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A revision of the author's Ph.D. thesis for the U. of Toronto. It examines political dimensions of Don Quixote, which have mostly been ignored by Anglophone critics, and their implications with respect to Christianity. Paper edition (unseen), $22.95. Annotation copyright by Book News, Inc., Portland, OR
The San Fernando Valley, hidden just on the other side of the Hollywood sign, is the pornography capital of the world. This valley of adult commerce is towered over by Alston Image, the most successful, respected and innovative producer of adult content in history. But when the company's eternally ambitious and publicly reclusive founder and CEO, Isaac Alston, decides to track down and produce the script for a legendary forbidden film by his favorite erotic auteur he incurs a public backlash that echoes across the entire nation. In this scorching debut, author Jordan Owen weaves a tale of scathing satire, corporate intrigue and moral outrage to journey deep into the hearts and minds of the industry that is the Eros Empire... Jordan Owen is a writer, musician and cultural agitator who currently lives in Atlanta, Georgia. If you buy this book you are only encouraging him.
Empire of the Gods makes a major and original contribution to the literature on love. The history of Eros is its attempted liberation into wholeness and individuality. Its modern expression as a flesh-monism requires expansion to include reason and spirit (including Agape), the classical, to include affect and flesh. The illicit character of the Romantic Love of the Twelfth Century (seen as two versions: Utopian and Historical) provides a radical key not only to synthesis but also to surmounting oppressive enculturation, particularly in the marriage institution. Relationship is the synthesizing focus of illicit love, philosophical dialogue and psychotherapy.
Eros considers a promise left unfulfilled in Sigmund Freud’s Beyond the Pleasure Principle. Rosaura Martínez Ruiz argues that when the pleasure principle comes into contact with the death drive (the human tendency toward aggression or cruelty), the psyche can take detours that, without going beyond the limit of the pleasure principle, can nevertheless defer it. Eros reflects on these deviations of the pleasure principle, in the political sphere and in the intimate realm. Following these erotic paths, Martínez argues that the forces of the death drive can only be resisted if resistance is understood as an ongoing process. In such an effort, erotic action and the construction of pathways for sublimation are never-ending ethical and political tasks. We know that these tasks cannot be finally accomplished, yet they remain imperative and undeniably urgent. If psychoanalysis and deconstruction teach us that the death drive is insurmountable, through aesthetic creation and political action we can nevertheless delay, defer, and postpone it. Calling for the formation and maintenance of a “community of mourning duelists,” this book seeks to imagine and affirm the kind of “erotic battalion” that might yet be mobilized against injustice. This battalion’s mourning, Martínez argues, must be ongoing, open-ended, combative, and tenaciously committed to the complexity of ethical and political life.
The topic of sexuality intersects directly with the most contested historical, theological, and ethical questions of our day. In this edgy yet profound volume, noted scholars and theologians assay the Christian tradition's classic and contemporary understandings of sex, sexuality, and sexual identity. The project unfolds in three phases: contemporary assessments of the Christian tradition, new thinking about eros and being human religiously, and new perspectives on classic mysteries in light of eros and embodiment.
Thucydides and the Modern World by Katherine Harloe,Neville Morley Pdf
The ancient Greek historian Thucydides has had an enormous impact on modern historiography, political theory, international relations and strategic studies, but this influence has never been properly studied. This book brings together leading scholars from a range of disciplines to explore the different facets of Thucydides' modern reception and influence, from the birth of political theory in Renaissance Europe to the rise of scientific history in nineteenth-century Germany and the triumph of 'realism' in twentieth-century international relations theory. Its chapters consider the different national and disciplinary traditions of reading and citing Thucydides, but also highlight common themes and questions; in particular, the variety of images of the historian produced by his modern readers: the scientific historian or the artful rhetorician, the brilliant analyst of society and politics or the great narrator of political and military events, the man of experience and affairs or the man of contemplation and reflection.
In these philosophical essays, a leading John Dewey scholar presents a new conceptual framework for exploring human experience as it relates to nature. The Human Eros explores themes in classical American philosophy, primarily the thought of John Dewey, but also that of Ralph Waldo Emerson, George Santayana, and Native American traditions. Using these works as a critical base, Thomas M. Alexander suggests that human beings have an inherent need to experience meaning and value, what he calls a “Human Eros.” Our various cultures are symbolic environments or “spiritual ecologies” within which the Human Eros seeks to thrive. This is how we inhabit the earth. Encircling and sustaining our cultural existence is nature, yet Western philosophy has not provided adequate conceptual models for thinking ecologically. Alexander introduces the idea of “eco-ontology” to explore ways in which this might be done, beginning with the primacy of Nature over Being but also including the recognition of possibility and potentiality as inherent aspects of existence. He argues for the centrality of Dewey’s thought to an effective ecological philosophy. Both “pragmatism” and “naturalism,” he shows, need to be contextualized within an emergentist, relational, nonreductive view of nature and an aesthetic, imaginative, nonreductive view of intelligence.
Toward a Theology of Eros by Virginia Burrus,Catherine Keller Pdf
What does theology have to say about the place of eroticism in the salvific transformation of men and women, even of the cosmos itself? How, in turn, does eros infuse theological practice and transfigure doctrinal tropes? Avoiding the well-worn path of sexual moralizing while also departing decisively from Anders Nygren’s influential insistence that Christian agape must have nothing to do with worldly eros, this book explores what is still largely uncharted territory in the realm of theological erotics. The ascetic, the mystical, the seductive, the ecstatic—these are the places where the divine and the erotic may be seen to converge and love and desire to commingle. Inviting and performing a mutual seduction of disciplines, the volume brings philosophers, historians, biblical scholars, and theologians into a spirited conversation that traverses the limits of conventional orthodoxies, whether doctrinal or disciplinary. It seeks new openings for the emergence of desire, love, and pleasure, while challenging common understandings of these terms. It engages risk at the point where the hope for salvation paradoxically endangers the safety of subjects—in particular, of theological subjects—by opening them to those transgressions of eros in which boundaries, once exceeded, become places of emerging possibility. The eighteen chapters, arranged in thematic clusters, move fluidly among and between premodern and postmodern textual traditions—from Plato to Emerson, Augustine to Kristeva, Mechthild to Mattoso, the Shulammite to Molly Bloom, the Zohar to the Da Vinci Code. In so doing, they link the sublime reaches of theory with the gritty realities of politics, the boundless transcendence of God with the poignant transience of materiality.
This book offers a groundbreaking revision of the popular image of Aphrodite and Eros that lives on in Roman poetry (Venus and Cupid) and has inspired artists for centuries. An interdisciplinary analysis of the Archaic period - using literary, iconographical, and cultic evidence - shows the distinct concept behind the two deities of love. Aphrodite's character, sphere of influence, and function feature in her traditional myths and are well reflected in cult. Eros, however, was not yet a similarly personified mythical figure at that stage, nor did he have an individual cult. Breitenberger follows the different stages of the development of Eros's personality. Originally a cosmic entity and an unpersonified aspect of Aphrodite, he was given his mythical identity by successive archaic lyric poets who were particularly keen to mythologize a male counterpart to the established love-goddess Aphrodite. This male love-god turns out to be the divinized homoerotic ideal of the male aristocracy 'worshipped' at their symposia. The development of the male love-god is taken as an example to demonstrate that poets' artistic innovation as well as their social and historical background played an important role in creating Greek mythology.
Roman Love Elegy and the Eros of Empire by Phebe Lowell Bowditch Pdf
This book explores Roman love elegy from postcolonial perspectives, arguing that the tropes, conventions, and discourses of the Augustan genre serve to reinforce the imperial identity of its elite, metropolitan audience. Love elegy presents the phenomena and discourses of Roman imperialism—in terms of visual spectacle (the military triumph), literary genre (epic in relation to elegy), material culture (art and luxury goods), and geographic space—as intersecting with ancient norms of gender and sexuality in a way that reinforces Rome’s dominance in the Mediterranean. The introductory chapter lays out the postcolonial frame, drawing from the work of Edward Said among other theorists, and situates love elegy in relation to Roman Hellenism and the varied Roman responses to Greece and its cultural influences. Four of the six subsequent chapters focus on the rhetorical ambivalence that characterizes love elegy’s treatment of Greek influence: the representation of the domina or mistress as simultaneously a figure for ‘captive Greece’ and a trope for Roman imperialism; the motif of the elegiac triumph, with varying figures playing the triumphator, as suggestive of Greco-Roman cultural rivalry; Rome’s competing visions of an Attic and an Asiatic Hellenism. The second and the final chapter focus on the figures of Osiris and Isis, respectively, as emblematic of Rome’s colonialist and ambivalent representation of Egypt, with the conclusion offering a deconstructive reading of elegy’s rhetoric of orientalism.
Author : Michael Grant Publisher : Random House Value Publishing Page : 174 pages File Size : 49,8 Mb Release : 1982 Category : Erotic art ISBN : UOM:39076000874979
This provocative work provides a radical reassessment of the emergence and nature of Christian sexual morality, the dominant moral paradigm in Western society since late antiquity. While many scholars, including Michel Foucault, have found the basis of early Christian sexual restrictions in Greek ethics and political philosophy, Kathy L. Gaca demonstrates on compelling new grounds that it is misguided to regard Greek ethics and political theory—with their proposed reforms of eroticism, the family, and civic order—as the foundation of Christian sexual austerity. Rather, in this thoroughly informed and wide-ranging study, Gaca shows that early Christian goals to eradicate fornication were derived from the sexual rules and poetic norms of the Septuagint, or Greek Bible, and that early Christian writers adapted these rules and norms in ways that reveal fascinating insights into the distinctive and largely non-philosophical character of Christian sexual morality. Writing with an authoritative command of both Greek philosophy and early Christian writings, Gaca investigates Plato, the Stoics, the Pythagoreans, Philo of Alexandria, the apostle Paul, and the patristic Christians Clement of Alexandria, Tatian, and Epiphanes, freshly elucidating their ideas on sexual reform with precision, depth, and originality. Early Christian writers, she demonstrates, transformed all that they borrowed from Greek ethics and political philosophy to launch innovative programs against fornication that were inimical to Greek cultural mores, popular and philosophical alike. The Septuagint's mandate to worship the Lord alone among all gods led to a Christian program to revolutionize Gentile sexual practices, only for early Christians to find this virtually impossible to carry out without going to extremes of sexual renunciation. Knowledgeable and wide-ranging, this work of intellectual history and ethics cogently demonstrates why early Christian sexual restrictions took such repressive ascetic forms, and casts sobering light on what Christian sexual morality has meant for religious pluralism in Western culture, especially among women as its bearers.
-- Latin text, spaced with four lines below each line, for working out translations (as homework, in-class can rections, for review); to note figures of speech, points of grammatical interest -- Right-hand column for additional notes/vocabulary for spec
This narrative has three related intentions. The first, and primary in sheer volume of discussion, is to consider Greek and Latin literature as a prism through which Greco-Roman civilization may be understood, but through the specific lens of the interweave of two concepts, eros (love) and eris (strife). Neither of these apparently opposed modes of human behavior is presented without the other; the two are repeatedly intertwined with each other, from the description of how our world came into being to the various threads of epic and lyric poetry that offer accounts of human-divine, divine-divine and human-human interaction. Thus, beginning with Hesiod's Theogony and the surviving Homeric epics, (the Iliad and the Odyssey), I go on to consider Greek lyric, tragic and comic poetry-from Sappho and Pindar to Aiskhylos and Sophokles and Euripides to Aristophanes to Menander-and in turn I observe how the issue of eros/eris further plays out in Roman poetry, from Lucretius and Virgil to the panoply of lyric poets that includes Catullus as well as Tibullus, Propertius, and Ovid on the one hand and satirists like Juvenal on the other. The theme plays out in the most serious and the most humorous of modes. A briefer discussion-a kind of interlude-will include Plato (specifically, the Symposium) and a consideration of the visual arts will single out a handful of works in which this theme is particularly well represented, offering a complement to the literary articulation. My intention is to draw conclusions regarding this aspect of Greco-Roman culture while recognizing differences inherent in Greek versus Roman thinking that mark them both as a continuum and as distinct from each other. In what amounts to an extended epilogue, the third component of my narrative traces the eros/eris theme as it continues to play out in Western literature, suggesting this theme as one of the many instruments through which Western civilization erects a complex edifice built on Greek and Roman-and Hebrew biblical (included in this epilogue)-foundations. The discussion extends beyond the Bible to the Chanson de Roland to Dante's Divine Comedy to Pierre Corneille's Le Cid to Nikos Kazantsakis' The Odyssey: A Sequel to the magnificent contemporary poem by Nobel-prize-winner, Derek Walcott, Omeros, and to the musical, West Side Story. More simply put-given my inclusion of a discussion of the Baghavad Gita with respect to this theme-I ask how all of this might reflect more broadly and deeply on what humans are about, across the range of our cultures and civilizations, West and East.
