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English Fiction of the Victorian Period by Michael Wheeler Pdf
Professor Wheeler's widely-acclaimed survey of the nineteenth-century fiction covers both the major writers and their works and encompasses the genres and "minor" fiction of the period. This excellent introduction and reference source has been revised for this second edition to include new material on lesser-known writers and a comprehensively updated bibliography.
English Fiction of the Victorian Period by Michael Wheeler Pdf
Professor Wheeler's widely-acclaimed survey of the nineteenth-century fiction covers both the major writers and their works and encompasses the genres and "minor" fiction of the period. This excellent introduction and reference source has been revised for this second edition to include new material on lesser-known writers and a comprehensively updated bibliography.
English Fiction of the Victorian Period by Michael Wheeler Pdf
Professor Wheeler's widely-acclaimed survey of the nineteenth-century fiction covers both the major writers and their works and encompasses the genres and "minor" fiction of the period. This excellent introduction and reference source has been revised for this second edition to include new material on lesser-known writers and a comprehensively updated bibliography.
English Fiction of the Victorian Period, 1830-1890 by Michael Wheeler Pdf
The updated and expanded appendices provide invaluable reference material for further exploration of this fascinating period of the English novel. Although written primarily for students of English literature, this lucid and lively study will be of interest to all those who enjoy Victorian fiction.
Victorian England produces some the the greatest novelists in Western history, including Charles Dickens, Thomas Hardy, and George Eliot. Critical analysis focuses on the development of the Victorian novel through the second half of the 19th century.
Dirt in Victorian Literature and Culture by Sabine Schülting Pdf
Addressing the Victorian obsession with the sordid materiality of modern life, this book studies dirt in nineteenth-century English literature and the Victorian cultural imagination. Dirt litters Victorian writing – industrial novels, literature about the city, slum fiction, bluebooks, and the reports of sanitary reformers. It seems to be "matter out of place," challenging traditional concepts of art and disregarding the concern with hygiene, deodorization, and purification at the center of the "civilizing process." Drawing upon Material Cultural Studies for an analysis of the complex relationships between dirt and textuality, the study adds a new perspective to scholarship on both the Victorian sanitation movement and Victorian fiction. The chapters focus on Victorian commodity culture as a backdrop to narratives about refuse and rubbish; on the impact of waste and ordure on life stories; on the production and circulation of affective responses to filth in realist novels and slum travelogues; and on the function of dirt for both colonial discourse and its deconstruction in postcolonial writing. They address questions as to how texts about dirt create the effect of materiality, how dirt constructs or deconstructs meaning, and how the project of writing dirt attempts to contain its excessive materiality. Schülting discusses representations of dirt in a variety of texts by Charles Dickens, E. M. Forster, Elizabeth Gaskell, George Gissing, James Greenwood, Henry James, Charles Kingsley, Henry Mayhew, George Moore, Arthur Morrison, and others. In addition, she offers a sustained analysis of the impact of dirt on writing strategies and genre conventions, and pays particular attention to those moments when dirt is recycled and becomes the source of literary creation.
Language, Science and Popular Fiction in the Victorian Fin-de-Siècle by Christine Ferguson Pdf
Christine Ferguson's timely study is the first comprehensive examination of the importance of language in forming a crucial nexus among popular fiction, biology, and philology at the Victorian fin-de-siècle. Focusing on a variety of literary and non-literary texts, the book maps out the dialogue between the Victorian life and social sciences most involved in the study of language and the literary genre frequently indicted for causing linguistic corruption and debasement - popular fiction. Ferguson demonstrates how Darwinian biological, philological, and anthropological accounts of 'primitive' and animal language were co-opted into wider cultural debates about the apparent brutality of popular fiction, and shows how popular novelists such as Marie Corelli, Grant Allen, H.G. Wells, H. Rider Haggard, and Bram Stoker used their fantastic narratives to radically reformulate the relationships among language, thought, and progress that underwrote much of the contemporary prejudice against mass literary taste. In its alignment of scientific, cultural, and popular discourses of human language, Language, Science, and Popular Fiction in the Victorian Fin-de-Siècle stands as a corrective to assessments of best-selling fiction's intellectual, ideological, and aesthetic simplicity.
One of the most talked-about novels of the year, this international bestseller gives new meaning to the term “unputdownable.” Reviewers and readers everywhere have been eagerly abandoning their everyday lives for days and even weeks on end, refusing to leave Michel Faber’s vividly realized fictional world. They are captivated by Sugar, an enigmatic nineteen-year-old prostitute whose story begins in a hellish nineteenth-century London brothel. Struggling to lift her body and soul out of the gutter, Sugar claws her way up the social ladder to gain refuge in the wealthy family of her besotted lover, William Rackham, unwilling heir to a perfumery. Now in the popular Perennial format, The Crimson Petal and the White is a gripping tale, extraordinarily rich, intricate and intoxicating to the final page.
Companion to Victorian Popular Fiction by Kevin A. Morrison Pdf
This companion to Victorian popular fiction includes more than 300 cross-referenced entries on works written for the British mass market. Biographical sketches cover the writers and their publishers, the topics that concerned them and the genres they helped to establish or refine. Entries introduce readers to long-overlooked authors who were widely read in their time, with suggestions for further reading and emerging resources for the study of popular fiction.
Drawing on research into the book-production records of twelve publishers-including George Bell & Son, Richard Bentley, William Blackwood, Chatto & Windus, Oliver & Boyd, Macmillan, and the book printers William Clowes and T&A Constable - taken at ten-year intervals from 1836 to 1916, this book interprets broad trends in the growth and diversity of book publishing in Victorian Britain. Chapters explore the significance of the export trade to the colonies and the rising importance of towns outside London as centres of publishing; the influence of technological change in increasing the variety and quantity of books; and how the business practice of literary publishing developed to expand the market for British and American authors. The book takes examples from the purchase and sale of popular fiction by Ouida, Mrs. Wood, Mrs. Ewing, and canonical authors such as George Eliot, Wilkie Collins, and Mark Twain. Consideration of the unique demands of the educational market complements the focus on fiction, as readers, arithmetic books, music, geography, science textbooks, and Greek and Latin classics became a staple for an increasing number of publishing houses wishing to spread the risk of novel publication.
Author : William J. Long Publisher : Simon and Schuster Page : 500 pages File Size : 50,7 Mb Release : 2013-12-01 Category : History ISBN : 9781627938761
This book, which presents the whole splendid history of English literature from Anglo-Saxon times to the close of the Victorian Era, has three specific aims. The first is to create or to encourage in every student the desire to read the best books, and to know literature itself rather than what has been written about literature. The second is to interpret literature both personally and historically, that is, to show how a great book generally reflects not only the author's life and thought but also the spirit of the age and the ideals of the nation's history. The third aim is to show, by a study of each successive period, how our literature has steadily developed from its first simple songs and stories to its present complexity in prose and poetry.
Serializing Fiction in the Victorian Press by G. Law Pdf
Drawing on extensive archival research in both Britain and the United States, Serializing Fiction in the Victorian Press represents the first comprehensive study of the publication of instalment fiction in Victorian newspapers. Often overlooked, this phenomenon is shown to have exerted a crucial influence on the development of the fiction market in the last decades of the nineteenth century. A detailed description of the practice of syndication is followed by a wide-ranging discussion of its implications for readership, authorship, and fictional form.
Woman's Work in English Fiction, from the Restoration to the Mid-Victorian Period by Clara Helen Whitmore Pdf
This incredible work presents a detailed study of women who contributed immensely to the world of English fiction. The writer gives short biographies of these authors and discusses their works and writing styles. In addition, the writer examines the influence of these ladies on the general public and how they made a place in the history of English literature using their unique writing talents. Contents include: Margaret Cavendish, Duchess of Newcastle—Aphra Behn—Mary Manley Sarah Fielding—Eliza Haywood—Charlotte Lennox—Frances Sheridan Frances Burney Hannah More Charlotte Smith—Elizabeth Inchbald Clara Reeve—Ann Radcliffe—Sophia Lee—Harriet Lee Maria Edgeworth)—Lady Morgan Elizabeth Hamilton—Anna Porter—Jane Porter Amelia Opie—Mary Brunton Jane Austen Susan Edmonstone Ferrier—Mary Russell Mitford—Anna Maria Hall Lady Caroline Lamb—Mary Shelley Catherine Grace Frances Gore—Anna Eliza Bray Julia Pardoe—Frances Trollope—Harriet Martineau Emily Brontë—Anne Brontë—Charlotte Brontë Elizabeth Cleghorn Gaskell Conclusion