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Faulkner and Religion by Doreen Fowler,Ann J. Abadie Pdf
These ten essays from the annual Faulkner and Yoknapatawpha Conference, held in 1989 at the University of Mississippi, explore the religious themes in William Faulkner's fiction. The papers published here conclude that the key to religious meaning in Faulkner may be that his texts focus not so much on God but on a human aspiration of the divine.
This literary critical study counters the usual tendency to segregate Southern literature from African American literary studies. Noting that William Faulkner and Flannery O'Connor are classified as Southern writers, whereas Zora Neale Hurston and Richard Wright are considered black authors, Timothy P. Caron argues for an integrated study of the South's literary culture. He shows that the interaction of Southern religion and race binds these four writers together. Caron broadens our understanding of Southern literature to include both white and African American voices. Analyzing O'Connor's Wise Blood, Faulkner's Light in August, Hurston's Moses, Man of the Mountain, and Wright's Uncle Tom's Children, Caron shows that these writers share an intertwined concern for issues of race and religion. These two significant components of Southern culture form the intertextual network that binds together such seemingly disparate texts. These authors not only interact among themselves in acknowledged and unacknowledged ways, but also with the South's discursive practices. Most particularly, Caron sees common struggles over the Word, as he investigates how these writers use the Bible in their understandings of race and religion in the American South. While all four authors argue for the centrality of the Bible in both the black and white Southern experience, each offers a different view of how this iconic text has shaped Southern culture and its literature.
Author : Charles Reagan Wilson Publisher : University of Georgia Press Page : 238 pages File Size : 43,9 Mb Release : 2007-06-01 Category : Social Science ISBN : 0820329657
Judgment and Grace in Dixie by Charles Reagan Wilson Pdf
Religion has permeated nearly every aspect of modern southern culture in the US, with results that range from portraits of Jesus on black velvet to the soul-stirring orations of Martin Luther King Jr. This work gives an appraisal of religion's influence on such expressions of regional life as literature, music and folk art.
DigiCat Publishing presents to you this special edition of "Light in August" by William Faulkner. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Religion in Cormac McCarthy's Fiction by Manuel Broncano Pdf
This book addresses the religious scope of Cormac McCarthy’s fiction, one of the most controversial issues in studies of his work. Current criticism is divided between those who find a theological dimension in his works, and those who reject such an approach on the grounds that the nihilist discourse characteristic of his narrative is incompatible with any religious message. McCarthy’s tendencies toward religious themes have become increasingly more acute, revealing that McCarthy has adopted the biblical language and rhetoric to compose an "apocryphal" narrative of the American Southwest while exploring the human innate tendency to evil in the line of Herman Melville and William Faulkner, both literary progenitors of the writer. Broncano argues that this apocryphal narrative is written against the background of the Bible, a peculiar Pentateuch in which Blood Meridian functions as the Book of Genesis, the Border Trilogy functions as the Gospels, and No Country for Old Men as the Book of Revelation, while The Road is the post-apocalyptic sequel. This book analyzes the novels included in what Broncano defines as the South-Western cycle (from Blood Meridian to The Road) in search of the religious foundations that support the narrative architecture of the texts.
In Every Day by the Sun, Dean Faulkner Wells recounts the story of the Faulkners of Mississippi, whose legacy includes pioneers, noble and ignoble war veterans, three never-convicted murderers, the builder of the first railroad in north Mississippi, the founding president of a bank, an FBI agent, four pilots (all brothers), and a Nobel Prize winner, arguably the most important American novelist of the twentieth century. She also reveals wonderfully entertaining and intimate stories and anecdotes about her family—in particular her uncle William, or “Pappy,” with whom she shared colorful, sometimes utterly frank, sometimes whimsical, conversations and experiences. This deeply felt memoir explores the close relationship between Dean’s uncle and her father, Dean Swift Faulkner, a barnstormer killed at age twenty-eight during an air show four months before she was born. It was William who gave his youngest brother an airplane, and after Dean’s tragic death, William helped to raise his niece. He paid for her education, gave her away when she was married, and maintained a unique relationship with her throughout his life. From the 1920s to the early civil rights era, from Faulkner’s winning of the Nobel Prize in Literature to his death in 1962, Every Day by the Sun explores the changing culture and society of Oxford, Mississippi, while offering a rare glimpse of a notoriously private family and an indelible portrait of a national treasure.
"It would be possible to argue," writes William Nicholls, "that the pivotal subject of debate among theologians for the past two hundred years has been the relationship between modernity and the Christian tradition." What is modernity—a philosophical outlook or a set of ideas? What is modernization —a social process? Is modernity the same as secularity, as many theologians and sociologists in the West believe? Is the impact of modernity weakening religious traditions? Are the responses of non-Western religious traditions to modernity similar to Western ones, or are they distinctive, indigenous adaptations to the same world-wide development. These are the kinds of concerns the interdisciplinary group of scholars addresses in this volume. Contributors include Moshe Amon ("Utopias and Counter-Utopias"), Alan Davies ("The Rise o Racism in the Nineteenth Century: Symptom of Modernity"), Robert Ellwood, Jr. ("Modern Religion as Folk Religion"), Irving Hexham ("Modernity or Reaction in South Africa: The Case of Afrikaner Religion"), Shotaro Iida ("Japanese New Religions"), Shelia McDonough ("modernity in Islamic Persepctive"), William Nicholls ("Immanent Transcendence: Spirituality in a Scientific and Critical Age"), K. Dad Prithipaul ("Modernity and Religious Studies"), Tom Sinclair-Faulkner ("Caution: Moralists at Work"), Huston Smith ("Can Modernity Accommodate Transcendence?"), and John Wilson ("Modernity and Religion: A Problem of Perspective").
As I Lay Dying is Faulkner's harrowing account of the Bundre family's odyssey across the Mississippi countryside to bury Addie, their wife and mother. Told in turns by each of the family members—including Addie herself—the novel ranges in mood from dark comedy to the deepest pathos.
Religious Feeling and Religious Commitment in Faulkner, Dostoyevsky, Werfel and Bernanos by Jeremy Smith Pdf
First published in 1988, the aim of this study is to define the role of religious meaning in the modern novel and to demonstrate that the novel can successfully express a religious feeling, but not a religious commitment. Through the analysis of four novels by Faulkner, Dostoyevsky, Werfel and Bernanos, the work explains why novels with a single definite commitment tend to be implausible and lacking in aesthetic unity. This book will be of interest to those studying religion in 19th Century literature.
Bloom's How to Write about William Faulkner by Anna Priddy,Harold Bloom Pdf
William Faulkner is one of America's most highly regarded novelists. This title reveals his timeless novels and short stories, including The Sound and the Fury; Light in August; Go Down, Moses; As I Lay Dying; 'Absalom, Absalom ; Barn Burning; The Bear; and, A Rose for Emily.
Introduction: the "crisis of man" as obscurity and re-enlightenment -- Currents through the War -- The end of the War and after -- Transmission -- Criticism and the literary crisis of man -- Studies in fiction -- Saul Bellow and Ralph Ellison: man and history, the questions -- Ralph Ellison and Saul Bellow: history and man, the answers -- Flannery O'Connor and faith -- Thomas Pynchon and technology -- Transmutation -- The Sixties as big bang -- Universal philosophy and antihumanist theory -- Conclusion: moral history and the twentieth century.
Christianity and the Laws of Conscience by Jeffrey B. Hammond,Helen M. Alvare Pdf
This book explores the Christian theological, legal, constitutional, historical, and philosophical meanings of conscience for both scholarly and educated general audiences.