Film Festivals And Anthropology

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Film Festivals and Anthropology

Author : María-Paz Peirano,Aida Vallejo
Publisher : Cambridge Scholars Publishing
Page : 363 pages
File Size : 45,5 Mb
Release : 2017-03-07
Category : Performing Arts
ISBN : 9781443874717

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Film Festivals and Anthropology by María-Paz Peirano,Aida Vallejo Pdf

This collection explores the intersections between anthropology and film festival studies. Film and anthropology scholars map ethnographic film festivals and ethnographic approaches to festivals worldwide. The book provides a historical reconstruction of most of the main festivals exhibiting ethnographic film, considering the parallel evolution of programming and organisational practices across the globe. It also addresses the great value and challenges of ethnographic research tools for studying the wide-ranging field of film festivals. This volume is the first to collect long-term experiences of curating and exhibiting ethnographic film, as well as new approaches to the understanding of film festival practices. Its contributions reflect on curatorial practices within visual anthropology and their implications for ethnographic filmmaking, and they shed light on problems of cultural translation, funding, festival audiences and the institutionalisation of ethnographic cinema. The book offers a novel perspective on film festivals as showcases for cinema, socio-cultural hubs and distribution nodes. Aimed at anthropologists, media scholars, festival organisers and documentary film professionals, it offers a starting point for the study of ethnographic film exhibition within its cultural and social contexts.

Anthropology, Film Industries, Modularity

Author : Ramyar D. Rossoukh,Steven C. Caton
Publisher : Duke University Press
Page : 163 pages
File Size : 40,8 Mb
Release : 2021-09-08
Category : Social Science
ISBN : 9781478022190

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Anthropology, Film Industries, Modularity by Ramyar D. Rossoukh,Steven C. Caton Pdf

From Bangladesh and Hong Kong to Iran and South Africa, film industries around the world are rapidly growing at a time when new digital technologies are fundamentally changing how films are made and viewed. Larger film industries like Bollywood and Nollywood aim to attain Hollywood's audience and profitability, while smaller, less commercial, and often state-funded enterprises support various cultural and political projects. The contributors to Anthropology, Film Industries, Modularity take an ethnographic and comparative approach to capturing the diversity and growth of global film industries. They outline how modularity—the specialized filmmaking tasks that collectively produce a film—operates as a key feature in every film industry, independent of local context. Whether they are examining the process of dubbing Hollywood films into Hindi, virtual reality filmmaking in South Africa, or on-location shooting in Yemen, the contributors' anthropological methodology brings into relief the universal practices and the local contingencies and deeper cultural realities of film production. Contributors. Steven C. Caton, Jessica Dickson, Kevin Dwyer, Tejaswini Ganti, Lotte Hoek, Amrita Ibrahim, Sylvia J. Martin, Ramyar D. Rossoukh

Documentary Film in India

Author : Giulia Battaglia
Publisher : Routledge
Page : 248 pages
File Size : 45,6 Mb
Release : 2017-11-22
Category : Social Science
ISBN : 9781351375634

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Documentary Film in India by Giulia Battaglia Pdf

This book maps a hundred years of documentary film practices in India. It demonstrates that in order to study the development of a film practice, it is necessary to go beyond the classic analysis of films and filmmakers and focus on the discourses created around and about the practice in question. The book navigates different historical moments of the growth of documentary filmmaking in India from the colonial period to the present day. In the process, it touches upon questions concerning practices and discourses about colonial films, postcolonial institutions, independent films, filmmakers and filmmaking, the influence of feminism and the articulation of concepts of performance and performativity in various films practices. It also reflects on the centrality of technological change in different historical moments and that of film festivals and film screenings across time and space. Grounded in anthropological fieldwork and archival research and adopting Foucault’s concept of ‘effective history’, this work searches for points of origin that creates ruptures and deviations taking distance from conventional ways of writing film histories. Rather than presenting a univocal set of arguments and conclusions about changes or new developments of film techniques, the originality of the book is in offering an open structure (or an open archive) to enable the reader to engage with mechanisms of creation, engagement and participation in film and art practices at large. In adopting this form, the book conceptualises ‘Anthropology’ as also an art practice, interested, through its theoretico-methodological approach, in creating an open archive of engagement rather than a representation of a distant ‘other’. Similarly, documentary filmmaking in India is seen as primarily a process of creation based on engagement and participation rather than a practice interested in representing an objective reality. Proposing an innovative way of perceiving the growth of the documentary film genre in the subcontinent, this book will be of interest to film historians and specialists in Indian cinema(s) as well as academics in the field of anthropology of art, media and visual practices and Asian media studies.

The Routledge International Handbook of Ethnographic Film and Video

Author : Phillip Vannini
Publisher : Routledge
Page : 332 pages
File Size : 54,7 Mb
Release : 2020-04-02
Category : Social Science
ISBN : 9780429589362

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The Routledge International Handbook of Ethnographic Film and Video by Phillip Vannini Pdf

The Routledge International Handbook of Ethnographic Film and Video is a state-of-the-art book which encompasses the breadth and depth of the field of ethnographic film and video-based research. With more and more researchers turning to film and video as a key element of their projects, and as research video production becomes more practical due to technological advances as well as the growing acceptance of video in everyday life, this critical book supports young researchers looking to develop the skills necessary to produce meaningful ethnographic films and videos, and serves as a comprehensive resource for social scientists looking to better understand and appreciate the unique ways in which film and video can serve as ways of knowing and as tools of knowledge mobilization. Comprised of 31 chapters authored by some of the world’s leading experts in their respective fields, the book’s contributors synthesize existing literature, introduce the historical and conceptual dimensions of the field, illustrate innovative methodologies and techniques, survey traditional and new technologies, reflect on ethics and moral imperatives, outline ways to work with people, objects, and tools, and shape the future agenda of the field. With a particular focus on making ethnographic film and video, as opposed to analyzing or critiquing it, from a variety of methodological approaches and styles, the Handbook provides both a comprehensive introduction and up-to-date survey of the field for a vast variety of audiovisual researchers, such as scholars and students in sociology, anthropology, geography, communication and media studies, education, cultural studies, film studies, visual arts, and related social science and humanities. As such, it will appeal to a multidisciplinary and international audience, and features a dynamic, forward-thinking, innovative, and contemporary focus oriented toward the very latest developments in the field, as well as future possibilities.

Transcultural Cinema

Author : David MacDougall
Publisher : Princeton University Press
Page : 329 pages
File Size : 52,7 Mb
Release : 2021-07-13
Category : Performing Arts
ISBN : 9781400851812

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Transcultural Cinema by David MacDougall Pdf

David MacDougall is a pivotal figure in the development of ethnographic cinema and visual anthropology. As a filmmaker, he has directed in Africa, Australia, India, and Europe. His prize-winning films (many made jointly with his wife, Judith MacDougall) include The Wedding Camels, Lorang's Way, To Live with Herds, A Wife among Wives, Takeover, PhotoWallahs, and Tempus de Baristas. As a theorist, he articulates central issues in the relation of film to anthropology, and is one of the few documentary filmmakers who writes extensively on these concerns. The essays collected here address, for instance, the difference between films and written texts and between the position of the filmmaker and that of the anthropological writer. In fact, these works provide an overview of the history of visual anthropology, as well as commentaries on specific subjects, such as point-of-view and subjectivity, reflexivity, the use of subtitles, and the role of the cinema subject. Refreshingly free of jargon, each piece belongs very much to the tradition of the essay in its personal engagement with exploring difficult issues. The author ultimately disputes the view that ethnographic filmmaking is merely a visual form of anthropology, maintaining instead that it is a radical anthropological practice, which challenges many of the basic assumptions of the discipline of anthropology itself. Although influential among filmmakers and critics, some of these essays were published in small journals and have been until now difficult to find. The three longest pieces, including the title essay, are new.

Memories of the Origins of Ethnographic Film

Author : Beate Engelbrecht
Publisher : Peter Lang Publishing
Page : 538 pages
File Size : 48,9 Mb
Release : 2007
Category : Social Science
ISBN : STANFORD:36105131766961

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Memories of the Origins of Ethnographic Film by Beate Engelbrecht Pdf

Ethnographic Film, which combines documentary filming and anthropological research, originated in the late 19th century. Early on, anthropologists used film to record cultures. Documentary filmmakers in the early 20th century developed different strategies, with technical developments aiding further advances. In the 1950s to 1970s, intense debates among anthropologists, filmmakers and artists, many of whom met regularly at conferences and festivals, took place on the methodology of ethnographic filmmaking. Their discussions were handed on by word of mouth, but rarely recorded or published. In 2001, the pioneers of ethnographic film met in Gottingen and put together their recollections of the genre's Origins, thus giving an unusual insight into the development of ethnographic film.

Cross-Cultural Filmmaking

Author : Ilisa Barbash,Lucien Taylor
Publisher : Univ of California Press
Page : 572 pages
File Size : 40,5 Mb
Release : 2023-09-01
Category : Performing Arts
ISBN : 9780520915091

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Cross-Cultural Filmmaking by Ilisa Barbash,Lucien Taylor Pdf

This extraordinary handbook was inspired by the distinctive concerns of anthropologists and others who film people in the field. The authors cover the practical, technical, and theoretical aspects of filming, from fundraising to exhibition, in lucid and complete detail—information never before assembled in one place. The first section discusses filmmaking styles and the assumptions that frequently hide unacknowledged behind them, as well as the practical and ethical issues involved in moving from fieldwork to filmmaking. The second section concisely and clearly explains the technical aspects, including how to select and use equipment, how to shoot film and video, and the reasons for choosing one or the other, and how to record sound. Finally, the third section outlines the entire process of filmmaking: preproduction, production, postproduction, and distribution. Filled with useful illustrations and covering documentary and ethnographic filmmaking of all kinds, Cross-Cultural Filmmaking will be as essential to the anthropologist or independent documentarian on location as to the student in the classroom.

Screened Encounters

Author : Caroline Moine
Publisher : Berghahn Books
Page : 394 pages
File Size : 40,8 Mb
Release : 2018-09-21
Category : Performing Arts
ISBN : 9781785339103

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Screened Encounters by Caroline Moine Pdf

Established in 1955, the Leipzig International Documentary Film Festival became a central arena for staging the cultural politics of the German Democratic Republic, both domestically and in relation to West Germany and the rest of the world. Screened Encounters represents the definitive history of this key event, recounting the political and artistic exchanges it enabled from its founding until German unification, and tracing the outsize influence it exerted on international cultural relations during the Cold War.

Experimental Film and Anthropology

Author : Arnd Schneider,Caterina Pasqualino
Publisher : Routledge
Page : 208 pages
File Size : 40,8 Mb
Release : 2020-05-12
Category : Social Science
ISBN : 9781000182972

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Experimental Film and Anthropology by Arnd Schneider,Caterina Pasqualino Pdf

Experimental Film and Anthropology urges a new dialogue between two seemingly separate fields. The book explores the practical and theoretical challenges arising from experimental film for anthropology, and vice versa, through a number of contact zones: trance, emotions and the senses, materiality and time, non-narrative content and montage. Experimental film and cinema are understood in this book as broad, inclusive categories covering many technical formats and historical traditions, to investigate the potential for new common practices. An international range of renowned anthropologists, film scholars and experimental film-makers engage in vibrant discussion and offer important new insights for all students and scholars involved in producing their own films. This is indispensable reading for students and scholars in a range of disciplines including anthropology, visual anthropology, visual culture and film and media studies.

Film As Ethnography

Author : Peter Ian Crawford,David Turton
Publisher : Manchester University Press
Page : 340 pages
File Size : 55,6 Mb
Release : 1992-11-15
Category : Performing Arts
ISBN : 0719036836

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Film As Ethnography by Peter Ian Crawford,David Turton Pdf

This work examines the reasons why anthropologists have not used the camera as a research instrument or film as a means of communicating ethnographic knowledge. It suggests that images and words in this discipline operate on different logical levels; that they are hierarchically related; that whereas writings may encompass the images produced by film, the inverse of this cannot be true. The author argues for this position further by suggesting that the visual is to the written mode as "thin description" (giving a record of the form of behaviour) is to "thick description" (giving an account of meaning).

Film Festivals

Author : Marijke de Valck,Brendan Kredell,Skadi Loist
Publisher : Routledge
Page : 257 pages
File Size : 41,7 Mb
Release : 2016-02-26
Category : Social Science
ISBN : 9781317267218

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Film Festivals by Marijke de Valck,Brendan Kredell,Skadi Loist Pdf

The last decade has witnessed an explosion of interest in film festivals, with the field growing to a position of prominence within the space of a few short years. Film Festivals: History, Theory, Method, Practice represents a major addition to the literature on this topic, offering an authoritative and comprehensive introduction to the area. With a combination of chapters specifically examining history, theory, method and practice, it offers a clear structure and systematic approach for the study of film festivals. Offering a collection of essays written by an international range of established scholars, it discusses well-known film festivals in Europe, North America and Asia, but equally devotes attention to the diverse range of smaller and/or specialized events that take place around the globe. It provides essential knowledge on the origin and development of film festivals, discusses the use of theory to study festivals, explores the methods of ethnographic and archival research, and looks closely at the professional practice of programming and film funding. Each section, moreover, is introduced by the editors, and all chapters include useful suggestions for further reading. This will be an essential textbook for students studying film festivals as part of their film, media and cultural studies courses, as well as a strong research tool for scholars that wish to familiarize themselves with this burgeoning field.

Principles of Visual Anthropology

Author : Paul Hockings
Publisher : Walter de Gruyter
Page : 592 pages
File Size : 47,7 Mb
Release : 2012-05-18
Category : Science
ISBN : 9783110290691

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Principles of Visual Anthropology by Paul Hockings Pdf

This edition contains 27 articles, written by scholars and film makers who are generally acknowledged as the international authorities in the filed. The book covers ethnographic filming and its relations to the cinema and television; applications of filming to anthropological research, the uses of still photography, archives, and videotape; subdisciplinary applications in ethnography, archeology, bio-anthropology, museology and ethnohistory; and overcoming the funding problems of film production.

Observational Cinema

Author : Anna Grimshaw,Amanda Ravetz
Publisher : Indiana University Press
Page : 225 pages
File Size : 42,6 Mb
Release : 2009-11-17
Category : Performing Arts
ISBN : 9780253221582

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Observational Cinema by Anna Grimshaw,Amanda Ravetz Pdf

Once hailed as a radical breakthrough in documentary and ethnographic filmmaking, observational cinema has been criticized for a supposedly detached camera that objectifies and dehumanizes the subjects of its gaze. The author's provide a critical historyand in-depth appraisal of this movement.

Fields of Vision

Author : Leslie Devereaux,Roger Hillman
Publisher : Univ of California Press
Page : 379 pages
File Size : 42,7 Mb
Release : 2023-04-28
Category : Performing Arts
ISBN : 9780520914704

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Fields of Vision by Leslie Devereaux,Roger Hillman Pdf

Filmed images dominate our time, from the movies and TV that entertain us to the news and documentary that inform us and shape our cultural vocabulary. Crossing disciplinary boundaries, Fields of Vision is a path-breaking collection that inquires into the power (and limits) of film and photography to make sense of ourselves and others. As critics, social scientists, filmmakers, and literary scholars, the contributors converge on the issues of representation and the construction of visual meaning across cultures. From the dismembered bodies of horror film to the exotic bodies of ethnographic film and the gorgeous bodies of romantic cinema, Fields of Vision moves through eras, genres, and societies. Always asking how images work to produce meaning, the essays address the way the "real" on film creates fantasy, news, as well as "science," and considers this problematic process as cultural boundaries are crossed. One essay discusses the effects of Hollywood's high-capital, world-wide commercial hegemony on local and non-Western cinemas, while another explores the response of indigenous people in central Australia to the forces of mass media and video. Other essays uncover the work of the unconscious in cinema, the shaping of "female spectatorship" by the "women's film" genre of the 1920s, and the effects of the personal and subjective in documentary films and the photographs of war reportage. In illuminating dark, elided, or wilfully neglected areas of representation, these essays uncover new fields of vision.

Seeing Anthropology

Author : Karl G. Heider
Publisher : Allyn & Bacon
Page : 378 pages
File Size : 51,7 Mb
Release : 1997
Category : Social Science
ISBN : STANFORD:36105020124843

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Seeing Anthropology by Karl G. Heider Pdf

Accompanying videocassettes include short ethnographically accurate films on a wide range of culture types and world areas which contribute to the subject of the chapters.