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Trauma and Fictions of the "War on Terror" by Sarah O'Brien Pdf
This book explores the ways in which transnational fiction in the post-9/11 era can intervene in discourse surrounding the "war on terror" to advocate for marginalised perspectives. Trauma and Fictions of the "War on Terror" conceptualises global political discourse about the "war on terror" as incongruous, with transnational memory frames instituted in Western nations centralising 9/11 as uniquely traumatic, excluding the historical and present-day experiences of Afghans under Western—specifically American—hegemonic violence. Recent developments in trauma studies explain how dominant Western trauma theory participates in this exclusion, failing to account for the ongoing suffering common to non-Western, colonial, and postcolonial contexts. O’Brien explores how Khaled Hosseini (The Kite Runner), Nadeem Aslam (The Wasted Vigil, The Blind Man’s Garden), and Kamila Shamsie (Burnt Shadows) represent marginalised perspectives in the context of the "war on terror".
This book argues that there are a number of contemporary novels that challenge the reductive 'us and them' binaries that have been prevalent not only in politics and the global media since 9/11, but also in many works within the emerging genre of '9/11 fiction' itself.
Narratives of the War on Terror by Michael C. Frank,Pavan Kumar Malreddy Pdf
Challenging the predominantly Euro-American approaches to the field, this volume brings together essays on a wide array of literary, filmic and journalistic responses to the decade-long wars in Afghanistan and Iraq. Shifting the focus from so-called 9/11 literature to narratives of the war on terror, and from the transatlantic world to Iraq, Syria, Afghanistan, the Afghan-Pak border region, South Waziristan, Al-Andalus and Kenya, the book captures the multiple transnational reverberations of the discourses on terrorism, counter-terrorism and insurgency. These include, but are not restricted to, the realignment of geopolitical power relations; the formation of new terrorist networks (ISIS) and regional alliances (Iraq/Syria); the growing number of terrorist incidents in the West; the changing discourses on security and technologies of warfare; and the leveraging of fundamental constitutional principles. The essays featured in this volume draw upon, and critically engage with, the conceptual trajectories within American literary debates, postcolonial discourse and transatlantic literary criticism. Collectively, they move away from the trauma-centrism and residual US-centrism of early literary responses to 9/11 and the criticism thereon, while responding to postcolonial theory’s call for a historical foregrounding of terrorism, insurgency and armed violence in the colonial-imperial power nexus. This book was originally published as a special issue of the European Journal of English Studies.
‘Love is not consolation, it is light’ From the author of Maps for Lost Lovers and The Wasted Vigil comes a novel set in the months after 9/11, when Western armies invaded Afghanistan—a story of love, hope and grief, of uncorrupted faith and of what it means to be alive. Jeo and his foster-brother Mikal leave their home in Pakistan to help care for wounded Afghans. Within hours of entering the wide-horizoned Afghan landscape, Mikal and Jeo are separated and, emerging from the carnage, Mikal begins his search for Jeo. But his deepest wish is to return home—to the young woman he loves and who loves him, Jeo’s wife. The Blind Man’s Garden maps a place both phantasmally beautiful and chilling. Taking us on a journey from Al Qaeda’s hideouts in Waziristan and American-built military prisons to a family left behind—Mikal’s and Jeo’s blind, regretful father, Jeo’s resolute wife and her superstitious mother—it unflinchingly examines war and brotherhood, devastation, separation and remorse, while celebrating the redemptive power of nature, art and literature.
Historical writing and fiction are not the same thing, though historians often creatively manipulate material in imposing plot structures, selecting starting and ending points, and fashioning compelling literary characters from historical figures. In Docu-Fictions of War, Tatiana Prorokova argues that the opposite is also true--war fiction offers a kind of history that both documents its subjects and provides a snapshot of the cultural representation of the United States' most recent military involvements. She covers a largely neglected body of cinematic and literary texts about the First Gulf War, the Balkan War, the Afghanistan War, and the Iraq War to open a fresh analysis of cultural texts on war. Prorokova contends that these texts are not pure fiction, but "docu-fictions"--works of imagination that can document their subjects while disclosing the social, political, and historical link between war and culture during the last three decades. Docu-Fictions of War analyzes how these representational narratives have highlighted a humanitarian rationale behind American involvement in each war, whether the stated goals were to free the oppressed from tyranny, stop genocide, or rid the world of terrorism. The book explores the gap between history--what allegedly happened--and the cultural mythology that is both true and inexact, tangible and sensed, recognized and undocumented.
Transatlantic Fictions of 9/11 and the War on Terror by Susana Araújo Pdf
"Extending the study of post-9/11 literature to include transnational perspectives, this book explores the ways in which contemporary writers from Europe as well as the USA have responded to the attacks on the World Trade Center and the ensuing "war on terror." Transatlantic Fictions of 9/11 and the War on Terror demonstrates the ways in which contemporary fiction has wrestled with anxieties about national and international security in the 21st century. Reading a wide range of novels by such writers as Amy Waldman, Michael Cunningham, Frďřic Beigbeder, Ian McEwan, Joseph O'Neill, Moshin Hamid, Jos ̌Saramago, Ricardo Menňdez Salmn̤, J.M. Coetzee, and Salman Rushdie, Susana Araj︢o︣ explores how the rhetoric of the "war on terror" has shaped recent representations of the city and how "security" discourses circulate both transatlantically and transnationally. By focussing not only on 9/11 but on the way subsequent events such as the wars in Afghanistan and in Iraq are represented in fiction, this book demonstrates how notions of "terror" and "insecurity" have been absorbed, critiqued, or reworked by novelists from the US and Europe as well as by writers whose work focusses on the role of transatlantic relations as part of wider pressures and global configurations of power."--Bloomsbury Publishing.
Literature, Migration and the 'War on Terror' by Fiona Tolan,Stephen Morton,Anastasia Valassopoulos,Robert Spencer Pdf
This is a major new collection of essays on literary and cultural representations of migration and terrorism, the cultural impact of 9/11, and the subsequent ‘war on terror’. The collection commences with analyses of the relationship between migration and terrorism, which has been the focus of much mainstream political and media debate since the attacks on America in 2001 and the London bombings in 2005, not least because liberal democratic governments in Europe and North America have invoked such attacks to justify the regulation of migration and the criminalisation of ‘minority’ groups. Responding to the consequent erosion of the liberal democratic rights of the individual, leading scholars assess the various ways in which literary texts support and/or interrogate the conflation of narratives of transnational migration and perceived terrorist threats to national security. This crucial debate is furthered by contrasting analyses of the manner in which novelists from the UK, North Africa, the US and Palestine have represented 9/11, exploring the event’s contexts and ramifications. This path-breaking study complicates the simplistic narratives of revenge and wronged innocence commonly used to make sense of the attacks and to justify the US response. Each novel discussed seeks to interrogate and analyse a discourse typically dominated by consent, belligerence and paranoia. Together, the collected essays suggest the value of literature as an effective critical intervention in the very fraught political aftermath of the ‘war on terror’. This book was published as a special issue of the Journal of Postcolonial Writing.
"The War Terror" is a detective novel of the Sherlock Holmes type by American writer Arthur Benjamin Reeve. The plot revolves around the investigations of Craig Kennedy, the brilliant detective who uses the scientific methodology of the early 20th century to solve crimes.
Longlisted for the Orange Prize for Fiction (now Women's Prize for Fiction) Winner of the Anisfield-Wolf Book Award Nagasaki, August 9, 1945. Hiroko Tanaka watches her lover from the veranda as he leaves. Sunlight streams across Urakami Valley, and then the world goes white. In the devastating aftermath of the atomic bomb, Hiroko leaves Japan in search of new beginnings. From Delhi, amid India's cry for independence from British colonial rule, to New York City in the immediate wake of 9/11, to the novel's astonishing climax in Afghanistan, a violent history casts its shadow the entire world over. Sweeping in its scope and mesmerizing in its evocation of time and place, this is a tale of love and war, of three generations, and three world-changing historic events. Kamila Shamsie’s Burnt Shadows is an enthralling meta-cultural epic, the panoramic tale of two families tangled together in some of the most devastating conflicts of modern history.
Transatlantic Fictions of 9/11 and the War on Terror by Susana Araújo Pdf
Extending the study of post-9/11 literature to include transnational perspectives, this book explores the ways in which contemporary writers from Europe as well as the USA have responded to the attacks on the World Trade Centre and the ensuing 'war on terror.' Transatlantic Fictions of 9/11 and the 'War on Terror' demonstrates the ways in which contemporary fiction has wrestled with anxieties about national and international security in the 21st century. Reading a wide range of novels by such writers as Amy Waldman, Michael Cunningham, Frédéric Beigbeder, Ian McEwan, Joseph O'Neill, Moshin Hamid, José Saramago, Ricardo Menéndez Salmón, J.M. Coetzee and Salman Rushdie, Susana Araújo explores how the rhetoric of the 'war on terror' has shaped recent representations of the city and how “security” discourses circulate transatlantically and transnationally. By focusing not only on 9/11 but also on the way subsequent events such as the wars in Afghanistan and in Iraq are represented in fiction, this book demonstrates how notions of “terror” and “insecurity” have been absorbed, reworked or critiqued in fiction. Araújo examines to what extent transatlantic relations have reinforced or challenged new fictions of “white western middle class captivity.”
The Dark Side is a dramatic, riveting, and definitive narrative account of how the United States made self-destructive decisions in the pursuit of terrorists around the world—decisions that not only violated the Constitution, but also hampered the pursuit of Al Qaeda. In spellbinding detail, Jane Mayer relates the impact of these decisions by which key players, namely Vice President Dick Cheney and his powerful, secretive adviser David Addington, exploited September 11 to further a long held agenda to enhance presidential powers to a degree never known in U.S. history, and obliterate Constitutional protections that define the very essence of the American experiment. With a new afterward. One of The New York Times 10 Best Books of the Year National Bestseller National Book Critics Circle Award Finalist A Best Book of the Year: Salon, Slate, The Economist, The Washington Post, Cleveland Plain-Dealer
This book argues that there are a number of contemporary novels that challenge the reductive 'us and them' binaries that have been prevalent not only in politics and the global media since 9/11, but also in many works within the emerging genre of '9/11 fiction' itself.
Coming of Age in the War on Terror by Randa Abdel-Fattah Pdf
'One minute you're a 15-year-old girl who loves Netflix and music and the next minute you're looked at as maybe ISIS.' We now have a generation – Muslim and non-Muslim – who has grown up only knowing a world at war on terror, and who has been socialised in a climate of widespread Islamophobia, surveillance and suspicion. In Coming of Age in the War on Terror, award-winning writer Randa Abdel-Fattah interrogates the impact of all this on young people's political consciousness and their trust towards adults and the societies they live in. Drawing on local interviews but global in scope, this book is the first to examine the lives of a generation for whom the rise of the far-right and the growing polarisation of politics seem normal. It's about time we hear what they have to say. 'As one of Australia's most compelling cultural critics, Abdel-Fattah curates a precise and substantive account of the impact of 'terrorist discourse' on an entire generation. With heartbreaking pathos, she invites us into the minds and hearts of a generation of thoughtful and intelligent young Muslim and non-Muslim Australians from diverse social backgrounds. This ambitious project, comparable in its breadth to Ghassan Hage's seminal White Nation, is part cultural memoir, part empirical research essay and part historical record. Excoriating the hypocrisy of neoliberal social interventionist policies, Abdel-Fattah has given us a rich and important work, as moving in its sincerity as it is unprecedented in its scope.' — Daniel Nour, Books+Publishing 'Randa Abdel-Fattah's compelling work reminds us that the way the global War on Terror has been prosecuted lands like blows across the backs of Muslim communities — it is in the everyday, the mundane, but also in the structures of state. The book should be praised for its depth and breadth of insights into Australia, as we see contemporary Islamophobia in the shade of the War on Terror revealed.' — Dr Asim Qureshi, Research Director, CAGE (UK) and author of A Virtue of Disobedience 'Only someone like Randa Abdel-Fattah with her history as an academic, an activist and a novelist can produce a book like this: analytically sharp, anecdotally rich, politically relevant and beautifully written. Whoever you are, read it and it'll make a better Australian out of you.' — Ghassan Hage, Professor of Anthropology and Social Theory, School of Social and Political Science, University of Melbourne 'Coming of Age in the War on Terror offers a provocative critique of the failings of so much public discourse and scholarship on Islam which rarely bothers to engage the voices of Muslims at all. Full of sharp wit, the book attends as much to the hypocrisy and blind spots of the progressive left — including journalists, educators and intellectuals — as it does to right-wing fear mongers. In this accessible and deeply moving account she gifts the reader a unique window into the profound impacts of institutionalised Islamophobia on the everyday lives of ordinary young Australian-Muslims today. Her research subjects recount the suffocating effects of a world saturated by negative stereotypes of Muslims and the growing industry of 'well meaning' intervention programs targeted at young people in education settings. Yet these young people somehow bear the weight of these representations with humour, grace and resilience. As an activist, a prize-winning author of young adult fiction, and sociologist, there is no one better equipped than Randa Abdel-Fattah to bring their lives to our collective attention.' — Professor Amanda Wise 'Randa Abdel-Fattah has produced an urgent book for our time. Coming of Age in The War on Terror is a story of injustice against those who suffer because of prejudice and manufactured fear. It is a vital work about us, Australians. This book poses many questions that we must confront if we are to ever consider ourselves an inclusive society. With courage, intelligence and acute insight, Abdel-Fattah is asking that we think and act with thoughtfulness and not ignorance.' — Tony Birch
Neocolonial Fictions of the Global Cold War by Steven Belletto,Joseph Keith Pdf
Bringing together noted scholars in the fields of literary, cultural, gender, and race studies, this edited volume challenges us to reconsider our understanding of the Cold War, revealing it to be a global phenomenon rather than just a binary conflict between U.S. and Soviet forces. Shining a spotlight on writers from the war’s numerous fronts and applying lenses of race, gender, and decolonization, the essayists present several new angles from which to view the tense global showdown that lasted roughly a half-century. Ultimately, they reframe the Cold War not merely as a divide between the Soviet Union and the United States, but between nations rich and poor, and mostly white and mostly not. By emphasizing the global dimensions of the Cold War, this innovative collection reveals emergent forms of post-WWII empire that continue to shape our world today, thereby raising the question of whether the Cold War has ever fully ended.
"The fictionalized stories in this book are all based a fair bit upon real experiences during my reporting on the Global War on Terror over the last decade and a half. The actual reportage - from places like Iraq, Afghanistan, Yemen, North Africa, Saudi Arabia, and the Philippines - has appeared in magazines from National Geographic to Vanity Fair to The New York Times Magazine, among others. Still, by necessity of creating a magazine-length story, I have had to leave some narrative tangents and other aspects of this reporting out. Some of these narratives left behind, in a now fictionalized form, are contained in the book you hold in your hands. Many have sacrificed in this post-September 11th world. Their stories deserve to be told." - Page 9.
