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Essays on Modern Novelists by William Lyon Phelps Pdf
The title of this book says it all, for it is indeed a collection of essays on the life and works of some 19th-century authors. Notable individuals discussed in this book include Mark Twain, Robert Louis Stevenson, Thomas Hardy, and Rudyard Kipling.
Essays on Modern Novelists by William Lyon Phelps Pdf
This is a reprint of the collection of essays originally published in book form in 1910. The first impression the book makes, on re-reading its interesting and at times brilliant criticisms, is the ever changing meaning of the word "modern." We are sure that if Professor Phelps were issuing such a book to-day, his choice of subjects would differ, both in omission and inclusion, from the list as here given. De Morgan, Bjornson, Sienkiewicz, and Blackmore would probably disappear, and those who could take their places would more than fill the volume. For, to mention only one, the greatest of "modern novelists," Mrs. Wharton, is not here, although The House of Mirth was published in 1905. Professor Phelps gives sound and discriminating criticism on Hardy, Howells, Mark Twain, Stevenson, Kipling, and Sudermann. He does not, we think, appreciate Mrs. Humphry Ward's portrayal of the atmosphere in which she places her characters, but he puts his finger on her weaknesses. He rightly protests against the Continental criticism of English and American novels on account of their reticence, for it is not a question of morality only, it is a question of the proper proportions in which one draws life. An interesting appendix contains his plea for the study of contemporary literature and an account of his experiences when he began to give a course on "The Modern Novel" at Yale about 1896. We remember the surprise we felt at that time, when this course was hailed as a great novelty, for we had taken a course in modern fiction at Pennsylvania with Professor Schelling several years before; but this essay, read now, proves again how fast time flies. Courses in modern literature are given everywhere now, and Professor Phelps can rightly be congratulated on being one of the pioneers in bringing trained academic judgment where it is vitally needed, that is, to the reading public who have to be told constantly what they should or should not read. -Educational Review, Vol. 64
Author : John W. Aldridge Publisher : New York : Ronald Press Company Page : 648 pages File Size : 43,9 Mb Release : 1952 Category : Language Arts & Disciplines ISBN : STANFORD:36105044934540
The Victorian Art of Fiction presents important Victorian statements on the form and function of fiction. The essays in this anthology address questions of genre, such as realism and sensationalism; questions of gender and authorship; questions of form, such as characterization, plot construction, and narration; and questions about the morality of fiction. The editor discusses where Victorian writing on the novel has been placed in accounts of the history of criticism and then suggests some reasons for reconsidering this conventional evaluation. Among the featured essayists and critics are John Ruskin, Walter Bagehot, George Henry Lewes, Leslie Stephen, Anthony Trollope, and Robert Louis Stevenson; the classic essays include George Eliot’s “Silly Novels by Lady Novelists” and Henry James’s “The Art of Fiction.”
Essays on Modern Novelists - Scholar's Choice Edition by William Lyon Phelps Pdf
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Mrs Dalloway, Virginia Woolf's fourth novel, offers the reader an impression of a single June day in London in 1923. Clarissa Dalloway, the wife of a Conservative member of parliament, is preparing to give an evening party, while the shell-shocked Septimus Warren Smith hears the birds in Regent's Park chattering in Greek. There seems to be nothing, except perhaps London, to link Clarissa and Septimus. She is middle-aged and prosperous, with a sheltered happy life behind her; Smith is young, poor, and driven to hatred of himself and the whole human race. Yet both share a terror of existence, and sense the pull of death. The world of Mrs Dalloway is evoked in Woolf's famous stream of consciousness style, in a lyrical and haunting language which has made this, from its publication in 1925, one of her most popular novels.
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
