Film Noir And The Cinema Of Paranoia

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Film Noir and the Cinema of Paranoia

Author : Dixon Wheeler Winston Dixon
Publisher : Edinburgh University Press
Page : 208 pages
File Size : 53,9 Mb
Release : 2019-07-29
Category : Electronic books
ISBN : 9781474467766

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Film Noir and the Cinema of Paranoia by Dixon Wheeler Winston Dixon Pdf

Film Noir and the Cinema of Paranoia is an overview of 20th- and 21st-century noir and fatalist film practice from 1945 onwards. The book demonstrates the ways in which American cinema has inculcated a climate of fear in our daily lives, as reinforced, starting in the 1950s, by television, and later videocassettes, the web, and the Internet, to create, by the early 21st century a hypersurveillant atmosphere in which no one can avoid the barrage of images that continually assault our senses. The book begins with the return of American soldiers from World War II, 'liberated' from war in the Pacific by the newly created atomic bomb, which will come to rule American consciousness through much of the 1950s and 1960s and then, in a newer, more small-scale way, become a fixture of terrorist hardware in the post-paranoid ear of the 21st century. Film Noir and the Cinema of Paranoia is constructed in six chapters, each highlighting a particular 'raising of the cinematic stakes' in the creation of a completely immersible universe of images. Selling points:*Expands the definition of noir to include numerous lesser known works.*Deals with Red Scare films of the 1950s in the US.*Examines the 'dark side' of the 1960s, or films that questioned the emerging counterculture.*Explores such neo-noir films as The Last Seduction (1993), Angel Heart (1987), The Grifters (1990), Red Rock West (1993), The Usual Suspects (1995), Mulholland Drive (2001), L.A. Confidential (1997), and Memento (2000).*Details the 'noir' aspects of the cybernetic age, both in online and videogame uses.

American Cinema of the 1940s

Author : Wheeler W. Dixon
Publisher : Rutgers University Press
Page : 301 pages
File Size : 42,9 Mb
Release : 2006
Category : History
ISBN : 9780813537009

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American Cinema of the 1940s by Wheeler W. Dixon Pdf

The 1940s was a watershed decade for American cinema and the nation. Shaking off the grim legacy of the Depression, Hollywood launched an unprecedented wave of production, generating some of its most memorable classics. Featuring essays by a group of respected film scholars and historians, American Cinema of the 1940s brings this dynamic and turbulent decade to life with such films as Citizen Kane, Rebecca, The Lady Eve, Sergeant York, How Green Was My Valley, Casablanca, Mrs. Miniver, The Road to Morocco, Yankee Doodle Dandy, Kiss of Death, Force of Evil, Caught, and Apology for Murder. Illustrated with many rare stills and filled with provocative insights, the volume will appeal to students, teachers, and to all those interested in cultural history and American film of the twentieth century.

Film Noir and the Cinema of Paranoia

Author : Wheeler Winston Dixon
Publisher : Unknown
Page : 198 pages
File Size : 40,9 Mb
Release : 2009
Category : Performing Arts
ISBN : 0748624007

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Film Noir and the Cinema of Paranoia by Wheeler Winston Dixon Pdf

Wheeler Winston Dixon's comprehensive work engages readers in an overview of noir and fatalist film from the mid-twentieth century to the present, ending with a discussion of television, the Internet, and dominant commercial cinema. Beginning with the 1940s classics, Film Noir and the Cinema of Paranoia moves to the "Red Scare" and other ominous expressions of the 1950s that contradicted an American split-level dream of safety and security. The dark cinema of the 1960s hosted films that reflected the tensions of a society facing a new and, to some, menacing era of social expression. From smaller studio work to the vibrating pulse of today's "click and kill" video games, Dixon boldly addresses the noir artistry that keeps audiences in an ever-consumptive stupor.

Projecting Paranoia

Author : Ray Pratt
Publisher : Unknown
Page : 358 pages
File Size : 43,6 Mb
Release : 2001
Category : History
ISBN : UOM:39015054189058

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Projecting Paranoia by Ray Pratt Pdf

A wide-ranging and idiosyncratic look at sixty years of politics and film that uncovers how American movies have mirrored and even challenged anxieties and paranoid perceptions embedded in American society since the start of the Cold War. The first book to take a sweeping look at 60 years of film and analyze them thematically.

Dark Borders

Author : Jonathan Auerbach
Publisher : Duke University Press
Page : 281 pages
File Size : 53,5 Mb
Release : 2011-03-25
Category : History
ISBN : 9780822350064

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Dark Borders by Jonathan Auerbach Pdf

Connects anxieties about citizenship and national belonging in midcentury America to the sense of alienation conveyed by American film noir

A Companion to Film Noir

Author : Andre Spicer,Helen Hanson
Publisher : John Wiley & Sons
Page : 662 pages
File Size : 46,8 Mb
Release : 2013-06-27
Category : Performing Arts
ISBN : 9781118523711

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A Companion to Film Noir by Andre Spicer,Helen Hanson Pdf

An authoritative companion that offers a wide-ranging thematic survey of this enduringly popular cultural form and includes scholarship from both established and emerging scholars as well as analysis of film noir's influence on other media including television and graphic novels. Covers a wealth of new approaches to film noir and neo-noir that explore issues ranging from conceptualization to cross-media influences Features chapters exploring the wider ‘noir mediascape’ of television, graphic novels and radio Reflects the historical and geographical reach of film noir, from the 1920s to the present and in a variety of national cinemas Includes contributions from both established and emerging scholars

Film Noir

Author : Andrew Spicer
Publisher : Routledge
Page : 294 pages
File Size : 46,6 Mb
Release : 2018-10-08
Category : Performing Arts
ISBN : 9781317875024

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Film Noir by Andrew Spicer Pdf

Film Noir is an overview of an often celebrated, but also contested, body of films. It discusses film noir as a cultural phenomenon whose history is more extensive and diverse than American black and white crime thrillers of the forties. An extended Background Chapter situates film noir within its cultural context, describing its origin in German Expressionism, French Poetic Realism and in developments within American genres, the gangster/crime thriller, horror and the Gothic romance and its possible relationship to changes in American society. Five chapters are devoted to ‘classic’ film noir (1940-59): chapters explore its contexts of production and reception, its visual style, and its narrative patterns and themes chapters on character types and star performances elucidate noir’s complex construction of gender with its weak, ambivalent males and predatory femmes fatales and also provide a detailed analysis of three noir auteurs, - Anthony Mann, Robert Siodmak and Fritz Lang Three chapters investigate ‘neo-noir’ and British film noir: chapters trace the complex evolution of ‘neo-noir’ in American cinema, from the modernist critiques of Night Moves and Taxi Driver, to the postmodern hybridity of contemporary noir including Seven, Pulp Fiction and Memento the final chapter surveys the development of British film noir, a significant and virtually unknown cinema, stretching from the thirties to Mike Hodges’ Croupier Films discussed include both little known examples and seminal works such as Double Indemnity, Scarlet Street, Kiss Me Deadly and Touch of Evil. A final section provides a guide to further reading, an extensive bibliography and a list of over 500 films referred to in the text. Lucidly written, Film Noir is an accessible, informative and stimulating introduction that will have a broad appeal to undergraduates, cinéastes, film teachers and researchers.

A Panorama of American Film Noir (1941-1953)

Author : Raymond Borde,Etienne Chaumeton
Publisher : City Lights Books
Page : 284 pages
File Size : 53,6 Mb
Release : 2002
Category : Performing Arts
ISBN : 087286412X

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A Panorama of American Film Noir (1941-1953) by Raymond Borde,Etienne Chaumeton Pdf

This first book published on film noir established the genre--a classic, at last in translation.

Roots of Film Noir

Author : Kevin Grant
Publisher : McFarland
Page : 253 pages
File Size : 40,5 Mb
Release : 2022-11-23
Category : Performing Arts
ISBN : 9781476687483

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Roots of Film Noir by Kevin Grant Pdf

Individual reviews of 90+ films created and released before 1941 are included here in the first title-by-title reference guide to the forerunners of film noir. Silent Hitchcock thrillers and German expressionist masterpieces, French poetic realist dramas and forgotten Hollywood B-movies, pseudo-Freudian gangster films and costume melodramas are among the works covered. The collection spans subgenres and cultures of filmmaking, aiming to demonstrate that the roots of noir were sown far and wide, long before the lasting and mysterious genre flowered in America during the war years.

Historical Dictionary of Crime Films

Author : Geoff Mayer
Publisher : Scarecrow Press
Page : 516 pages
File Size : 45,5 Mb
Release : 2012-09-13
Category : Performing Arts
ISBN : 9780810879003

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Historical Dictionary of Crime Films by Geoff Mayer Pdf

The Historical Dictionary of Crime Films covers the history of this genre through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on key films, directors, performers, and studios. This book is an excellent access point for students, researchers, and anyone wanting to know more about crime cinema.

Historical Dictionary of American Cinema

Author : M. Keith Booker
Publisher : Rowman & Littlefield
Page : 655 pages
File Size : 41,6 Mb
Release : 2021-06
Category : Performing Arts
ISBN : 9781538130124

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Historical Dictionary of American Cinema by M. Keith Booker Pdf

One of the most powerful forces in world culture, American cinema has a long and complex history that stretches through more than a century. This history not only includes a legacy of hundreds of important films but also the evolution of the film industry itself, which is in many ways a microcosm of the history of American society. Historical Dictionary of American Cinema, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 600 cross-referenced entries covering people, films, companies, techniques, themes, and subgenres that have made American cinema such a vital part of world culture.

Somewhere in the Night

Author : Nicholas Christopher
Publisher : Simon and Schuster
Page : 312 pages
File Size : 52,7 Mb
Release : 2010-05-11
Category : Performing Arts
ISBN : 9781439137611

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Somewhere in the Night by Nicholas Christopher Pdf

Film noir is more than a cinematic genre. It is an essential aspect of American culture. Along with the cowboy of the Wild West, the denizen of the film noir city is at the very center of our mythological iconography. Described as the style of an anxious victor, film noir began during the post-war period, a strange time of hope and optimism mixed with fear and even paranoia. The shadow of this rich and powerful cinematic style can now be seen in virtually every artistic medium. The spectacular success of recent neo-film noirs is only the tip of an iceberg. In the dead-on, nocturnal jazz of Charlie Parker and Miles Davis, the chilled urban landscapes of Edward Hopper, and postwar literary fiction from Nelson Algren and William S. Burroughs to pulp masters like Horace McCoy, we find an unsettling recognition of the dark hollowness beneath the surface of the American Dream. Acclaimed novelist and poet Nicholas Christopher explores the cultural identity of film noir in a seamless, elegant, and enchanting work of literary prose. Examining virtually the entire catalogue of film noir, Christopher identifies the central motif as the urban labyrinth, a place infested with psychosis, anxiety, and existential dread in which the noir hero embarks on a dangerously illuminating quest. With acute sensitivity, he shows how technical devices such as lighting, voice over, and editing tempo are deployed to create the film noir world. Somewhere in the Night guides us through the architecture of this imaginary world, be it shot in New York or Los Angeles, relating its elements to the ancient cultural archetypes that prefigure it. Finally, Christopher builds an explanation of why film noir not only lives on but is currently enjoying a renaissance. Somewhere in the Night can be appreciated as a lucid introduction to a fundamental style of American culture, and also as a guide to film noir's heyday. Ultimately, though, as the work of a bold talent adeptly manipulating poetic cadence and metaphor, it is itself a superb aesthetic artifact.

The Cambridge Companion to Film Music

Author : Mervyn Cooke,Fiona Ford
Publisher : Cambridge University Press
Page : 439 pages
File Size : 49,9 Mb
Release : 2016-12-08
Category : Music
ISBN : 9781107094512

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The Cambridge Companion to Film Music by Mervyn Cooke,Fiona Ford Pdf

A stimulating and unusually wide-ranging collection of essays overviewing ways in which music functions in film soundtracks.

Mean Streets and Raging Bulls

Author : Richard Martin
Publisher : Scarecrow Press
Page : 210 pages
File Size : 55,5 Mb
Release : 1997
Category : Performing Arts
ISBN : 9780810833371

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Mean Streets and Raging Bulls by Richard Martin Pdf

Classic film noir was Hollywood's 'dark cinema' of crime and corruption; a genre underpinned by a tone of existential cynicism which stripped bare the myth of the American Dream and offered a bleak, nightmarish vision of a fragmented society that rhymed with many of the social realities of forties and fifties America. Mean Streets and Raging Bulls explores how, since its apparent demise in the late fifties, the noir genre has been revitalized during the post-studio era. The book is divided into two sections. In the first, the evolution of film noir is contextualized in relation to both American cinema's industrial transformation and the post-Depression history of the United States. In the second, the evolution of neo-noir and its relation to classic film noir is illustrated by detailed reference to representative texts including Chinatown (Roman Polanski, 1974), Night Moves (Arthur Penn, 1975), Taxi Driver (Martin Scorsese, 1976), Blood Simple (Joel and Ethan Coen, 1984), After Hours (Martin Scorsese, 1985), Sea of Love (Harold Becker, 1989), Resevoir Dogs (Quentin Tarantino, 1992), and Romeo is Bleeding (Peter Medak, 1994).

Siren City

Author : Robert Miklitsch
Publisher : Rutgers University Press
Page : 291 pages
File Size : 42,6 Mb
Release : 2011
Category : Music
ISBN : 9780813548982

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Siren City by Robert Miklitsch Pdf

"Robert Miklitsch has convinced me. Sound and music in film noir are every bit as important as the visuals. Siren City drives home this argument with authority and elegance. Highly recommended."---Krin Gabbard, author of Hotter Than That: The Trumpet, Jazz, and American Culture --