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At the dingy, overcrowded Acme Garment Factory, Emily Watson stands for eleven hours a day clipping threads from blouses. Every time the boss passes, he shouts at her to snip faster. But if Emily snips too fast, she could ruin the garment and be docked pay. If she works too slowly, she will be fired. She desperately needs this job. Without the four dollars a week it brings, her family will starve. When a reporter arrives, determined to expose the terrible conditions in the factory, Emily finds herself caught between the desperate immigrant girls with whom she works and the hope of change. Then tragedy strikes, and Emily must decide where her loyalties lie. Emily's fictional experiences are interwoven with non-fiction sections describing family life in a slum, the fight to improve social conditions, the plight of working children then and now, and much more. Rarely seen archival photos accompany this story of the past as only Barbara Greenwood can tell it.
An eye-opening and previously untold story, Factory Girls is the first look into the everyday lives of the migrant factory population in China. China has 130 million migrant workers—the largest migration in human history. In Factory Girls, Leslie T. Chang, a former correspondent for the Wall Street Journal in Beijing, tells the story of these workers primarily through the lives of two young women, whom she follows over the course of three years as they attempt to rise from the assembly lines of Dongguan, an industrial city in China’s Pearl River Delta. As she tracks their lives, Chang paints a never-before-seen picture of migrant life—a world where nearly everyone is under thirty; where you can lose your boyfriend and your friends with the loss of a mobile phone; where a few computer or English lessons can catapult you into a completely different social class. Chang takes us inside a sneaker factory so large that it has its own hospital, movie theater, and fire department; to posh karaoke bars that are fronts for prostitution; to makeshift English classes where students shave their heads in monklike devotion and sit day after day in front of machines watching English words flash by; and back to a farming village for the Chinese New Year, revealing the poverty and idleness of rural life that drive young girls to leave home in the first place. Throughout this riveting portrait, Chang also interweaves the story of her own family’s migrations, within China and to the West, providing historical and personal frames of reference for her investigation. A book of global significance that provides new insight into China, Factory Girls demonstrates how the mass movement from rural villages to cities is remaking individual lives and transforming Chinese society, much as immigration to America’s shores remade our own country a century ago.
A funny, fierce, and unforgettable read about a young woman working a summer job in a shirt factory in Northern Ireland, while tensions rise both inside and outside the factory walls. Winner of the Comedy Women in Print 2022-23 Published Novel Award It’s the summer of 1994, and all smart-mouthed Maeve Murray wants are good final exam results so she can earn her ticket out of the wee Northern Irish town she has grown up in during the Troubles. She hopes she will soon be in London studying journalism—away from her crowded home, the silence and sadness surrounding her sister’s death, and most of all, away from the violence of her divided community. As a first step, Maeve’s taken a job in a shirt factory working alongside Protestants with her best friends. But getting the right exam results is only part of Maeve’s problem—she’s got to survive a tit-for-tat paramilitary campaign, iron 100 shirts an hour all day every day, and deal with the attentions of Handy Andy Strawbridge, her slick and untrustworthy English boss. Then, as the British loyalist marching season raises tensions among the Catholic and Protestant workforce, Maeve realizes something is going on behind the scenes at the factory. What seems to be a great opportunity to earn money turns out to be a crucible in which Maeve faces the test of a lifetime. Seeking justice for herself and her fellow workers may just be Maeve’s one-way ticket out of town. Bitingly hilarious, clear-eyed, and steeped in the vernacular of its time and place, Factory Girls tackles questions of wealth and power, religion and nationalism, and how young women maintain hope for themselves and the future during divided, violent times. Shortlisted for the 2023 Royal Society of Literature Encore Award (for second novels) and the Christopher Ewart-Biggs Memorial Prize
In order to save her family’s farm, Roshen, sixteen, must leave her rural home to work in a factory in the south of China. There she finds arduous and degrading conditions and contempt for her minority (Uyghur) background. Sustained by her bond with other Uyghur girls, Roshen is resolved to endure all to help her family and ultimately her people. A workplace survival story, this gritty, poignant account focuses on a courageous teen and illuminates the value—and cost—of freedom.
Mr Manchester and the Factory Girl by Lindsay Reade Pdf
A classic tale of sex, drugs, and rock'n'roll, this heartfelt and searingly honest memoir details the relationship between Tony Wilson (the legendary impresario behind Factory Records, Joy Division, New Order and the Happy Mondays) and his first wife, Lindsay Reade.
As millions of women and girls left country towns to generate Korea’s manufacturing boom, the factory girl emerged as an archetypal figure in twentieth-century popular culture. This book explores the factory girl in Korean literature from the 1920s to the 1990s, showing the complex ways in which she has embodied the sexual and class violence of industrial life.
Edie, Factory Girl by Nat Finkelstein,David Dalton Pdf
She was riveting to look at, a sprite of the zeitgeist, the living distillation of the over-amped vision of New York in the mid-sixties. Like many exotic creatures that Andy Warhol shed his light on, she initially bloomed--became the symbol for all that was hip and stylish--and just as quickly began to disintegrate. Told with unsparing candor and with candid images that capture her at the peak of her Factory stardom, Edie Factory Girl is the short but enduring cultural story of Edie Sedgwick--releasing in time for the film of the same name starring Slenna Miller, and including rare photos of Miller as Edie. David Dalton was just a teen when he became one of Warhol's first assistants, and was present for the arrival of Edie: witnessing her rise, her Factory superstardom, and subsequent unraveling. Like an anthropologist thrown together with a tribe of "wild" people, Nat Finkelstein entered the Factory just as Warhol was emerging as the supreme catalyst of the sixties. Among the freaky menagerie, Nat found Andy's misbegotten princess the most fascinating and enigmatic character of her time, and with a compassionate lens recorded her fragile, fleeting beauty. Edie Factory Girl is a privileged glimpse into Warhol's inner sanctum, via revealing interviews with intimates, friends, and scenesters, in which Edie orbits around the likes of Bob Dylan, Salvador Dali, Betsey Johnson, Lou Reed, Judy Garland, and many more, before departing as quickly as she came.
From Factory Girls to K-Pop Idol Girls by Gooyong Kim Pdf
Focusing on female idols’ proliferation in the South Korean popular music (K-pop) industry since the late 1990s, Gooyong Kim critically analyzes structural conditions of possibilities in contemporary popular music from production to consumption. Kim contextualizes the success of K-pop within Korea’s development trajectories, scrutinizing how a formula of developments from the country’ rapid industrial modernization (1960s-1980s) was updated and re-applied in the K-pop industry when the state had to implement a series of neoliberal reformations mandated by the IMF. To that end, applying Michel Foucault’s discussion on governmentality, a biopolitical dimension of neoliberalism, Kim argues how the regime of free market capitalism updates and reproduces itself by 1) forming a strategic alliance of interests with the state, and 2) using popular culture to facilitate individuals’ subjectification and subjectivation processes to become neoliberal agents. As to an importance of K-pop female idols, Kim indicates a sustained utility/legacy of the nation’s century-long patriarchy in a neoliberal development agenda. Young female talents have been mobilized and deployed in the neoliberal culture industry in a similar way to how un-wed, obedient female workers were exploited and disposed on the sweatshop factory floors to sustain the state’s export-oriented, labor-intensive manufacturing industry policy during its rapid developmental stage decades ago. In this respect, Kim maintains how a post-feminist, neoliberal discourse of girl power has marketed young, female talents as effective commodities, and how K-pop female idols exert biopolitical power as an active ideological apparatus that pleasurably perpetuates and legitimates neoliberal mantras in individuals’ everyday lives. Thus, Kim reveals there is a strategic convergence between Korea’s lingering legacies of patriarchy, developmentalism, and neoliberalism. While the current K-pop literature is micro-scopic and celebratory, Kim advances the scholarship by multi-perspectival, critical approaches. With a well-balanced perspective by micro-scopic textual analyses of music videos and macro-scopic examinations of historical and political economy backgrounds, Kim’s book provides a wealth of intriguing research agendas on the phenomenon, and will be a useful reference in International/ Intercultural Communication, Political Economy of the Media, Cultural/ Media Studies, Gender/ Sexuality Studies, Asian Studies, and Korean Studies.
It’s 1985 in a small factory town near Pittsburgh. Eight-year-old Karen’s parents are lifelong workers at the Anchor Glass plant, where one Saturday, an employee goes on a shooting spree, killing four supervisors, then himself. This event splits the young girl’s life open, and like her mother, she begins to seek comfort in obsessive rituals and superstitions. This beautifully evocative memoir chronicles the next fourteen years, as Karen moves through girlhood, adolescence, and young adulthood. It illuminates small-town factory life; explores a complicated mother-daughter bond; thoughtfully unfolds a smart, but insecure girl’s coming of age; achingly recounts her attempts to use sex to fit in; and ultimately uncovers the buried secret from her childhood—a medical file with an unbearable report. The Girl Factory deftly travels the intersections of memory and origin. Karen’s body remembers details her mind has tried to control. As the young woman mines her interior landscape for answers, certain questions persist. Where does memory live—in the body or the mind? And can you rewrite the story of your past?
There’s a disturbing secret in the basement of a strip mall yogurt parlor. Jonathan, the mostly clueless clerk who works there, just wants to fix things once and for all, but beginning with an encounter at an animal shelter that leaves three dead, things don’t work out quite the way Jonathan intends . . . or do they? Beneath its picaresque surface,Girl Factoryraises unsettling questions about storytelling, the nature of freedom, and the ubiquitous objectification of women.
The Factory Girl and the Seamstress by Amal Amireh Pdf
This book studies the representations of working-class women in canonical and popular American fiction between 1820 and 1870. These representations have been invisible in nineteenth century American literary and cultural studies due to the general view that antebellum writers did not engage with their society's economic and social relaities. Against this view and to highlight the cultural importance of working-class women, this study argues that, in responding to industrialization, middle class writers such as Melville, Hawthorne, Fern, Davies, and Phelps used the figures of the factory worker and the seamstress to express their anxieties about unstable gender and class identitites. These fictional representations were influenced by, and contributed to, an important but understudied cultural debate about wage labor, working women, and class.
Everybody knows the sad tale of the Little Match Girl, but less well known is the story of the girls and women who slaved fourteen hours a day in the match factories for appalling pay, only to contract such fatal complaints as phossy jaw. The brutality of these conditions was brought to a head with the London Match Girls Strike of 1888. Told from the perspective of a young factory worker, this new title offers a fascinating insight into Victorian child labour.
The twentieth century ushered in a new world filled with a dazzling array of consumer goods. Even the poorest immigrant girls could afford a blouse or two. But these same immigrant teens toiled away in factories in appalling working conditions. Their hard work and sacrifice lined the pockets of greedy factory owners who were almost exclusively white men. The tragic Triangle Waist Factory fire in 1911 resulted in the deaths of over a hundred young people, mostly immigrant girls, who were locked in the factory. Told from the perspective of six young women who lived the story, this book reminds us why what we buy and how we vote really matter.
2016 Speaker's Book Award — Shortlisted 2016 Heritage Toronto Book Award — Nominated An account of the women working in high-security, dangerous conditions making bombs in Toronto during the Second World War. What was it like to work in a Canadian Second World War munitions factory? What were working conditions like? Did anyone die? Just how closely did female employees embody the image of “Rosie the Riveter” so popularly advertised to promote factory work in war propaganda posters? How closely does the recent TV show, Bomb Girls, resemble the actual historical record of the day-to-day lives of bomb-making employees? Bomb Girls delivers a dramatic, personal, and detailed review of Canada’s largest fuse-filling munitions factory, situated in Scarborough, Ontario. First-hand accounts, technical records, photographic evidence, business documentation, and site maps all come together to offer a rare, complete account into the lives of over twenty-one thousand brave men and women who risked their lives daily while handling high explosives in a dedicated effort to help win the war.