Expressionism In The Cinema

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Expressionism in the Cinema

Author : Brill Olaf Brill
Publisher : Edinburgh University Press
Page : 424 pages
File Size : 50,8 Mb
Release : 2016-02-19
Category : Performing Arts
ISBN : 9781474411196

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Expressionism in the Cinema by Brill Olaf Brill Pdf

One of the most visually striking traditions in cinema, for too long Expressionism has been a neglected critical category of research in film history and aesthetics. The fifteen essays in this anthology remedies this by revisiting key German films like The Cabinet of Dr. Caligari (1920) and Nosferatu (1922), and also provide original critical research into more obscure titles like Nerven (1919) and The Phantom Carriage (1921), films that were produced in the silent and early sound era in countries ranging from France, Sweden and Hungary, to the United States and Mexico.An innovative and wide-ranging collection, Expressionism in the Cinema re-canonizes the classical Expressionist aesthetic, extending the critical and historical discussion beyond pre-existing scholarship into comparative and interdisciplinary areas of film research that reach across national boundaries.

German Expressionist Cinema

Author : Ian Roberts
Publisher : Columbia University Press
Page : 152 pages
File Size : 45,8 Mb
Release : 2008
Category : Literary Criticism
ISBN : UOM:39015077683145

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German Expressionist Cinema by Ian Roberts Pdf

Covering classic films such as 'The Cabinet of Doctor Caligari' and 'Nosferatu' as well as under-appreciated examples such as 'Asphalt', this volume forms an essential introduction to one of cinema's most historically important movements.

Expressionism in the Cinema

Author : Olaf Brill
Publisher : Edinburgh University Press
Page : 336 pages
File Size : 52,9 Mb
Release : 2016-02-19
Category : Performing Arts
ISBN : 9781474403269

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Expressionism in the Cinema by Olaf Brill Pdf

One of the most visually striking traditions in cinema, for too long Expressionism has been a neglected critical category of research in film history and aesthetics. The fifteen essays in this anthology remedies this by revisiting key German films like The Cabinet of Dr. Caligari (1920) and Nosferatu (1922), and also provide original critical research into more obscure titles like Nerven (1919) and The Phantom Carriage (1921), films that were produced in the silent and early sound era in countries ranging from France, Sweden and Hungary, to the United States and Mexico. An innovative and wide-ranging collection, Expressionism in the Cinema re-canonizes the classical Expressionist aesthetic, extending the critical and historical discussion beyond pre-existing scholarship into comparative and interdisciplinary areas of film research that reach across national boundaries.

Expressionist Film--new Perspectives

Author : Dietrich Scheunemann
Publisher : Boydell & Brewer
Page : 319 pages
File Size : 54,7 Mb
Release : 2003
Category : Literary Criticism
ISBN : 9781571130686

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Expressionist Film--new Perspectives by Dietrich Scheunemann Pdf

New essays by leading scholars giving a new picture of the variety of German expressionist cinema.

Expressionism and Film

Author : Christian Kiening,Ulrich Johannes Beil
Publisher : Indiana University Press
Page : 223 pages
File Size : 52,9 Mb
Release : 2016-03-21
Category : Performing Arts
ISBN : 9780861969227

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Expressionism and Film by Christian Kiening,Ulrich Johannes Beil Pdf

Expressionism and Film, originally published in German in 1926, is not only a classic of film history, but also an important work from the early phase of modern media history. Written with analytical brilliance and historical vision by a well-known contemporary of the expressionist movement, it captures Expressionism at the time of its impending conclusion—as an intersection of world view, resoluteness of form, and medial transition. Though one of the most frequently-cited works of Weimar culture, Kurtz's groundbreaking work, which is on a par with Siegfried Kracauer's From Caligari to Hitler and Lotte Eisner's The Haunted Screen, has never been published in English. Its relevance and historical contexts are analyzed in a concise afterword by the Swiss scholars Christian Kiening and Ulrich Johannes Beil.

From Caligari to Hitler

Author : Siegfried Kracauer
Publisher : Princeton University Press
Page : 432 pages
File Size : 48,7 Mb
Release : 2019-04-02
Category : Performing Arts
ISBN : 9780691191348

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From Caligari to Hitler by Siegfried Kracauer Pdf

An essential work of the cinematic history of the Weimar Republic by a leading figure of film criticism First published in 1947, From Caligari to Hitler remains an undisputed landmark study of the rich cinematic history of the Weimar Republic. Prominent film critic Siegfried Kracauer examines German society from 1921 to 1933, in light of such movies as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel. He explores the connections among film aesthetics, the prevailing psychological state of Germans in the Weimar era, and the evolving social and political reality of the time. Kracauer makes a startling (and still controversial) claim: films as popular art provide insight into the unconscious motivations and fantasies of a nation. With a critical introduction by Leonardo Quaresima which provides context for Kracauer’s scholarship and his contributions to film studies, this Princeton Classics edition makes an influential work available to new generations of cinema enthusiasts.

The Haunted Screen

Author : Lotte H. Eisner
Publisher : Univ of California Press
Page : 364 pages
File Size : 48,8 Mb
Release : 1969
Category : Performing Arts
ISBN : 0520024796

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The Haunted Screen by Lotte H. Eisner Pdf

Book on expressionism in German motion pictures.

A Companion to the Literature of German Expressionism

Author : Neil H. Donahue
Publisher : Camden House
Page : 392 pages
File Size : 46,7 Mb
Release : 2005
Category : Literary Criticism
ISBN : 9781571131751

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A Companion to the Literature of German Expressionism by Neil H. Donahue Pdf

New essays examining the complex period of rich artistic ferment that was German literary Expressionism.

German Expressionist Theatre

Author : David F. Kuhns
Publisher : Cambridge University Press
Page : 325 pages
File Size : 54,6 Mb
Release : 1997-08-28
Category : Drama
ISBN : 9780521583404

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German Expressionist Theatre by David F. Kuhns Pdf

German Expressionist Theatre: The Actor and the Stage considers the powerfully stylized, anti-realistic styles of acting on the German Expressionist stage from 1916 to 1921. It relates this striking departure from the dominant European acting tradition of realism to the specific cultural crises that enveloped the German nation during the course of its involvement in World War I. This book describes three distinct Expressionist acting styles, all of which in their own ways attempted to show how symbolic stage performance could be a powerful rhetorical resource for a culture struggling to come to terms with the crises of historical change. The examination of Expressionist script and actor memoirs allows for an unprecedented focus on description and analysis of acting itself.

Traditions in World Cinema

Author : Linda Badley,R. Barton Palmer,Steven Jay Schneider
Publisher : Rutgers University Press
Page : 294 pages
File Size : 54,5 Mb
Release : 2006
Category : Performing Arts
ISBN : 0813538742

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Traditions in World Cinema by Linda Badley,R. Barton Palmer,Steven Jay Schneider Pdf

The core volume in the Traditions in World Cinema series, this book brings together a colourful and wide-ranging collection of world cinematic traditions - national, regional and global - all of which are in need of introduction, investigation and, in some cases, critical reassessment. Topics include: German expressionism, Italian neorealism, French New Wave, British new wave, Czech new wave, Danish Dogma, post-Communist cinema, Brazilian post-Cinema Novo, new Argentine cinema, pre-revolutionary African traditions, Israeli persecution films, new Iranian cinema, Hindi film songs, Chinese wenyi.

Expressionist Film

Author : Dietrich Scheunemann
Publisher : Camden House
Page : 322 pages
File Size : 55,9 Mb
Release : 2003
Category : Art
ISBN : 157113350X

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Expressionist Film by Dietrich Scheunemann Pdf

Beginning with a fundamentally new interpretation of 'Dr. Caligari', and with fresh views of other expressionist classics, this book offers new perspectives on important alternative styles and genres that emerged in films by such eminent directors as Lubitsch, Fritz Lang and E.A. Dupont.

Closely Watched Films

Author : Marilyn Fabe
Publisher : Univ of California Press
Page : 312 pages
File Size : 51,8 Mb
Release : 2014-10-14
Category : Performing Arts
ISBN : 9780520279971

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Closely Watched Films by Marilyn Fabe Pdf

"Through detailed examinations of passages from classic films, Marilyn Fabe supplies the analytic tools and background in film history and theory to enable us to see more in every film we watch"--Page [4] of cover.

Masterpieces of Modernist Cinema

Author : Ted Perry
Publisher : Indiana University Press
Page : 707 pages
File Size : 47,7 Mb
Release : 2006
Category : Cinematography
ISBN : 9780253347718

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Masterpieces of Modernist Cinema by Ted Perry Pdf

Noted film scholars analyze some of the most challenging films of the 20th century

The Total Artwork in Expressionism

Author : Ralf Beil,Claudia Dillmann
Publisher : Hatje Cantz Pub
Page : 512 pages
File Size : 44,6 Mb
Release : 2011
Category : Art
ISBN : 3775727132

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The Total Artwork in Expressionism by Ralf Beil,Claudia Dillmann Pdf

"In the past, the various categories of Expressionism have usually been treated separately. The [title] is the first comprehensive publication ever to examine the remarkable interplay of --and parallel developments in-- art, film, literautre, theater, dance, and architecture in the years 1905 to 1925. The Exhibition and the catalogue bring together the masterpieces of Expressionist film such as 'The Cabinet of Dr. Caligari' and 'Genuine', architectural models, set designs, stage photographs, poster art, dance masks, paintings, drawings, prints, and sculptures to present a unique panorama of the Expressionist period. Addressing a disastrous war, a revolution, urban modernity, and the reinvention of the world, this is the first book in which renowned authors, key works, and source texts from all disciplines come together to allow the reader to thoroughly experience the ways in which the various areas of activity mutually influenced each other, as well as the equally dramatic and fascinating fruits of Expressionism's networks." --Jacket.

Weimar Cinema and After

Author : Thomas Elsaesser
Publisher : Routledge
Page : 486 pages
File Size : 47,8 Mb
Release : 2013-04-15
Category : Performing Arts
ISBN : 9781135078591

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Weimar Cinema and After by Thomas Elsaesser Pdf

German cinema of the 1920s is still regarded as one of the 'golden ages' of world cinema. Films such as The Cabinet of Dr Caligari, Dr Mabuse the Gambler, Nosferatu, Metropolis, Pandora's Box and The Blue Angel have long been canonised as classics, but they are also among the key films defining an image of Germany as a nation uneasy with itself. The work of directors like Fritz Lang, F.W. Murnau and G.W. Pabst, which having apparently announced the horrors of fascism, while testifying to the traumas of a defeated nation, still casts a long shadow over cinema in Germany, leaving film history and political history permanently intertwined. Weimar Cinema and After offers a fresh perspective on this most 'national' of national cinemas, re-evaluating the arguments which view genres and movements such as 'films of the fantastic', 'Nazi Cinema', 'film noir' and 'New German Cinema' as typically German contributions to twentieth century visual culture. Thomas Elsaesser questions conventional readings which link these genres to romanticism and expressionism, and offers new approaches to analysing the function of national cinema in an advanced 'culture industry' and in a Germany constantly reinventing itself both geographically and politically. Elsaesser argues that German cinema's significance lies less in its ability to promote democracy or predict fascism than in its contribution to the creation of a community sharing a 'historical imaginary' rather than a 'national identity'. In this respect, he argues, German cinema anticipated some of the problems facing contemporary nations in reconstituting their identities by means of media images, memory, and invented traditions.