Festa Musicologica

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Festa Musicologica

Author : George J. Buelow
Publisher : Pendragon Press
Page : 544 pages
File Size : 42,5 Mb
Release : 1995
Category : Juvenile Nonfiction
ISBN : 094519370X

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Festa Musicologica by George J. Buelow Pdf

George J. Buelow's distinguished career as author, translator, editor, and officer of numerous musical associations is celebrated in this collection of essays. The volume, planned by his colleagues in honor of his sixty-fifth birthday, concentrates on three of his active interests-Handel studies, vocal music and singers, and the history of music theory. The work concludes with an autobiographical sketch of the dedicatee's early life in Chicago and his formation as a musicologist.

Reader's Guide to Music

Author : Murray Steib
Publisher : Routledge
Page : 928 pages
File Size : 54,6 Mb
Release : 2013-12-02
Category : Music
ISBN : 9781135942625

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Reader's Guide to Music by Murray Steib Pdf

The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).

Operatic Pasticcios in 18th-Century Europe

Author : Berthold Over,Gesa zur Nieden
Publisher : transcript Verlag
Page : 799 pages
File Size : 41,8 Mb
Release : 2021-04-30
Category : Art
ISBN : 9783839448854

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Operatic Pasticcios in 18th-Century Europe by Berthold Over,Gesa zur Nieden Pdf

In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as »pasticcios« since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles.

A Companion to Music at the Habsburg Courts in the Sixteenth and Seventeenth Centuries

Author : Anonim
Publisher : BRILL
Page : 653 pages
File Size : 49,5 Mb
Release : 2020-09-25
Category : Music
ISBN : 9789004435032

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A Companion to Music at the Habsburg Courts in the Sixteenth and Seventeenth Centuries by Anonim Pdf

A Companion to Music at the Habsburgs Courts in the Sixteenth and Seventeenth Centuries, edited by Andrew H. Weaver, is the first in-depth survey of the Habsburg family’s musical patronage over a broad span of time.

The Monteverdi Vespers of 1610 : Music, Context, Performance

Author : Jeffrey Kurtzman
Publisher : Clarendon Press
Page : 626 pages
File Size : 47,8 Mb
Release : 2000-01-06
Category : Electronic
ISBN : 9780191590719

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The Monteverdi Vespers of 1610 : Music, Context, Performance by Jeffrey Kurtzman Pdf

This is a thorough-going study of Monteverdi's Vespers, the single most significant and most widely known musical print from before the time of J.S. Bach. The author examines Monteverdi's Vespers from multiple perspectives, combining his own research with all that is known and thought of the Vespers by other scholars. The historical origin as well as the musical and liturgical context of the Vespers are surveyed; similarly the controversial historiography of the Vespers in the nineteenth and twentieth centuries is scrutinized and evaluated. A series of analytical chapters attempt to clarify Monteverdi's compositional process and the relationship between music and text in the light of recent research on modal and tonal aspects of early seventeenth century music. The final section is devoted to thirteen chapters investigating performance practice issues of the early seventeenth century and their application to the Vespers, including general and specific recommendations for performance where appropriate. The book concludes with a series of informational appendices, including the psalm cursus for Vespers of all major feasts in the liturgical calendar, texts, and structural outlines for the Vespers compositions based on a cantus firmus, an analytical discography, and bibliographies of seventeenth-century musical and theoretical sources.

Tonal Space in the Music of Antonio Vivaldi

Author : Bella Brover-Lubovsky
Publisher : Indiana University Press
Page : 384 pages
File Size : 51,9 Mb
Release : 2008-06-25
Category : Music
ISBN : 9780253028037

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Tonal Space in the Music of Antonio Vivaldi by Bella Brover-Lubovsky Pdf

Tonal Space in the Music of Antonio Vivaldi incorporates an analytical study of Vivaldi's style into a more general exploration of harmonic and tonal organization in the music of the late Italian Baroque. The harmonic and tonal language of Vivaldi and his contemporaries, full of curious links between traditional modal thinking and what would later be considered common-practice major-minor tonality, directly reflects the historical circumstances of the shifting attitude toward the conceptualization of tonal space so crucial to Western art music. Vivaldi is examined in a completely new context, allowing both his prosaic and idiosyncratic sides to emerge clearly. This book contributes to a better understanding of Vivaldi's individual style, while illuminating wider processes of stylistic development and the diffusion of artistic ideas in the 18th century.

Humanism and the Reform of Sacred Music in Early Modern England

Author : Hyun-Ah Kim
Publisher : Routledge
Page : 272 pages
File Size : 48,5 Mb
Release : 2016-05-13
Category : History
ISBN : 9781317119593

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Humanism and the Reform of Sacred Music in Early Modern England by Hyun-Ah Kim Pdf

John Merbecke (c.1505-c.1585) is most famous as the composer of the first musical setting of the English liturgy, The Booke of Common Praier Noted (BCPN), published in 1550. Not only was Merbecke a pioneer in setting English prose to music but also the compiler of the first Concordance of the whole English Bible (1550) and of the first English encyclopaedia of biblical and theological studies, A Booke of Notes and Common Places (1581). By situating Merbecke and his work within a broader intellectual and religio-cultural context of Tudor England, this book challenges the existing studies of Merbecke based on the narrow theological approach to the Reformation. Furthermore, it suggests a re-thinking of the prevailing interpretative framework of Reformation musical history. On the basis of the new contextual study of Merbecke, this book seeks to re-interpret his work, particularly BCPN, in the light of humanist rhetoric. It sees Merbecke as embodying the ideal of the 'Christian-musical orator', demonstrating that BCPN is an Anglican epitome of the Erasmian synthesis of eloquence, theology and music. The book thus depicts Merbecke as a humanist reformer, through re-evaluation of his contributions to the developments of vernacular music and literature in early modern England. As such it will be of interest, not only to church musicians, but also to historians of the Reformation and students of wider Tudor culture.

Bach Performance Practice, 1945–1975

Author : Dorottya Fabian
Publisher : Routledge
Page : 329 pages
File Size : 49,8 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351574877

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Bach Performance Practice, 1945–1975 by Dorottya Fabian Pdf

Analysing over 100 recordings from 1945-1975, this book examines twentieth-century baroque performance practice as evinced in all the commercially available recordings of J.S. Bach's Passions, Brandenburg Concertos and Goldberg Variations. Dorottya Fabian presents a qualitative, style-orientated history of the early music movement in its formative years through a comparison of the performance style heard in these recordings with the scholarly literature on Bach performance practice. Issues explored in the book include the availability of resources, balance, tempo, dynamics, ornamentation, rhythm and articulation. During the decades following the Second World War, the early music movement was more concerned with the revival of repertoire than with the revival of performance style which meant that its characteristics and achievements differed essentially from those of the later 1970s and 1980s. Period practice techniques were not practised even by ensembles using eighteenth-century instruments. Yet, as this survey reveals, several recordings of the period provide unexpectedly stylish interpretations using metre and pulse to punctuate the music. Such metric performance and appropriate articulation helped to clarify structure and texture and assisted in the creation of a musical discourse - the pre-eminent goal of baroque compositions.

The Eighteenth-Century Fortepiano Grand and Its Patrons

Author : Eva Badura-Skoda
Publisher : Indiana University Press
Page : 510 pages
File Size : 52,7 Mb
Release : 2017-11-20
Category : Music
ISBN : 9780253022646

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The Eighteenth-Century Fortepiano Grand and Its Patrons by Eva Badura-Skoda Pdf

“Badura-Skoda addresses the place of the piano in the eighteenth century from the perspective of a scholar and performer” (Eighteenth-Century Music). In the late seventeenth century, Italian musician and inventor Bartolomeo Cristofori developed a new musical instrument—his cembalo che fa il piano e forte, which allowed keyboard players flexible dynamic gradation. This innovation, which came to be known as the hammer-harpsichord or fortepiano grand, was slow to catch on in musical circles. However, as renowned piano historian Eva Badura-Skoda demonstrates, the instrument inspired new keyboard techniques and performance practices and was eagerly adopted by virtuosos of the age, including Scarlatti, J. S. Bach, Clementi, Haydn, Mozart, and Beethoven. Presenting a rich array of archival evidence, Badura-Skoda traces the construction and use of the fortepiano grand across the musical cultures of eighteenth-century Europe, providing a valuable resource for music historians, organologists, and performers. “Badura-Skoda has written a remarkable volume, the result of a lifetime of scholarly research and investigation. . . . Essential.” —Choice

A History of Baroque Music

Author : George J. Buelow
Publisher : Indiana University Press
Page : 732 pages
File Size : 46,7 Mb
Release : 2004-11-23
Category : Music
ISBN : 0253343658

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A History of Baroque Music by George J. Buelow Pdf

"A History of Baroque Music is a detailed treatment of the music of the Baroque era, with particular focus on the seventeenth century. The author's approach is a history of musical style with an emphasis on musical scores. The book is divided initially by time period into early and later Baroque (1600-1700 and 1700-1750 respectively), and secondarily by country and composer. An introductory chapter discusses stylistic continuity with the late Renaissance and examines the etymology of the term "Baroque." The concluding chapter on the composer Telemann addresses the stylistic shift that led to the end of the Baroque and the transition into the Classical period."--Jacket.

Sin in Medieval and Early Modern Culture

Author : Richard Newhauser,Susan Janet Ridyard
Publisher : Boydell & Brewer Ltd
Page : 360 pages
File Size : 51,5 Mb
Release : 2012
Category : History
ISBN : 9781903153413

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Sin in Medieval and Early Modern Culture by Richard Newhauser,Susan Janet Ridyard Pdf

This volume offers a fresh consideration of role played by the enduring tradition of the seven deadly sins in Western culture, showing its continuing post-mediaeval influence even after the supposed turning-point of the Protestant Reformation. It enhances our understanding of the multiple uses and meanings of the sins tradition.

The Rhetoric of Diversion in English Literature and Culture, 1690–1760

Author : Darryl P. Domingo
Publisher : Cambridge University Press
Page : 128 pages
File Size : 52,9 Mb
Release : 2016-03-29
Category : Literary Criticism
ISBN : 9781316558911

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The Rhetoric of Diversion in English Literature and Culture, 1690–1760 by Darryl P. Domingo Pdf

Why did eighteenth-century writers employ digression as a literary form of diversion, and how did their readers come to enjoy linguistic and textual devices that self-consciously disrupt the reading experience? Darryl P. Domingo answers these questions through an examination of the formative period in the commercialization of leisure in England, and the coincidental coming of age of literary self-consciousness in works published between approximately 1690 and 1760. During this period, commercial entertainers tested out new ways of gratifying a public increasingly eager for amusement, while professional writers explored the rhetorical possibilities of intrusion, obstruction, and interruption through their characteristic use of devices like digression. Such devices adopt similar forms and fulfil similar functions in literature as do diversions in culture: they 'unbend the mind' and reveal the complex reciprocity between commercialized leisure and commercial literature in the age of Swift, Pope, and Fielding.

Opera's Orbit

Author : Stefanie Tcharos
Publisher : Cambridge University Press
Page : 335 pages
File Size : 41,5 Mb
Release : 2011-02-03
Category : History
ISBN : 9780521116657

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Opera's Orbit by Stefanie Tcharos Pdf

Tcharos illustrates opera's engagement in a larger musical sphere of Arcadian Rome, where opera inspired debate and fuelled ideological reform.

Tallis and Byrd's Cantiones Sacrae (1575)

Author : Jeremy L. Smith
Publisher : Boydell & Brewer
Page : 285 pages
File Size : 52,6 Mb
Release : 2023-04-18
Category : History
ISBN : 9781837650453

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Tallis and Byrd's Cantiones Sacrae (1575) by Jeremy L. Smith Pdf

What did Tallis and Byrd mean to convey by their use of the word "argument" in their title, Cantiones, quae ab argumento sacrae vocantur? Thomas Tallis's and William Byrd's Cantiones, quae ab argumento sacrae vocantur (songs, which by their argument are called sacred) of 1575 is one of the first sets of sacred music printed in England. It is widely recognized as a landmark achievement in English music history. Dedicated to Queen Elizabeth I to mark the seventeenth year of her reign, each composer contributed seventeen motets to the collection, which proved to be greatly influential among the era's composers. But what did Tallis and Byrd mean to convey by their use of the word "argument" in their title? The current view is that they treated their project as an opportunity to pull together a grand compendium of musical accomplishment that drew on the past, but looked to the future, and that the texts functioned as mere vehicles for musical display. In contrast, this book claims that these very texts were chosen by the composers to develop a theme, or argument, on the topic of sacred judgment. In offering a new interpretation of the song collection Smith employs a carefully constructed musical, literary, theological, and political argumentation. The book will encourage new ways of approaching and interpreting Tudor and Elizabethan sacred music.

Handel

Author : David Vickers
Publisher : Routledge
Page : 627 pages
File Size : 44,6 Mb
Release : 2017-07-05
Category : History
ISBN : 9781351564250

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Handel by David Vickers Pdf

This anthology represents scholarly literature devoted to Handel over the last few decades, and contains different kinds of studies of the composer's biography, operatic career, singers, librettists, and his relationship with the music of other composers. Case studies range from recent research that transforms our knowledge of large-scale English works to an interdisciplinary exploration of an individual opera aria. Designed to bring easy and convenient access to students, performers and music lovers, the wide-ranging articles are selected by David Vickers (co-editor of the recent Cambridge Handel Encyclopedia) from diverse sources - not only familiar important journals, but also specialist yearbooks, festschrifts, not easily accessible newsletters, conference proceedings and exhibition catalogues. Many of these represent an up-to-date understanding of modern Handel studies, deal with fascinating biographical issues (such as the composer's art collection, his chronic health problems, and the nature of popular anecdotal evidence), and fill gaps in the mainstream Handelian literature.