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Examines possible and fictional worlds, author and authority, otherness and recognition, translation, alternative critique, empire, education, imagination, comedy, history, poetry, and culture. The analyzed works include classical and modern texts and theorists of the past sixty years ranging from Jerome Bruner to Stephen Greenblatt.
Possible Worlds of Fiction and History by Lubomír Doležel Pdf
With Possible Worlds of Fiction and History, Lubomír Doležel reexamines the claim—made first by Roland Barthes and then popularized by Hayden White—that "there is no fundamental distinction between fiction and history." Doležel rejects this assertion and demonstrates how literary and discourse theory can help the historian to restate the difference between fiction and history. He challenges scholars to reassess the postmodern viewpoint by reintroducing the idea of possible worlds. Possible-worlds semantics reveals that possible worlds of fiction and possible worlds of history differ in their origins, cultural functions, and structural and semantic features. Doležel’s book is the first systematic application of this idea to the theory and philosophy of history. Possible Worlds of Fiction and History is the crowning work of one of literary theory’s most engaged thinkers.
"The universe of possible worlds is constantly expanding and diversifying thanks to the incessant world-constructing activity of human minds and hands. Literary fiction is probably the most active experimental laboratory of the world-constructing enterprise."—from the author's Preface The standard contrast between fiction and reality, notes Lubomír Dolezel, obscures an array of problems that have beset philosophers and literary critics for centuries. Commentators usually admit that fiction conveys some kind of truth—the truth of the story of Faust, for instance. They acknowledge that fiction usually bears some kind of relation to reality—for example, the London of Dickens. But both the status of the truth and the nature of the relationship have baffled, frustrated, or repelled a long line of thinkers. In Heterocosmica, Lubomír Dolezel offers nothing less than a complete theory of literary fiction based on the idea of possible worlds. Beginning with a discussion of the extant semantics and pragmatics of fictionality—by Leibniz, Russell, Frege, Searle, Auerbach, and others—he relates them to literature, literary theory, and narratology. He also investigates theories of action, intention, and literary communication to develop a system of concepts that allows him to offer perceptive reinterpretations of a host of classical, modern, and postmodern fictional narratives—from Defoe through Dickens, Dostoevsky, Huysmans, Bely, and Kafka to Hemingway, Kundera, Rhys, Plenzdorf, and Coetzee. By careful attention to philosophical inquiry into possible worlds, especially Saul Kripke's and Jaakko Hintikka's, and through long familiarity with literary theory, Dolezel brings us an unprecedented examination of the notion of fictional worlds.
Possible Worlds Theory and Counterfactual Historical Fiction by Riyukta Raghunath Pdf
This book offers a comprehensive Possible Worlds framework with which to analyse counterfactual historical fiction. Counterfactual historical fiction is a literary genre that comprises narratives set in worlds whose histories run contrary to the history of our world, usually speculating on what would have happened had a significant historical event (such as a war) turned out differently. The author develops a systematic critical approach based on a customised model of Possible Worlds Theory supplemented by cognitive concepts that account for the different processes that readers go through when they read counterfactual historical fiction, a genre which relies heavily on pre-existing knowledge about history and culture. This book will be of interest to anyone working with Possible Worlds, including within the fields of philosophy, literary studies, stylistics, cognitive poetics, and narratology.
Long-awaited, thrilling new fiction from Kathleen Winter, whose previous novel Annabel was a finalist for the Scotiabank Giller, Governor General's Award, Writers' Trust and Orange prizes, was a Globe and Mail "Best Book" and a New York Times "Notable," and was a #1 bestselling Canada Reads selection. From one of Canada's most exciting writers comes a gripping, compassionate and stunning novel that overturns and rewrites history. Enter the world of Jimmy--a tall, red-haired, homeless thirty-something ex-soldier, battered by PTSD--as he camps out on the streets of modern-day Montreal, trying to remember and reclaim his youth. While his past is something of an enigma, even to himself, the young man bears a striking resemblance to General James Wolfe, "Conqueror of Canada" and "Hero of Quebec," who died on the Plains of Abraham in 1759. As a young soldier in his twenties, the historical James Wolfe (1727-1759) was granted a short and much longed-for leave to travel to Paris to study poetry, music and dance--three of his passions. But in that very year, 1752, the British Empire abandoned the Julian calendar for the Gregorian, and every citizen of England lost eleven days: September 2 was followed by September 14. These lost eleven days happened to occur during the period that Wolfe had been granted for his leave. Despondent and bitter, he never got the chance to explore his artistic bent, and seven short years later, on the anniversary of this foreshortened leave, he died on the Plains of Abraham. Now, James is getting his eleven days back . . . but instead of the salons of 18th century Paris, he's wandering the streets of present-day Montreal and Quebec City, not as "the Hero of Quebec" but as a damaged war veteran wracked with anguish. Much like George Saunders in Lincoln in the Bardo, award-winning author Kathleen Winter takes a brief, intensely personal incident in the life of a famous historical figure, and using her incomparable gifts as a fiction writer, powerfully reimagines him. Here is a wrenching, unforgettable portrait--like none you have ever seen or read--of one of the most well-known figures in Canadian history.
Ken Follett's extraordinary historical epic, the Century Trilogy, reaches its sweeping, passionate conclusion. In Fall of Giants and Winter of the World, Ken Follett followed the fortunes of five international families—American, German, Russian, English, and Welsh—as they made their way through the twentieth century. Now they come to one of the most tumultuous eras of all: the 1960s through the 1980s, from civil rights, assassinations, mass political movements, and Vietnam to the Berlin Wall, the Cuban Missile Crisis, presidential impeachment, revolution—and rock and roll. East German teacher Rebecca Hoffmann discovers she’s been spied on by the Stasi for years and commits an impulsive act that will affect her family for the rest of their lives. . . . George Jakes, the child of a mixed-race couple, bypasses a corporate law career to join Robert F. Kennedy's Justice Department and finds himself in the middle of not only the seminal events of the civil rights battle but a much more personal battle of his own. . . . Cameron Dewar, the grandson of a senator, jumps at the chance to do some official and unofficial espionage for a cause he believes in, only to discover that the world is a much more dangerous place than he'd imagined. . . . Dimka Dvorkin, a young aide to Nikita Khrushchev, becomes an agent both for good and for ill as the United States and the Soviet Union race to the brink of nuclear war, while his twin sister, Tanya, carves out a role that will take her from Moscow to Cuba to Prague to Warsaw—and into history.
Created worlds may resemble the actual world, but they can just as easily be deemed incomplete, precarious, or irrelevant. Why, then, does fiction continue to pull us in and, more interesting perhaps, how? In this beautiful book Pavel provides a poetics of the imaginary worlds of fiction, their properties, and their reason for being.
In 1661 Madrid, Ana is still grieving the loss of her husband when her niece, sixteen-year-old Juliana, suddenly vanishes. Ana frantically searches the girl’s room and comes across a diary. Journeying to southern Spain in the hope of finding her, Ana immerses herself in her niece’s private thoughts. After a futile search in Seville, she comes to Juliana’s final entries, and, discovering the horrifying reason for the girl’s flight, abandons her search. In 1992 Missouri, in her deceased mother’s home, Rachel finds a packet of letters, and a diary written by a woman named Juliana. Rachel’s reserved mother has never mentioned these items, but Rachel recognizes the names Ana and Juliana: her mother uttered them on her deathbed. She soon becomes immersed in Juliana’s diary, which recounts the young woman’s journey to Mexico City and her life in a convent. As she learns the truth about Juliana’s tragic family history, Rachel seeks to understand her connection to the writings—hoping that in finding those answers, she will somehow heal the wounds caused by her mother’s lifelong reticence.
From the acclaimed author of The Night Portrait comes a stunning historical novel about two women, separated by five hundred years, who each hide Leonardo da Vinci’s Mona Lisa—with unintended consequences. France, 1939 At the dawn of World War II, Anne Guichard, a young archivist employed at the Louvre, arrives home to find her brother missing. While she works to discover his whereabouts, refugees begin flooding into Paris and German artillery fire rattles the city. Once they reach the city, the Nazis will stop at nothing to get their hands on the Louvre’s art collection. Anne is quickly sent to the Castle of Chambord, where the Louvre’s most precious artworks—including the Mona Lisa—are being transferred to ensure their safety. With the Germans hard on their heels, Anne frantically moves the Mona Lisa and other treasures again and again in an elaborate game of hide and seek. As the threat to the masterpieces and her life grows closer, Anne also begins to learn the truth about her brother and the role he plays in this dangerous game. Florence, 1479 House servant Bellina Sardi’s future seems fixed when she accompanies her newly married mistress, Lisa Gherardini, to her home across the Arno. Lisa’s husband, a prosperous silk merchant, is aligned with the powerful Medici, his home filled with luxuries and treasures. But soon, Bellina finds herself bewitched by a charismatic monk who has urged Florentines to rise up against the Medici and to empty their homes of the riches and jewels her new employer prizes. When Master Leonardo da Vinci is commissioned to paint a portrait of Lisa, Bellina finds herself tasked with hiding an impossible secret. When art and war collide, Leonardo da Vinci, his beautiful subject Lisa, and the portrait find themselves in the crosshairs of history.
When hard times among the People revive the old stories of the hero Jackaroo, an innkeeper's daughter follows her own quest to unlock the secret reality behind the legend.
"Create Your Own World!" is a motto of visionary artists. We all enjoy escaping into, and journeying within, fictional realms. Some aspire to create their own unique artistic worlds. Fictional Worlds, intended for all readers who love literature and film, and especially for writers, filmmakers, and videogame designers, points at new ways of navigating, exploring, and creating entrancing fictional universes. This book''s promise is to make its readers more confident fictional world travelers and compelling storytellers. A holistic and evolutionary study of narrative from ancient rituals, myths and fairytales to the current day, this book blends a creative and intellectual approach to writing. The themes of journey, the wonderworld, quest for knowledge, symbolic death-rebirth, conflict resolution, family, and community are at the core of this inquiry into the nature of narrative, its politics and poetics. Teaching nuts and bolts of writing fiction, this book connects the "cultural" dots in the trajectory of the dramatic arc, elucidating the power of storytelling. With Odysseus as a guide, Fictional Worlds is a journey through the landscape of narrative traditions, emerging practices and artistic debates. The four books of this volume explore key genres such as action-adventure, drama, mystery, and comedy. "This brilliant book is far more than a screenwriting manual. Ranging across the globe and throughout history we have here a dazzling survey of the intellectual foundations and possibilities of the cinema. This is must-reading for anyone who is interested in how and, more importantly, why we tell stories on screen." -- David Desser, author of Eros plus Massacre: An Introduction to the Japanese New Wave Cinema; co-author of American Jewish Filmmakers "A new theory of narrative, which I find both convincing and uplifting. Illuminating and useful anthropological theory of genres. Terrific choice of examples, as well as the analysis. ''Dos and Don''ts: Creative Solutions for the Formulaic Plot'' will be immensely helpful to practitioners.... Among interesting ideas: the murder mystery-as tragedy in reverse! And the role of film noir... And ''Ulysses as a Peter Pan for grownups''!! - I love it!" -- Linda Hutcheon, Distinguished Professor Emeritus, University of Toronto, author of A Poetics of Postmodernism, The Politics of Postmodernism, and A Theory of Parody: The Teachings of Twentieth-Century Art Forms "An innovative approach to teaching screenwriting, based in original scholarship of real importance. The book''s ideas are of impressive originality and practicality, and expounded with exemplary clarity. Dr. Alexander does a splendid job making a case for the new and more productive understanding of genre. The book features an elegant commentary on the distinction between film as ritual and ceremony. There is much to recommend this fine volume, the writing is generally elegant. The chapter on mystery is so brilliant that it alone would make this book worthy of a semester''s study." -- R. Bruce Elder, filmmaker; author of Harmony and Dissent: Film and Avant-Garde Art Movements, and DADA, Surrealism and the Cinematic Effect "There''s much I admire about Fictional Worlds, starting with the core project of bridging between narrative theory, anthropological perspectives on myth and ritual, and work in screen studies. I have never seen the books addressing Joseph Campbell''s ''Hero''s Journey'' with relation to screenwriting in the exhaustive detail and with the nuance that Alexander deploys here, and with such a rich array of examples. What I admire is Alexander''s insistence on historical and cultural specificity, even while tracing connections in the kinds of stories that have emerged across times and cultures." -- Henry Jenkins, Professor, University of Southern California; author of Convergence Culture: Where Old and New Media Collide
Curses and queens. Pirates and kings. Gods and magic. The final saga of a princess cursed by Midas’s touch, a vengeful Greek god, and a dazzling kingdom in the balance. After barely surviving thieving, bloodthirsty pirates and a harrowing quest at sea to retrieve her stolen treasure, Kora finds readjusting to palace life just as deadly. Her people openly turn against her, threatening to overthrow her as heir to the throne due to fear of her magical powers. When Dionysus puts out a challenge to kill the girl with the golden touch and burn down her kingdom, it’s not just her future on the throne in danger. Kora’s life and entire kingdom are now on contract. With no other choice, Kora sets out to find Dionysus, journeying to the mysterious disappearing island of Jipper. If she wants to save her kingdom and have any chance at reversing her father’s curse, she will have to enter into a deadly game with Dionysus, the greatest trickster the world, or the underworld, has ever seen. A Curse of Gold: Is the highly-anticipated sequel to A Touch of Gold by author Annie Sullivan Is an enchanting and captivating fantasy adventure/fairy tale retelling, perfect for fans of The Wrath and the Dawn and Cinder Is told from the perspective of Kora, King Midas’s daughter and a strong female protagonist Features a beautifully decorated cover Will have strong appeal to readers ages 13 & up
"These ten stories ring with voices belonging to--among others--English Arctic explorers in one of history's most nightmarish expeditions, a young contemporary American negotiating the shockingly underreported hazards of our crude-oil trains, eighteenth-century French balloonists inventing manned flight, and two mid-nineteenth-century housewives trying to forge a connection despite their isolation on the frontier of settlement. In each case the personal is the political as these characters face everything from the emotional pitfalls of everyday life to historic catastrophes on a global scale"--
John Fowles's Fiction and the Poetics of Postmodernism by Mahmoud Salami Pdf
Salami presents, for instance, a critique of the self-conscious narrative of the diary form in The Collector, the intertextual relations of the multiplicity of voices, the problems of subjectivity, the reader's position, the politics of seduction, ideology, and history in The Magus and The French Lieutenant's Woman. The book also analyzes the ways in which Fowles uses and abuses the short-story genre, in which enigmas remain enigmatic and the author disappears to leave the characters free to construct their own texts. Salami centers, for example, on A Maggot, which embodies the postmodernist technique of dialogical narrative, the problem of narrativization of history, and the explicitly political critique of both past and present in terms of social and religious dissent. These political questions are also echoed in Fowles's nonfictional book The Aristos, in which he strongly rejects the totalization of narratives and the materialization of society.