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Eve Kosofsky Sedgwick is best known as a cultural and literary critic, as one of the primary forces behind the development of queer and gay/lesbian studies, and as author of several influential books: Tendencies, Epistemology of the Closet, and Between Men: English Literature and Male Homosocial Desire. The publication of Fat Art, Thin Art, Sedgwick’s first volume of poetry, opens up another dimension of her continuing project of crossing and re-crossing the electrified boundaries between theory, lyric, and narrative. Embodying a decades-long adventure, the poems collected here offer the most accessible and definitive formulations to appear anywhere in Sedgwick’s writing on some characteristic subjects and some new ones: passionate attachments within and across genders; queer childhoods of many kinds; the performativity of a long, unconventional marriage; depressiveness, hilarity, and bliss; grave illness; despised and magnetic bodies and bodily parts. In two long fictional poems, a rich narrative momentum engages readers in the mysterious places—including Victorian novels—where characters, sexualities, and fates are unmade and made. Sedgwick’s poetry opens an unfamiliar, intimate, daring space that steadily refigures not only what a critic may be, but what a poem can do.
Eve Kosofsky Sedgwick is best known as a cultural and literary critic, as one of the primary forces behind the development of queer and gay/lesbian studies, and as author of several influential books: Tendencies, Epistemology of the Closet, and Between Men: English Literature and Male Homosocial Desire. The publication of Fat Art, Thin Art, Sedgwick’s first volume of poetry, opens up another dimension of her continuing project of crossing and re-crossing the electrified boundaries between theory, lyric, and narrative. Embodying a decades-long adventure, the poems collected here offer the most accessible and definitive formulations to appear anywhere in Sedgwick’s writing on some characteristic subjects and some new ones: passionate attachments within and across genders; queer childhoods of many kinds; the performativity of a long, unconventional marriage; depressiveness, hilarity, and bliss; grave illness; despised and magnetic bodies and bodily parts. In two long fictional poems, a rich narrative momentum engages readers in the mysterious places—including Victorian novels—where characters, sexualities, and fates are unmade and made. Sedgwick’s poetry opens an unfamiliar, intimate, daring space that steadily refigures not only what a critic may be, but what a poem can do.
Bathroom Songs: Eve Kosofsky Sedgwick as a Poet is the first book of essays to consider the poetry of one of the twentieth- and early twenty-first-century's most important literary, affect, and queer theorists. Acclaimed as one of the "truly innovative" poets of her generation, by Maud Ellmann, Sedgwick's work as a poet is, perhaps, less well known, but is no less compelling than her ground-breaking trilogy of queer theoretical texts: Between Men: English Literature and Male Homosocial Desire, Epistemology of the Closet, and Tendencies. The book includes seven, specially commissioned essays considering Sedgwick's published poetry and writing about poets, by Angus Brown, Meg Boulton, Mary Baine Campbell, Jason Edwards, Kathryn R. Kent, Monica Pearl, and Benjamin Westwood, that range across the complete range of Sedgwick's work, from her earliest published lyrics through her first collection of poetry, Fat Art, Thin Art, to her part-haiku, part-prose autobiography, A Dialogue on Love, and beyond. In addition, the book contains over forty of Sedgwick's previously uncollected poems, ranging from her earliest poem on T.E. Lawrence to her final poem 'Death', introduced and contextualized in a second essay by Edwards. TABLE OF CONTENTS // Part I. Eve Kosofsky Sedgwick as a Poet Jason Edwards - Introduction: Bathroom Songs? Eve Kosofsky Sedgwick as a Poet Angus Connell Brown - Look with Your Hands Ben Westwood - The Abject Animal Poetics of 'The Warm Decembers' Kathryn R. Kent - Eve's Muse Mary Baine Campbell - 'Shyly / as a big sister I would yearn / to trace its avocations', or, Who's the Muse? Monica Pearl - Queer Therapy: On the Couch with Eve Kosofsky Sedgwick Meg Boulton - Waiting in the Dark: Some Musings on Sedgwick's Performative(s) Part II. The Uncollected Poems Jason Edwards - Introduction: Someday We'll Look Back with Pleasure Even on is: Sedgwick's Uncollected Poems Poems Forsan et haec olim meminisse juvabit - Death - Bathroom Song - Pandas in Trees - Untitled (Blake panda poems) - Tru-Cut - Valentine - 2/81 - Lost Letter - The Palimpsest - Explicit - Hank Williams and a Cat - Jimmy Lane - Jukebox - Die Sommernacht hat mir's angetan - Phantom Limb - Two P.O.W. Suicides - Once There Was a Way to Get Back Homeward - The Ring of Fire - The Prince of Love in the Desert Night - Artery - A Death by Water - Yellow Toes - Soutine - Another Poem from the Creaking Bed - Cain - The City and Man - Lullaby - No More Dusk - Ribs of Steel - To a Friend - When in Minute Script - To a Swimmer - Untitled ('Wonder no more upon the mysteries') - From an Ending for ' e Triumph of Life' - T.E. Lawrence and the Old Man, His Imagined Tormentor - Movie Party, Telluride House, Ithaca, New York - Falling in Love over The Seven Pillars - Calling Overseas - What the Poet ought And What She Found in the Telluride Files: - Epilogue: Teachers and Lovers - The Last Poem of Yv*r W*nt*rs - Saul at Jeshimon [First Variant] - Saul at Jeshimon [Second Variant] - Siegfried Rex von Munthe, Soldier and Poet, Killed December, 1939, on the German Battleship Graf Spee - Lawrence Reads La Morte D'Arthur in the Desert
The Fat Artist and Other Stories by Benjamin Hale Pdf
“Oddly beautiful and impossible to look away from” (Los Angeles Times), the stories in The Fat Artist are suffused with fear and desire, introducing us to a company of indelible characters reeling with love, jealousy, megalomania, and despair. In prose alternately stark, lush and hallucinatory, occasionally nightmarish and often absurd, the voices in Benjamin Hale’s The Fat Artist and Other Stories speak from the margins: a dominatrix whose longtime client, a US congressman, drops dead during a tryst in a hotel room; an addict in precarious recovery who lands a job driving a truck full of live squid; a heartbroken performance artist who attempts to eat himself to death as a work of art. From underground radicals hiding in Morocco to an aging hippy in Colorado in the summer before 9/11 to a young drag queen in New York at the cusp of the AIDS crisis, these stories rove freely across time and place, carried by haunting, peculiar narratives that form the vast tapestry of American life. “A steadily growing…talent” (Kirkus Reviews), Hale’s prize-winning fiction abounds with a love of language and a wild joy for storytelling, earning accolades from writers such as novelist Jonathan Ames, who compared discovering his work to watching Mickey Mantle play ball for the first time; Washington Post critic Ron Charles, who declared him “fully evolved as a writer,” and bestselling author Jodi Picoult, who simply called him “brilliant.” Pairing absurdity with philosophical musings on the unnerving intersections between life and death, art and ridicule, consumption and creation, “the audacious imagination evident in Hale’s acclaimed debut, The Evolution of Bruno Littlemore, shines again in this…provocative collection that takes a unique view of the human condition” (Booklist).
In this book, Michel Lauricella presents both his artistic and systematic methods for drawing the human body—with drawing techniques from the écorché (showing the musculature underneath the skin) to sketches of models in action. In more than 1000 illustrations, the human body is shown from a new perspective—from bone structure to musculature, from anatomical detail to the body in motion. Morpho is a rich, fascinating, and helpful book that can go with you everywhere on your sketching journey. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 16.0px Times; color: #212121} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 16.0px Times; color: #212121; min-height: 19.0px} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Cambria; color: #212121} span.s1 {color: #232323} In this book, artist and teacher Michel Lauricella presents both his artistic and systematic methods for drawing the human body with drawing techniques from the écorché (showing the musculature and bone structure beneath the skin) to dynamic sketches of models in action. In more than 1000 illustrations, the human body is shown from a new perspective—from bone structure to musculature, from anatomical detail to the body in motion. Lauricella believes that only by learning basic human anatomy can one’s drawing skills be perfected. Morpho is a rich, fascinating, and essential book that can go with you everywhere on your sketching journey.
A masterful synthesis of literary readings and poetic reflections, making profound contributions to our understanding of chronic pain At the intersection of queer theory and disability studies, acclaimed theorist Michael D. Snediker locates something unexpected: chronic pain. Starting from this paradigm-shifting insight, Snediker elaborates a bracing examination of the phenomenological peculiarity of disability, articulating a complex idiom of figuration as the lived substance of pain’s quotidian. This lexicon helps us differently inhabit both the theoretical and phenomenal dimensions of chronic pain and suffering by illuminating where these modes are least distinguishable. Suffused with fastidious close readings, and girded by a remarkably complex understanding of phenomenal experience, Contingent Figure resides in the overlap between literary theory and lyric experiment. Snediker grounds his exploration of disability and chronic pain in dazzling close readings of Herman Melville, Emily Dickinson, Henry James, and many others. Its juxtaposition of these readings with candid autobiographical accounts makes Contingent Figure an exemplary instance of literary theory as a practice of lyric attention. Thoroughly rigorous and anything but predictable, this stirring inquiry leaves the reader with a rich critical vocabulary indebted to the likes of Maurice Blanchot, Gilles Deleuze, D. O. Winnicott, and Eve Kosofsky Sedgwick. A master class in close reading’s inseparability from the urgency of lived experience, this book is essential for students and scholars of disability studies, queer theory, formalism, aesthetics, and the radical challenge of Emersonian poetics across the long American nineteenth century.
The Weather in Proust by Eve Kosofsky Sedgwick Pdf
At the time of her death in after a long battle with cancer, Eve Sedgwick had been working on a book on affect and Proust, and on the psychoanalyst Melanie Klein. This volume, edited by Jonathan Goldberg, brings together a collection of her last work.
Author : Jane Gallop Publisher : Duke University Press Page : 182 pages File Size : 46,8 Mb Release : 2011-08-05 Category : Language Arts & Disciplines ISBN : 9780822350811
Post-structuralist attitudes to authorship as expressed by Roland Barthes, Jacques Derrida, Eve Kosofsky Sedgwick, and Gayati Chakravorty Spivak with particular attention to time and death.
Bodies Out of Bounds by Jana Evans Braziel,Kathleen LeBesco Pdf
"This is an exceptional collection—the subject is of obvious importance, yet terribly undertheorized and unexamined. I know of no other work that offers what this collection provides."—Marcia Millman, author of Such a Pretty Face: Being Fat in America ". . . A valuable contribution to scholarly debates on the place of excessive bodies in contemporary culture. This book promises to enrich all areas of inquiry related to the politics of bodies."—Carole Spitzack, author of Confessing Excess: Women and the Politics of Body Reduction "This anthology includes a wide range of perceptive and original essays, which explore and analyze the underlying ideologies that have made fat "incorrect." Echoing the spirit of the nineteenth-century adage about children who should be neither seen nor heard, some of the authors powerfully remind us that we keep "bodies out of bound" silenced and unseen-unless, of course, we need to peek at the comic or grotesque."—Raquel Salgado Scherr, co-author of Face Value: The Politics of Beauty "Through textual analyses, video/film analyses, television theory, and literary theory, this collection demonstrates the various ways in which dominant representations of fat and corpulence have been both demonized and rendered invisible. . . . This volume will be a crucial corollary to work on the tyranny of slenderness; a collection of different perspectives on the fat body is sorely missing in women's studies, communication, and media studies."—Sarah Banet-Weiser, author of The Most Beautiful Girl in the World: Beauty Pageants and National Identity
Where can theory go now? Where other voices concern themselves with theory's life or death, the contributors to Theory Aside take up another possibility: that our theoretical prospects are better served worrying less about "what’s next?" and more about "what else?" Instead of looking for the next big thing, the fourteen prominent thinkers in this volume take up lines of thought lost or overlooked during theory's canonization. They demonstrate that intellectual progress need not depend on the discovery of a new theorist or theory. Moving subtly through a diverse range of thinkers and topics—aesthetics, affect, animation and film studies, bibliography, cognitive science, globalization, phenomenology, poetics, political and postcolonial theory, race and identity, queer theory, and sociological reading practices—the contributors show that a more sustained, less apocalyptic attention to ideas might lead to a richer discussion of our intellectual landscapes and the place of the humanities and social sciences in it. In their turn away from the radically new, these essays reveal that what’s fallen aside still surprises. Contributors. Ian Balfour, Karen Beckman, Pheng Cheah, Frances Ferguson, William Flesch, Anne-Lise François, Mark B. N. Hansen, Simon Jarvis, Heather Love, Natalie Melas, Jason Potts, Elizabeth A. Povinelli, Eve Kosofsky Sedgwick, Jordan Alexander Stein, Daniel Stout, Irene Tucker
"When I say this book is a love story, I mean it is about things that cannot be gotten over-like this world, and some of the people in it." In 1819, the poet John Keats wrote six poems that would become known as the Great Odes. Some of them-"Ode to a Nightingale," "To Autumn"-are among the most celebrated poems in the English language. Anahid Nersessian here collects and elucidates each of the odes and offers a meditative, personal essay in response to each, revealing why these poems still have so much to say to us, especially in a time of ongoing political crisis. Her Keats is an unflinching antagonist of modern life-of capitalism, of the British Empire, of the destruction of the planet-as well as a passionate idealist for whom every poem is a love poem. The book emerges from Nersessian's lifelong attachment to Keats's poetry; but more, it "is a love story: between me and Keats, and not just Keats." Drawing on experiences from her own life, Nersessian celebrates Keats even as she grieves him and counts her own losses-and Nersessian, like Keats, has a passionate awareness of the reality of human suffering, but also a willingness to explore the possibility that the world, at least, could still be saved. Intimate and speculative, this brilliant mix of the poetic and the personal will find its home among the numerous fans of Keats's enduring work.
Infrastructures of Apocalypse by Jessica Hurley Pdf
A new approach to the vast nuclear infrastructure and the apocalypses it produces, focusing on Black, queer, Indigenous, and Asian American literatures Since 1945, America has spent more resources on nuclear technology than any other national project. Although it requires a massive infrastructure that touches society on myriad levels, nuclear technology has typically been discussed in a limited, top-down fashion that clusters around powerful men. In Infrastructures of Apocalypse, Jessica Hurley turns this conventional wisdom on its head, offering a new approach that focuses on neglected authors and Black, queer, Indigenous, and Asian American perspectives. Exchanging the usual white, male “nuclear canon” for authors that include James Baldwin, Leslie Marmon Silko, and Ruth Ozeki, Infrastructures of Apocalypse delivers a fresh literary history of post-1945 America that focuses on apocalypse from below. Here Hurley critiques the racialized urban spaces of civil defense and reads nuclear waste as a colonial weapon. Uniting these diverse lines of inquiry is Hurley’s belief that apocalyptic thinking is not the opposite of engagement but rather a productive way of imagining radically new forms of engagement. Infrastructures of Apocalypse offers futurelessness as a place from which we can construct a livable world. It fills a blind spot in scholarship on American literature of the nuclear age, while also offering provocative, surprising new readings of such well-known works as Atlas Shrugged, Infinite Jest, and Angels in America. Infrastructures of Apocalypse is a revelation for readers interested in nuclear issues, decolonial literature, speculative fiction, and American studies.
A passionate call to rediscover the political and emotional joy that emerges when we share our lives In an era of increasing individualism, we have never been more isolated and dispirited. A paradox confronts us. While research and technology find new ways to measure contentment and popular culture encourages us to think of happiness as a human right, misery is abundant. Segal believes we have lost the art of “radical happiness”—the liberation that comes with transformative, collective joy. She argues that instead of obsessing about our own well-being we should seek fulfilment in the lives of others. Examining her own experience in the women’s movement, Segal looks at the relationship between love and sex, and the scope for utopian thinking as a means to a better future. She also shows how the gaps in care that come from the diminishing role of the welfare state must be replaced by alternative ways of living together and looking after one another. In this brilliant and provocative book, Segal proposes that the power of true happiness can only be discovered collectively.