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Who is the greatest living essayist writing in English? Unquestionably Joseph Epstein. Epstein is penetrating. He is witty. He has a magic touch with words, that hard to define but immediately recognizable quality called style. Above all, he is impossible to put down. How easy it is today to forget the simple delight of reading for no intended purpose. Each of the 39 pieces in this book is a pure pleasure to read.
Bernini's Biographies by Maarten Delbeke,Evonne Anita Levy,Steven F. Ostrow Pdf
Unique among early modern artists, the Baroque painter, sculptor, and architect Gianlorenzo Bernini was the subject of two monographic biographies published shortly after his death in 1680: one by the Florentine connoisseur and writer Filippo Baldinucci (1682), and the second by Bernini's son, Domenico (1713). This interdisciplinary collection of essays by historians of art and literature marks the first sustained examination of the two biographies, first and foremost as texts. A substantial introductory essay considers each biography's author, genesis, and foundational role in the study of Bernini. Nine essays combining art-historical research with insights from philology, literary history, and art and literary theory offer major new insights into the multifarious connections between biography, art history, and aesthetics, inviting readers to rethink Bernini's life, art, and milieu. Contributors are Eraldo Bellini, Heiko Damm, John D. Lyons, Sarah McPhee, Tomaso Montanari, Rudolf Preimesberger, Robert Williams, and the editors.Maarten Delbeke is Assistant Professor of architectural history and theory at the universities of Ghent and Leiden. Formerly the Scott Opler Fellow in Architectural History at Worcester College (Oxford), he is the author of several articles and a forthcoming book on Seicento art and theory.Evonne Levy is Associate Professor of the History of Art at the University of Toronto. She is also the author of Propaganda and the Jesuit Baroque (2004).
"Contains thirty-five sketches about Voltaire, Frederick the Great, Rousseau, Gibbon, Walpole, Boswell, Carlyle, Sarah Bernhardt, and a number of delightful eccentrics, including Lady Hester Stanhope."--Back cover
What choices must a biographer make when stitching the pieces of a life into one coherent whole? How do we best create an accurate likeness of a private life from the few articles that linger after death? How do we choose what gets left out? This intriguing and witty collection of essays by an internationally acclaimed biographer looks at how biography deals with myths and legends, what goes missing and what can't be proved in the story of a life. Virginia Woolf's Nose presents a variety of case-studies, in which literary biographers are faced with gaps and absences, unprovable stories and ambiguities surrounding their subjects. By looking at stories about Percy Bysshe Shelley's shriveled, burnt heart found pressed between the pages of a book, Jane Austen's fainting spell, Samuel Pepys's lobsters, and the varied versions of Virginia Woolf's life and death, preeminent biographer Hermione Lee considers how biographers deal with and often utilize these missing body parts, myths, and contested data to "fill in the gaps" of a life story. In "Shelley's Heart and Pepys's Lobsters," an essay dealing with missing parts and biographical legends, Hermione Lee discusses one of the most complicated and emotionally charged examples of the contested use of biographical sources. "Jane Austen Faints" takes five competing versions of the same dramatic moment in the writer's life to ask how biography deals with the private lives of famous women. "Virginia Woolf's Nose" looks at the way this legendary author's life has been translated through successive transformations, from biography to fiction to film, and suggests there can be no such thing as a definitive version of a life. Finally, "How to End It All" analyzes the changing treatment of deathbed scenes in biography to show how biographical conventions have shifted, and asks why the narrators and readers of life-stories feel the need to give special meaning and emphasis to endings. Virginia Woolf's Nose sheds new light on the way biographers bring their subjects to life as physical beings, and offers captivating new insights into the drama of "life-writing". Virginia Woolf's Nose is a witty, eloquent, and funny text by a renowned biographer whose sensitivity to the art of telling a story about a human life is unparalleled--and in creating it, Lee articulates and redefines the parameters of her craft.
Pioneers in Marketing: A Collection of Biographical Essays discusses eight historically important marketing scholars whose careers collectively spanned over 100 years. An introductory chapter describes the role of biography in the study of marketing thought, and introduces the eight subjects in this collection. Subsequent chapters describe the lives of Edward David Jones, Simon Litman, Henry Charles Taylor, Percival White, George Burton Hotchkiss, Theodore N. Beckman, David D. Monieson, and William R. Davidson, focusing on their intellectual and professional contributions to the marketing discipline. The biographies are based on rare archival materials, some personal interviews, and analysis of the subjects’ major works. The final chapter draws lessons from the collection for marketing students and teachers. Several important discoveries are reported that suggest opportunities for further research. These stories will inform and inspire students of marketing.
The chapters in this text comprise biographical sketches of previously unknown (or lesser known) African-Americans, among them General Daniel Chappie James Jr; William Levi Dawson (composer); Vinnette Carroll (director and playwright); and Elizabeth Ross Haynes (political speaker and activist).
This volume of more than twenty essays reflects the intersections between biography, autobiography and literature. Several pieces focus upon the contentious sub-genre of literary biography, while others examine the autobiographical threads that are detachable in literary writing and a variety of other forms.
Of the fifteen famous scientists, economists and statesmen sketched in this collection of essays, which was first published in 1933, John Maynard Keynes was directly acquainted with all but three. The unique quality of immediacy in these biographical fragments contributes immensely to our more intimate appreciation of the historical significance of these men. This volume is made up of two parts: The first part, titled Sketches of Politicians, includes chapters on Lloyd George, Bonar Law, Lord Oxford and Sir Winston Churchill. The greater portion of the second part, Lives of Economists, is taken up with the lives of Robert Malthun, Alfred Marshall and F. Y. Edgeworth. All are literature, and the reader needn’t be an economist or a specialist to enjoy the excellent flavor of Keynes’ style of writing.
This book showcases a unique, innovative form for contemporary life narrative scholarship. Life Narrative is a dynamic and interdisciplinary field defined through attention to diverse styles of personal and auto/biographical narration and to subjectivity and ethics in acts of self-representation. The essay is a uniquely sympathetic mode for such scholarship, responsive to diverse methods, genres, and concepts and enabling a flexible, hybrid critical and creative approach. Many of the essays curated for this volume are by the authors of creative works of life writing who are seeking to reflect critically on disciplinary issues connected to practice, ethics, audience, or genre. Others show academics from a variety of disciplinary backgrounds engaged in creative critical self-reflection, using methods of cultural analysis, ethnography, or embodied scholarship to address foundational and emerging issues and concepts in relation to identity, experience, or subjectivity. Essays in Life Writing positions the essay as a unique nexus of creative and critical practice, available to academics publishing peer-reviewed scholarly work from a variety of disciplinary backgrounds, and a form of scholarship that is contributing in exciting and vigorous ways to the development of new knowledge in Life Narrative as a field. The chapters in this book were originally published as a special issue of the journal Life Writing.
Essays in Biography (Classic Reprint) by Charles Whibley Pdf
Excerpt from Essays in Biography 'so they two came along to England together, ' and it was not long before they found at Court a theatre worthy their design. Nor could any twain be better fitted to play there a foremost part. The talent of the one marvellously supplemented the enterprise of the other. Carr was endowed with the very genius of success. He was born for pro sperity and advancement. He had been bred in France, and had there learned those tricks of manner and address which win the favour of kings and ministers. None possessed in larger measure than he the tact of presentation. His handsome face and Stately figure were embellished by the natural grace of his movements. He understood the niceties of ruffs and frills. He showed an equal taste in the cut of his doublet and in the colour of his hose. In brief, he was master of all those qualities which should easily endear him to the wisest fool in Christendom. His deficiencies, cunningly disguised, were as conspicuous as his gifts. He had as little talent for affairs as for scholarship. In any other Court, save that of James, he would have remained a mere gentleman of the household, and done his best to still the voices of ambition and avarice. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
John Dos Passos by Maria Zina Gonçalves de Abreu,Bernardo de Vasconcelos Pdf
The contributions in this book draw attention to the close, though sometimes ambiguous, relationship between biography, aesthetics, ideology, social critique and gender in Dos Passosâ (TM)s writings. Most of the essays are important additions to the ongoing scholarly critique on the authorâ (TM)s works, considered in terms of innovative literary techniques and the myriad of literary representations, as well as of core thematic issues that have helped define Dos Passos both as a towering figure of American Modernism, and outspoken political and social critic. Further to scrutinizing Dos Passosâ (TM)s biographic aspects and literary innovations, the book also offers invaluable insights into the historiographical, ideological and social dimensions of the American (and to some extent European) society of the time, dominated by unprecedented social and political instability that shattered the â ~American Dreamâ (TM) of liberty and egalitarianism, and by international warfare. The present collection of essays is a worthy contribution to the growing body of critical studies on John Dos Passosâ (TM)s writings, which indisputably endorse the status of his literary name.
Essays in Biography is a play on words conveying Carl Rollyson's attempt to explore the nature of biography in pieces about the history of the genre and in portrayals of biographers (Plutarch, Leon Edel, and W. A. Swanberg), literary figures (Lillian Hellman, Jack London), philosophers and critics (Leo Strauss and Hippolyte Taine), political figures (Winston Churchill and Napoleon), and artists (Rembrandt and Rubens). An essay in biography, Rollyson argues, is an effort to comprehend a life that is inherently incomplete and subject to revision. Many of the facts about a biographical subject's life that are blandly presented in reference books have been discovered by biographers at great cost to their reputations. With the history of biography as a censored genre in mind, he encourages readers of biography to look critically at the biographies they read-no matter whether those biographies are book-length narratives or short encyclopedia entries. Many of the pairings in Essays in Biography are meant to evoke Plutarch's presentation of "parallel lives." The biographical essay, Rollyson concludes, is a unique form of knowledge, one that modern critics have devalued by trying to separate the creator from his creation.