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Finalist for the 2022 Mythopoeic Scholarship Award for Myth and Fantasy Studies From the time of Charles Dickens, the imaginative power of the city of London has frequently inspired writers to their most creative flights of fantasy. Charting a new history of London fantasy writing from the Victorian era to the 21st century, Fairy Tales of London explores a powerful tradition of urban fantasy distinct from the rural tales of writers such as J.R.R. Tolkien. Hadas Elber-Aviram traces this urban tradition from Dickens, through the scientific romances of H.G. Wells, the anti-fantasies of George Orwell and Mervyn Peake to contemporary science fiction and fantasy writers such as Michael Moorcock, Neil Gaiman and China Miéville.
Finalist for the 2022 Mythopoeic Scholarship Award for Myth and Fantasy Studies From the time of Charles Dickens, the imaginative power of the city of London has frequently inspired writers to their most creative flights of fantasy. Charting a new history of London fantasy writing from the Victorian era to the 21st century, Fairy Tales of London explores a powerful tradition of urban fantasy distinct from the rural tales of writers such as J.R.R. Tolkien. Hadas Elber-Aviram traces this urban tradition from Dickens, through the scientific romances of H.G. Wells, the anti-fantasies of George Orwell and Mervyn Peake to contemporary science fiction and fantasy writers such as Michael Moorcock, Neil Gaiman and China Miéville.
From wicked queens, beautiful princesses, elves, monsters, and goblins to giants, glass slippers, poisoned apples, magic keys, and mirrors, the characters and images of fairy tales have cast a spell over readers and audiences, both adults and children, for centuries. These fantastic stories have travelled across cultural borders, and been passed on from generation to generation, ever-changing, renewed with each re-telling. Few forms of literature have greater power to enchant us and rekindle our imagination than a fairy tale. But what is a fairy tale? Where do they come from and what do they mean? What do they try and communicate to us about morality, sexuality, and society? The range of fairy tales stretches across great distances and time; their history is entangled with folklore and myth, and their inspiration draws on ideas about nature and the supernatural, imagination and fantasy, psychoanalysis, and feminism. Marina Warner has loved fairy tales over a long writing life, and she explores here a multitude of tales through the ages, their different manifestations on the page, the stage, and the screen. From the phenomenal rise of Victorian and Edwardian literature to contemporary children's stories, Warner unfolds a glittering array of examples, from classics such as Red Riding Hood, Cinderella, and The Sleeping Beauty, the Grimm Brothers' Hansel and Gretel, and Hans Andersen's The Little Mermaid, to modern-day realizations including Walt Disney's Snow White and gothic interpretations such as Pan's Labyrinth. In ten succinct chapters, Marina Warner digs into a rich hoard of fairy tales in their brilliant and fantastical variations, in order to define a genre and evaluate a literary form that keeps shifting through time and history. Her book makes a persuasive case for fairy tale as a crucial repository of human understanding and culture.
Caldecott-winning author Jane Yolen and her daughter Heidi Stemple share fun facts and anecdotes about the creation of the stories included and the history of food. This innovative book is designed to encourage future cooks and storytellers to make up their own versions of the classics. Illustrated by internationally- acclaimed Canadian artist Philippe Beha.
Bob has decided to be a pet-sitter. He just can't wait for all the cute hamsters and bunnies to arrive! But when Goldilocks asks him to look after her grumpy baby bear, the fairy tale chaos begins... Spot your favourite characters misbehaving in an all-star cast as the golden goose, three billy goats gruff and - yikes! - a troll arrive at Bob's door. Whatever will he do? A hilarious new picture book from award-winning author Tracey Corderoy (Squish Squash Squeeze!, Now!, Why?, More!) and talent illustrator Jorge Martín. Perfect for anyone who has ever wondered what fairy tale pets get up to in their spare time!
Set in Victorian London-where magic is real and Elemental Masters control the powers of Fire, Water, Air, and Earth-the fourth novel in this best-selling series tells the story of Lord Alderscroft, Master of the British Elemental Masters Council-the most powerful Fire Master ever to lead the Council. Loosely based on The Snow Queen, The Wizard of London delves into Lord Alderscroft's youth, when he was bespelled by an evil Elemental Master who hoped to use him for political gain.
London Folk Tales for Children by Anne Johnson,Sef Townsend Pdf
There is everyday magic in the tales of London. Some stories are swirling in the waters of the Thames; some are hidden in the old stones that lie beneath our modern pavements. In London Folk Tales for Children Anne and Sef have gathered stories from the words and memories of Londoners past and present. They tell of the mighty river, the streets, and the hills of London. You'll find stories of babies that turn into flowers, of tower ravens and a two-headed bird, and a child who has to travel across the world all alone. You'll also meet the people of this welcoming city: ever since the Romans, people have come here from all over the world to become Londoners. They've brought delicious foods, new music and hundreds of languages, but, most of all, great stories – London stories.
Fairy Gold - A Book of Old English Fairy Tales - Illustrated by Herbert Cole by Ernest Rhys Pdf
Fairy Gold: A Book of Old English Fairy Tales was compiled by Ernest Rhys (1859 – 1946) and illustrated by Herbert Cole (1867 – 1930). Rhys was a famed writer and editor – best known for his role as founder of the ‘Everyman’s Library’, a series of affordable classics. Rhys was passionate about English folkloric tradition, and making such wonderful works of literature accessible to the common people. The book starts with a quotation from Shakespeare’s A Winter’s Tale, informing the reader that: ‘This is fairy Gold boy; and t’will prove so...’ From here on in, it is a text to amuse, delight, scare and inform – all in equal measures – for young and old alike. Fairy Gold contains a set of wonderful black and white illustrations by Herbert Cole, as well as such well-known tales as ‘The Three Bears’, ‘Tom Thumb’, ‘Jack and the Beanstalk’ and ‘The Mermaid’ as well as other, near-forgotten English stories such as ‘The Fairy Fair’, ‘Mr and Mrs Vinegar’, ‘The King and the Vipers’ and ‘Queen Mab’s Good Grace.’ The text appears in its original translation, ensuring that none of the work’s initial brilliance is lost. Pook Press celebrates the great ‘Golden Age of Illustration‘ in children’s literature – a period of unparalleled excellence in book illustration from the 1880s to the 1930s. Our collection showcases classic fairy tales, children’s stories, and the work of some of the most celebrated artists, illustrators and authors.
"I release you ..." were the last words Rosalind remembered before her world went black. Stefan, the future duke of Montmouth, no doubt thought his words were welcomed but he couldn't have been more wrong. Oh, he was handsome as a pagan Norse god, but that was unimportant when her life as well as those of her family hung in the balance ...
From favorites like "Puss in Boots" and "Goldilocks" to obscure gems like "The Boy Who Drew Cats," Fairy Tale Comics has something to offer every reader. Seventeen fairy tales are wonderfully adapted and illustrated in comics format by seventeen different cartoonists, including Raina Telgemeier, Brett Helquist, Cherise Harper, and more. Edited by Nursery Rhyme Comics' Chris Duffy, this jacketed hardcover is a beautiful gift and an instant classic.
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1899 edition. Excerpt: ...am become selfish, and when last saw you, I spoke only of myself. Yet have entirely lost my self; for you are my life, and all of me is dead save that which _Iives for you, --all my old ambitions, hopes, and fears are dead. "Are you well--you look pale as the dead." "I shall no longer be pale, for I am now with you. But in truth I am onlyta pale dream; and when I have become as unreal. to. you as your home in Fairyland, you will wish you had never dreamt of one who then will be as distant as the dead from you." "The present is ours." "But when you see that I was a lure of the Devil's to lead you to destruction; when you have spent your life in searching the world to find me again; when you are idly loitering in the streets in rags and starving, yet unable to do anything except think of me; when all your life has been a fading dream of me, oppressed by outward poverty, --then you will curse me as men (in times of' faith) cursed the Devil, who sent me to you." "It is not so; for your sake I should enjoy to slowly bleed to death." " Don Quixote de la Mancha suffered for the sake of such an imaginary lady as I-am." " And happy is the madman who, like-._Don Quixote, sees castles where there are poor inns, princesses where there are prostitutes, armies where there are flocks of sheep, adventures in which he rights the wrong, where there are only mistakes in which his back;needl essly suffers. Happy is he who, _.like Don Quixote, feels certain of his own great nobility, worth, and valour, however much the multitude may laugh and scoff at him. But Don Quixote had never seen his Dulcinea, and l___.. " See me only when your eyes are shut, as now they...
