Ethnographic Film

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Ethnographic Film

Author : Karl G. Heider
Publisher : Unknown
Page : 190 pages
File Size : 41,7 Mb
Release : 1976
Category : Motion pictures in ethnology
ISBN : UCSC:32106015312413

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Ethnographic Film by Karl G. Heider Pdf

Provides history of ethnographic film

Ethnographic Film

Author : Karl G. Heider
Publisher : University of Texas Press
Page : 181 pages
File Size : 51,5 Mb
Release : 2009-04-20
Category : Performing Arts
ISBN : 9780292779396

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Ethnographic Film by Karl G. Heider Pdf

From reviews of the first edition: “Ethnographic Film can rightly be considered a film primer for anthropologists.” —Choice “This is an interesting and useful book about what it means to be ethnographic and how this might affect ethnographic filmmaking for the better. It obviously belongs in all departments of anthropology, and most ethnographic filmmakers will want to read it.” —Ethnohistory Even before Robert Flaherty released Nanook of the North in 1922, anthropologists were producing films about the lifeways of native peoples for a public audience, as well as for research and teaching. Ethnographic Film (1976) was one of the first books to provide a comprehensive introduction to this field of visual anthropology, and it quickly became the standard reference. In this new edition, Karl G. Heider thoroughly updates Ethnographic Film to reflect developments in the field over the three decades since its publication, focusing on the work of four seminal filmmakers—Jean Rouch, John Marshall, Robert Gardner, and Timothy Asch. He begins with an introduction to ethnographic film and a history of the medium. He then considers many attributes of ethnographic film, including the crucial need to present "whole acts," "whole bodies," "whole interactions," and "whole people" to preserve the integrity of the cultural context. Heider also discusses numerous aspects of making ethnographic films, from ethics and finances to technical considerations such as film versus video and preserving the filmed record. He concludes with a look at using ethnographic film in teaching.

The Routledge International Handbook of Ethnographic Film and Video

Author : Phillip Vannini
Publisher : Routledge
Page : 332 pages
File Size : 45,5 Mb
Release : 2020-04-02
Category : Social Science
ISBN : 9780429589362

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The Routledge International Handbook of Ethnographic Film and Video by Phillip Vannini Pdf

The Routledge International Handbook of Ethnographic Film and Video is a state-of-the-art book which encompasses the breadth and depth of the field of ethnographic film and video-based research. With more and more researchers turning to film and video as a key element of their projects, and as research video production becomes more practical due to technological advances as well as the growing acceptance of video in everyday life, this critical book supports young researchers looking to develop the skills necessary to produce meaningful ethnographic films and videos, and serves as a comprehensive resource for social scientists looking to better understand and appreciate the unique ways in which film and video can serve as ways of knowing and as tools of knowledge mobilization. Comprised of 31 chapters authored by some of the world’s leading experts in their respective fields, the book’s contributors synthesize existing literature, introduce the historical and conceptual dimensions of the field, illustrate innovative methodologies and techniques, survey traditional and new technologies, reflect on ethics and moral imperatives, outline ways to work with people, objects, and tools, and shape the future agenda of the field. With a particular focus on making ethnographic film and video, as opposed to analyzing or critiquing it, from a variety of methodological approaches and styles, the Handbook provides both a comprehensive introduction and up-to-date survey of the field for a vast variety of audiovisual researchers, such as scholars and students in sociology, anthropology, geography, communication and media studies, education, cultural studies, film studies, visual arts, and related social science and humanities. As such, it will appeal to a multidisciplinary and international audience, and features a dynamic, forward-thinking, innovative, and contemporary focus oriented toward the very latest developments in the field, as well as future possibilities.

Innovation in Ethnographic Film

Author : Peter Loizos
Publisher : University of Chicago Press
Page : 244 pages
File Size : 41,5 Mb
Release : 1993-07-15
Category : Performing Arts
ISBN : 0226492265

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Innovation in Ethnographic Film by Peter Loizos Pdf

In the first coprehensive introduction to the nature and development of ethnographic film, Peter Loizos reviews fifty of the most important films made between 1955 and 1985. Going beyond programmatic statements, he analyzes the films themselves, identifying and discussing their contributions to ethnographic documentation. Loizos begins by reviewing works of John Marshall and Timothy Asch in the 1950s and moves through those of Jean Rouch, Robert Gardner, and many more recent filmmakers. He reveals a steady course of innovations along four dimensions: production technology, subject matter, strategies of argument, and ethnographic authentication. His analyses of individual films address questions of realism, authenticity, genre, authorial and subjective voice, and representation of the films' creators as well as their subjects. Innovation in Ethnographic Film, as a systematic and iluminating review of developments in ethnographic film, will be an important resource for the growing number of anthropologists and other scholars who use such films as tools for research and teaching.

American Ethnographic Film and Personal Documentary

Author : Scott MacDonald
Publisher : Univ of California Press
Page : 425 pages
File Size : 52,9 Mb
Release : 2013-07-01
Category : Performing Arts
ISBN : 9780520954939

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American Ethnographic Film and Personal Documentary by Scott MacDonald Pdf

American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism’s focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century.

Film As Ethnography

Author : Peter Ian Crawford,David Turton
Publisher : Manchester University Press
Page : 340 pages
File Size : 52,7 Mb
Release : 1992-11-15
Category : Performing Arts
ISBN : 0719036836

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Film As Ethnography by Peter Ian Crawford,David Turton Pdf

This work examines the reasons why anthropologists have not used the camera as a research instrument or film as a means of communicating ethnographic knowledge. It suggests that images and words in this discipline operate on different logical levels; that they are hierarchically related; that whereas writings may encompass the images produced by film, the inverse of this cannot be true. The author argues for this position further by suggesting that the visual is to the written mode as "thin description" (giving a record of the form of behaviour) is to "thick description" (giving an account of meaning).

Timothy Asch and Ethnographic Film

Author : E.D Lewis
Publisher : Routledge
Page : 322 pages
File Size : 41,7 Mb
Release : 2004-02-24
Category : Biography & Autobiography
ISBN : 9781134336883

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Timothy Asch and Ethnographic Film by E.D Lewis Pdf

Beautifully illustrated and featuring articles from many of Asch's friends, colleagues, and collaborators as well as an important interview with Asch himself, this is an idea introduction to his work.

The Third Eye

Author : Fatimah Tobing Rony
Publisher : Unknown
Page : 328 pages
File Size : 46,5 Mb
Release : 1996
Category : Performing Arts
ISBN : UOM:39015038117019

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The Third Eye by Fatimah Tobing Rony Pdf

Charting the intersection of technology and ideology, cultural production and social science, Fatimah Tobing Rony explores early-twentieth-century representations of non-Western indigenous peoples in films ranging from the documentary to the spectacular to the scientific. Turning the gaze of the ethnographic camera back onto itself, bringing the perspective of a third eye to bear on the invention of the primitive other, Rony reveals the collaboration of anthropology and popular culture in Western constructions of race, gender, nation, and empire. Her work demonstrates the significance of these constructions--and, more generally, of ethnographic cinema--for understanding issues of identity. In films as seemingly dissimilar as Nanook of the North, King Kong, and research footage of West Africans from an 1895 Paris ethnographic exposition, Rony exposes a shared fascination with--and anxiety over--race. She shows how photographic "realism" contributed to popular and scientific notions of evolution, race, and civilization, and how, in turn, anthropology understood and critiqued its own use of photographic technology. Looking beyond negative Western images of the Other, Rony considers performance strategies that disrupt these images--for example, the use of open resistance, recontextualization, and parody in the films of Katherine Dunham and Zora Neale Hurston, or the performances of Josephine Baker. She also draws on the work of contemporary artists such as Lorna Simpson and Victor Masayesva Jr., and writers such as Frantz Fanon and James Baldwin, who unveil the language of racialization in ethnographic cinema. Elegantly written and richly illustrated, innovative in theory and original in method, The Third Eye is a remarkable interdisciplinary contribution to critical thought in film studies, anthropology, cultural studies, art history, postcolonial studies, and women's studies.

A Bibliography of Ethnographic Films

Author : Rolf Husmann
Publisher : LIT Verlag Münster
Page : 350 pages
File Size : 43,9 Mb
Release : 1992
Category : Language Arts & Disciplines
ISBN : 3894733527

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A Bibliography of Ethnographic Films by Rolf Husmann Pdf

Experimental Ethnography

Author : Catherine Russell
Publisher : Duke University Press
Page : 422 pages
File Size : 44,9 Mb
Release : 1999
Category : Performing Arts
ISBN : 0822323192

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Experimental Ethnography by Catherine Russell Pdf

A sophisticated theoretical consideration of the related aesthetics and histories of ethnographic and experimental non-fiction films.

Transcultural Cinema

Author : David MacDougall
Publisher : Princeton University Press
Page : 334 pages
File Size : 48,7 Mb
Release : 1998-12-27
Category : Performing Arts
ISBN : 0691012342

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Transcultural Cinema by David MacDougall Pdf

David MacDougall is a pivotal figure in the development of ethnographic cinema and visual anthropology. As a filmmaker, he has directed in Africa, Australia, India, and Europe. His prize-winning films (many made jointly with his wife, Judith MacDougall) include The Wedding Camels, Lorang's Way, To Live with Herds, A Wife among Wives, Takeover, PhotoWallahs, and Tempus de Baristas. As a theorist, he articulates central issues in the relation of film to anthropology, and is one of the few documentary filmmakers who writes extensively on these concerns. The essays collected here address, for instance, the difference between films and written texts and between the position of the filmmaker and that of the anthropological writer. In fact, these works provide an overview of the history of visual anthropology, as well as commentaries on specific subjects, such as point-of-view and subjectivity, reflexivity, the use of subtitles, and the role of the cinema subject. Refreshingly free of jargon, each piece belongs very much to the tradition of the essay in its personal engagement with exploring difficult issues. The author ultimately disputes the view that ethnographic filmmaking is merely a visual form of anthropology, maintaining instead that it is a radical anthropological practice, which challenges many of the basic assumptions of the discipline of anthropology itself. Although influential among filmmakers and critics, some of these essays were published in small journals and have been until now difficult to find. The three longest pieces, including the title essay, are new.

Cross-Cultural Filmmaking

Author : Ilisa Barbash,Lucien Taylor
Publisher : Univ of California Press
Page : 572 pages
File Size : 48,6 Mb
Release : 2023-09-01
Category : Performing Arts
ISBN : 9780520915091

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Cross-Cultural Filmmaking by Ilisa Barbash,Lucien Taylor Pdf

This extraordinary handbook was inspired by the distinctive concerns of anthropologists and others who film people in the field. The authors cover the practical, technical, and theoretical aspects of filming, from fundraising to exhibition, in lucid and complete detail—information never before assembled in one place. The first section discusses filmmaking styles and the assumptions that frequently hide unacknowledged behind them, as well as the practical and ethical issues involved in moving from fieldwork to filmmaking. The second section concisely and clearly explains the technical aspects, including how to select and use equipment, how to shoot film and video, and the reasons for choosing one or the other, and how to record sound. Finally, the third section outlines the entire process of filmmaking: preproduction, production, postproduction, and distribution. Filled with useful illustrations and covering documentary and ethnographic filmmaking of all kinds, Cross-Cultural Filmmaking will be as essential to the anthropologist or independent documentarian on location as to the student in the classroom.

Ethnographic Film

Author : Karl G. Heider
Publisher : Unknown
Page : 80 pages
File Size : 55,7 Mb
Release : 1976
Category : Social Science
ISBN : UOM:39015003662015

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Ethnographic Film by Karl G. Heider Pdf

A Dictionary of Film Studies

Author : Annette Kuhn,Guy Westwell
Publisher : OUP Oxford
Page : 530 pages
File Size : 48,8 Mb
Release : 2012-06-21
Category : Performing Arts
ISBN : 9780191034657

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A Dictionary of Film Studies by Annette Kuhn,Guy Westwell Pdf

Written by experts in the field, this dictionary covers all aspects of film studies, including terms, concepts, debates, and movements in film theory and criticism, national, international and transnational cinemas, film history, film movements and genres, film industry organizations and practices, and key technical terms and concepts in 500 detailed entries. Most entries also feature recommendations for further reading and a large number also have web links. The web links are listed and regularly updated on a companion website that complements the printed book. The dictionary is international in its approach, covering national cinemas, genres, and film movements from around the world such as the Nouvelle Vague, Latin American cinema, the Latsploitation film, Bollywood, Yiddish cinema, the spaghetti western, and World cinema. The most up-to-date dictionary of its kind available, this is a must-have for all students of film studies and ancillary subjects, as well as an informative read for cinephiles and for anyone with an interest in films and film criticism.

Innovation in Ethnographic Film

Author : Peter Loizos
Publisher : Unknown
Page : 246 pages
File Size : 45,5 Mb
Release : 1993
Category : Performing Arts
ISBN : UOM:39015048587102

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Innovation in Ethnographic Film by Peter Loizos Pdf

This study is an analysis of recent innovation in ethnographic films during a period of rapid growth and change, written for anthropologists who would pay more systematic attention to films for research or teaching, and for film-makers who would make their films more serviceable to anthropology.