Film Rhythm After Sound

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Film Rhythm After Sound

Lea Jacobs
Film Rhythm After Sound Book PDF

Author : Lea Jacobs
Publisher : Univ of California Press
Page : 280 pages
File Size : 44,9 Mb
Release : 2015
Category : MUSIC
ISBN : 9780520279650

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Film Rhythm After Sound by Lea Jacobs Pdf

The seemingly effortless integration of sound, movement, and editing in films of the late 1930s stands in vivid contrast to the awkwardness of the first talkies. Film Rhythm after Sound analyzes this evolution via close examination of important prototypes of early sound filmmaking, as well as contemporary discussions of rhythm, tempo, and pacing. Jacobs looks at the rhythmic dimensions of performance and sound in a diverse set of case studies: the Eisenstein-Prokofiev collaboration Ivan the Terrible, Disney’s Silly Symphonies and early Mickey Mouse cartoons, musicals by Lubitsch and Mamoulian, and the impeccably timed dialogue in Hawks’s films. Jacobs argues that the new range of sound technologies made possible a much tighter synchronization of music, speech, and movement than had been the norm with the live accompaniment of silent films. Filmmakers in the early years of the transition to sound experimented with different technical means of achieving synchronization and employed a variety of formal strategies for creating rhythmically unified scenes and sequences. Music often served as a blueprint for rhythm and pacing, as was the case in mickey mousing, the close integration of music and movement in animation. However, by the mid-1930s, filmmakers had also gained enough control over dialogue recording and editing to utilize dialogue to pace scenes independently of the music track. Jacobs’s highly original study of early sound-film practices provides significant new contributions to the fields of film music and sound studies.

The Routledge Companion to Global Film Music in the Early Sound Era

Jeremy Barham
The Routledge Companion to Global Film Music in the Early Sound Era Book PDF

Author : Jeremy Barham
Publisher : Taylor & Francis
Page : 842 pages
File Size : 42,6 Mb
Release : 2023-12-22
Category : Music
ISBN : 9780429997013

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The Routledge Companion to Global Film Music in the Early Sound Era by Jeremy Barham Pdf

In a major expansion of the conversation on music and film history, The Routledge Companion to Global Film Music in the Early Sound Era draws together a wide-ranging collection of scholarship on music in global cinema during the transition from silent to sound films (the late 1920s to the 1940s). Moving beyond the traditional focus on Hollywood, this Companion considers the vast range of cinema and music created in often-overlooked regions throughout the rest of the world, providing crucial global context to film music history. An extensive editorial Introduction and 50 chapters from an array of international experts connect the music and sound of these films to regional and transnational issues—culturally, historically, and aesthetically—across five parts: Western Europe and Scandinavia Central and Eastern Europe North Africa, The Middle East, Asia, and Australasia Latin America Soviet Russia Filling a major gap in the literature, The Routledge Companion to Global Film Music in the Early Sound Era offers an essential reference for scholars of music, film studies, and cultural history.

Screening the Stage

Steven Neale
Screening the Stage Book PDF

Author : Steven Neale
Publisher : Indiana University Press
Page : 250 pages
File Size : 46,8 Mb
Release : 2017-06-06
Category : Art
ISBN : 9780861969296

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Screening the Stage by Steven Neale Pdf

Introduced by a comprehensive account of the factors governing the adaptation of stage plays and musicals in Hollywood from the early 1910s to the mid-to-late 1950s, Screening the Stage consists of a series of chapter-length studies of feature-length films, the plays and musicals on which they were based, and their remakes where pertinent. Founded on an awareness of evolving technologies and industrial practices rather than the tenets of adaptation theory, particular attention is paid to the evolving practices of Hollywood as well as to the purport and structure of the plays and stage musicals on which the film versions were based. Each play or musical is contextualized and summarized in detail, and each film is analyzed so as to pinpoint the ways in which they articulate, modify, or rework the former. Examples range from dramas, comedies, melodramas, musicals, operettas, thrillers, westerns and war film, and include The Squaw Man, The Poor Little Rich Girl, The Merry Widow, 7th Heaven, The Cocoanuts, Waterloo Bridge, Stage Door, I Remember Mama, The Pirate, Dial M for Murder and Attack.

Hollywood Soundscapes

Helen Hanson
Hollywood Soundscapes Book PDF

Author : Helen Hanson
Publisher : Bloomsbury Publishing
Page : 200 pages
File Size : 40,5 Mb
Release : 2019-07-25
Category : Performing Arts
ISBN : 9781838716226

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Hollywood Soundscapes by Helen Hanson Pdf

The technical crafts of sound in classical Hollywood cinema have, until recently, remained largely 'unsung' by histories of the studio era. Yet film sound – voice, music and sound effects – is a crucial aspect of film style and has been key to engaging and holding audiences since the transition to sound by Hollywood's major studios in 1929. This innovative new text restores sound technicians to Hollywood's creative history. Exploring a range of films from the early sound period (1931) through to the late studio period (1948), and drawing on a wide range of archival sources, the book reveals how Hollywood's sound designers worked and why they worked in the ways that they did. The book demonstrates how sound technicians developed conventions designed to tell stories through sound, placing them within the production cultures of studio era filmmaking, and uncovering a history of collective and collaborative creativity. In doing so, it traces the emergence of a body of highly skilled sound personnel, able to apply expert technical knowledge in the science of sound to the creation of cinematic soundscapes that are alive with mood and sensation.

The Oxford Handbook of Cinematic Listening

Carlo Cenciarelli
The Oxford Handbook of Cinematic Listening Book PDF

Author : Carlo Cenciarelli
Publisher : Oxford University Press
Page : 789 pages
File Size : 42,9 Mb
Release : 2021
Category : Music
ISBN : 9780190853617

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The Oxford Handbook of Cinematic Listening by Carlo Cenciarelli Pdf

The Oxford Handbook of Cinematic Listening explores the intersection between the history of listening and the history of the moving image. Featuring established and emergent scholars from musicology, film studies, and literary studies, ethnomusicology and sound studies, popular music,sociology, media and communications, and psychology, this Handbook offers a wide range of case studies and methodological perspectives on the archaeologies, aesthetics, and extensions of cinematic listening.Chapters are structured around six themes: Part I ("Genealogies and Beginnings") considers film sound in light of pre-existing genres such as opera and shadow theatre, and explores changes in listening taking place at critical junctures in the early history of cinema. Part II ("Locations andRelocations") focuses on specific venues and presentational practices (from roadshow movies to and contemporary live-score screenings). Part III ("Representations and Re-presentations") zooms into the formal properties of specific films, analysing representations of listening on screen as well as onthe role of sound as a representational surplus. Part IV ("The Listening Body") focuses on cinematic sound as a powerful and sensual stimulus that has the power to engage the full body sensorium. Part V ("Listening again") discusses a range of ways in which film sound is encountered andreinterpreted outside the cinema, through ancillary materials like songs and soundtrack albums, in experimental conditions, and in pedagogical contexts. Part VI ("Between Media") compares the listening protocols of cinema with those of TV series and music video, promenade theatre and personalstereos, video games and Virtual Reality.

The Music and Sound of Experimental Film

Holly Rogers (Professor of music),Jeremy Barham
The Music and Sound of Experimental Film Book PDF

Author : Holly Rogers (Professor of music),Jeremy Barham
Publisher : Oxford University Press
Page : 337 pages
File Size : 44,9 Mb
Release : 2017
Category : Music
ISBN : 9780190469894

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The Music and Sound of Experimental Film by Holly Rogers (Professor of music),Jeremy Barham Pdf

Holly Rogers is Senior Lecturer in Music at Goldsmiths, University of London. Book jacket.

Howard Hawks

Gregory Camp
Howard Hawks Book PDF

Author : Gregory Camp
Publisher : Routledge
Page : 185 pages
File Size : 46,6 Mb
Release : 2020-04-08
Category : Music
ISBN : 9780429560767

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Howard Hawks by Gregory Camp Pdf

Known for creating classic films including His Girl Friday, The Big Sleep, Bringing Up Baby, and Gentlemen Prefer Blondes, Howard Hawks is one of the best-known Hollywood ‘auteurs’, but the important role that music plays in his films has been generally neglected by film critics and scholars. In this concise study, Gregory Camp demonstrates how Hawks' use of music and musical treatment of dialogue articulate the group communication that is central to his films. In five chapters, Camp explores how the notion of 'music' in Hawks' films can be expanded beyond the film score, and the techniques by which Hawks and his collaborators (including actors, screenwriters, composers, and editors) achieve this heightened musicality.

Exploring Movie Construction and Production

John Reich
Exploring Movie Construction and Production Book PDF

Author : John Reich
Publisher : Open SUNY Textbooks
Page : 128 pages
File Size : 49,8 Mb
Release : 2017-07-10
Category : Electronic
ISBN : 1942341474

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Exploring Movie Construction and Production by John Reich Pdf

Exploring Movie Construction & Production contains eight chapters of the major areas of film construction and production. The discussion covers theme, genre, narrative structure, character portrayal, story, plot, directing style, cinematography, and editing. Important terminology is defined and types of analysis are discussed and demonstrated. An extended example of how a movie description reflects the setting, narrative structure, or directing style is used throughout the book to illustrate building blocks of each theme. This approach to film instruction and analysis has proved beneficial to increasing students¿ learning, while enhancing the creativity and critical thinking of the student.

Theories of the Soundtrack

James Buhler
Theories of the Soundtrack Book PDF

Author : James Buhler
Publisher : Oxford University Press
Page : 432 pages
File Size : 49,5 Mb
Release : 2018-10-03
Category : Performing Arts
ISBN : 9780199371099

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Theories of the Soundtrack by James Buhler Pdf

A theory of the soundtrack is concerned with what belongs to the soundtrack, how a soundtrack is effectively organized, how its status in a multimedia object affects the nature of the object, the tools available for its analysis, and the interpretive regime that the theory mandates for determining the meaning, sense, and structure that sound and music bring to film and other audiovisual media. Beyond that, a theory may also delineate the range of possible uses of sound and music, classify the types of relations that films have used for image and sound, identify the central problems, and reflect on and describe effective uses of sound in film. This book summarizes and critiques major theories of the soundtrack from roughly 1929 until today. Rather than providing an exhaustive historical survey, it sketches out the range of theoretical approaches that have been applied to the soundtrack since the commercial introduction of the sound film. The basic theoretical framework of each approach is presented, taking into account the explicit and implicit claims about the soundtrack and its relation to other theories. The organization is both chronological and topical, the former in that the chapters move steadily from early film theory through models of the classical system to more recent critical theories; the latter in that the chapters highlight central issues for each generation: the problem of film itself, then of image and sound, of adequate analytical-descriptive models, and finally of critical-interpretative models.

Sound for Moving Pictures

Neil Hillman
Sound for Moving Pictures Book PDF

Author : Neil Hillman
Publisher : CRC Press
Page : 171 pages
File Size : 40,7 Mb
Release : 2021-04-26
Category : Music
ISBN : 9781000376296

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Sound for Moving Pictures by Neil Hillman Pdf

Sound for Moving Pictures presents a new and original sound design theory called the Four Sound Areas framework, offering a conceptual template for constructing, deconstructing and communicating all types of motion picture soundtracks; and a way for academics and practitioners to better understand and utilize the deeper, emotive capabilities available to all filmmakers through the thoughtful use of sound design. The Four Sound Areas framework presents a novel approach to sound design that enables the reader to more fully appreciate audience emotions and audience engagement, and provides a flexible, practical model that will allow professionals to more easily create and communicate soundtracks with greater emotional significance and meaning. Of obvious benefit to sound specialists, as well as motion picture professionals such as film producers, directors and picture editors, Sound for Moving Pictures also provides valuable insight for others interested in the subject; such as those involved with teaching soundtrack analysis, or those researching the wider topics of film studies and screen writing.

Figure and Force in Animation Aesthetics

Ryan Pierson
Figure and Force in Animation Aesthetics Book PDF

Author : Ryan Pierson
Publisher : Oxford University Press, USA
Page : 217 pages
File Size : 55,6 Mb
Release : 2019
Category : Performing Arts
ISBN : 9780190949754

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Figure and Force in Animation Aesthetics by Ryan Pierson Pdf

"How can we describe movements in animated films? In Figure and Force in Animation Aesthetics, Ryan Pierson introduces a powerful new method for the study of animation. By looking for figures--arrangements that seem to intuitively hold together--and forces--underlying units of attraction, repulsion, and direction--Pierson reveals startling new possibilities for animation criticism, history, and theory. Drawing on concepts from Gestalt psychology, Pierson offers a wide-ranging comparative study of four animation techniques--soft-edged forms, walk cycles, camera movement, and rotoscoping--as they appear in commercial, artisanal, and avant-garde works. In the process, through close readings of little-analyzed films, Pierson demonstrates that figures and forces make fertile resources for theoretical speculation, unearthing affinities between animation practice and such topics as the philosophy of mathematics, scientific and political revolution, and love. Beginning and ending with the imperative to "look closely," Figure and Force in Animation Aesthetics is a performance in seeing the world of motion anew. Keywords: animation, film theory, Gestalt psychology, phenomenology, film-philosophy, modernism"--

Making Music in Selznick's Hollywood

Nathan Platte
Making Music in Selznick s Hollywood Book PDF

Author : Nathan Platte
Publisher : Oxford University Press
Page : 417 pages
File Size : 48,6 Mb
Release : 2018
Category : Art
ISBN : 9780199371112

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Making Music in Selznick's Hollywood by Nathan Platte Pdf

Iconic images from fiery scenes of catharsis in Gone With the Wind and Rebecca to The Third Man's decadent cinematography have proven inseparable from their accompanying melodies. From the 1910s-50s, producer David O. Selznick depended upon music to distinguish his films from his competitors'. By demonstrating music's value in film and encouraging its distribution through sheet music, concerts, radio broadcasts, and soundtrack albums, Selznick changed audiences' relationship to movie music. But what role did Selznick play in the actual music composition that distinguished his productions, and how was that music made? As the first of its kind to consider film music from the perspective of a producer, this book tells the story of the evolution of Selznick's style through the many artists whose work defined Hollywood sound.

The Decline of Sentiment

Lea Jacobs
The Decline of Sentiment Book PDF

Author : Lea Jacobs
Publisher : Univ of California Press
Page : 373 pages
File Size : 42,5 Mb
Release : 2008-04-02
Category : Performing Arts
ISBN : 9780520237018

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The Decline of Sentiment by Lea Jacobs Pdf

Seeking to characterise the radical shifts in taste that changed American life in the Jazz Age, Jacob documents the fims and film genres that were considered old-fashioned, as well as those considered more innovative, and looks closely at the work of Erich von Stroheim, Charlie Chaplin, Ernst Lubitsch, Monta Bell, and others.

Play Among Books

Miro Roman,Alice _ch3n81
Play Among Books Book PDF

Author : Miro Roman,Alice _ch3n81
Publisher : Birkhäuser
Page : 528 pages
File Size : 51,9 Mb
Release : 2021-12-06
Category : Architecture
ISBN : 9783035624052

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Play Among Books by Miro Roman,Alice _ch3n81 Pdf

How does coding change the way we think about architecture? This question opens up an important research perspective. In this book, Miro Roman and his AI Alice_ch3n81 develop a playful scenario in which they propose coding as the new literacy of information. They convey knowledge in the form of a project model that links the fields of architecture and information through two interwoven narrative strands in an “infinite flow” of real books. Focusing on the intersection of information technology and architectural formulation, the authors create an evolving intellectual reflection on digital architecture and computer science.

The Musicality of Narrative Film

D. Kulezic-Wilson
The Musicality of Narrative Film Book PDF

Author : D. Kulezic-Wilson
Publisher : Springer
Page : 220 pages
File Size : 51,9 Mb
Release : 2015-04-14
Category : Music
ISBN : 9781137489999

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The Musicality of Narrative Film by D. Kulezic-Wilson Pdf

The Musicality of Narrative Film is the first book to examine in depth the film/music analogy. Using comparative analysis, Kulezic-Wilson explores film's musical potential, arguing that film's musicality can be achieved through various cinematic devices, with or without music.