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These six essays form a stimulating and lucid investigation of the meaning of evil in the light of postmodern thought, and of the cultural and social changes of the modern age. They consider subjects such as the war in Bosnia, AIDS, and the Holocaust.
Is comedy postmodern? Kirby Olson posits that no one has been more marginalized than the comic writer, whose irreverent truths have always made others uncomfortable. In a literary age that purports to champion diversity, comic writers remain an underclass huddling at the fringes of the canon. Olson challenges the status quo by inviting the comic writer into the center of literary debate. In the growing discipline of humor studies, Olson is the first to create a substantial link between the fields of comedy and postmodernism, discovering in comic writers a philosophy of oddness and paradox that parallels and extends the work of the major postmodern thinkers. With elegant clarity, Comedy After Post-modernism examines: Edward Lear as he invents a comic picturesque to challenge the sublime of Kant and Ruskin Gregory Corso as he explodes the Great Chain of Being of his early Catholicism Philippe Soupault as a comic surrealist undoing the sacrificial aesthetics of André Breton P.G. Wodehouse as a social thinker with surprisingly deep affinities to anarchist Peter Kropotkin and radical social theorist Charles Fourier Stewart Home, the infamously violent punk author, as a pacifist whose narrative questions Marxist-anarchist terrorism in favor of patience and tolerance Charles Willeford, the maestro of the black humor police procedural, as a postmodern philosopher who deepens the problems of ethical and aesthetic judgment after postmodernism. "An original, splendidly researched, and necessary book. By pointing to the vast excluded literature of 'comic writers, ' Dr. Olson opens the door to a postmodern scholarship capable of greater flexibility. Comedy After Postmodernism evinces a lucid, passionate, and engaging style." --Andrei Codrescu There was an old man on the Border, Who lived in the utmost disorder; He danced with the cat, and made tea in his hat, Which vexed all the folks on the Border. --From The Complete Nonsense of Edward Lear
One of the most powerful words in the English language, corruption is also one of the most troubled concepts in law. According to Laura Underkuffler, it is a concept based on religiously revealed ideas of good and evil. But the notion of corruption defies the ordinary categories by which law defines crimes -- categories that punish acts, not character, and that eschew punishment on the basis of religion and emotion. Drawing on contemporary examples, including former assembly woman Diane Gordon and former governor Rod Blagojevich, this book explores the implications and dangers of maintaining such an archaic concept at the heart of criminal law.
What Comes After Postmodernism in Educational Theory? by Michael A. Peters,Marek Tesar,Liz Jackson,Tina Besley Pdf
Marking the fiftieth anniversary of the Educational Philosophy and Theory journal, this book brings together the work of over 200 international scholars, who seek to address the question: ‘What happened to postmodernism in educational theory after its alleged demise?’. Declarations of the death knell of postmodernism are now quite commonplace. Scholars in various disciples have suggested that, if anything, postmodernism is at an end and has been dead and buried for some time. An age dominated by playfulness, hybridity, relativism and the fragmentary self has given way to something else—as yet undefined. The lifecycle of postmodernism started with Derrida’s 1966 seminal paper ‘Structure, Sign and Play in the Discourse of the Human Sciences’; its peak years were 1973–1989; followed by uncertainty and reorientation in the 1990s; and the aftermath and beyond (McHale, 2015). What happened after 2001? This collection provides responses by over 200 scholars to this question who also focus on what comes after postmodernism in educational theory. This book was originally published as a special issue of the journal Educational Philosophy and Theory.
At the Interface/Probing the Boundaries seeks to encourage and promote cutting edge interdisciplinary and multi-disciplinary projects and inquiry. By bringing people together from differing contexts, disciplines, professions, and vocations, the aim is to engage in conversations that are innovative, imaginative, and creatively interactive.
The code of conduct for a leading tech company famously says "Don't Be Evil." But what exactly is evil? Is it just badness by another name--the shadow side of good? Or is it something more substantive--a malevolent force or power at work in the universe? These are some of the ontological questions that philosophers have grappled with for centuries. But evil also raises perplexing epistemic and psychological questions. Can we really know evil? Does a victim know evil differently than a perpetrator or witness? What motivates evil-doers? Satan's rebellion, Iago's machinations, and Stalin's genocides may be hard to understand in terms of ordinary reasons, intentions, beliefs, and desires. But what about the more "banal" evils performed by technocrats in a collective: how do we make sense of Adolf Eichmann's self-conception as just an effective bureaucrat deserving of a promotion? Evil: A History collects thirteen essays that tell the story of evil in western thought, starting with its origins in ancient Hebrew wisdom literature and classical Greek drama all the way to Darwinism and Holocaust theory. Thirteen interspersed reflections contextualize philosophical developments by looking at evil through the eyes of animals, poets, mystics, witches, librettists, film directors, and even a tech product manager. Evil: A History will enlighten readers about one of the most alluring and difficult topics in philosophy and intellectual life, and will challenge their assumptions about the very nature of evil.
In "Raging with Compassion", Michael Ramsey prize-winning author John Swinton argues for a practical theodicy, one embodied in the life and practices of the Christian community. This practicality does not seek to provide an explanation for the existence of evil, but rather presents ways in which evil and suffering can be resisted and transformed. This, he insists, will enable Christians to live faithfully with unanswered questions as they await God's redemption of the whole creation. Swinton explores essential practices of redemption - lament, forgiveness, thoughtfulness, hospitality, and friendship - drawing out their implications for the faithful resistance of evil. Enhanced by case studies from current events and by Swinton's own experience as a pastor and mental health nurse, "Raging with Compassion" seeks to inspire fresh Christian responses and modes of practice in our broken, fallen world.
Examines the increasingly prevalent assumption that postmodernism is over and that literature and film are once again engaging sincerely with issues of ethics and politics.
Philosophy After Postmodernism by Paul Crowther Pdf
Formulating a new approach to philosophy, Paul Crowther identifies conceptual links between value, knowledge, personal identity and civilization understood as a process of cumulative advance.
Feminist Philosophy and the Problem of Evil by Robin May Schott Pdf
“This volume advances philosophical discussions of evil and terrorism in ways that only those working from a feminist perspective would be able to do.” —Tracy Isaacs, The University of Western Ontario Any glance at the contemporary history of the world shows that the problem of evil is a central concern for people everywhere. In the last few years, terrorist attacks, suicide bombings, and ethnic and religious wars have only emphasized humanity’s seemingly insatiable capacity for violence. In Feminist Philosophy and the Problem of Evil, Robin May Schott brings an international group of contemporary feminist philosophers into debates on evil and terrorism. The invaluable essays collected here consider gender-specific evils such as the Salem witch trials, women’s suffering during the Holocaust, mass rape in Bosnia, and repression under the Taliban, as well as more generalized acts of violence such as the 9/11 bombings, the Madrid train station bombings, and violence against political prisoners. Readers of this sobering volume will find resources for understanding the vulnerability of human existence and what is at stake in the problem of evil. “This recent collection is part of the current genre of works that present uniformly well-argued essays by women philosophers on topics that specifically reference women, in this case with respect to the problem of evil . . . Those who are interested in evil and the moral complexity of the present will find numerous insights in this collection . . . Recommended.” —Choice
Anxiety and Evil in the Writings of Patricia Highsmith by Dr Fiona Peters Pdf
Drawing on an impressive range of secondary material, including many elusive reviews, interviews and articles from the under-explored Highsmith Archive, Fiona Peters suggests that the usual generic distinctions -crime fiction, mystery, suspense - have been largely unhelpful in elucidating Patricia Highsmith's novels. Peters analyzes a significant selection of Highsmith's works, chosen with a view towards demonstrating the range of her oeuvre while also identifying the main themes and preoccupations running throughout her career. Adopting a psychoanalytic approach, Peters proposes a reading of Highsmith that subordinates murder as the primary focus of the novels in favor of the gaps between periods of activity represented through anxiety, waiting, lack of desire and evil. Her close readings of the Ripley series, This Sweet Sickness, Deep Water, The Tremor of Forgery, and The Cry of the Owl, among others, reveal and illuminate Highsmith's concern with minutiae and the particular. Peters makes a strong case that the specific disturbances within her texts have resulted in Highsmith's writing remaining resistant to explication and to the more sophisticated interpretative strategies that would seek to position her within a specific genre.
The Politics of Postmodernism by Linda Hutcheon Pdf
This classic text remains one of the clearest and most incisive introductions to postmodernism. Perhaps more importantly, it is a compelling discussion of why postmodernism matters. Working through the issue of representation in art forms from fiction to photography, Linda Hutcheon sets out postmodernism's highly political challenge to the dominant ideologies of the western world. A new epilogue traces the fate of the postmodern over the last ten years and into the future, responding to claims that it has, once and for all, 'failed'. Together with the new epilogue, this edition contains revised notes on further reading and a fully updated bibliography. This revised edition of The Politics of Postmodernism continues its position as essential reading.
Law and Evil opens, expands and deepens our understanding of the phenomenon of evil by addressing the theoretical relationship between this phenomenon and law. Hannah Arendt said 'the problem of evil will be the fundamental question of post-war intellectual life in Europe'. This statement is, unfortunately, more than valid in the contemporary world: not only in the events of war, crimes against humanity, terror, repression, criminality, violence, torture, human trafficking, and so on; but also as evil is used rhetorically to condemn these acts, to categorise their perpetrators, and to justify forcible measures, both in international and domestic politics and law. But what is evil? Evil as a concept is too often taken as something that is self-evident, something that is always already defined. Taking Kant’s concept of radical evil as a starting point, this volume counters such a tendency. Bringing together philosophical, political, and psychoanalytical perspectives, in analysing both the concept and the phenomenon of evil, the contributors to this volume offer a rich and thoroughgoing analysis of the multifaceted phenomenon of evil and its relationship to law.
What role do art and aesthetics play in unravelling the theological problem of evil? Philip Tallon constructs an aesthetic theodicy through a fascinating examination of Christian aesthetics, ranging from the writings of Augustine to contemporary philosophy.
The notion of evil is not undisputed in contemporary philosophy and theology. The reasons for this vary from aversion to the use of a vague, comprehensive term like evil to hesitation at the suggestion of an uncontrollable, non-human power of force that seems to cling to the idea of evil. On the other hand, in popular discourse speaking of evil prevails - one almost keeps stumbling over allusions to it. However, such language often seems to be incidental and not a natural part of a whole way of thinking. Thus the present situation demands a regauging of the notion of evil. Reconsidering Evil attempts this regauging by comparing the nature and status of the theme of evil in four different approaches. Paul Ricoeur's approach via symbols and myths of evil provides a focus that enables an analysis and comparison of the highly reflective views of Immanuel Kant, Karl Jaspers and Karl Barth - who represent an ethical, tragic and a non-theodician theological view respectively. This book sets out to determine whether one can claim that speaking of evil is most at home in a specific way of thinking. In the final chapter the notion of "the end of evil" turns out to be very important for understanding the specific character of a religious view of evil. In comparison with Kant's ethical view and Jaspers' tragic one, the broadest or richest understanding of evil is to be found in a religious context. However, the comparison of the different approaches also shows the possible dangers of this religious view. Thus, by means of an in-depth analysis and comparison of these thinkers, the relevance of the theme of evil for present day philosophy of religion is critically examined.