Eugene O Neill S Creative Struggle

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Eugene O'Neill's Creative Struggle

Author : Doris Alexander
Publisher : Penn State Press
Page : 354 pages
File Size : 49,8 Mb
Release : 2010-11
Category : Literary Criticism
ISBN : 9780271041025

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Eugene O'Neill's Creative Struggle by Doris Alexander Pdf

In Eugene O'Neill's Creative Struggle, Doris Alexander gives us a new kind of inside biography that begins where the others leave off. It follows O'Neill through the door into his writing room to give a blow-by-blow account of how he fought out in his plays his great life battles&—love against hate, doubt against belief, life against death&—to an ever-expanding understanding. It presents a new kind of criticism, showing how O'Neill's most intimate struggles worked their way to resolution through the drama of his plays. Alexander reveals that he was engineering his own consciousness through his plays and solving his life problems&—while the tone, imagery, and richness of the plays all came out of the nexus of memories summoned up by the urgency of the problems he faced in them. By the way of O'Neill, this study moves toward a theory of the impulse that sets off a writer's creativity, and a theory of how that impulse acts to shape a work, not only in a dramatist like O'Neill but also in the case of writers in other mediums, and even of painters and composers. The study begins with Desire Under the Elms because that play's plot was consolidated by a dream that opened up the transfixing grief that precipitated the play for O'Neill, and it ends with Days Without End when he had resolved his major emotional-philosophical struggle and created within himself the voice of his final great plays. Since the analysis brings to bear on the plays all of his conscious decisions, ideas, theories, as well as the life-and-death struggles motivating them, documenting even the final creative changes made during rehearsals, this book provides a definitive account of the nine plays analyzed in detail (Desire Under the Elms, Marco Millions, The Great God Brown, Lazarus Laughed, Strange Interlude, Dynamo, Mourning Becomes Electra, Ah, Wilderness!, and Days Without End, with additional analysis of plays written before and after.

Eugene O'Neill's Last Plays

Author : Doris Alexander
Publisher : University of Georgia Press
Page : 276 pages
File Size : 42,8 Mb
Release : 2005
Category : Biography & Autobiography
ISBN : 0820327093

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Eugene O'Neill's Last Plays by Doris Alexander Pdf

This study draws on research concerning the lives of Eugene O'Neill, his family and his circle. It corrects and expands the biographical record on him and distinguishes the man and his life from the creations that were inspired by, and drew on, that life. Included are his attempted suicide, his tuberculosis, and his relationship with his parents.

Critical Companion to Eugene O'Neill, 2-Volume Set

Author : Robert M. Dowling
Publisher : Infobase Publishing
Page : 831 pages
File Size : 51,9 Mb
Release : 2009
Category : Drama
ISBN : 9781438108728

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Critical Companion to Eugene O'Neill, 2-Volume Set by Robert M. Dowling Pdf

This study explores the personal, historical, and artistic influences that combined to form such dark and influential American masterpieces as 'The Iceman Cometh', 'The Emperor Jones', 'Mourning Becomes Electra', 'Hughie', and - arguably the finest tragedy ever written by an American - 'Long Day's Journey into Night'.

A Study Guide for Eugene O'Neill's "Strange Interlude"

Author : Gale, Cengage Learning
Publisher : Gale, Cengage Learning
Page : 24 pages
File Size : 48,8 Mb
Release : 2016
Category : Literary Criticism
ISBN : 9781410359421

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A Study Guide for Eugene O'Neill's "Strange Interlude" by Gale, Cengage Learning Pdf

A Study Guide for Eugene O'Neill's "Strange Interlude," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.

Eugene O'Neill

Author : Robert M. Dowling
Publisher : Yale University Press
Page : 566 pages
File Size : 43,5 Mb
Release : 2014-10-28
Category : Biography & Autobiography
ISBN : 9780300210590

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Eugene O'Neill by Robert M. Dowling Pdf

An “absorbing” biography of the playwright and Nobel laureate that “unflinchingly explores the darkness that dominated O’Neill’s life” (Publishers Weekly). This extraordinary biography fully captures the intimacies of Eugene O’Neill’s tumultuous life and the profound impact of his work on American drama, innovatively highlighting how the stories he told for the stage interweave with his actual life stories as well as the culture and history of his time. Much is new in this extensively researched book: connections between O’Neill’s plays and his political and philosophical worldview; insights into his Irish American upbringing and lifelong torment over losing faith in God; his vital role in African American cultural history; unpublished photographs, including a unique offstage picture of him with his lover Louise Bryant; new evidence of O’Neill’s desire to become a novelist and what this reveals about his unique dramatic voice; and a startling revelation about the release of Long Day’s Journey Into Night in defiance of his explicit instructions. This biography is also the first to discuss O’Neill’s lost play Exorcism (a single copy of which was only recently recovered), a dramatization of his own suicide attempt. Written with both a lively informality and a scholar’s strict accuracy, Eugene O’Neill: A Life in Four Acts is a biography worthy of America’s foremost playwright. “Fast-paced, highly readable . . . building to a devastating last act.” —Irish Times

Eugene O'Neill and His Early Contemporaries

Author : Eileen J. Herrmann,Robert M. Dowling
Publisher : McFarland
Page : 0 pages
File Size : 40,5 Mb
Release : 2011-06-14
Category : Performing Arts
ISBN : 0786445572

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Eugene O'Neill and His Early Contemporaries by Eileen J. Herrmann,Robert M. Dowling Pdf

Eugene O'Neill was one of the great American playwrights of the twentieth century. Spanning the years 1910-1930, the 14 essays in this volume address the milieu he knew best--his friends in bohemian Greenwich Village, Provincetown, on waterfronts around the globe, and in the other beloved communities that comprised his early circle. At a time when O'Neill's creative powers were in their infancy, these influences formed the backdrop of his creative development and, consequently, demand more intensive study than they have received to date. This collection also highlights the larger modernist period and its impact on the First World War, the Little Theater Movement, the Abbey Players of Dublin, philosophical anarchism, and other contemporary upheavals that permeate his drama. Interspersed with rare period photos and illustrations, this volume contextualizes O'Neill's plays in the tumult of his historical and cultural moment, offering scholars a fresh approach to his life and art.

Eugene O'Neill

Author : Harold Bloom
Publisher : Infobase Publishing
Page : 249 pages
File Size : 40,5 Mb
Release : 2007
Category : Electronic
ISBN : 9780791093665

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Eugene O'Neill by Harold Bloom Pdf

A collection of essays about the works of Eugene O'Neill.

Eugene O'Neill's America

Author : John Patrick Diggins
Publisher : ReadHowYouWant.com
Page : 598 pages
File Size : 45,9 Mb
Release : 2010-10
Category : Biography & Autobiography
ISBN : 9781459605916

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Eugene O'Neill's America by John Patrick Diggins Pdf

In the face of seemingly relentless American optimism, Eugene O'Neill's plays reveal an America many would like to ignore, a place of seething resentments, aching desires, and family tragedy, where failure and disappointment are the norm and the American dream a chimera. Though derided by critics during his lifetime, his works resonated with aud...

The Cambridge History of American Theatre

Author : Don B. Wilmeth,Christopher Bigsby
Publisher : Cambridge University Press
Page : 626 pages
File Size : 44,6 Mb
Release : 1998
Category : Drama
ISBN : 0521651794

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The Cambridge History of American Theatre by Don B. Wilmeth,Christopher Bigsby Pdf

The second volume of the authoritative, multi-volume Cambridge History of American Theatre, first published in 1999, begins in the post-Civil War period and traces the development of American theatre up to 1945. It covers all aspects of theatre from plays and playwrights, through actors and acting, to theatre groups and directors. Topics examined include vaudeville and popular entertainment, European influences, theatre in and beyond New York, the rise of the Little Theatre movement, changing audiences, modernism, the Federal Theatre movement, scenography, stagecraft, and architecture. Contextualising chapters explore the role of theatre within the context of American social and cultural history, and the role of American theatre in relation to theatre in Europe and beyond. This definitive history of American theatre includes contributions from the following distinguished academics - Thomas Postlewait, John Frick, Tice L. Miller, Ronald Wainscott, Brenda Murphy, Mark Fearnow, Brooks McNamara, Thomas Riis, Daniel J. Watermeier, Mary C. Henderson, and Warren Kliewer.

The Theatre of Eugene O’Neill

Author : Kurt Eisen
Publisher : Bloomsbury Publishing
Page : 256 pages
File Size : 52,6 Mb
Release : 2017-11-16
Category : Literary Criticism
ISBN : 9781474238434

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The Theatre of Eugene O’Neill by Kurt Eisen Pdf

Named a Choice Outstanding Academic Title of the Year 2018 The Theatre of Eugene O'Neill offers a new comprehensive overview of O'Neill's career and plays in the context of the American theatre. Organised thematically, it considers his modernist intervention in the theatre, offers readers detailed analysis of the plays, and assesses the recent resurgence in his reputation and new approaches to staging his work. It includes a study of all his major plays-The Emperor Jones, The Hairy Ape, The Iceman Cometh, Long Day's Journey Into Night, A Moon for the Misbegotten and Desire Under the Elms-besides numerous other full length and one act dramas. Eugene O'Neill is generally credited with inventing modern American drama, in a time of cultural ferment and lively artistic and intellectual change. Yet O'Neill's theatrical instincts were always shaped by American stage traditions that were inextricable from his sense of himself and his own national culture. This study shows that his theatrical modernism represents not so much a break from these traditions as a reinvention of their scope and significance in the context of international stage modernism, offering an image of national culture and character that opens new possibilities for the stage while remaining rooted in its past. Kurt Eisen traces O'Neill's modernism throughout the dramatists's work: his attempts to break from the themes, plots, and moral conventions of the traditional melodramatic theatre; his experiments in stagecraft and theme, and their connection to traditional theatre and his European modernist contemporaries; the turn toward direct and indirect self-representation; and his critique of the family and of American 'pipe dreams' and the allure of success. The volume additionally features four contributed essays providing further critical perspectives on O'Neill's work, alongside a chronology of the writer's life and times.

Eugene O'Neill's Long Day's Journey Into Night

Author : Eugene O'Neill
Publisher : Infobase Publishing
Page : 248 pages
File Size : 44,8 Mb
Release : 2014-05-14
Category : American literature
ISBN : 9781438125619

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Eugene O'Neill's Long Day's Journey Into Night by Eugene O'Neill Pdf

Presents a collection of critical essays on O'Neill's play, arranged in chronological order of their original publication.

The Facts on File Companion to American Drama

Author : Jackson R. Bryer,Mary C. Hartig
Publisher : Infobase Publishing
Page : 657 pages
File Size : 54,6 Mb
Release : 2010
Category : Biography & Autobiography
ISBN : 9781438129662

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The Facts on File Companion to American Drama by Jackson R. Bryer,Mary C. Hartig Pdf

Features a comprehensive guide to American dramatic literature, from its origins in the early days of the nation to the groundbreaking works of today's best writers.

The Aesthetics of Failure

Author : Zander Brietzke
Publisher : McFarland
Page : 277 pages
File Size : 45,9 Mb
Release : 2015-11-04
Category : Literary Criticism
ISBN : 9780786483112

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The Aesthetics of Failure by Zander Brietzke Pdf

Critic Clive Barnes once called Eugene O'Neill the "world's worst great playwright" and Brooks Atkinson called him "a tragic dramatist with a great knack for old-fashioned melodrama." These descriptions of the man can also be used to describe his work. Despite the fact that O'Neill is the only American playwright to win the Nobel Prize for Literature and his last works are some of America's finest, most of his published works are not good. This work closely examines how O'Neill's failures as a playwright are inspiring and how his disappointments are reflections of his own theory that tragedy requires failure, a theory that is evident in his work. Conflicts in O'Neill's plays are studied at the structural level, with attention paid to genre, language or dialogue, characters, space and time elements, and action. Included is information about O'Neill's life and a chronological listing of all of his 50 plays with basic details such as production history, principal characters, dramatic action, and a brief commentary.

The Supporting Cast

Author : David Galef
Publisher : Penn State Press
Page : 252 pages
File Size : 51,8 Mb
Release : 1993
Category : Literary Criticism
ISBN : 0271026359

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The Supporting Cast by David Galef Pdf

For every Hamlet, there is a supporting cast; for every Mrs. Dalloway, an entire realm of subordinate portraits. Yet if literary criticism cares at all about significant detail, emergent patterns, and the subtleties in narrative, flat and minor characters are crucial to an understanding of the fictional process itself. Beginning with E. M. Forster's landmark study of flat and round characters, this book is both a critical and writerly examination of the species: Why are certain minor characters so salient in readers' minds, and why are flat characters often so comic? Is a name enough to create a character, and if so, what is the vanishing point of characterization? The walking allegory, the narrator, the disrupter, the doppelg&änger&—how are they used, and to what effect? The Supporting Cast first explores the theoretical limits of character, from structuralist taxonomies to reader-response concerns, with examples culled from a wide range of literature. The author then applies these concepts, in chapters of sustained analysis, to works of Conrad, Forster, and Woolf. The work also provides comments on flat and minor characters in other media and a full-scale character index of Woolf's Jacob's Room.

Voicing the Text

Author : Petra Ragnerstam
Publisher : Cambridge Scholars Publishing
Page : 250 pages
File Size : 53,6 Mb
Release : 2016-08-17
Category : Performing Arts
ISBN : 9781443899000

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Voicing the Text by Petra Ragnerstam Pdf

Why is voice so important to us? How does the concept of voice encompass such disparate practices as vocal sound, marks on a page, identity production and the execution of power? With these questions in mind, this book studies voice as both a textual and a bodily phenomenon. By using both drama and film, and by exploring the translation between the two, this study shows that voice can be placed in a grid where the subject, body, language and power interconnect in ways that question established ideas concerning voice – what it is and what it can do. The book investigates how voice, as an expression of the individual subject, is central in the fight for power in plays such as The Crucible by Arthur Miller, Amiri Baraka’s Dutchman and Ntosake Shange’s for colored girls who have considered suicide, where voice is seen as fundamental for political action. However, it also questions the seemingly failsafe connection between voice and the subject. In Eugene O’Neill’s Strange Interlude, the relation between voice and thought is neither harmonious nor given, and thus voice becomes something other than an expression of subjective interiority. The discussion of Clare Booth’s The Women highlights how voice in ironic discourse disrupts notions of intentionality, subjectivity and power in ways that destabilize preconceived notions of voice. Lastly, the chapter on David Mamet’s Glengarry Glen Ross asks if voice really can empower the subject in an age where processes of reification have invaded the subject’s consciousness, including the ability to communicate.