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Author : Alan Burns
Publisher : Alma Books
Page : 86 pages
File Size : 42,6 Mb
Release : 2024-05-03
Category : War and society
ISBN : 9780714549712
An experimentalist novel which captures the `collective unconscious' of the twentieth century in a language that can have few rivals for economy, beauty and rhythm.
Author : Alan Burns
Publisher : Unknown
Page : 128 pages
File Size : 50,8 Mb
Release : 1965
Category : Electronic
ISBN : LCCN:gb65005593
Author : Noemi de Haro García,Patricia Mayayo,Jesús Carrillo
Publisher : Routledge
Page : 350 pages
File Size : 47,5 Mb
Release : 2020-02-24
Category : Art
ISBN : 9781351187572
This book analyses the intermeshing of state power and art history in Europe since 1945 and up to the present from a critical, de-centered perspective. Devoting special attention to European peripheries and to under-researched transnational cultural political initiatives related to the arts implemented after the end of the Second World War, the contributors explore the ways in which this relationship crystallised in specific moments, places, discourses and practices. They make the historic hegemonic centres of the discipline converse with Europe’s Southern and Eastern peripheries, from Portugal to Estonia to Greece. By stressing the margins’ point of view this volume rethinks the ideological grounds on which art history and the European Union have been constructed as well as the role played by art and culture in the very concept of ‘Europe.’
Author : Paul Wood
Publisher : Yale University Press
Page : 292 pages
File Size : 42,7 Mb
Release : 1999-01-01
Category : Art
ISBN : 0300077629
The Challenge of the Avant-Garde is the fourth of six books in the series Art and its Histories, which form the main texts of an Open University course. The course has been designed for students who are new to the discipline but will also appeal to those who have undertaken some study in this area. This volume traces the challenge posed to the academic canon by the emergent avant-garde of the early and mid-nineteenth century.It looks at significant shifts in the development of the concept, both in moves away from the sense of social leadership to a desire for artistic autonomy in the later nineteenth century and then a reverse movement to bridge the gap between art and life in the revolutionary avant-gardes of the early twentieth century. The book closes with an examination of the eventual incorporation of the avant-garde as a form of modern canon by the eve of World War II. Throughout, it seeks to relate the discourse of artistic avant-gardism in all its forms to contemporary social and political histories.
Author : Gavin Parkinson
Publisher : Oxford University Press
Page : 280 pages
File Size : 46,6 Mb
Release : 2015
Category : Literary Criticism
ISBN : 9781781381434
Although the self-definition of Surrealism and the initial defining of science fiction as a genre both took place in the 1920s and the links between the two are manifest, no full study has appeared till now on Surrealism and SF. Across ten original essays, Surrealism, Science Fiction and Comics looks at how the Surrealist movement in France and the USA used, informed, contributed to, and criticised SF from that moment, whilst including discussion of the related genre of comics. Among its aims are a reassessment of Jules Verne in the light of Surrealism and an analysis of the debate in the 1950s on the 'new' Anglo-American literature arriving in France. This received, in fact, a mixed reception from the Surrealists of that decade even though writers and intellectuals close to the movement in the 1920s were directly responsible for its success. The book includes further essays on the subsequent impact of Surrealism on SF novelists J.G. Ballard and Alan Burns, and features essays that argue for Salvador Dalí's closeness to SF in the 1960s and his disagreement with the earlier scientific romance defined by Verne. The chapters that bring in comics range from theoretical discussions of the relation between the original comic strips of Rodolphe Töpffer and the key Surrealist technique of automatism, used in art and writing, through the cybernetic implications of the proto-SF Surrealist ciné-roman 'M. Wzz...' of 1929, which has never discussed in any detail before, to the 1948 Vache paintings by René Magritte, inspired by Louis Forton's strip Les Pieds nickelés. This pioneering set of essays shows how Surrealism from the 1920s to the 1970s did not just receive and adapt SF but impacted the genre in its later manifestations.
Author : Denis Wood
Publisher : Guilford Press
Page : 348 pages
File Size : 50,7 Mb
Release : 2010-04-16
Category : Social Science
ISBN : 9781593853662
A contemporary follow-up to the groundbreaking Power of Maps, this book takes a fresh look at what maps do, whose interests they serve, and how they can be used in surprising, creative, and radical ways. Denis Wood describes how cartography facilitated the rise of the modern state and how maps continue to embody and project the interests of their creators. He demystifies the hidden assumptions of map making and explores the promises and limitations of diverse counter-mapping practices today. Thought-provoking illustrations include U.S. Geological Survey maps; electoral and transportation maps; and numerous examples of critical cartography, participatory GIS, and map art. The book will be important reading for geographers and others interested in maps and their political uses. It will also serve as a supplemental text in advanced undergraduate- and graduate-level courses such as Cartography, GIS, Geographic Thought, and History of Geography.
Author : Nicole Haitzinger,Alexandra Kolb
Publisher : epodium
Page : 168 pages
File Size : 54,9 Mb
Release : 2021-12-28
Category : Performing Arts
ISBN : 9783940388872
This multifaceted book investigates the place of dance and performance in the development, confirmation and subversion of conceptions of Europe from the 20th century up until today. Its contributions unravel the nexus between Europe and dance from historical and contemporaneous perspectives, and testify to an understanding of Europe based on different constructions of (alternative) societies. Through the threefold themes of identities, languages and institutions, this volume reveals the complexity of this topic. It investigates the construction of European identities in and through performance and their intersection with local or global cultures; explores versatile models of European multilingualism and linguistic diversity on stage; and considers the constructions of Europe, in dance, as conditioned by institutional and socio-political frameworks. The first volume of its kind, it offers a collection of previously unpublished chapters by an international and interdisciplinary group of scholars. It will make essential reading for anyone interested in the fields of dance, performance and European Studies, and serve as an important springboard for future research in this area.
Author : Alan Burns
Publisher : Unknown
Page : 138 pages
File Size : 48,5 Mb
Release : 1970
Category : Electronic
ISBN : STANFORD:36105039409623
Author : Jim McGhee
Publisher : University Press of America
Page : 262 pages
File Size : 44,6 Mb
Release : 2004
Category : Art
ISBN : 0761827528
It has been said that Don Nigro now has more plays in print than any American playwright. This is surprising considering that he remains relatively unknown to the general public. Despite his obscurity, Nigro is on his way to being regarded as one of the country's great dramatists. His work has been performed in colleges, universities, off-off-Broadway, and community theaters both in the U.S. and abroad. In Labyrinth, McGhee chronicles Nigro's stories, plays, settings, and characters of almost 200 monologue, one-act and full-length plays. Given the breadth of Nigro's characters and exciting plots, Labyrinth is a useful resource for directors, actors, and enthusiasts in both professional and repertory theater. In addition, Labyrinth introduces readers to generations of gripping tales about extraordinary people. McGhee's book is a welcome addition to any theater library.
Author : James Laughlin
Publisher : New Directions Publishing
Page : 204 pages
File Size : 48,9 Mb
Release : 1966
Category : American literature
ISBN : 081120331X
Author : Joseph D. Ketner II
Publisher : Bloomsbury Publishing USA
Page : 320 pages
File Size : 48,5 Mb
Release : 2017-12-28
Category : Performing Arts
ISBN : 9781501331183
Witness of Phenomenon articulates a fresh examination of the German Group Zero-Heinz Mack, Otto Piene, and Günter Uecker-and other new tendency artists, who rejected painting and introduced new art media in postwar Europe. Group ZERO evolved into a network across Europe- Amsterdam, Milan, Paris, and Zagreb. This pan-European affiliation of artists generated a continuous stream of innovative artistic statements through the 1960s, incorporating non-traditional materials and new technologies to create kinetic art, light installations, performances, immersive multimedia installations, monumental land art, and the communication media of video and television. They transformed the visual arts from the inanimate objet d'art to a sensory experience by adopting the ascendant philosophy of Phenomenology as their conceptual foundation. Drawing from a decade of research on unpublished archives of the artists and critics of this period, this publication positions Group ZERO as a catalytic art moment in the transition from modern to contemporary art.
Author : Daniel Albright
Publisher : Cambridge University Press
Page : 200 pages
File Size : 42,5 Mb
Release : 2003-12-22
Category : Art
ISBN : 0521829089
Table of contents
Author : George Heard Hamilton
Publisher : Yale University Press
Page : 628 pages
File Size : 40,8 Mb
Release : 1993-01-01
Category : Art
ISBN : 0300056494
This new edition of 'a book that offers the best available grounding in its huge subject,' as the Sunday Times called it, includes color plates and a revised and expanded bibliography. Professor Hamilton traces the origins and growth of modern art, assessing the intrinsic qualities of individual works and describing the social forces in play. The result is an authoritative guide through the forest of artistic labels-Impressionism and Expressionism, Symbolism, Cubism, Constructivism, Surrealism, etc.-and to the achievements of Degas and Cezanne, Ensor and Munch, Matisse and Kandinsky, Picasso, Braque, and Epstein, Mondrian, Dali, Modigliani, Utrillo and Chagall, Klee, Henry Moore, and many other artists in a revolutionary age.
Author : Sheila Isenberg
Publisher : iUniverse
Page : 385 pages
File Size : 47,7 Mb
Release : 2005
Category : Holocaust, Jewish (1939-1945)
ISBN : 9780595348824
"Fry was the American Schindler with desperate exiles, menacing Nazis, forged documents and midnight escapes [think] Casablanca." -New York Times Varian Fry, the only American honored at Yad Vashem, Israel's Holocaust memorial, was a young New Yorker who rescued more than 1,500 Europeans from the Nazi's including Marc Chagall, Max Ernst, Hannah Arendt, and other intellectuals, political activists, and "degenerative" artists, many of them Jews. This moving Holocaust rescue story is set against the backdrop of American isolationism and anti-Semitism. "The drama here is in the thrill of rescue, the realistic portrait of a complex leader, and the decidedly nonheroic truths about WWII at home." -American Library Association "One of the BEST BOOKS of 2001" -St. Louis Post-Dispatch
Author : Ralph Ubl
Publisher : University of Chicago Press
Page : 261 pages
File Size : 50,8 Mb
Release : 2013-11-06
Category : Art
ISBN : 9780226029313
One of the most admired artists of the twentieth century, Max Ernst was a proponent of Dada and founder of surrealism, known for his strange, evocative paintings and drawings. In Prehistoric Future, Ralph Ubl approaches Ernst like no one else has, using theories of the unconscious—surrealist automatism, Freudian psychoanalysis, the concept of history as trauma—to examine how Ernst’s construction of collage departs from other modern artists. Ubl shows that while Picasso, Braque, and Man Ray used scissors and glue to create collages, Ernst employed techniques he himself had forged—rubbing and scraping to bring images forth onto a sheet of paper or canvas to simulate how a screen image or memory comes into the mind’s view. In addition, Ernst scoured the past for obsolete scientific illustrations and odd advertisements to illustrate the rapidity with which time passes and to simulate the apprehension generated when rapid flows of knowledge turn living culture into artifact. Ultimately, Ubl reveals, Ernst was interested in the construction and phenomenology of both collective and individual modern history and memory. Shedding new light on Ernst’s working methods and the reasons that his pieces continue to imprint themselves in viewers’ memories, Prehistoric Future is an innovative work of critical writing on a key figure of surrealism.