Film And The Ethical Imagination

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Film and the Ethical Imagination

Author : Asbjorn Gronstad
Publisher : Springer
Page : 260 pages
File Size : 51,6 Mb
Release : 2016-11-24
Category : Performing Arts
ISBN : 9781137583741

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Film and the Ethical Imagination by Asbjorn Gronstad Pdf

This book provides a comprehensive, critical overview of the turn to ethics in literature, film, and visual culture. It discusses the concept of a biovisual ethics, offering a new theory of the relation between film and ethics based on the premise that images are capable of generating their own ethical content. This ethics operates hermeneutically and materializes in cinema’s unique power to show us other modes of being. The author considers a wealth of contemporary art films and documentaries that embody ethical issues through the very form of the text. The ethical imagination generated by films such as The Nine Muses, Post Tenebras Lux, Amour, and Nostalgia For the Light is crucially defined by openness, uncertainty, opacity, and the refusal of hegemonic practices of visual representation.

The Moral Imagination

Author : Oliver F. Williams
Publisher : Unknown
Page : 232 pages
File Size : 45,6 Mb
Release : 1998
Category : Business ethics
ISBN : UCSC:32106014191198

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The Moral Imagination by Oliver F. Williams Pdf

The essays gathered in The Moral Imagination: How Literature and Films Can Stimulate Ethical Reflection in the Business World show how, through literature, art, and film, society might learn to develop a sense of moral imagination. Cultivating the imagination through art, literature, and film illuminates our understanding of what it means to be human. By having a genuine sense of self, one can expand an impoverished moral vision and open the way for the greatness of heart that is needed to guide us through an ethical life in business. The focus on moral images in business ethics is credited, in part, to Aristotle. Some of these essays can be seen as arguing for a retrieval of the Aristotelian insight on ethics for the business ethics of our time. Ethics in this perspective is not primarily concerned with analyzing situations so that we can make correct decisions but rather with reflecting on what is constitutive of the good life. The fostering of this philosophical tradition can bring a crucial corrective to the way business ethics is practiced today.

Cine-Ethics

Author : Jinhee Choi,Mattias Frey
Publisher : Routledge
Page : 266 pages
File Size : 48,7 Mb
Release : 2013-10-15
Category : Performing Arts
ISBN : 9781136745966

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Cine-Ethics by Jinhee Choi,Mattias Frey Pdf

This volume looks at the significance and range of ethical questions that pertain to various film practices. Diverse philosophical traditions provide useful frameworks to discuss spectators’ affective and emotional engagement with film, which can function as a moral ground for one’s connection to others and to the world outside the self. These traditions encompass theories of emotion, phenomenology, the philosophy of compassion, and analytic and continental ethical thinking and environmental ethics. This anthology is one of the first volumes to open up a dialogue among these diverse methodologies. Contributors bring to the fore some of the assumptions implicitly shared between these theories and forge a new relationship between them in order to explore the moral engagement of the spectator and the ethical consequences of both producing and consuming films

The Ethical Imagination

Author : Anonim
Publisher : McGill-Queen's Press - MQUP
Page : 287 pages
File Size : 40,8 Mb
Release : 2006
Category : Electronic
ISBN : 9780773576131

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The Ethical Imagination by Anonim Pdf

Science and technology force us to ask some of the most challenging and unprecedented ethical questions in the world today. These issues encompass what it means to be human, how we relate to others and our world, and how we find meaning in life. How we can find a shared ethics for an interdependent world? In her 2006 CBC Massey Lectures, ethicist and McGill University professor Margaret Somerville tackles some of the most contentious issues of our times, and proposes a brilliant new kind of ethical language and thought to help us navigate them.

Cinematic Ethics

Author : Robert Sinnerbrink
Publisher : Routledge
Page : 261 pages
File Size : 41,8 Mb
Release : 2015-10-23
Category : Philosophy
ISBN : 9781317336105

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Cinematic Ethics by Robert Sinnerbrink Pdf

How do movies evoke and express ethical ideas? What role does our emotional involvement play in this process? What makes the aesthetic power of cinema ethically significant? Cinematic Ethics: Exploring Ethical Experience through Film addresses these questions by examining the idea of cinema as a medium of ethical experience with the power to provoke emotional understanding and philosophical thinking. In a clear and engaging style, Robert Sinnerbrink examines the key philosophical approaches to ethics in contemporary film theory and philosophy using detailed case studies of cinematic ethics across different genres, styles, and filmic traditions. Written in a lucid and lively style that will engage both specialist and non-specialist readers, this book is ideal for use in the academic study of philosophy and film. Key features include annotated suggestions for further reading at the end of each chapter and a filmography of movies useful for teaching and researching cinematic ethics.

Seeing the Light

Author : Wanda Teays
Publisher : John Wiley & Sons
Page : 384 pages
File Size : 53,6 Mb
Release : 2012-03-05
Category : Philosophy
ISBN : 9781444332889

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Seeing the Light by Wanda Teays Pdf

Seeing the Light: Exploring Ethics Through Movies is an engaging and innovative approach to the study of philosophy and the development of moral reasoning skills. Features broad coverage of topics in ethics and moral reasoning Offers an innovative and imaginative approach to showing relevance of movies for ethical reflection Draws on a diverse selection of popular movies, foreign films, and documentaries to illustrate ethical dilemmas and character development on the big screen that has application to our lives Presents coverage of major ethical theories ranging from Ethical Egoism and Cultural Relativism to Utilitarianism, Kantian Ethics, Rawls' Justice Theory, Aristotle's Virtue Ethics, and Feminist Ethics Demonstrates how film is a powerful vehicle for sharpening skills in analysis and moral reasoning Includes accompanying website

Cognitive Film and Media Ethics

Author : Wyatt Moss-Wellington
Publisher : Oxford University Press
Page : 209 pages
File Size : 51,5 Mb
Release : 2021
Category : Performing Arts
ISBN : 9780197552889

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Cognitive Film and Media Ethics by Wyatt Moss-Wellington Pdf

Cognitive Film and Media Ethics provides a grounding in the use of cognitive science to address key questions in film, television and screen media ethics. This book extends past works in cognitive media studies to answer normative and ethically prescriptive questions: what could make media morally good or bad, and what, then, are the respective responsibilities of media producers and consumers? Moss-Wellington makes a primary claim that normative propositions are a kind of rigour, in that they force media theorists to draw more active ought conclusions from descriptive is arguments. Cognitive Film and Media Ethics presents the rigours of normative reasoning, cognitive science and consequentialist ethics as complementary, arguing that each seeks progressive elaboration on their own models of causality, and causal projections are crucial for any reflection on our moral responsibilities in the world. A hermeneutics of ethical cognitivism is applied in the latter half of the book, with essays each addressing a different case study in film, television, news and social media: cinema that sets out to inspire moral dissonance in the viewer, satirical and humorous depictions of family drama in film and television, the politics of the romantic comedy, formal aspects of screen media bullying in an era dubbed the television renaissance, and contemporary problems in the conflation of news and social media. Cognitive Film and Media Ethics synthesises current research in social psychology, anthropology, memory studies, emotion and cognition, personality and media selection, and evolutionary biology, integrating wide-ranging concepts from the various disciplines that make up cognitive theory to provide new vantages on the applied ethics of film and screen media.

Performing Ethics Through Film Style

Author : Edward Lamberti
Publisher : Edinburgh University Press
Page : 256 pages
File Size : 43,5 Mb
Release : 2019-11-06
Category : Motion pictures
ISBN : 9781474444026

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Performing Ethics Through Film Style by Edward Lamberti Pdf

Proposing a relationship between Levinasian ethics and film style, and bringing it into a productive dialogue with theories of performativity, this book explores this influence through three directorial bodies of work: those of Barbet Schroeder, Paul Schrader and the Dardenne Brothers.

Transformational Ethics of Film

Author : Martin P. Rossouw
Publisher : BRILL
Page : 333 pages
File Size : 51,5 Mb
Release : 2021-05-31
Category : Philosophy
ISBN : 9789004460874

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Transformational Ethics of Film by Martin P. Rossouw Pdf

Charting new routes for film ethics, Transformational Ethics of Film develops a critical account of the ethics of personal transformation at work within the ‘film as philosophy’ debate.

Moral Imagination

Author : Mark Johnson
Publisher : University of Chicago Press
Page : 302 pages
File Size : 51,5 Mb
Release : 2014-12-10
Category : Philosophy
ISBN : 9780226223230

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Moral Imagination by Mark Johnson Pdf

Using path-breaking discoveries of cognitive science, Mark Johnson argues that humans are fundamentally imaginative moral animals, challenging the view that morality is simply a system of universal laws dictated by reason. According to the Western moral tradition, we make ethical decisions by applying universal laws to concrete situations. But Johnson shows how research in cognitive science undermines this view and reveals that imagination has an essential role in ethical deliberation. Expanding his innovative studies of human reason in Metaphors We Live By and The Body in the Mind, Johnson provides the tools for more practical, realistic, and constructive moral reflection.

Agency and Imagination in the Films of David Lynch

Author : James D. Reid,Candace R. Craig
Publisher : Rowman & Littlefield
Page : 281 pages
File Size : 45,7 Mb
Release : 2019-12-13
Category : Philosophy
ISBN : 9781498555944

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Agency and Imagination in the Films of David Lynch by James D. Reid,Candace R. Craig Pdf

Agency and Imagination in the Films of David Lynch: Philosophical Perspectives offers a sustained philosophical interpretation of the filmmaker’s work in light of classic and contemporary discussions of human agency and the complex relations between our capacity to act and our ability to imagine. With the help of the pathological characters that so often leave their unforgettable mark on Lynch’s films, this book reveals several important ways in which human beings fail to achieve fuller embodiments of agency or seek substitute satisfactions in spaces of fantasy. In keeping with Lynch’s penchant for unconventional narrative techniques, James D. Reid and Candace R. Craig explore the possibility, scope, and limits of the very idea of agency itself and what it might be like to renounce concepts of agency altogether in the interpretation and depiction of human life. In a series of interlocking readings of eight feature-length films and Twin Peaks: The Return that combine suggestive philosophical analysis with close attention to cinematic detail, Reid and Craig make a convincing case for the importance of David Lynch’s work in the philosophical examination of agency, the vagaries of the human imagination, and the relevance of film for the philosophy of human action. Scholars of film studies and philosophy will find this book particularly useful.

Emotions, Ethics, and Cinematic Experience

Author : Robert Sinnerbrink
Publisher : Berghahn Books
Page : 158 pages
File Size : 40,5 Mb
Release : 2021-06-11
Category : Art
ISBN : 9781800731462

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Emotions, Ethics, and Cinematic Experience by Robert Sinnerbrink Pdf

Since the early 1990s, phenomenology and cognitivism have become two of the most influential approaches to film theory. Yet far from being at odds with each other, both approaches offer important insights on our subjective experience of cinema. Emotions, Ethics, and Cinematic Experience explores how these two approaches might work together to create a philosophy of film that is both descriptively rich and theoretically productive by addressing the key relationship between cinematic experience, emotions, and ethics.

Pulling Focus

Author : Jane Stadler
Publisher : Bloomsbury Publishing USA
Page : 288 pages
File Size : 51,8 Mb
Release : 2008-09-15
Category : Social Science
ISBN : 9781441186492

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Pulling Focus by Jane Stadler Pdf

The most powerful films have an afterlife. Their sensory appeal and their capacity to elicit involvement in story, character and conflict reaches beyond the screen to subtly reframe the way spectators view ethical issues and agents within the narrative, and in the world outside the cinema. Pulling Focus: Intersubjective Experience and Narrative Film questions how cinematic narratives relate to and affect ethical life. Extending Martha Nussbaum and Wayne Booth's work on moral philosophy and literature to consider cinema, Dr. Stadler shows that film spectatorship can be understood as a model for ethical attention that engages the audience in an affective relationship with characters and their values. Building on Vivian Sobchack's Address of the Eye and Carnal Thoughts, she uses a phenomenological approach to analyse ethical dimensions of film extending beyond narrative content, arguing that the camera describes experience and views screen characters with an evaluative form of perception: an ethical gaze in which spectators participate. Films discussed include Dead Man Walking, Lost Highway, Batman Begins, Nil By Mouth, and Eternal Sunshine of the Spotless Mind.

Screen Stories and Moral Understanding

Author : Carl Plantinga
Publisher : Oxford University Press
Page : 265 pages
File Size : 47,9 Mb
Release : 2023
Category : Performing Arts
ISBN : 9780197665664

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Screen Stories and Moral Understanding by Carl Plantinga Pdf

"The introduction argues for the importance of screen stories in relation to moral understanding, first discussing the fundamental role of storytelling in human cultures, then moving into the specific nature of moving image narratives and the institutional contexts in which they are seen. The introduction also discusses the interdisciplinary nature of the book, with its chapters coming from scholars representing various disciplines and their methodologies and terminologies. It identifies and discusses aesthetic cognitivism, the idea that one benefit of the arts is the cognitive benefits they provide. In this case the cognitive benefit in question is moral understanding. Last, the introduction surveys the outline of the book, with its sections on the nature of moral understanding, transfer and cultivation, affect, character engagement, and the reflective afterlife of screen stories"--

The Palgrave Handbook of the Philosophy of Film and Motion Pictures

Author : Noël Carroll,Laura T. Di Summa,Shawn Loht
Publisher : Springer Nature
Page : 1047 pages
File Size : 46,5 Mb
Release : 2019-10-30
Category : Philosophy
ISBN : 9783030196011

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The Palgrave Handbook of the Philosophy of Film and Motion Pictures by Noël Carroll,Laura T. Di Summa,Shawn Loht Pdf

This handbook brings together essays in the philosophy of film and motion pictures from authorities across the spectrum. It boasts contributions from philosophers and film theorists alike, with many essays employing pluralist approaches to this interdisciplinary subject. Core areas treated include film ontology, film structure, psychology, authorship, narrative, and viewer emotion. Emerging areas of interest, including virtual reality, video games, and nonfictional and autobiographical film also have dedicated chapters. Other areas of focus include the film medium’s intersection with contemporary social issues, film’s kinship to other art forms, and the influence of historically seminal schools of thought in the philosophy of film. Of emphasis in many of the essays is the relationship and overlap of analytic and continental perspectives in this subject.