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Esoteric Tradition in Russian Romantic Literature by Lauren G. Leighton Pdf
It deals extensively with Decembrism, the political conspiracy so known after its culmination in a failed attempt to overthrow the tsarist autocracy in December 1825. The Decembrist writers and other romantics influenced by Freemasonry, including Kondraty Ryleyev, Alexander Bestuzhev-Marlinsky, and Alexander Pushkin, were adept in the application of thaumaturgical skills to literature.
The Esoteric Tradition in Russian Romantic Literature by Lauren G. Leighton Pdf
The European esoteric tradition was introduced into Russia in the eighteenth century by Freemasons and continued in Russian romantic literature of the early nineteenth century. This study, which conjoins historiographical methods developed by modern scholars of esoterica and formalist methods of textual analysis, reveals the role of that tradition in Russian romantic literature. It deals extensively with Decembrism, the political conspiracy so known after its culmination in a failed attempt to overthrow the tsarist autocracy in December 1825. The Decembrist writers and other romantics influenced by Freemasonry, including Kondraty Ryleyev, Alexander Bestuzhev-Marlinsky, and Alexander Pushkin, were adept in the application of thaumaturgical skills to literature. Thaumaturgy denotes the application of arcane skills, some derived from the Cabala, to both the interpretation and creation of encoded literary texts. The Esoteric Tradition in Russian Romantic Literature also deals with the relationships between Russia's national poet and those writers who made the first major attempt at a Russian revolution. Viewing these relationships through the prism of occult imagery used in various literary works, Leighton tells an engaging story of political intrigue and communication by secret codes.
Reference Guide to Russian Literature by Neil Cornwell Pdf
First Published in 1998. This volume will surely be regarded as the standard guide to Russian literature for some considerable time to come... It is therefore confidently recommended for addition to reference libraries, be they academic or public.
The Routledge Companion to Russian Literature by Neil Cornwell Pdf
The Routledge Companion to Russian Literature is an engaging and accessible guide to Russian writing of the past thousand years. The volume covers the entire span of Russian literature, from the Middle Ages to the post-Soviet period, and explores all the forms that have made it so famous: poetry, drama and, of course, the Russian novel. A particular emphasis is given to the nineteenth and twentieth centuries, when Russian literature achieved world-wide recognition through the works of writers such as Pushkin, Dostoevsky, Tolstoy, Chekhov, Nabokov and Solzhenitsyn. Covering a range of subjects including women's writing, Russian literary theory, socialist realism and émigré writing, leading international scholars open up the wonderful diversity of Russian literature. With recommended lists of further reading and an excellent up-to-date general bibliography, The Routledge Companion to Russian Literature is the perfect guide for students and general readers alike.
The American Bibliography of Slavic and East European Studies for 1994 by Patt Leonard,Rebecca Routh Pdf
This text provides a source of citations to North American scholarships relating specifically to the area of Eastern Europe and the former Soviet Union. It indexes fields of scholarship such as the humanities, arts, technology and life sciences and all kinds of scholarship such as PhDs.
Vasily Zhukovsky's Romanticism and the Emotional History of Russia by Ilya Vinitsky Pdf
Ilya Vinitsky's Vasily Zhukovsky's Romanticism and the Emotional History of Russia is the first major study in English of Vasily Zhukovsky (1783–1852)—a poet, translator of German romantic verse, and, crucially, mentor of Pushkin. It focuses overdue attention to an important figure in Russian literary and cultural history. Vinitsky’s "psychological biography" argues that Zhukovsky very consciously set out to create for himself an emotional life that reflected his unique brand of romanticism, different from what we associate with Pushkin or poets such as Byron or Wordsworth. For Zhukovsky, ideal love was harmonious, built on a mystical foundation of spiritual kinship. Vinitsky shows how Zhukovksy played a pivotal role in the evolution of ideas central to Russia’s literary and cultural identity from the end of the eighteenth century into the decades following the Napoleonic Wars.
The Gothic-Fantastic in Nineteenth-Century Russian Literature by Cornwell Pdf
From the contents: From Pantheon to Pandemonium (Richard Peace). - Karamzin's Gothic tale: The Island of Bornholm (Derek Offord). - Alessandra TOSI: At the origins of the Russian Gothic novel: Nikolai Gnedich's Don Corrado de Gerrera (1803) (Alessandra Tosi). - Does Russian Gothic verse exist? The Case of Vasilii Zhukovskii (Michael Pursglove). - The fantastic in Russian Romantic prose: Pushkin's The Queen of Spades (Claire Whitehead).
Liberalism in Pre-revolutionary Russia by Susanna Rabow-Edling Pdf
Nineteenth-century Russian intellectuals were faced with a dilemma. They had to choose between modernizing their country, thus imitating the West, or reaffirming what was perceived as their country's own values and thereby risk remaining socially underdeveloped and unable to compete with Western powers. Scholars have argued that this led to the emergence of an anti-Western, anti-modern ethnic nationalism. In this innovative book, Susanna Rabow-Edling shows that there was another solution to the conflicting agendas of modernization and cultural authenticity – a Russian liberal nationalism. This nationalism took various forms during the long nineteenth century, but aimed to promote reforms through a combination of liberalism, nationalism and imperialism.
Translation and the Making of Modern Russian Literature by Brian James Baer Pdf
Brian James Baer explores the central role played by translation in the construction of modern Russian literature. Peter I's policy of forced Westernization resulted in translation becoming a widely discussed and highly visible practice in Russia, a multi-lingual empire with a polyglot elite. Yet Russia's accumulation of cultural capital through translation occurred at a time when the Romantic obsession with originality was marginalizing translation as mere imitation. The awareness on the part of Russian writers that their literature and, by extension, their cultural identity were “born in translation” produced a sustained and sophisticated critique of Romantic authorship and national identity that has long been obscured by the nationalist focus of traditional literary studies. By offering a re-reading of seminal works of the Russian literary canon that thematize translation, alongside studies of the circulation and reception of specific translated texts, Translation and the Making of Modern Russian Literature models the long overdue integration of translation into literary and cultural studies.
Bibliography of Slavic Literature by Dasha C̆ulić Nisula Pdf
Nisula covers materials published in the United States and abroad since 1989 covering Slavic literature from the medieval period to the end of the twentieth century. The three main sections are meticulously structured to cover all the dimensions of geographical space, literary genres, topics, authors and time. The first section examines general works on Slavic literature--namely Slavic bibliographies, journals, and library holdings. The second one frames the bibliographic sources within the Slavic geographic perimeter: East, Central and South Europe, while the final section considers regional and national literature. One of the richest European cultures reveals itself in the pages of this book and all those who want to understand the multiple aspects of Slavic literature can find in this an essential guide.
Nikolai Gretsch's Travel Letters: Volume 3 - Letters from Germany by Nikolai Gretsch Pdf
Nikolai Gretsch's Travel Letters is a fully translated English edition of a three-volume account published by Nikolai Gretsch (1787–1867) in St. Petersburg in 1839. In the original Russian, Gretsch describes his travels in post-Napoleonic England, France, and Germany in 1837 at the behest of the Russian Empire. His official task was to examine educational systems, but as he travelled, he also noticed the cultural norms in his surroundings, the history of each country, and the personal experiences of the people he met. On his return home, Gretsch assembled his entertaining and often humorous personal observations into the edition that forms the basis for the present translation. His astute observations provide a rich contemporary resource for information about the countries he visited, especially given his status as an outsider. Additionally, as a result of his government position, Gretsch was able to move in social circles that would have been closed to many other people. In England, he once found himself in the same room with Princess (the future Queen) Victoria, and in France, he dined with Victor Hugo. Gretsch’s observations offer a treasure-trove of contextual information that will be valuable to anyone interested in cultural interactions during the nineteenth century.
Author : George M. Young Publisher : Oxford University Press Page : 291 pages File Size : 43,8 Mb Release : 2012-08-16 Category : History ISBN : 9780199892945
The ideas of the Cosmists have in recent decades been rediscovered and embraced by many Russian intellectuals. Here, Young offers a dynamic and wide-ranging examination of the lives and ideas of the Russian Cosmists.
Eighteenth-Century Russian Music by Marina Ritzarev Pdf
Little is known outside of Russia about the nation's musical heritage prior to the nineteenth century. Western scholarship has tended to view the history of Russian music as not beginning until the end of the eighteenth century. Marina Ritzarev's work shows this interpretation to be misguided. Starting from an examination of the rich legacy of Russian music up to 1700, she explores the development of music over the course of the eighteenth century, a period of especially intense Westernization and secularization. The book focuses on what is characteristic and crucial to Russian music during this period, rather than seeking to provide a comprehensive survey. The musical culture of the time is discussed against the rich background of social, political and cultural life, tying together many of the phenomena that used to be viewed separately. The book highlights the importance of previously marginalized sectors - serf culture, choral sacred culture, the contribution of foreign musicians, the significant influence of Freemasonry, the role of Ukrainian and West-European cultures and so on - as well as casting new light on the well-researched topic of Russian opera. Much new archival material is introduced, and revised biographies of the two leading eighteenth-century Russian composers, Maxim Berezovsky and Dmitry Bortniansky, are provided, as well as those of the serf composer Stepan Degtyarev and the Italian Giuseppe Sarti. The book places eighteenth-century Russian music on the European map, and will be of particular importance for the study of European musical cultures remote from such centres as Italy, Germany-Austria and France. Eighteenth-century Russian music is organically linked with its past and future and its contributory role in forming the Russian national identity and developing the Russian idiom is clarified.
