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Profiles fairies from ancient mythology, folktales, classical paintings, and international literature, and looks at their place in legend and folklore.
Shirley Barber's Fairy World Jigsaw Book by S Barber Pdf
This deluxe edition of exquisite fairy and mermaid scenes includes four 96-piece jigsaws and accompanying stories. Lavishly illustrated by Shirley Barber!
Enter a land of enchantment with 16 images to color that can be assembled into four 15 x 21 stained glass posters! Each poster depicts a magical woodland world of frolicking sprites.
JAPANESE FAIRY WORLD by William Elliot Griffis Pdf
The thirty-four stories included within this volume do not illustrate the bloody, revengeful or licentious elements, with which Japanese popular, and juvenile literature is saturated. These have been carefully avoided. It is also rather with a view to the artistic, than to the literary, products of the imagination of Japan, that the selection has been made. From my first acquaintance, twelve years ago, with Japanese youth, I became an eager listener to their folk lore and fireside stories. When later, during a residence of nearly four years among the people, my eyes were opened to behold the wondrous fertility of invention, the wealth of literary, historic and classic allusion, of pun, myth and riddle, of heroic, wonder, and legendary lore in Japanese art, I at once set myself to find the source of the ideas expressed in bronze and porcelain, on lacquered cabinets, fans, and even crape paper napkins and tidies.
With this book, girls can create a magical realm filled with toadstools, dragonflies, and of course, flying fairies—all crafted with no-cost or low-cost materials.
Thirty years after its original publication, a special anniversary edition of Barbara Rieti's iconic work Strange Terrain: The Fairy World in Newfoundland.
Marina Warner guides us through the rich world of fairy tale, from Cinderella and Hansel and Gretel to Snow White and Pan's Labyrinth. Exploring pervasive themes of folklore, myth, the supernatural, imagination, and fantasy, Warner highlights the impact of the genre on human understanding, history, and culture.
The Fairy Tale World is a definitive volume on this ever-evolving field. The book draws on recent critical attention, contesting romantic ideas about timeless tales of good and evil, and arguing that fairy tales are culturally astute narratives that reflect the historical and material circumstances of the societies in which they are produced. The Fairy Tale World takes a uniquely global perspective and broadens the international, cultural, and critical scope of fairy-tale studies. Throughout the five parts, the volume challenges the previously Eurocentric focus of fairy-tale studies, with contributors looking at: • the contrast between traditional, canonical fairy tales and more modern reinterpretations; • responses to the fairy tale around the world, including works from every continent; • applications of the fairy tale in diverse media, from oral tradition to the commercialized films of Hollywood and Bollywood; • debates concerning the global and local ownership of fairy tales, and the impact the digital age and an exponentially globalized world have on traditional narratives; • the fairy tale as told through art, dance, theatre, fan fiction, and film. This volume brings together a selection of the most respected voices in the field, offering ground-breaking analysis of the fairy tale in relation to ethnicity, colonialism, feminism, disability, sexuality, the environment, and class. An indispensable resource for students and scholars alike, The Fairy Tale World seeks to discover how such a traditional area of literature has remained so enduringly relevant in the modern world.
The true story of British cousins who fooled the world for more than 60 years with a remarkable hoax, photographs of “real” fairies. Exquisitely illustrated with art by Eliza Wheeler as well as the original photos taken by the girls. In 1917, in Cottingley, England, a girl named Elsie took a picture of her younger cousin, Frances. Also in the photo was a group of fairies, fairies that the girls insisted were real. Through a remarkable set of circumstances, that photograph and the ones that followed came to be widely believed as evidence of real fairies. It was not until 1983 that the girls, then late in life, confessed that the Cottingley Fairies were a hoax. Their take is an extraordinary slice of history, from a time when anything in a photograph was assumed to be fact and it was possible to trick an eager public into believing something magical. Exquisitely illustrated with art and the original fairy photographs.
Best Fairy Stories of the World by Marcus Clapham Pdf
Folk tales and fairy stories from all over the world are collected together in this gorgeous international anthology which brings together 'The Frog Who Became an Emperor' from China, 'The Three Billy Goats Gruff' from Norway, and 'Pinocchio' from Italy as well as the classic stories of Aesop, Andersen, the Grimm Brothers, Charles Perrault and Oscar Wilde, among many others. Illustrated by various artists, this beautiful Macmillan Collector's Library edition of Best Fairy Stories of the World, edited by Marcus Clapham, features illustrations including Arthur Rackham, Charles Robinson, Walter Crane and Howard Pyle and many other masters of the genre, which will appeal to both adults and children. Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.
George MacDonald wrote fairy tales for both children and adults to demonstrate the essential role of the imagination in apprehending spiritual truths. He explained: “. . . undefined, yet vivid visions of something beyond, something which eye has not seen nor ear heard, have far more influence than any logical sequences whereby the same things may be demonstrated to the intellect.” Rolland Hein undertakes to show how MacDonald’s tales contain such visions, helping readers to experience for themselves glimpses of "something beyond” and catch exciting insights into eternal truths.
A CBC BOOKS BEST NONFICTION OF 2020 AN ENTROPY MAGAZINE BEST NONFICTION 2020/21 A NEW YORK PUBLIC LIBRARY BOOK OF THE DAY (07/23/2022) Fairy tales shape how we see the world, so what happens when you identify more with the Beast than Beauty? If every disabled character is mocked and mistreated, how does the Beast ever imagine a happily-ever-after? Amanda Leduc looks at fairy tales from the Brothers Grimm to Disney, showing us how they influence our expectations and behaviour and linking the quest for disability rights to new kinds of stories that celebrate difference. "Historically we have associated the disabled body image and disabled life with an unhappy ending” – Sue Carter, Toronto Star "Leduc persuasively illustrates the power of stories to affect reality in this painstakingly researched and provocative study that invites us to consider our favorite folktales from another angle." – Sara Shreve, Library Journal "She [Leduc] argues that template is how society continues to treat the disabled: rather than making the world accessible for everyone, the disabled are often asked to adapt to inaccessible environments." – Ryan Porter, Quill & Quire "Read this smart, tenacious book." – The Washington Post "A brilliant young critic named Amanda Leduc explores this pernicious power of language in her new book, Disfigured … Leduc follows the bread crumbs back into her original experience with fairy tales – and then explores their residual effects … Read this smart, tenacious book." – The Washington Post "Leduc investigates the intersection between disability and her beloved fairy tales, questioning the constructs of these stories and where her place is, as a disabled woman, among those narratives." – The Globe and Mail "It gave me goosebumps as I read, to see so many of my unexpressed, half-formed thoughts in print. My highlighter got a good workout." – BookRiot "Disfigured is not just an eye-opener when it comes to the Disney princess crew and the Marvel universe – this thin volume provides the tools to change how readers engage with other kinds of popular media, from horror films to fashion magazines to outdated sitcom jokes." – Quill & Quire “It’s an essential read for anyone who loves fairy tales.” – Buzzfeed Books "Leduc makes one thing clear and beautifully so – fairy tales are fundamentally fantastic, but that doesn’t mean that they are beyond reproach in their depiction of real issues and identities." – Shrapnel Magazine "As Leduc takes us through these fairy tales and the space they occupy in the narratives that we construct, she slowly unfolds a call-to-action: the claiming of space for disability in storytelling." – The Globe and Mail "A provocative beginning to a thoughtful and wide-ranging book, one which explores some of the most primal stories readers have encountered and prompts them to ponder the subtext situated there all along." – LitHub "a poignant and informative account of how the stories we tell shape our collective understanding of one another.” – BookMarks "What happens when we allow disabled writers to tell stories of disability within fairytales and in magical and supernatural settings? It is a reimagining of the fairytale canon we need. Leduc dares to dream of a world that most stories envision is unattainable." – Bitch Media
The Middle Kingdom! Various times and peoples have given it different names. To some it was Paradise, to others Tir-nan-Og; Arthurian Avalon; Fairyland; the World of Immortal Youth; the Land of Heart's Desire. Where exactly is that country? Well, if God's is the world of creative power and ours the world of created objects, the fairy world is the land of life that lies between them, serv-ing as the bridge for their interaction. The fairyland and its denizens have long been the concern of poets, painters, and storytellers. Not only are these beings charged with the maintenance of Nature's household but with her evolutionary plans as well. Our recognition of them and their work helps their efforts prosper and helps the earth be carried forward in its evolution. Marjorie Spock draws aside the veil obscuring the life of the "Little People" and makes their magic world come alive for us. Included are color paintings of the four races of Little People: Undines (water spir-its), Gnomes (earth spirits), Sylphs (air spirits), and Fire-Spirits. This is a delightful and engaging book!