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Fashion's Double by Adam Geczy,Vicki Karaminas Pdf
Mere clothing is transformed into desirable fashion by the way it is represented in imagery. Fashion's Double examines how meanings are projected onto garments through their representation, whether in painting, photography, cinema or online fashion film, conveying identity and status, eliciting fascination and desire. With in-depth case studies including the work of Nick Knight and Helmut Newton, film examples such as The Hunger Games, music video Girl Panic by Duran Duran, and much more, this book analyses the interrelationship between clothing, identity, embodiment, representation and self-representation. Written for students and scholars alike, Fashion's Double will appeal to anyone studying fashion, cultural studies, art theory and history, photography, sociology, and film.
Fashion's Double by Adam Geczy,Vicki Karaminas Pdf
"Mere clothing is transformed into desirable fashion by the way it is represented in imagery. Fashion's Double examines how meanings are projected onto garments through their representation, whether in painting, photography, cinema or online fashion film, conveying identity and status, eliciting fascination and desire. With in-depth case studies including the film and photography of Nick Knight, Helmut Lang and Terry Richardson, film examples including Pret-a-Porter, music video 'Girl Panic' by Duran Duran and much more, the book analyses the interrelationship between clothing, identity, embodiment and self-representation. Accessibly written for students and scholars, Fashion's Double will appeal to anyone studying fashion, cultural studies, art theory and history, photography and sociology"--
Fashion's Double by Adam Geczy,Vicki Karaminas Pdf
Mere clothing is transformed into desirable fashion by the way it is represented in imagery. Fashion's Double examines how meanings are projected onto garments through their representation, whether in painting, photography, cinema or online fashion film, conveying identity and status, eliciting fascination and desire. With in-depth case studies including the work of Nick Knight and Helmut Newton, film examples such as The Hunger Games, music video Girl Panic by Duran Duran, and much more, this book analyses the interrelationship between clothing, identity, embodiment, representation and self-representation. Written for students and scholars alike, Fashion's Double will appeal to anyone studying fashion, cultural studies, art theory and history, photography, sociology, and film.
The World of fashion and continental feuilletons [afterw.] The Ladies' monthly magazine, The World of fashion [afterw.] Le Monde élégant; or The World of fashion by Anonim Pdf
Fabulous Fashions of the 1930s by Felicia Lowenstein Niven Pdf
"Discusses the fashions of the 1930s, including women's and men's clothing and hairstyles, accessories, trends and fads, and world events that influenced the fashion"--Provided by publisher
Fashion in the Time of the Great Gatsby by LaLonnie Lehman Pdf
The Great Gatsby is that rare classic that inescapably defines the age from which it sprang: the Roaring '20s, an era of economic boom, stylish excess and above all an explosion of new and exciting fashions. This book chronicles the sparkling spectacle of Jazz Age fashion as it moves from the corseted world of the 1910s to flapper dresses, fedoras and bejeweled headbands. Illustrated with period photographs, designer sketches and key excerpts from The Great Gatsby novel, the book fully captures the style and glamour of the age of Jay Gatsby and Daisy Miller. It spans the entire wardrobe of both men and women, including day and evening wear, accessories, casual attire and “fads” like smoking jackets, tiaras and cigarette holders.
Fashion and Narrative in Victorian Popular Literature by Madeleine C. Seys Pdf
We know that way we dress says a lot about us. It’s drilled into us by our parents as children, as adults throughout our working lives, and eternally from the culture surrounding us. Our dress tells the outside world of the culture and era we come from to our social status within that culture. Our dress can be telling of our political views, religious beliefs, sexuality and countless other identifying traits that we can keep hidden or show to the world by our choice of what to wear when heading venturing out. This was absolutely true, famously so, in the Victorian Era in which men and women alike wore their status on their often lavish, embellished sleeves. In her new book, Dr. Madeleine Seyes explores Victorian culture through the lens of fashion in her new book, Double Threads: Fashion and Victorian Popular Literature, which sits at the intersection of the fields of Victorian literary studies, dress and material cultural studies, feminist literary criticism, and gender and sexuality studies.
Designers are great white sharks, and we roam the waters ourselves. We often pretend to like and admire each other, but sometimes we don't even bother to fake it. The fashion industry is as hardworking, incestuous, and political as any other, and it's virtually impossible, given the size of designers' egos, to sincerely wish someone else well, because behind every false tribute is 'It should have been me.' So writes Joseph Abboud, who fell in love with style at five. There in the dark of the movie house, he wasn't just some Lebanese kid with a babysitter. He was the hero, in tweeds and pocket squares. That's where he learned that clothes represented a better life—a life he wanted, and would grab, for himself. From his blue-collar childhood in Boston's South End to his spread-collar success as one of America's top designers, he has forged a remarkable path through the unglamorous business of making people look glamorous. He transformed American menswear by replacing the traditional stiff-shouldered silhouette with a grown-up European sensuality. He was the first designer to win the coveted CFDA award as Best Menswear Designer two years in a row and the first designer to throw out the opening pitch at Fenway Park. He's been jilted by Naomi Campbell (who didn't show up on the runway for his first women's fashion show) and questioned by the FBI (who did show up in his office right after September 11 because he fit the profile). He's soared and sunk more than a few times—and lived to tell the tales. Threads is his off-the-record take on fashion, from the inside out. With breezy irreverence, he looks at guys and taste, divas and deviousness, fabric and texture, and all those ties. He takes us to the luxe bastion of Louis Boston, where he came of age and learned the trade, and to the seductive domain of Polo Ralph Lauren, where he became associate director of menswear design. He reveals the mystique of department-store politics, what's what at the sample sale, and who copies whom. He explains the process of making great clothes, from conception and sketch to manufacturing and marketing. Whether he's traveling by daredevil horse, plunging plane, Paris Métro, or cross-country limo, Abboud is an illuminating guide to a complex world.
