Figuration Abstraction

Author : Charlotte Benton
Publisher : Routledge
Page : 356 pages
File Size : 42,8 Mb
Release : 2017-07-05
Category : Art
ISBN : 9781351567046

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Figuration/Abstraction by Charlotte Benton Pdf

The notion that the practice of abstraction was confined to Western Europe while a stereotyped form of figuration defined the art of the Eastern bloc continues to dominate art historical accounts of public sculpture of the post-war period. This book offers a number of alternative readings, and demonstrates strategic uses of figuration and abstraction across East and West. Encompassing sites of memory (including war memorials and Holocaust memorials), state, civic and corporate sculpture, as well as temporary and unexecuted projects, the book shows that persuasive advocates of figuration were to be found in the West, while in the East imaginative experiments in abstraction were proposed in the name of Social Realism. Presenting fresh insights into sculptural practice in the period between 1945 and 1968, this book brings together a wide range of authors, some of whom have never before been published in English. Their essays are complemented by extracts from documentary texts, which give a flavour of contemporary debates, and a biographical section includes entries on many sculptors who will be unfamiliar to an English-speaking audience.

Author : Piet Mondrian,H. Henkels
Publisher : Unknown
Page : 244 pages
File Size : 45,9 Mb
Release : 1988
Category : Art
ISBN : UCSD:31822003682150

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Mondrian by Piet Mondrian,H. Henkels Pdf

"Herbert Henkels provides an overview of Mondrian's transition from figuration to non-figurative art and recreates the cultural and intellectual background against which Mondrian's career and sense of mission as an artist unfolded. Copiously illustrated with archive photographs of Mondrian, his family, friends and studios, with pages from his sketchbooks and numerous reproductions of his works, the book also includes Mondrian's important essay Plastic Art and pure Art, published in the English Constructivist group's book Circle in 1937. The 116 colour plates which form the heart of the volume are accompanied by selected quotations from Mondrian's essay Dialogue and Trialogue of Neo-Plasticism (published in De Stijl, 1918-1920). Three interviews with the artist, an illustrated chronology with excerpts from Mondrian's letters, and a select bibliography complete this handsome volume."--back cover.

Author : Anonim
Publisher : Unknown
Page : 237 pages
File Size : 46,8 Mb
Release : 1987
Category : Electronic
ISBN : 9067300578

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Mondrian by Anonim Pdf

Author : Krešimir Purgar
Publisher : Routledge
Page : 246 pages
File Size : 48,7 Mb
Release : 2020-06-15
Category : Art
ISBN : 9780429557576

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The Iconology of Abstraction by Krešimir Purgar Pdf

This book uncovers how we make meaning of abstraction, both historically and in present times, and examines abstract images as a visual language. The contributors demonstrate that abstraction is not primarily an artistic phenomenon, but rather arises from human beings’ desire to imagine, understand and communicate complex, ineffable concepts in fields ranging from fine art and philosophy to technologies of data visualization, from cartography and medicine to astronomy. The book will be of interest to scholars working in image studies, visual studies, art history, philosophy and aesthetics.

Author : John McGreal
Publisher : Troubador Publishing Ltd
Page : 284 pages
File Size : 49,9 Mb
Release : 2017-02-21
Category : Art
ISBN : 9781788036436

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It's Figuration, Groundly by John McGreal Pdf

John McGreal's three new books – It’s Abstraction, Concretely, It’s Figuration, Groundly and It’s Representation, Really – continue the ‘It’ Series published by Matador since 2010. They constitute another stage in an artistic journey exploring the visual and audial dialectic of mark, word and image that began over 25 years ago. Emerging out of the first books on the Bibliograph published in 2016, initiated with It’s Nothing, Seriously, these new texts retain some of the same structural features. The Bibliographs contain the same focus on repetition and variation in meaning of their dominant motifs of representation, abstraction and figuration which have framed philosophical discourse on epistemology and ontology in aesthetics; their chance placement in each Bibliograph interspersed with one another displaying and enhancing similarities and differences. At the same time these works constitute a development in the aesthetic form of the Bibliograph. In earlier works on Nothing, Absence and Silence, it was just a question of finding and transferring given textual references from their source to construct their Bibliographs, with the focus being on the strategic position of the latter within each book. In these new works, the concern has been with working on the line and shape of the references themselves, with their enhanced spacial form as well as that of each Bibliograph as a whole. In shaping and spacing the referential images, the place of words and letters became as important as their semantic & syntactical role. Expansion and contraction of whole words was used to enhance this process. Under such detailed attention their breakdown into particles of language, into part-words and single letters was a result. The recombination of elements produced new words in a process of restrangement with new sequences of letters having visual rather than semantic value. The play on prefixes of dominant motifs yielded new words as did tmesis. This concern with the form of referential images does not preclude an equal commitment to their content. The aleatory character of textual entries in each Bibliograph encourage the reader to let his or her mind go; to read in a new way on diverse contemporary issues across conventional boundaries in the arts and sciences at several levels of physical, psychical and social reproduction.

Author : María Amalia García
Publisher : University of California Press
Page : 320 pages
File Size : 45,6 Mb
Release : 2019-07-16
Category : Art
ISBN : 9780520302198

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Abstract Crossings by María Amalia García Pdf

Toward the middle of the 1950s, abstract art became a dominant trend in the Latin American cultural scene. Many artists incorporated elements of abstraction into their rigorous artistic vocabularies, while at the same time, the representation of geometric lines and structures filtered into everyday life, appearing in textiles, posters, murals, and landscapes. The translation of a field-changing Spanish-language book, Abstract Crossings analyzes the relationship between, on the one hand, the emergence of abstract proposals in avant-garde groups and, on the other, the institutionalization and newfound hegemony of abstract poetics as part of Latin America’s imaginary of modernization. A profusion of mid-century artistic institutional exchanges between Argentina and Brazil makes a study of the trajectories of abstraction in these two countries particularly valuable. Examining the work of artists such as Max Bill, Lygia Clark, Waldemar Cordeiro, and Tomás Maldonado, author María Amalia García rewrites the artistic history of the period and proposes a novel reading of the cultural dialogue between Argentina and Brazil. This is the first book in the new Studies on Latin American Art series, supported by a gift from the Institute for Studies on Latin American Art.

Author : Frances Guerin
Publisher : U of Minnesota Press
Page : 461 pages
File Size : 52,8 Mb
Release : 2018-01-30
Category : Art
ISBN : 9781452957258

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The Truth Is Always Grey by Frances Guerin Pdf

Changing how we look at and think about the color grey Why did many of the twentieth century’s best-known abstract painters often choose grey, frequently considered a noncolor and devoid of meaning? Frances Guerin argues that painters (including Jasper Johns, Cy Twombly, Agnes Martin, Brice Marden, Mark Rothko, and Gerhard Richter) select grey to respond to a key question of modernist art: What is painting? By analyzing an array of modernist paintings, Guerin demonstrates that grey has a unique history and a legitimate identity as a color. She traces its use by painters as far back as medieval and Renaissance art, through Romanticism, to nineteenth- and twentieth-century modernism to show how grey is the perfect color to address the questions asked by painting within art history and to articulate the relationship between painting and the historical world of industrial modernity. A work of exceptional erudition, breadth, and clarity, presenting an impressive range of canonical paintings across centuries as examples, The Truth Is Always Grey is a treatise on color that allows us to see something entirely new in familiar paintings and encourages our appreciation for the innovation and dynamism of the color grey.

Author : Leigh Claire La Berge
Publisher : Oxford University Press, USA
Page : 241 pages
File Size : 40,5 Mb
Release : 2015
Category : Literary Criticism
ISBN : 9780199372874

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Scandals and Abstraction by Leigh Claire La Berge Pdf

"The greed, excess, and decadence of the long 1980s has been famously chronicled, critiqued, and satirized in epochal works like White Noise by Don DeLillo, American Psycho by Bret Easton Ellis, and Tom Wolfe's The Bonfire of the Vanities. Leigh Claire La Berge offers an in-depth study of these fictions alongside the key moments of financial history that inform them, contending that throughout the 1980s, novelists, journalists, and filmmakers began to reimagine the capitalist economy as one that was newly personal, masculine, and anxiety producing. The study's first half links the linguistic to the technological by exploring the arrival of ATMs and their ubiquity in postmodern American literature. In transformative readings of novels such as White Noise and American Psycho, La Berge traces how the ATM serves as a symbol of anxious isolation and the erosion of interpersonal communication. A subsequent chapter on Ellis' novel and Jane Smiley's Good Faith explores how male protagonists in each develop unique associations between money and masculinity. The second half of the monograph features chapters that attend to works-most notably Oliver Stone's Wall Street and Wolfe's The Bonfire of the Vanities-that capture aspects of the arrogance and recklessnessthat led to the savings-and-loan crisis and the 1987 stock market crash. Concluding with a coda on the recent Occupy Wall Street Movement and four short stories written in its wake, Scandals and Abstraction demonstrates how economic forces continue to remain a powerful presence in today's fiction"--

Author : Piet Mondrian
Publisher : Unknown
Page : 237 pages
File Size : 47,7 Mb
Release : 1987
Category : Art, Dutch
ISBN : OCLC:18186450

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Mondrian by Piet Mondrian Pdf

Author : Frank Stella
Publisher : Harvard University Press
Page : 200 pages
File Size : 50,6 Mb
Release : 1986
Category : Painting, Abstract
ISBN : 0674959612

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Working Space by Frank Stella Pdf

Caravaggio -- The Madonna of the Rosary -- Annibale Carracci -- Picasso -- A common complaint -- The Dutch savannah.

Author : Matilde Marcolli
Publisher : MIT Press
Page : 390 pages
File Size : 50,5 Mb
Release : 2020-05-26
Category : Mathematics
ISBN : 9780262358323

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Lumen Naturae by Matilde Marcolli Pdf

Exploring common themes in modern art, mathematics, and science, including the concept of space, the notion of randomness, and the shape of the cosmos. This is a book about art—and a book about mathematics and physics. In Lumen Naturae (the title refers to a purely immanent, non-supernatural form of enlightenment), mathematical physicist Matilde Marcolli explores common themes in modern art and modern science—the concept of space, the notion of randomness, the shape of the cosmos, and other puzzles of the universe—while mapping convergences with the work of such artists as Paul Cezanne, Mark Rothko, Sol LeWitt, and Lee Krasner. Her account, focusing on questions she has investigated in her own scientific work, is illustrated by more than two hundred color images of artworks by modern and contemporary artists. Thus Marcolli finds in still life paintings broad and deep philosophical reflections on space and time, and connects notions of space in mathematics to works by Paul Klee, Salvador Dalí, and others. She considers the relation of entropy and art and how notions of entropy have been expressed by such artists as Hans Arp and Fernand Léger; and traces the evolution of randomness as a mode of artistic expression. She analyzes the relation between graphical illustration and scientific text, and offers her own watercolor-decorated mathematical notebooks. Throughout, she balances discussions of science with explorations of art, using one to inform the other. (She employs some formal notation, which can easily be skipped by general readers.) Marcolli is not simply explaining art to scientists and science to artists; she charts unexpected interdependencies that illuminate the universe.

Author : Charles Bernstein
Publisher : University of Chicago Press
Page : 362 pages
File Size : 47,9 Mb
Release : 2016-03-28
Category : Literary Criticism
ISBN : 9780226332116

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Pitch of Poetry by Charles Bernstein Pdf

Praised in recent years as a “calculating, improvisatory, essential poet” by Daisy Fried in the New York Times, Charles Bernstein is a leading voice in American literary theory. Pitch of Poetry is his irreverent guide to modernist and contemporary poetics. Subjects range across Holocaust representation, Occupy Wall Street, and the figurative nature of abstract art. Detailed overviews of formally inventive work include essays on—or “pitches” for—a set of key poets, from Gertrude Stein and Robert Creeley to John Ashbery, Barbara Guest, Larry Eigner, and Leslie Scalapino. Bernstein also reveals the formative ideas behind the magazine L=A=N=G=U=A=G=E. The final section, published here for the first time, is a sweeping work on the poetics of stigma, perversity, and disability that is rooted in the thinking of Edgar Allan Poe, Emily Dickinson, Ralph Waldo Emerson, and William Blake. Pitch of Poetry makes an exhilarating case for what Bernstein calls echopoetics: a poetry of call and response, reason and imagination, disfiguration and refiguration.

Author : John Michael Greer
Publisher : New Society Publisher
Page : 202 pages
File Size : 51,9 Mb
Release : 2015-05-01
Category : Social Science
ISBN : 9781550925869

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After Progress by John Michael Greer Pdf

The acclaimed climate futurist examines our unquestioning faith in progress, and its limits in the face of peak oil and climate change. Since the Industrial Age began, scientific and technological progress has been nothing short of miraculous. As a result, progress itself has become the new religion of the West. Our faith in it is so complete that many of us ignore the perils of peak oil and climate change, believing that our lab-coated high priests will surely bring forth yet another miracle to save us all. Unfortunately, progress as we've known it has been entirely dependent on the breakneck exploitation of half a billion years of stored sunlight in the form of fossil fuels. As the age of this cheap, abundant energy draws to a close, progress is grinding to a halt. Unforgiving planetary limits are teaching us that our blind faith in endless exponential growth is a dangerous myth. After Progress addresses this looming paradigm shift, exploring the shape of history from a perspective on the far side of the coming crisis. With a startling examination of the role our belief systems play in our collective fate, John Michael Greer makes a persuasive argument for seeking new sources of meaning, value, and hope for the era ahead.

Author : Piet Mondrian
Publisher : Unknown
Page : 0 pages
File Size : 54,8 Mb
Release : 1987
Category : Art, Dutch
ISBN : OCLC:748989656

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Mondrian by Piet Mondrian Pdf

Author : Briony Fer
Publisher : Yale University Press
Page : 220 pages
File Size : 43,7 Mb
Release : 1997-01-01
Category : Art
ISBN : 0300069758

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On Abstract Art by Briony Fer Pdf

Many people are intrigued by the abstract work of artists like Mondrian and Jackson Pollock yet find it difficult to explain why. In this timely and original book, Briony Fer introduces abstract painting and sculpture of the twentieth century and explores new ways to think about abstract art and the problems of interpretation it raises. Fer speculates on the kind of language required to describe the often tantalizing effects of key abstract works and on ways to discuss critical issues when a work of art is without 'subject matter.' Drawing particularly on psychoanalytic theory and the writings of Georges Bataille, she examines a wide range of models of abstraction, ranging from the early European emphasis on the transcendental possibilities of pure form to later modernist frameworks developed in the United States. Each of the ten chapters in the book addresses a particular problem associated with abstract art by focusing closely on specific works produced by such artists as Malevich, Mondrian, Kandinsky, Arp, Miró, Pollock, Eva Hesse, and Donald Judd. Fer investigates the involvement of women artists such as Lyubov Popova and the problems of sexual difference in the development of abstract art. Countering the idealizing rhetoric of modernist criticism, On Abstract Art uncovers a latent corporeal and darker side to abstraction and deepens today’s discussion of a variety of critical concerns in contemporary art.