Experiments In Film And Philosophy

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Experiments in Film and Philosophy

Christopher Falzon
Experiments in Film and Philosophy Book PDF

Author : Christopher Falzon
Publisher : Taylor & Francis
Page : 221 pages
File Size : 41,8 Mb
Release : 2023-11-03
Category : Philosophy
ISBN : 9781000969818

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Experiments in Film and Philosophy by Christopher Falzon Pdf

Christopher Falzon argues in this book for a new way of understanding film as philosophy. Inspired and informed by the work of Michel Foucault, Falzon shows how a motion picture can operate not simply as a thought experiment but as a form of experience-centred, experimental reflection. It is film’s ability to show viewers things that challenge their way of thinking, giving them experiences that can make them think differently, that gives the film its status as philosophy. Through these cinematic experiences, not only cultural norms and presuppositions but also cinematic conventions, and even established philosophical positions, can be interrogated and questioned. Experiments in Film and Philosophy explores three films in the light of this new way of thinking about philosophy and film: Jean-Luc Godard’s Breathless, Rubin Ötlund’s Force Majeure, and Jonathon Glazer’s Under the Skin. It will be of interest to advanced students and scholars interested in the current debates about the relationship between film and philosophy.

Where Film Meets Philosophy

Hunter Vaughan
Where Film Meets Philosophy Book PDF

Author : Hunter Vaughan
Publisher : Columbia University Press
Page : 262 pages
File Size : 52,7 Mb
Release : 2013-01-01
Category : Performing Arts
ISBN : 9780231161329

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Where Film Meets Philosophy by Hunter Vaughan Pdf

The formal techniques two classic French filmmakers developed to explore cinema's philosophical potential.

Movement as Meaning

Daniel Barnett
Movement as Meaning Book PDF

Author : Daniel Barnett
Publisher : Rodopi
Page : 239 pages
File Size : 49,8 Mb
Release : 2008
Category : History
ISBN : 9789042023857

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Movement as Meaning by Daniel Barnett Pdf

This book offers sweeping and cogent arguments as to why analytic philosophers should take experimental cinema seriously as a medium for illuminating mechanisms of meaning in language. Using the analogy of the movie projector, Barnett deconstructs all communication acts into functions of interval, repetition and context. He describes how Wittgenstein's concepts of family resemblance and language games provide a dynamic perspective on the analysis of acts of reference. He then develops a hyper-simplified formula of movement as meaning to discuss, with true equivalence, the process of reference as it occurs in natural language, technical language, poetic language, painting, photography, music, and of course, cinema. Barnett then applies his analytic technique to an original perspective on cine-poetics based on Paul Valery's concept of omnivalence, and to a projection of how this style of analysis, derived from analog cinema, can help us clarify our view of the digital mediasphere and its relation to consciousness. Informed by the philosophy of Quine, Dennett, Merleau-Ponty as well as the later work of Wittgenstein, among others, he uses the film work of Stan Brakhage, Tony Conrad, A.K. Dewdney, Nathaniel Dorsky, Ken Jacobs, Owen Land, Saul Levine, Gregory Markopoulos Michael Snow, and the poetry of Basho, John Cage, John Cayley and Paul Valery to illustrate the power of his unique perspective on meaning.

European Cinema and Continental Philosophy

Thomas Elsaesser
European Cinema and Continental Philosophy Book PDF

Author : Thomas Elsaesser
Publisher : Bloomsbury Publishing USA
Page : 352 pages
File Size : 44,7 Mb
Release : 2018-11-29
Category : Performing Arts
ISBN : 9781441162618

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European Cinema and Continental Philosophy by Thomas Elsaesser Pdf

This groundbreaking volume for the Thinking Cinema series focuses on the extent to which contemporary cinema contributes to political and philosophical thinking about the future of Europe's core Enlightenment values. In light of the challenges of globalization, multi-cultural communities and post-nation state democracy, the book interrogates the borders of ethics and politics and roots itself in debates about post-secular, post-Enlightenment philosophy. By defining a cinema that knows that it is no longer a competitor to Hollywood (i.e. the classic self-other construction), Elsaesser also thinks past the kind of self-exoticism or auto-ethnography that is the perpetual temptation of such a co-produced, multi-platform 'national cinema as world cinema'. Discussing key filmmakers and philosophers, like: Claire Denis and Jean-Luc Nancy; Aki Kaurismäki, abjection and Julia Kristeva; Michael Haneke, the paradoxes of Christianity and Slavoj Zizek; Fatih Akin, Alain Badiou and Jacques Rancière, Elsaesser is able to approach European cinema and assesses its key questions within a global context. His combination of political and philosophical thinking will surely ground the debate in film philosophy for years to come.

Thinking Through Film

Damian Cox,Michael Levine
Thinking Through Film Book PDF

Author : Damian Cox,Michael Levine
Publisher : John Wiley & Sons
Page : 290 pages
File Size : 53,6 Mb
Release : 2011-07-26
Category : Philosophy
ISBN : 9781444343823

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Thinking Through Film by Damian Cox,Michael Levine Pdf

THINKING THROUGH FILM Thinking Through Film provides the best introduction available to the diverse relationships between film and philosophy. Clearly written and persuasively argued, it will benefit students of both film and philosophy. Thomas E. Wartenberg, Mount Holyoke College, author of Thinking on Screen: Film as Philosophy Cox and Levine’s admirable Thinking Through Film picks up where Philosophy Goes to the Movies left off, arguing that films not only do philosophy but, in some cases, do it better than philosophers! The result is a rich and rewarding examination of films – from metaphysical thought experiments, personal identity puzzles, to reflections on the meaning of life – that shows, in bracing, no-nonsense fashion, how popular cinema can do serious philosophy. —Robert Sinnerbrink, Macquarie University Thinking Through Film: Doing Philosophy, Watching Movies examines a broad range of philosophical issues though film, as well as issues about the nature of film itself. Using film as a means of philosophizing, it combines the experience of viewing films with the exploration of fundamental philosophical issues. It offers readers the opportunity to learn about philosophy and film together in an engaging way, and raises philosophical questions about films and the experience of films. Film is an extremely valuable way of exploring and discussing topics in philosophy. Readers are introduced to a broad range of philosophical issues though film, as well as to issues about the nature of film itself – a blend missing in most recent books on philosophy and film. Cox and Levine bring a critical eye to philosophical-film discussions throughout.

Thinking on Screen

Thomas E. Wartenberg
Thinking on Screen Book PDF

Author : Thomas E. Wartenberg
Publisher : Routledge
Page : 205 pages
File Size : 54,9 Mb
Release : 2007-10-31
Category : Performing Arts
ISBN : 9781135975883

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Thinking on Screen by Thomas E. Wartenberg Pdf

Thinking on Screen: Film as Philosophy is an accessible and thought-provoking examination of the way films raise and explore complex philosophical ideas. Written in a clear and engaging style, Thomas Wartenberg examines films’ ability to discuss, and even criticize ideas that have intrigued and puzzled philosophers over the centuries such as the nature of personhood, the basis of morality, and epistemological skepticism. Beginning with a demonstration of how specific forms of philosophical discourse are presented cinematically, Wartenberg moves on to offer a systematic account of the ways in which specific films undertake the task of philosophy. Focusing on the films The Man Who Shot Liberty Valance, Modern Times, The Matrix, Eternal Sunshine of the Spotless Mind, The Third Man, The Flicker, and Empire, Wartenberg shows how these films express meaningful and pertinent philosophical ideas. This book is essential reading for students of philosophy with an interest in film, aesthetics, and film theory. It will also be of interest to film enthusiasts intrigued by the philosophical implications of film.

Thought Experiments in Philosophy, Science, and the Arts

Mélanie Frappier,Letitia Meynell,James Robert Brown
Thought Experiments in Philosophy Science and the Arts Book PDF

Author : Mélanie Frappier,Letitia Meynell,James Robert Brown
Publisher : Routledge
Page : 284 pages
File Size : 44,8 Mb
Release : 2013
Category : Philosophy
ISBN : 9780415885447

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Thought Experiments in Philosophy, Science, and the Arts by Mélanie Frappier,Letitia Meynell,James Robert Brown Pdf

From Lucretius throwing a spear beyond the boundary of the universe to Einstein racing against a beam of light, thought experiments stand as a fascinating challenge to the necessity of data in the empirical sciences. Are these experiments, conducted uniquely in our imagination, simply rhetorical devices or communication tools or are they an essential part of scientific practice? This volume surveys the current state of the debate and explores new avenues of research into the epistemology of thought experiments.

American Avant-Garde Cinema's Philosophy of the In-Between

Rebecca A. Sheehan
American Avant Garde Cinema s Philosophy of the In Between Book PDF

Author : Rebecca A. Sheehan
Publisher : Oxford University Press, USA
Page : 305 pages
File Size : 48,8 Mb
Release : 2020
Category : Performing Arts
ISBN : 9780190949709

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American Avant-Garde Cinema's Philosophy of the In-Between by Rebecca A. Sheehan Pdf

"Can films philosophize rather than simply represent philosophical ideas developed outside of the cinematic medium? Taking up this question crucial to the emergent field of film philosophy, this book argues that the films of the American avant-garde do "do" philosophy and illuminates the ethical and political stakes of their aesthetic interventions. The book traces the avant-garde's philosophy by developing a history and theory of its investment in dimensional, conceptual, and material in-betweens, clarifying how this cinema's reflections on the creation and reception of images construct an ethics of perception itself, a responsibility to perpetuate thought in an enduring re-encounter with the world and with meaning's unfinished production. This entails the avant-garde's locating of cinema's-and thought's-ends or meanings in their means, and their advancement of an image of truth that is made rather than found that unites their films with the philosophies of Ludwig Wittgenstein and Ralph Waldo Emerson who believed the "journey's end is found in every step of the road" (Cavell). Rectifying film-philosophy's neglect of the American avant-garde, the book demonstrates how rather than showing their interest in the revelation of authoritative truths, the avant-garde's interest in the re-encounter and review of the seen and known emerges from an American Transcendentalist tradition that opposes such notions. Sheehan reads the avant-garde's interest in the contingencies of spectatorial experience as also an extension of Pragmatism's commitment to replacing the authority of a priori knowledge with that of individual experience. She also shows how Emerson's influence on Friedrich Nietzsche connects the American avant-garde's philosophies to Deleuze's time-image, premised largely upon Nietzsche's "powers of the false.""--

Wittgenstein at the Movies

Béla Szabados,Christina Stojanova
Wittgenstein at the Movies Book PDF

Author : Béla Szabados,Christina Stojanova
Publisher : Lexington Books
Page : 169 pages
File Size : 41,8 Mb
Release : 2011-03-24
Category : Philosophy
ISBN : 9780739148877

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Wittgenstein at the Movies by Béla Szabados,Christina Stojanova Pdf

Ludwig Wittgenstein loved movies, and based on his remarks on watching them, there is a strong connection between his experience of watching films and his thoughts on aesthetics. Furthermore, however, Wittgenstein himself has been invoked in recent cinema. Wittgenstein at the Movies is centered on in-depth explorations of two intriguing experimental films on Wittgenstein: Derek Jarman's Wittgenstein and PZter ForgOcs' Wittgenstein Tractatus. The featured essays look at cinematic interpretations of Wittgenstein's life and philosophy in a manner bound to provoke the lively interest of Wittgenstein scholars, film theorists, and students of film aesthetics. As well, the book engages a broader audience concerned with philosophical issues about film and Wittgenstein's cultural significance, with the world of fin-de-si_cle Vienna, of Cambridge in the first half of the twentieth century, of artistic modernism.

Skepticism Films

Philipp Schmerheim
Skepticism Films Book PDF

Author : Philipp Schmerheim
Publisher : Bloomsbury Publishing USA
Page : 336 pages
File Size : 42,6 Mb
Release : 2015-11-19
Category : Social Science
ISBN : 9781501310997

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Skepticism Films by Philipp Schmerheim Pdf

Skepticism Films: Knowing and Doubting the World in Contemporary Cinema introduces skepticism films as updated configurations of skepticist thought experiments which exemplify the pervasiveness of philosophical ideas in popular culture. Philipp Schmerheim defends a pluralistic film-philosophical position according to which films can be, but need not be, expressions of philosophical thought in their own right. It critically investigates the influence of ideas of skepticism on film-philosophical theories and develops a typology of skepticism films by analyzing The Truman Show, Inception, The Matrix, Vanilla Sky, The Thirteenth Floor, Moon and other contemporary skepticism films. With its focus on skepticism as one of the most significant philosophical problems, Skepticism Films provides a better understanding of the dynamic interplay between film, theories of film and philosophy.

Current Controversies in Philosophy of Film

Katherine Thomson-Jones
Current Controversies in Philosophy of Film Book PDF

Author : Katherine Thomson-Jones
Publisher : Routledge
Page : 222 pages
File Size : 48,6 Mb
Release : 2016-03-02
Category : Philosophy
ISBN : 9781317655633

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Current Controversies in Philosophy of Film by Katherine Thomson-Jones Pdf

This volume advances the contemporary debate on five central issues in the philosophy of film. These issues concern the relation between the art and technology of film, the nature of film realism, how narrative fiction films narrate, how we engage emotionally with films, and whether films can philosophize. Two new essays by leading figures in the field present different views on each issue. The paired essays contain significant points of both agreement and disagreement; new theories and frameworks are proposed at the same time as authors review the current state of debate. Given their combination of richness and clarity, the essays in this volume can effectively engage both students, undergraduate or graduate, and academic researchers.

Thought Experiments in Science, Philosophy, and the Arts

Melanie Frappier,Letitia Meynell,James Robert Brown
Thought Experiments in Science Philosophy and the Arts Book PDF

Author : Melanie Frappier,Letitia Meynell,James Robert Brown
Publisher : Routledge
Page : 284 pages
File Size : 40,5 Mb
Release : 2012-09-10
Category : Philosophy
ISBN : 9781136285998

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Thought Experiments in Science, Philosophy, and the Arts by Melanie Frappier,Letitia Meynell,James Robert Brown Pdf

From Lucretius throwing a spear beyond the boundary of the universe to Einstein racing against a beam of light, thought experiments stand as a fascinating challenge to the necessity of data in the empirical sciences. Are these experiments, conducted uniquely in our imagination, simply rhetorical devices or communication tools or are they an essential part of scientific practice? This volume surveys the current state of the debate and explores new avenues of research into the epistemology of thought experiments.

The Palgrave Handbook of the Philosophy of Film and Motion Pictures

Noël Carroll,Laura T. Di Summa,Shawn Loht
The Palgrave Handbook of the Philosophy of Film and Motion Pictures Book PDF

Author : Noël Carroll,Laura T. Di Summa,Shawn Loht
Publisher : Springer Nature
Page : 1047 pages
File Size : 40,5 Mb
Release : 2019-10-30
Category : Philosophy
ISBN : 9783030196011

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The Palgrave Handbook of the Philosophy of Film and Motion Pictures by Noël Carroll,Laura T. Di Summa,Shawn Loht Pdf

This handbook brings together essays in the philosophy of film and motion pictures from authorities across the spectrum. It boasts contributions from philosophers and film theorists alike, with many essays employing pluralist approaches to this interdisciplinary subject. Core areas treated include film ontology, film structure, psychology, authorship, narrative, and viewer emotion. Emerging areas of interest, including virtual reality, video games, and nonfictional and autobiographical film also have dedicated chapters. Other areas of focus include the film medium’s intersection with contemporary social issues, film’s kinship to other art forms, and the influence of historically seminal schools of thought in the philosophy of film. Of emphasis in many of the essays is the relationship and overlap of analytic and continental perspectives in this subject.

Philosophy and Film

Christina Rawls,Diana Neiva,Steven S. Gouveia
Philosophy and Film Book PDF

Author : Christina Rawls,Diana Neiva,Steven S. Gouveia
Publisher : Routledge
Page : 390 pages
File Size : 55,7 Mb
Release : 2019-04-25
Category : Art
ISBN : 9780429787133

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Philosophy and Film by Christina Rawls,Diana Neiva,Steven S. Gouveia Pdf

This volume collects twenty original essays on the philosophy of film. It uniquely brings together scholars working across a range of philosophical traditions and academic disciplines to broaden and advance debates on film and philosophy. The book includes contributions from a number of prominent philosophers of film including Noël Carroll, Chris Falzon, Deborah Knight, Paisley Livingston, Robert Sinnerbrink, Malcolm Turvey, and Thomas Wartenberg. While the topics explored by the contributors are diverse, there are a number of thematic threads that connect them. Overall, the book seeks to bridge analytic and continental approaches to philosophy of film in fruitful ways. Moving to the individual essays, the first two sections offer novel takes on the philosophical value and the nature of film. The next section focuses on the film-as-philosophy debate. Section IV covers cinematic experience, while Section V includes interpretations of individual films that touch on questions of artificial intelligence, race and film, and cinema’s biopolitical potential. Finally, the last section proposes new avenues for future research on the moving image beyond film. This book will appeal to a broad range of scholars working in film studies, theory, and philosophy.

Film as Philosophy

Bernd Herzogenrath
Film as Philosophy Book PDF

Author : Bernd Herzogenrath
Publisher : U of Minnesota Press
Page : 481 pages
File Size : 49,6 Mb
Release : 2017-03-21
Category : Philosophy
ISBN : 9781452953441

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Film as Philosophy by Bernd Herzogenrath Pdf

Film and philosophy have much in common, and books have been written on film and philosophy. But can films be, or do, philosophy? Can they “think”? Film as Philosophy is the first book to explore this fascinating question historically, thematically, and methodically. Bringing together leading scholars from universities across the globe, Film as Philosophy presents major new research that leads film studies and philosophy into a productive dialogue. It provides a uniquely sweeping, historical overview of the confluence of film and philosophy for more than a century, considering films from Jean Renoir, Lars von Trier, Jørgen Leth, David Lynch, Michael Haneke, and others; the written works of filmmakers who also theorized on the medium, including Sergei Eisenstein and Jean Epstein; and others who have written on cinema, including Hugo Münsterberg, Béla Balázs, André Bazin, Henri Bergson, Gilles Deleuze, Stanley Cavell, Alain Badiou, Jacques Rancière, and many more. Representing a major step toward establishing a media philosophy that puts the status, role, and function of film into a new perspective, Film as Philosophy removes representational techniques from the center of inquiry, replacing these with the medium’s ability to “think.” Hence it accords film with “agency,” and the dialogue between it and philosophy (and even neuroscience) is negotiated anew. Contributors: Nicole Brenez, U of Paris 3–Sorbonne; Elisabeth Bronfen, U of Zurich; Noël Carroll, CUNY; Tom Conley, Harvard U; Angela Dalle Vacche, Georgia Institute of Technology; Gregory Flaxman, U of North Carolina, Chapel Hill; Alex Ling, Western Sydney U; Adrian Martin, Monash U; John Ó Maoilearca, Kingston U, London; Robert Sinnerbrink, Macquarie U, Sydney; Murray Smith, U of Kent, Canterbury; Julia Vassilieva, Monash U, Melbourne; Christophe Wall-Romana, U of Minnesota; and Thomas E. Wartenberg, Mount Holyoke College.