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Environmental Apocalypse in Science and Art by Sergio Fava Pdf
Why are climate mitigation and adaptation failing? This book situates climate policy in the cultural history of future-prediction practices. Tracing relations between modelling, epistemology, politics, food security, religion, art and the apocalyptic, its case studies examine how different modes of representing nature and imagining futures are catalysts or obstacles for immediate action.
Environmental Apocalypse in Science and Art by Sergio Fava Pdf
At a time when it is clear that climate change adaptation and mitigation are failing, this book examines how our assumptions about (valid and usable) knowledge are preventing effective climate action. Through a cross-disciplinary, empirically-based analysis of climate science and policy, the book situates the failures of climate policy in the cultural history of prediction and its interfaces with policy. Fava calls into question the current interfaces between scientific research and climate policy by tracing multiple connections between modelling, epistemology, politics, food security, religion, art, and the apocalyptic. Demonstrating how the current domination of climate policy by models and scenarios is part of the problem, the book examines how artistic practices are a critical location to ask questions differently, rethink environmental futures, and activate social change. The analysis starts with another moment of climatic change in recent western history: the overlap of the Little Ice Age and the "scientific revolution," during which intense climatic, scientific and political change were contemporary with mathematical calculation of the apocalypse. Dealing with the need for complex answers to complex and urgent questions, this is essential reading for those interested in climate action, interdisciplinary research and methodological innovation. The empirical analyses amount to a methodological experiment, across history of science, theology, art theory and history, architecture, future studies, climatology, computer modelling, and agricultural policy. This book is a major contribution to understanding how we are precluding effective climate action, and designing futures that resemble our worst nightmares.
The Environmental Apocalypse by Jakub Kowalewski Pdf
This volume brings together scholars working in diverse traditions of the humanities in order to offer a comprehensive analysis of the environmental catastrophe as the modern-day apocalypse. Drawing on philosophy, theology, history, literature, art history, psychoanalysis, as well as queer and decolonial theories, the authors included in this book expound the meaning of the climate apocalypse, reveal its presence in our everyday experiences, and examine its impact on our intellectual, imaginative, and moral practices. Importantly, the chapters show that eco-apocalypticism can inform progressively transformative discourses about climate change. In so doing, they demonstrate the fruitfulness of understanding the environmental catastrophe from within an apocalyptic framework, carving a much-needed path between two unsatisfactory approaches to the climate disaster: first, the conservative impulse to preserve the status quo responsible for today’s crisis, and second, the reckless acceptance of the destructive effects of climate change. This book will be an invaluable resource for students and scholars interested in the contributions of both apocalypticism and the humanities to contemporary ecological debates.
Decolonizing Science in Latin American Art by Joanna Page Pdf
Projects that bring the ‘hard’ sciences into art are increasingly being exhibited in galleries and museums across the world. In a surge of publications on the subject, few focus on regions beyond Europe and the Anglophone world. Decolonizing Science in Latin American Art assembles a new corpus of art-science projects by Latin American artists, ranging from big-budget collaborations with NASA and MIT to homegrown experiments in artists’ kitchens. While they draw on recent scientific research, these art projects also ‘decolonize’ science. If increasing knowledge of the natural world has often gone hand-in-hand with our objectification and exploitation of it, the artists studied here emphasize the subjectivity and intelligence of other species, staging new forms of collaboration and co-creativity beyond the human. They design technologies that work with organic processes to promote the health of ecosystems, and seek alternatives to the logics of extractivism and monoculture farming that have caused extensive ecological damage in Latin America. They develop do-it-yourself, open-source, commons-based practices for sharing creative and intellectual property. They establish critical dialogues between Western science and indigenous thought, reconnecting a disembedded, abstracted form of knowledge with the cultural, social, spiritual, and ethical spheres of experience from which it has often been excluded. Decolonizing Science in Latin American Art interrogates how artistic practices may communicate, extend, supplement, and challenge scientific ideas. At the same time, it explores broader questions in the field of art, including the relationship between knowledge, care, and curation; nonhuman agency; art and utility; and changing approaches to participation. It also highlights important contributions by Latin American thinkers to themes of global significance, including the Anthropocene, climate change and environmental justice.
Now a National Bestseller! Climate change is real but it’s not the end of the world. It is not even our most serious environmental problem. Michael Shellenberger has been fighting for a greener planet for decades. He helped save the world’s last unprotected redwoods. He co-created the predecessor to today’s Green New Deal. And he led a successful effort by climate scientists and activists to keep nuclear plants operating, preventing a spike of emissions. But in 2019, as some claimed “billions of people are going to die,” contributing to rising anxiety, including among adolescents, Shellenberger decided that, as a lifelong environmental activist, leading energy expert, and father of a teenage daughter, he needed to speak out to separate science from fiction. Despite decades of news media attention, many remain ignorant of basic facts. Carbon emissions peaked and have been declining in most developed nations for over a decade. Deaths from extreme weather, even in poor nations, declined 80 percent over the last four decades. And the risk of Earth warming to very high temperatures is increasingly unlikely thanks to slowing population growth and abundant natural gas. Curiously, the people who are the most alarmist about the problems also tend to oppose the obvious solutions. What’s really behind the rise of apocalyptic environmentalism? There are powerful financial interests. There are desires for status and power. But most of all there is a desire among supposedly secular people for transcendence. This spiritual impulse can be natural and healthy. But in preaching fear without love, and guilt without redemption, the new religion is failing to satisfy our deepest psychological and existential needs.
Apocalyptic Ecology in the Graphic Novel by Clint Jones Pdf
As awareness of climate change grows, so do the number of cultural depictions of environmental disaster. Graphic novels have reliably produced dramatizations of such disasters. Many use themes of dystopian hopefulness, or the enjoyment readers experience from seeing society prevail in times of apocalypse. This book argues that these generally inspirational narratives contribute to a societal apathy for real-life environmental degradation. By examining the narratives and art of the environmental apocalypse in contemporary graphic novels, the author stands against dystopian hope, arguing that the ways in which we experience depictions of apocalypse shape how we respond to real crises.
Our Entangled Future by Ann El Khoury,Karen O'Brien,Nicole Schafenacker Pdf
We live our lives through stories. They shape how we see the world, how we relate to it, and not the least, how we engage with it. Now more than ever, we need compelling stories that inspire both individual and collective action. The nine short stories presented in Our Entangled Future are rooted in the complex reality of the climate crisis. Rather than painting a dystopic future, they present agency-driven characters whose insights will inspire readers to contemplate and realize the potential for quantum social change. Our Entangled Future: Stories to Empower Quantum Social Change is part of the AdaptationCONNECTS research project, which is funded by the University of Oslo and the Research Council of Norway. AdaptationCONNECTS focuses on the relationship between adaptation and transformations to sustainability and explores the contributions of creativity, collaboration, empowerment, and new narratives. It also investigates the potential for new paradigms or thought patterns to shape the future, including those based on ideas drawn from quantum social science. The research engages with a growing recognition that to adapt successfully to climate change, we need to adapt to the very idea that we are creating the future right now. Adaptation is about transformation at the deepest levels, and there is no better way to transform than by telling new stories about ourselves and our significance in an entangled future. Could the use of new metaphors and images really contribute to a different narrative about climate change? We announced a call for short stories related to the notion of "quantum social change," fully recognizing the ambiguity of the term. We wanted stories to explore a quantum paradigm and were curious about the different ways that this would be interpreted. We deliberately pitched the call to both writers and researchers, in recognition that many of those who work daily with climate change are engaging with wider and deeper solution spaces. We sought stories that engage with creative agility to reimagine the world from the perspective of a new paradigm. Each story is paired with an original image of visual art, that relates to entanglement and the natural environment. The nine short stories featured in Our Entangled Future present a revitalizing view of our world and the context in which we find ourselves. Together, these stories help to convey our deepest values as humans and our greatest potential to respond collectively to climate change.
What is likely to kill off the human race first? Overpopulation? Global warming? Ozone depletion? Chemicals and insecticides? Would you believe none of these? Drawing on scientific evidence, Ben Bolch and Harold Lyons, an economist and a chemist, show that the prophets of apocalyptic doom mislead and scare the public with their warnings of impending catastrophes. Apocalypse Not debunks the alleged global threats to mankind, as well as the scares about asbestos and radon. It fosters respect for calm, objective science, while showing that the doomsday lobbyists exploit ignorance and cause hysteria. Bolch and Lyons go on to show that, contrary to the beliefs of some environmentalists, modern society and the growth in population do not threaten our quality of life. In fact, science and industry have enabled more people to live longer, healthier lives than ever before. Resources are cheaper and more plentiful than anytime in history. In light of those facts, the authors take up the perplexing question of why the environmental movement, with its apparent death wish, has been able to persuade so many people that the human race is doomed. Their answer to that question could help turn the tide that threatens to undo the industrial and scientific revolutions. This book is the book that will restore good sense to thinking about the environment.
Apocalyptic Visions in the Anthropocene and the Rise of Climate Fiction by Kübra Baysal Pdf
With the increasing interest of pop culture and academia towards environmental issues, which has simultaneously given rise to fiction and artworks dealing with interdisciplinary issues, climate change is an undeniable reality of our time. In accordance with the severe environmental degradation and health crises today, including the COVID-19 pandemic, human beings are awakening to this reality through climate fiction (cli-fi), which depicts ways to deal with the anthropogenic transformations on Earth through apocalyptic worlds as displayed in works of literature, media and art. Appealing to a wide range of readers, from NGOs to students, this book fills a gap in the fields of literature, media and art, and sheds light on the inevitable interconnection of humankind with the nonhuman environment through effective descriptions of associable conditions in the works of climate fiction.
Art and Climate Change (World of Art) by Maja Fowkes,Reuben Fowkes Pdf
An overview of ecologically conscious contemporary art that responds to today’s environmental crisis, from species extinction to climate change. Art and Climate Change collects a wide range of artistic responses to our current ecological emergency. When the future of life on Earth is threatened, creative production for its own sake is not enough. Through contemporary artworks, artists are calling for an active, collective engagement with the planet in order to illuminate some of the structures that threaten biological survival. Exploring the meeting point of decolonial reparation and ecological restoration, artists are remaking history by drawing on the latest ecological theories, scientific achievements, and indigenous worldviews to engage with the climate crisis. Across five chapters, authors Maja and Reuben Fowkes examine these artworks that respond to the Anthropocene and its detrimental impact on the planet’s climate, from scenes of nature decimated by ongoing extinction events and landscapes turned to waste by extraction, to art coming out of the communities most affected by the environmental injustice of climate change. Featuring a broad range of media, including painting, photography, conceptual, installation, and performance, this text also dives into eco-conscious art practices that have created a new kind of artistic community by stressing a common mission for creators all over the world. In this art history, the authors emphasize the importance of caring for and listening to marginalized and indigenous communities while addressing climate uncertainty, deforestation, toxicity, and species extinction. By proposing scenarios for sustainable futures, today’s artists are reshaping our planet’s history, as documented in this heavily illustrated book.
Linking literature from the sociological study of the apocalyptic with the sociology and philosophy of science, Apocalyptic Narratives explores how the apocalyptic narrative frames and provides meaning to contemporary, secular and scientific crises focussing on nuclear war, general environmental crisis and climate change in both English- and German-speaking cultural contexts. In particular, the book will use social identity and representation theories, the sociologies of risk and Lakatos’ philosophy of science to trace how our cultural background and apocalyptic tradition shape our wider interpretation, communication and response to contemporary global crisis. The set of environmental and other challenges that the world is facing is often framed in terms of apocalyptic or existential crisis. Yet apocalyptic fears about the near future are nothing new. This book looks at the narrative connections between our current sense of crisis and the apocalyptic. The book will be of interest to readers interested in environmental crisis and communication, the sociology and philosophy of science, and existential risk, but also to readers interested in the apocalyptic and its contemporary relevance.
In the summer of 1980, Dave Foreman, along with four conservationist colleagues, founded the millenarian movement Earth First!. A provocative counterculture that ultimately hoped for the fall of industrial civilization, the movement emerged in response to rapid commercial development of the American wilderness. “The earth should come first” was a doctrine that championed both biocentrism (an emphasis on maintaining the earth’s full complement of species) and biocentric equality (the belief that all species are equal). Martha Lee was successful in gaining extraordinary access to information about the movement, as well as interviews with its members. While following Earth First’s development and methods, she illustrates the inherent instability and the dangers associated with all millenarian movements. This book will be of interest to environmentalists and those interested in political science and sociology.
The Anthropocene in Global Media by Leslie Sklair Pdf
This book offers the first systematic study of how the ‘Anthropocene’ is reported in mass media globally, drawing parallels between the use (or misuse) of the term and the media’s attitude towards the associated issues of climate change and global warming. Identifying the potential dangers of the Anthropocene provides a useful path into a variety of issues that are often ignored, misrepresented, or sidelined by the media. These dangers are widely discussed in the social sciences, environmental humanities, and creative arts, and this book includes chapters on how the contributions of these disciplines are reported by the media. Our results suggest that the natural science and mass media establishments, and the business and political interests which underpin them, tend to lean towards optimistic reassurance (the ‘good’ Anthropocene), rather than pessimistic alarmist stories, in reporting the Anthropocene. In this volume, contributors explore how dangerous this ‘neutralizing’ of the Anthropocene is in undermining serious global action in the face of the potential existential risks confronting humanity. The book presents results from media in more than 100 countries in all major languages across the globe. It covers the reporting of key environmental issues, such as the impact of climate change and global warming on oceans, forests, soil, biodiversity, and the biosphere. We offer explanations for differences and similarities in how the media report the Anthropocene in different regions of the world. In doing so, the book argues that, though it is still controversial, the idea of the Anthropocene helps to concentrate minds and behaviour in confronting ongoing ecological (and Coronavirus) crises. The Anthropocene in Global Media will be of interest to students and scholars of environmental studies, media and communication studies, and the environmental humanities, and all those who are concerned about the survival of humans on planet Earth.
Apocalypses in Context by Kelly J. Murphy,Justin Jeffcoat Schedtler Pdf
Apocalyptic scenarios remain prevalent and powerful in popular culture (in television, film, comic books, and popular fiction), in politics (in debates on climate change, environmentalism, Middle East policy, and military planning), and in various religious traditions. Academic interest in apocalypticism is flourishing; indeed, the study of both ancient and contemporary apocalyptic phenomena has long been a focus of attention in scholarly research and a ready way to engage the religious studies classroom. Apocalypses in Context is designed for just such a classroom, bringing together the insights of scholars in various fields and using different methods to discuss the manifestations of apocalyptic enthusiasm in different ages (Part I: Ancient Apocalyptic Literature; Part II: Apocalypticism through the Ages; Part III: Apocalypticism in the Contemporary World). This approach enables the instructor to make connections and students to recognize continuities and contrasts across history. Apocalypses in Context features illustrations, graphs, study questions, and suggestions for further reading after each chapter, as well as recommended media and artwork to support the college classroom.
Ecological Film Theory and Psychoanalysis by Robert Geal Pdf
This book applies ecolinguistics and psychoanalysis to explore how films fictionalising environmental disasters provide spectacular warnings against the dangers of environmental apocalypse, while highlighting that even these apparently environmentally friendly films can still facilitate problematic real-world changes in how people treat the environment. Ecological Film Theory and Psychoanalysis argues that these films exploit cinema’s inherent Cartesian grammar to construct texts in which not only small groups of protagonist survivors, but also vicarious spectators, pleasurably transcend the fictionalised destruction. The ideological nature of the ‘lifeboats’ on which these survivors escape, moreover, is accompanied by additional elements that constitute contemporary Cartesian subjectivity, such as class and gender binaries, restored nuclear families, individual as opposed to social responsibilities for disasters, and so on. The book conducts extensive analyses of these processes, before considering alternative forms of filmmaking that might avoid the dangers of this existing form of storytelling. The book’s new ecosophy and film theory establishes that Cartesian subjectivity is an environmentally destructive ‘symptom’ that everyday linguistic activities like watching films reinforce. This book will be of great interest to students and scholars of film studies, literary studies (specifically ecocriticism), cultural studies, ecolinguistics, and ecosophy.