to embrace temperatures that regularly fall below minus 40 degrees. From their home base in a small, one-room cabin, they seek the challenge of winter camping and the adventure of expeditions across the ice. In January 1999, the Pitts flew by Twin Otter to Colville Lake to pursue Michael's life-long dream of living beyond the reach of roads and concrete. By the time the ice went out of the lakes and rivers in mid-June, their lives had been changed forever. Michael and Kathleen Pitt had been paddling the rivers of Northern Canada for ten years. Yet their experience seemed incomplete. Summer is for visitors. Michael needed to spend a winter in the North, where rivers, lakes and muskeg remain frozen for 7 to 8 months of the year. Only by following the winter trail did Michael believe that he could truly know the character and soul of Canada's vast, seemingly limitless Northern landscape. "A mesmerizing account of the North's beauty and the winter Michael and his wife Kathleen lived in a tiny cabin above the Arctic Circle. Well-written and insightful, this book will delight anyone who has explored the northern latitudes or dreams of doing so." -- Julie Angus, author of "Rowboat in a Hurricane: My Amazing Journey Across a Changing Atlantic Ocean" "Personal, humorous and witty, Pitt has crafted an Ode to Winter, sharing with us practical tips of wintercraft, philosophical musings and personal observations on life, the North and the majesty of Winter." -- Alan Fehr, 21-year resident of Arctic Canada and Superintendent of Prince Albert and Elk Island National Parks About the author, Michael D. Pitt Born and raised in California, Michael D. Pitt emigrated to Canada in 1975 to accept a position at the University of British Columbia as a professor of grassland ecology in the Faculty of Agricultural Sciences, where he eventually served as associate dean for eight years. In 1981 he married Kathleen, who worked at the university as an administrator in Information Technology Services. The lure of a rural lifestyle, however, with golden sun reflecting on winter snow, inevitably proved irresistible. Kathleen said goodbye to commute traffic, deadlines, memos and office walls in 2000. Michael escaped 18 months later. They now live on 565 acres in the Aspen Parkland near Preeceville, Saskatchewan, where sled dogs Brownie, Grey, Sailor and Slick help them operate Meadow's Edge Bed & Breakfast. Kathleen and Michael Pitt are authors of "Three Seasons in the Wind: 950 km by Canoe Down Northern Canada's Thelon River, " published in 1999.