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In this classic guide, the foremost Wagner expert of our century discusses ten of Wagner's most beloved operas, illuminates their key themes and the myths and literary sources behind the librettos, and demonstrates how the composer's style changed from work to work. Acclaimed as the most complete and intellectually satisfying analysis of the Wagner operas, the book has met with unreserved enthusiasm from specialist and casual music lover alike. Here, available for the first time in a single paperback volume, is the perfect companion for listening to, or attending, The Flying Dutchman, Tannhäuser, Lohengrin, Tristan and Isolde, Die Meistersinger, the four operas of the Ring Cycle, and Parsifal. Newman enriches his treatment of the stories, texts, and music of the operas with biographical and historical materials from the store of knowledge that he acquired while completing his numerous books on Wagner, including the magisterial Life of Richard Wagner. The text of The Wagner Operas is filled with hundreds of musical examples from the scores, and all the important leitmotifs and their interrelationships are made clear in Newman's lucid prose. "This is as fine an introduction as any ever written about a major composer's masterpieces. Newman outlines with unfailing clarity and astuteness each opera's dramatic sources, and he takes the student through the completed opera, step by step, with all manner of incidental insight along the way."--Robert Bailey, New York University
The first book to present a readable explanation of Godel's theorem to both scholars and non-specialists, this is a gripping combination of science and accessibility, offering those with a taste for logic and philosophy the chance to satisfy their intellectual curiosity.
The tragic story of an erratic genius's life and a survey of some of his works, including his art songs and operas. "Very interesting and very stimulating." — The New York Times.
"Musical Studies" by Ernest Newman. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
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#1 NATIONAL BESTSELLER * NEW YORK TIMES BESTSELLER “Terrifying…buckle up for a chilling summer read.” —People (Best Books of the Week) “The perfect thriller! A must-read.” —Gillian Flynn “Stunning and relentless. This is Jaws at 35,000 feet.” —Don Winslow You just boarded a flight to New York. There are one hundred and forty-three other passengers onboard. What you don’t know is that thirty minutes before the flight your pilot’s family was kidnapped. For his family to live, everyone on your plane must die. The only way the family will survive is if the pilot follows his orders and crashes the plane. Enjoy the flight.
As the story of the United States was recorded in pages written by white historians, early-nineteenth-century African American writers faced the task of piecing together a counterhistory: an approach to history that would present both the necessity of and
Oscar Wilde (1854-1900). British dramatist whose works and wit often attracted scandalized protest. Writings include: The Happy Prince, The Picture of Dorian Gray, The Importance of Being Earnest.
Many music lovers find Wagner's operas inexpressibly beautiful and richly satisfying, while others find them revolting, dangerous, self-indulgent, and immoral. The man who W.H. Auden once called "perhaps the greatest genius that ever lived" has inspired both greater adulation and greater loathing than any other composer. Bryan Magee presents a penetrating analysis of Wagner's work, concentrating on how his sensational and deeply erotic music uniquely expresses the repressed and highly charged contents of the psyche. He examines not only Wagner's music and detailed stage directions but also the prose works in which he formulated his ideas, as well as shedding new light on his anti-semitism and the way in which the Nazis twisted his theories to suit their own purposes. Outlining the astonishing range and depth of Wagner's influence on our culture, Magee reveals how profoundly he continues to shock and inspire musicians, poets, novelists, painters, philosophers, and politicians today.
Despite the Modernist search for new and innovative aesthetics and rejection of traditional tonality, several twentieth century composers have found their own voice while steadfastly relying on the aesthetics and techniques of Romanticism and 19th century composition principles. Musicological and reference texts have regarded these composers as isolated exceptions to modern thoughts of composition_exceptions of little importance, treated simplistically and superficially. Music critic and scholar Walter Simmons, however, believes these composers and their works should be taken seriously. They are worthy of more scholarly consideration, and deserve proper analysis, assessment, and discussion in their own regard. In Voices in the Wilderness, the first in a series of books celebrating the 'Twentieth-Century Traditionalist, ' Simmons looks at six Neo-Romantic composers: Ernest Bloch Howard Hanson Vittorio Giannini Paul Creston Samuel Barber Nicolas Flagello Through biographical overviews and a comprehensive assessment of musical works, Simmons provides readers with a clear understanding of the significance of the composers, their bodies of work, and their placement in musicological history. The chapters delve deeply and objectively into each composer's oeuvre, addressing their origins, stylistic traits and consistencies, phases of development, strengths and weaknesses, and affinities with other composers. The composers' most representative works are identified, and each chapter concludes with a discography of essential recordings. Visit the author's website to read samples from the book and to listen to representative excerpts of each composer's work.
When old friend Arnold Chater Q.C. sends retired Norwegian Judge Christofferson a yellowing manuscript with the mysterious initials G.B. on the first page, the latter starts a quest to seek the truth about British composer Sir Edward Elgar’s secret muse in his masterpiece, the Enigma Variations, and whether he fathered an illegitimate child. Fascinated with riddles and puzzles, the composer was in the habit of leaving a series of codes denoting the inspiration for his timeless compositions. But in the Enigma Variations, Elgar forsook his usual practice of inserting initials to honour his muse, explicitly refusing to name his great love by using a mysterious ellipsis. Cheekily, he gives a clue about his inspiration in the violin concerto with the words, ‘Here is enshrined the soul of ...’ Chris Nicholson’s seminal musical thriller weaves an amazing tale with enigmas piled on riddles. He flagrantly delights in leading readers on a breathless chase of the women who were extraordinarily important in Elgar’s life. At the same time, he also unmasks Elgar as a man who hid himself and his intimate affairs behind a mask of respectability. Nicholson is merciless in the details of Elgar’s life, loves and music, deciphering all the clues and delivering the final judgment as only he can. Chris Nicholson is a retired judge and author of seven books.