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An intimate, honest look at how we photograph our families through the lenses of some of the world’s great photographers People photograph their families more than ever before, whether casually, on a phone, or in a formal wedding portrait. This bold anthology explores how photographers around the world take on the emotional roller coaster and complex dynamics of family life. The book is divided into two parts: Our Own Families and Other People’s Families, focusing on photographers who make their own families their subjects and those who aim their lenses at other people’s. Each section includes an essay analyzing the complex attachments between brothers and sisters, parents and children, step-families and in-laws, outcasts and adoptees. The book includes the work of nearly forty international photographers, including sophisticated artworks in a range of photographic styles, and personal, never-before published shots. Birte Kaufman’s award-winning images of Irish travelers, Magnum member Trent Parke’s darkly amusing shots of his family in suburban Australia, Nadia Sablin’s elegy to her elderly aunts living in rural Russia, and Elina Brotherus’s devastatingrecords of failed IVF, are just a few of the astonishing visual journeys, supplemented by interviews with the artists, that push the boundaries of our understanding of family.
Family photography, a ubiquitous domestic tradition in the developed world, is now more popular than ever thanks to the development of digital photography. Once uploaded to PCs and other gadgets, photographs may be stored, deleted, put in albums, sent to relatives and friends, retouched, or put on display. Moreover, in recent years family photographs are more frequently appearing in public media: on posters, in newspapers and on the Internet, particularly in the wake of disasters like 9/11, and in cases of missing children. Here, case study material drawn from the UK offers a deeper understanding of both domestic family photographs and their public display. Recent work in material culture studies, geography, and anthropology is used to approach photographs as objects embedded in social practices, which produce specific social positions, relations and effects. Also explored are the complex economies of gifting and exchange amongst families, and the rich geographies of domestic and public spaces into which family photography offers an insight.
Going beyond how to capture memorable family photos, this examination spotlights the special touches and relationship-building skills that turn subjects from clients into friends. The author’s signature techniques for generating repeat business are shared, revealing how to remain a family’s constant photographer for years—from maternity portraits and baby photos to wedding images and senior snapshots. Specific suggestions are featured, including reaching out through social networking sites, blogging, and hosting special parties and events. Offering a comprehensive approach to building a successful portrait business, this handbook demonstrates how relationships with subjects are just as important as the pictures created for them.
The Best of Family Portrait Photography by Bill Hurter Pdf
Artwork from 30 of the industry's top photographers is used to highlight both clearcut shooting strategies and colorful, cutting edge approaches to family portraiture in this handbook intended for idea gathering and inspiration. Advice on focal length, perspective, and maximizing the potential of digital equipment highlights the technical aspects of family portraiture while group posing strategies demonstrate how best to flatter each subject and convey a sense of family unity. A lengthy discussion of lighting—the backbone of portraiture—and the manipulation of shadows and highlights instructs photographers on how to create mood and interest in a variety of lighting scenarios, both indoors and out. Specifics on adjusting body lines, colors, and shapes, working with young children, and creating a comfortable atmosphere ensure that the photographer captures the unique personality of each family with dynamic and attractive images.
This seminal text for photography students identifies key debates in photographic theory, stimulates discussion and evaluation of the critical use of photographic images and ways of seeing. This new edition retains the thematic structure and text features of its predecessors but also expands coverage on photojournalism, digital imaging techniques, race and colonialism. The content is updated with additional international and contemporary examples and images throughout and the inclusion of colour photos. Features of this new edition include: *Key concepts and short biographies of major thinkers *Updated international and contemporary case studies and examples *A full glossary of terms, a comprehensive bibliography *Resource information, including guides to public archives and useful websites
Encyclopedia of Nineteenth-Century Photography by John Hannavy Pdf
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
The Routledge Companion to Photography and Visual Culture by Moritz Neumüller Pdf
The Routledge Companion to Photography and Visual Culture is a seminal reference source for the ever-changing field of photography. Comprising an impressive range of essays and interviews by experts and scholars from across the globe, this book examines the medium’s history, its central issues and emerging trends, and its much-discussed future. The collected essays and interviews explore the current debates surrounding the photograph as object, art, document, propaganda, truth, selling tool, and universal language; the perception of photography archives as burdens, rather than treasures; the continual technological development reshaping the field; photography as a tool of representation and control, and more. One of the most comprehensive volumes of its kind, this companion is essential reading for photographers and historians alike.
Go beyond the birthday snapshot and learn how to take inspired and unposed family photographs that capture the ages and stages of family life. Real Life Family Photography puts an end to awkward family photos, encouraging you to take inspiration from the every day details, while offering tips on fundamental techniques such as exposure, composition, lighting and focus. There's even advice on how to photograph babies and pets, giving you the knowledge and freedom you need to take unique, frame-worthy pictures.
Photography, History, Difference by Tanya Sheehan Pdf
Over the past decade, historical studies of photography have embraced a variety of cultural and disciplinary approaches to the medium, while shedding light on non-Western, vernacular, and "other" photographic practices outside the Euro-American canon. Photography, History, Difference brings together an international group of scholars to reflect on contemporary efforts to take a different approach to photography and its histories. What are the benefits and challenges of writing a consolidated, global history of photography? How do they compare with those of producing more circumscribed regional or thematic histories? In what ways does the recent emphasis on geographic and national specificity encourage or exclude attention to other forms of difference, such as race, class, gender, and sexuality? Do studies of "other" photographies ultimately necessitate the adoption of nontraditional methodologies, or are there contexts in which such differentiation can be intellectually unproductive and politically suspect? The contributors to the volume explore these and other questions through historical case studies; interpretive surveys of recent historiography, criticism, and museum practices; and creative proposals to rethink the connections between photography, history, and difference. A thought-provoking collection of essays that represents new ways of thinking about photography and its histories. It will appeal to a broad readership among those interested in art history, visual culture, media studies, and social history.
Viewing Photography in Post-Dictatorship Latin America by David Rojinsky Pdf
This book examines the archival aesthetic of mourning and memory developed by Latin American artists and photographers between 1997-2016. Particular attention is paid to how photographs of the assassinated or disappeared political dissident of the 1970s and 1980s, as found in family albums and in official archives, were not only re-imagined as conduits for private mourning, but also became allegories of social trauma and the struggle against socio-political amnesia. Memorials, art installations, photo-essays, street projections, and documentary films are all considered as media for the reframing of these archival images from the era of the Cold War dictatorships in Argentina, Chile, Guatemala, and Uruguay. While the turn of the millennium was supposedly marked by “the end of history” and, with the advent of digital technologies, by “the end of photography,” these works served to interrupt and hence, belie the dominant narrative on both counts. Indeed, the book's overarching contention is that the viewer’s affective identification with distant suffering when engaging these artworks is equally interrupted: instead, the viewer is invited to apprehend memorial images as emblems of national and international histories of ideological struggle.
Looking at how the family is represented by the media, and by scrutinizing the manner in which it is regulated, this book uncovers the ways in which academic research and welfare policy have colluded with political rhetoric and the popular media to re-invent a mythical ideal family. Representing the Family: combines perspectives from a range of theories including media and cultural studies, sociology, and social history to show how certain types of family life are pathologised; highlights the discrepancies between contemporary representations of the "ideal" family and lived experience; and compares the British experience with that of the United States and Australia.