English Modernism

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English Modernism, National Identity and the Germans, 1890-1950

Petra Rau
English Modernism National Identity and the Germans 1890 1950 Book PDF

Author : Petra Rau
Publisher : Ashgate Publishing, Ltd.
Page : 244 pages
File Size : 46,5 Mb
Release : 2009
Category : History
ISBN : 9780754696957

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English Modernism, National Identity and the Germans, 1890-1950 by Petra Rau Pdf

"Petra Rau examines the shift in attitudes towards Germany and Germans, from suspicious competitiveness in the late Victorian period to the aggressive hostility of the First World War and the curious inconsistencies of the 1930s and 1940s. These shifts were no simple response to political change but the result of an anxious negotiation of modernity in which specific aspects of Englishness were projected onto representations of Germans and Germany in English literature and culture. While this incisive argument clarifies and deepens our understanding of cultural and national politics in the first half of the twentieth century, it also complicates current debates surrounding race and 'otherness' in cultural studies. Authors discussed include major figures such as Conrad, Woolf, Lawrence, Ford, Forster and Bowen, as well as popular or less familiar writers such as Saki, Graham Greene, and Stevie Smith." --book jacket.

The Reimagining of Place in English Modernism

Sam Wiseman
The Reimagining of Place in English Modernism Book PDF

Author : Sam Wiseman
Publisher : Oxford University Press
Page : 176 pages
File Size : 53,5 Mb
Release : 2015
Category : Literary Criticism
ISBN : 9780990895886

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The Reimagining of Place in English Modernism by Sam Wiseman Pdf

The work of English modernists in the 1920s and 1930s - particularly D.H. Lawrence, John Cowper Powys, Mary Butts and Virginia Woolf - often expresses a fundamental ambivalence towards the social, cultural and technological developments of the period. These writers collectively embody the tensions and contradictions which infiltrate English modernism as the interwar period progresses, combining a profound sense of attachment to rural place and traditions with a similarly strong attraction to metropolitan modernity - the latter being associated with transience, possibility, literary innovation, cosmopolitanism, and new developments in technology and transportation. In this book, Sam Wiseman analyses key texts by these four authors, charting their respective attempts to forge new identities, perspectives and literary approaches that reconcile tradition and modernity, belonging and exploration, the rural and the metropolitan. This analysis is located within the context of ongoing critical debates regarding the relationship of English modernism with place, cosmopolitanism, and rural tradition; Wiseman augments this discourse by highlighting stylistic and thematic connections between the authors in question, and argues that these links collectively illustrate a distinctive, place-oriented strand of interwar modernism. Ecocritical and phenomenological perspectives are deployed to reveal similarities in their sense of human interrelationship with place, and a shared interest in particular themes and imagery; these include archaeological excavation, aerial perspectives upon place, and animism. Such concerns stem from specific technological and socio-cultural developments of the era. The differing engagements of these four authors with such changes collectively indicate a distinctive set of literary strategies, which aim to reconcile the tensions and contradictions inherent in their relationships with place.

Dostoevsky and English Modernism 1900–1930

Peter Kaye
Dostoevsky and English Modernism 1900 1930 Book PDF

Author : Peter Kaye
Publisher : Cambridge University Press
Page : 258 pages
File Size : 50,6 Mb
Release : 1999-05-06
Category : Literary Criticism
ISBN : 9781139425698

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Dostoevsky and English Modernism 1900–1930 by Peter Kaye Pdf

When Constance Garnett's translations (1910–20) made Dostoevsky's novels accessible in England for the first time they introduced a disruptive and liberating literary force, and English novelists had to confront a new model and rival. The writers who are the focus of this study - Lawrence, Woolf, Bennett, Conrad, Forster, Galsworthy and James - either admired or feared Dostoevsky as a monster who might dissolve all literary and cultural distinctions. Though their responses differed greatly, these writers were unanimous in their inability to recognize Dostoevsky as a literary artist. They viewed him instead as a psychologist, a mystic, a prophet and, in the cases of Lawrence and Conrad, a hated rival who compelled creative response. This study constructs a map of English modernist novelists' misreadings of Dostoevsky, and in so doing it illuminates their aesthetic and cultural values and the nature of the modern English novel.

British Music and Modernism, 1895-1960

Matthew Riley
British Music and Modernism 1895 1960 Book PDF

Author : Matthew Riley
Publisher : Ashgate Publishing, Ltd.
Page : 350 pages
File Size : 43,6 Mb
Release : 2010
Category : Music
ISBN : 0754665852

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British Music and Modernism, 1895-1960 by Matthew Riley Pdf

Imaginative analytical and critical work on British music of the early twentieth century has been hindered by perceptions of the repertory as insular in its references and backward in its style and syntax, escaping the modernity that surrounded its composers. Recent research has begun to break down these perceptions and has found intriguing links between British music and modernism. This book brings together contributions from scholars working in analysis, hermeneutics, reception history, critical theory and the history of ideas. Three overall themes emerge from its chapters: accounts of British reactions to Continental modernism and the forms they took; links between music and the visual arts; and analysis and interpretation of compositions in the light of recent theoretical work on form, tonality and pitch organization

Modernism, Postmodernism, and the Short Story in English

Anonim
Modernism Postmodernism and the Short Story in English Book PDF

Author : Anonim
Publisher : Brill
Page : 275 pages
File Size : 50,7 Mb
Release : 2012-01-01
Category : Literary Criticism
ISBN : 9789401208321

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Modernism, Postmodernism, and the Short Story in English by Anonim Pdf

How can the short story help to redefine modernism, postmodernism and their interrelationship? What is the status of the short story in modern literary history? These are the central questions that the essays collected in this volume try to answer from different perspectives through readings of short fiction in English and accounts of the genre’s theorisations. The essays by a group of international scholars tackle theoretical issues that are central in approaches to both “movements” such as periodisation, autonomy, high vs. popular literature, totality vs. fragmentation, surface vs. depth, otherness, representation, and, above all, the subject and its vicissitudes. Because it blends theory-based arguments into the approaches to the short fiction of mainly canonical authors (Joyce, Woolf, Lewis, Ballard, Carter, Rushdie, or Wallace), Modernism, Postmodernism, and the Short Story in English is of interest not only to readers and scholars of the short story, but also to those coming from the fields of literary theory and literary history.

A Genealogy of Modernism

Michael Harry Levenson
A Genealogy of Modernism Book PDF

Author : Michael Harry Levenson
Publisher : Cambridge University Press
Page : 272 pages
File Size : 54,5 Mb
Release : 1986-06-27
Category : Literary Criticism
ISBN : 052133800X

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A Genealogy of Modernism by Michael Harry Levenson Pdf

A Geneology of Modernism is a study of literary transition in the first two decades of the twentieth-century, a period of extraordinary ferment and great accomplishment, during which the avant-garde gradually consolidated a secure place within English culture. Michael Levenson analyses that complex process by following the successive phases of a literary movement - Impressionist, Imagist, Vorticist, Classicist - as it attempted to formulate the principles on which a new aesthetic might be founded. The emphasis here falls on the ideology of modernism, but throughout the book the ideological question is tied on the one hand to specific literary works and on the other to general movements in philosophy and the fine arts. The major figures under discussion, Joseph Conrad, Ford Madox Ford, Ezra Pound, Wyndham Lewis, and T. S. Elliot, are placed in relation to thinkers who have been largely neglected in the history of modernism: Max Stirner, Wilhelm Worringer, Pierre Lasserre, Allen Upward, and Hilaire Belloc. Levenson thus situates the emergence of a modernist aesthetic within the context of literary theory, literary practice, and cultural history.

Henri Bergson and British Modernism

Mary Ann Gillies
Henri Bergson and British Modernism Book PDF

Author : Mary Ann Gillies
Publisher : McGill-Queen's Press - MQUP
Page : 232 pages
File Size : 51,6 Mb
Release : 1996
Category : Literary Criticism
ISBN : 0773514279

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Henri Bergson and British Modernism by Mary Ann Gillies Pdf

Mary Ann Gillies shows that French philosopher Henri Bergson played a central role in the development of British literary modernism. While Bergson's influence on modernism has long been debated, this is the first thorough, current examination of the ways

Modernist Heresies

PH D Damon Franke
Modernist Heresies Book PDF

Author : PH D Damon Franke
Publisher : Unknown
Page : 280 pages
File Size : 48,5 Mb
Release : 2021-01-29
Category : Electronic
ISBN : 0814257208

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Modernist Heresies by PH D Damon Franke Pdf

In Modernist Heresies, Damon Franke presents the discourse of heresy as central to the intellectual history of the origins of British modernism. The book examines heretical discourses from literature and culture of the fin de siècle and the Edwardian period in order to establish continuities between Victorian blasphemy and modernist obscenity by tracing the dialectic of heresy and orthodoxy, and the pragmatic shifting of both heterodox and authoritative discourses. Franke documents the untold history of the Cambridge Heretics Society and places the concerns of this discussion society in dialogue with contemporaneous literature by such authors as Pater, Hardy, Shaw, Joyce, Woolf, Lawrence, and Orwell. Since several highly influential figures of the modernist literati were members of the Heretics or in dialogue with the group, heresy and its relation to synthesis now become crucial to an understanding of modernist aesthetics and ethics. From the 1880s through the 1920s, heresy commonly appears in literature as a discursive trope, and the literary mode of heresy shifts over the course of this time from one of syncretism to one based on the construction of modernist artificial or "synthetic" wholes. In Franke's work, the discourse of heresy comes forth as a forgotten dimension of the origins of modernism, one deeply entrenched in Victorian blasphemy and the crisis in faith, and one pointing to the censorship of modernist literature and some of the first doctrines of literary criticism.

British Modernism and Chinoiserie

Anne Witchard
British Modernism and Chinoiserie Book PDF

Author : Anne Witchard
Publisher : Edinburgh University Press
Page : 256 pages
File Size : 42,8 Mb
Release : 2015-03-01
Category : Literary Criticism
ISBN : 9780748690961

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British Modernism and Chinoiserie by Anne Witchard Pdf

This volume examines the ways in which an intellectual vogue for a mythic China was a constituent element of British modernism. Traditionally defined as a decorative style that conjured a fanciful and idealized notion of China, chinoiserie was revived in in London's avant-garde circles, the Bloomsbury group, the Vorticists and others, who like their eighteenth-century forebears, turned to China as a cultural and aesthetic utopia. As part of Modernism's challenge to the 'universality' of so-called Western values and aesthetics, the turn to China would contribute much more than has been acknowledged to Modernist thinking. As these 10 new chapters demonstrate, China as an intellectual and aesthetic utopia dazzled intellectuals and aesthetes, at the same time the consumption of Chinese exoticism became commercialized. The essays show that from cutting-edge Modernist chic to mass culture and consumer products, the vogue for chinoiserie style and motifs permeated the art and design of the period. --Provided by publisher.

From Medievalism to Early-Modernism

Marina Gerzic,Aidan Norrie
From Medievalism to Early Modernism Book PDF

Author : Marina Gerzic,Aidan Norrie
Publisher : Routledge
Page : 268 pages
File Size : 47,9 Mb
Release : 2018-10-26
Category : Literary Criticism
ISBN : 9780429683008

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From Medievalism to Early-Modernism by Marina Gerzic,Aidan Norrie Pdf

From Medievalism to Early-Modernism: Adapting the English Past is a collection of essays that both analyses the historical and cultural medieval and early modern past, and engages with the medievalism and early-modernism—a new term introduced in this collection—present in contemporary popular culture. By focusing on often overlooked uses of the past in contemporary culture—such as the allusions to John Webster’s The Duchess of Malfi (1623) in J.K. Rowling’s Harry Potter books, and the impact of intertextual references and internet fandom on the BBC’s The Hollow Crown: The Wars of the Roses—the contributors illustrate how cinematic, televisual, artistic, and literary depictions of the historical and cultural past not only re-purpose the past in varying ways, but also build on a history of adaptations that audiences have come to know and expect. From Medievalism to Early-Modernism: Adapting the English Past analyses the way that the medieval and early modern periods are used in modern adaptations, and how these adaptations both reflect contemporary concerns, and engage with a history of intertextuality and intervisuality.

The Acoustic Self in English Modernism and Beyond

Zoltan Varga
The Acoustic Self in English Modernism and Beyond Book PDF

Author : Zoltan Varga
Publisher : Routledge
Page : 205 pages
File Size : 55,7 Mb
Release : 2022-02-17
Category : Language Arts & Disciplines
ISBN : 9781000538472

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The Acoustic Self in English Modernism and Beyond by Zoltan Varga Pdf

Drawing on the analogy between musical meaning-making and human subjectivity, this book develops the concept of the acoustic self, exploring the ways in which musical characterization and structure are related to issues of subject-representation in the modernist English novel. The volume is framed around three musical topics—the fugue, absolute music, and Gesamtkunstwerk—arguing that these three modes of musicalization address modernist dilemmas around selfhood and identity. Varga reflects on the manifestations of the acoustic self in examples from the works of E.M. Forster, Aldous Huxley, and Virginia Woolf, and such musicians as Bach, Beethoven, Handel, and Wagner. An additional chapter on jazz and electronic music supplements these inquiries, pursuing the acoustic self beyond modernism and thereby inciting further discussion and theorization of musical intermediality, as well as recent sonic practices. Probing the analogies in the complex interrelationship between music, representation, and language in fictional texts and the nature of human subjectivity, this book will appeal to students and scholars interested in the interface of language and music, in such areas as intermediality, multimodality, literary studies, critical theory, and modernist studies.

Modernism, Magazines, and the British avant-garde

Faith Binckes
Modernism Magazines and the British avant garde Book PDF

Author : Faith Binckes
Publisher : OUP Oxford
Page : 273 pages
File Size : 44,8 Mb
Release : 2010-05-20
Category : Literary Criticism
ISBN : 9780191613715

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Modernism, Magazines, and the British avant-garde by Faith Binckes Pdf

This book is a re-examination of the fertile years of early modernism immediately preceding the First World War. During this period, how, where, and under whose terms the avant-garde in Britain would be constructed and consumed were very much to play for. It is the first study to look in detail at two little magazines marginalised from many accounts of this competitive process: Rhythm and the Blue Review. By thoroughly examining not only the content but the interrelated networks that defined and surrounded these publications, Faith Binckes aims to provide a fresh and challenging perspective to the on-going reappraisal of modernism. Founded in 1911, and edited by John Middleton Murry with assistance from Michael Sadleir and subsequently from Katherine Mansfield, Rhythm and The Blue Review featured a series of pivotal moments. Rhythm was the arena for a challenge to Roger Fry's vision of Post-Impressionism, for the introduction of Picasso to a British audience, for early short stories and reviews by Lawrence, and for Mansfield's discovery of a voice in which to frame her breakthrough writing on New Zealand. A further context for many of these experiments was the extended and acrimonious debate Rhythm conducted with A.R. Orage's New Age, in which issues of the proper gender, generation, and formulation of modernity were debated month by month. However, reading magazines as vehicles for avant-garde development can only provide half the story. The book also pays close attention to their dialogic, reproductive, and periodical nature, and explores the strategies at work within the terminology of the new. Crucially, it argues that they offer compelling material evidence for the consistently mobile and multiple boundaries of the modern, and puts forward a compelling case for focusing upon the specificity of magazines as a medium for literary and artistic innovation.

Late Modernism and the Avant-Garde British Novel

Julia Jordan
Late Modernism and the Avant Garde British Novel Book PDF

Author : Julia Jordan
Publisher : Oxford University Press, USA
Page : 256 pages
File Size : 51,8 Mb
Release : 2020-03-24
Category : Literary Criticism
ISBN : 9780198857280

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Late Modernism and the Avant-Garde British Novel by Julia Jordan Pdf

In the decades following the immediately postwar period in Britain, a loose grouping of experimental writers that included Alan Burns, Christine Brooke-Rose, B. S. Johnson, and Ann Quin worked against the dominance, as they saw it, of the realist novel of the literary mainstream. Late Modernism and the Avant-Garde British Novel reassesses the experimentalism versus realism debates of the period, and finds a body of work engaged with, rather than merely antagonistic towards, the literary culture it sought to renovate. Charting these engagements, it shows how they have significance not just for our understanding of these decades but for the broader movement of the novel through the century. This volume takes some of the claims made about experimental fiction--that it is unreadable, nonlinear, elliptical, errant, plotless--and reimagines these descriptors as historically inscribed tendencies that express the period's investment in the idea of the accidental. These novels are interested in the fleeting and the fugitive, in discontinuity and shock. The experimental novel cultivates an interest in methods of representation that are oblique: attempting to conjure the world at an angle, or in the rear-view mirror; by ellipsis or evasion. These concepts--error, indeterminacy, uncertainty, accident--all bear a relation to that which evades or resists interpretation and meaning. Asking what are the wider political, ethical, and philosophical correlates of this incommensurability, Late Modernism and the Avant-Garde British Novel reads experimental literature in this light, as suffused with anxiety about its adequacy in the light of its status as necessarily imitative and derivative, and therefore redolent of the forms of not-knowing and uncertainty that mark late modernism more generally.

British Modernism and Chinoiserie

Anne Witchard
British Modernism and Chinoiserie Book PDF

Author : Anne Witchard
Publisher : Edinburgh University Press
Page : 235 pages
File Size : 50,9 Mb
Release : 2015-03-01
Category : Literary Criticism
ISBN : 9780748690978

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British Modernism and Chinoiserie by Anne Witchard Pdf

This volume examines the ways in which an intellectual vogue for a mythic China was a constituent element of British modernism.

Migrant Modernism

J. Dillon Brown
Migrant Modernism Book PDF

Author : J. Dillon Brown
Publisher : University of Virginia Press
Page : 402 pages
File Size : 46,8 Mb
Release : 2013-04-29
Category : Literary Criticism
ISBN : 9780813933955

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Migrant Modernism by J. Dillon Brown Pdf

In Migrant Modernism, J. Dillon Brown examines the intersection between British literary modernism and the foundational West Indian novels that emerged in London after World War II. By emphasizing the location in which anglophone Caribbean writers such as George Lamming, V. S. Naipaul, and Samuel Selvon produced and published their work, Brown reveals a dynamic convergence between modernism and postcolonial literature that has often been ignored. Modernist techniques not only provided a way for these writers to mark their difference from the aggressively English, literalist aesthetic that dominated postwar literature in London but also served as a self-critical medium through which to treat themes of nationalism, cultural inheritance, and identity.