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Author : Anonim
Publisher : Unknown
Page : 400 pages
File Size : 47,6 Mb
Release : 1976
Category : Motion picture industry
ISBN : STANFORD:36105007813327
Author : Anonim
Publisher : Unknown
Page : 74 pages
File Size : 43,7 Mb
Release : 1978
Category : Motion picture industry
ISBN : STANFORD:36105007813285
Author : Richard Barsam
Publisher : Indiana University Press
Page : 508 pages
File Size : 50,7 Mb
Release : 1992-11-22
Category : Performing Arts
ISBN : 0253207061
"Richard Barsam has given us as comprehensive a study of the origins and development of the nonfiction mode in motion pictures as we are ever likely to have in one volume. He draws on all the major written sources and many which are little known, and he shares with us many eloquent descriptions of the films themselves, giving us a valuable textbook." --Richard Dyer MacCann "... superb work... " --Historical Journal of Film, Radio, and Television
Author : Powers
Publisher : Oxford University Press
Page : 297 pages
File Size : 40,7 Mb
Release : 2023
Category : Performing Arts
ISBN : 9780197683385
The Bolex camera, 16mm reversal film stocks, commercial film laboratories, and low-budget optical printers were the small-gauge media technologies that provided the infrastructure for experimental filmmaking at the height of its cultural impact. Technology and the Making of Experimental Film Culture examines how the avant-garde embraced these material resources and invested them with meanings and values adjacent to those of semiprofessional film culture. By reasserting the physicality of the body in making time-lapse and kinesthetic sequences with the Bolex, filmmakers conversed with other art forms and integrated broader spheres of humanistic and scientific inquiry into their artistic process. Drawing from the photographic qualities of stocks such as Tri-X and Kodachrome, they discovered pliant metaphors that allowed them to connect their artistic practice to metaphysics, spiritualism, and Hollywood excess. By framing film labs as mystical or adversarial, they cultivated an oppositionality that valorized control over the artistic process. And by using the optical printer as a tool for excavating latent meaning out of found footage, they posited the reworking of images as fundamental to the exploration of personal and cultural identity. Providing a wealth of new detail about the making of canonized avant-garde classics by such luminaries as Carolee Schneemann, Jack Smith, and Stan Brakhage, as well as rediscovering works from overlooked artists such as Chick Strand, Amy Halpern, and Gunvor Nelson, Technology and the Making of Experimental Film Culture uses technology as a lens for examining the process of making: where ideas come from, how they are put into practice, and how arguments about those ideas foster cultural and artistic commitments and communities.
Author : R. Bruce Elder
Publisher : Wilfrid Laurier Univ. Press
Page : 409 pages
File Size : 46,6 Mb
Release : 1998-10-14
Category : Performing Arts
ISBN : 9780889203280
Elder examines how artists such as Brakhage, Artaud, Schneemann, Cohen and others have tried to recognize and to convey primordial forms of experiences. He argues that the attempt to convey these primordial modes of awareness demands a different conception of artistic meaning from any of those that currently dominate contemporary critical discussion. By reworking theories and speech in highly original ways, Elder formulates this new conception. His remarks on the gaps in contemporary critical practices will likely become the focus of much debate.
Author : Thomas W. Hoffer
Publisher : Greenwood
Page : 406 pages
File Size : 50,7 Mb
Release : 1981-12-23
Category : Performing Arts
ISBN : UOM:39015031597274
Product information not available.
Author : Peter E. Mudie
Publisher : UNSW Press
Page : 296 pages
File Size : 50,6 Mb
Release : 1997
Category : Art
ISBN : 0868405124
The Ubu film group, Australia's first experimental filmmakers and distributors. A reference for devotees of film, theatre, those interested in the arts, music and graphic design.
Author : Rolf Husmann
Publisher : LIT Verlag Münster
Page : 350 pages
File Size : 53,9 Mb
Release : 1992
Category : Language Arts & Disciplines
ISBN : 3894733527
Author : Library of Congress. Copyright Office
Publisher : Unknown
Page : 1074 pages
File Size : 44,8 Mb
Release : 1970
Category : American drama
ISBN : UOM:39015085477191
Author : Library of Congress. Copyright Office
Publisher : Unknown
Page : 778 pages
File Size : 52,7 Mb
Release : 1972
Category : Copyright
ISBN : STANFORD:36105006357193
Author : Carl Linder
Publisher : Prentice Hall
Page : 332 pages
File Size : 47,8 Mb
Release : 1976
Category : Motion pictures
ISBN : UOM:39076005229492
Author : Scott MacDonald
Publisher : Univ of California Press
Page : 477 pages
File Size : 50,5 Mb
Release : 2008-01-02
Category : Performing Arts
ISBN : 9780520250871
"MacDonald's selections tread a pitch-perfect path between being comprehensive and making an engrossing and illuminating narrative. He has perfected his voice, and controls the entire history of U.S. avant-garde film with an easy and graceful confidence."—David E. James, author of The Most Typical Avant-Garde: History and Geography of Minor Cinemas in Los Angeles
Author : Gianluca Sergi
Publisher : Manchester University Press
Page : 226 pages
File Size : 47,9 Mb
Release : 2004
Category : Performing Arts
ISBN : 0719070678
Since the 1970s Hollywood cinema has been the site of remarkable developments in film sound. This book provides a substantial account of sound in contemporary Hollywood cinema.
Author : Gene Phillips
Publisher : University Press of Kentucky
Page : 590 pages
File Size : 54,9 Mb
Release : 2006-11-24
Category : Biography & Autobiography
ISBN : 9780813171555
Two-time Academy Award winner Sir David Lean (1908–1991) was one of the most prominent directors of the twentieth century, responsible for the classics The Bridge on the River Kwai (1957), Lawrence of Arabia (1962), and Doctor Zhivago (1965). British-born Lean asserted himself in Hollywood as a major filmmaker with his epic storytelling and panoramic visions of history, but he started out as a talented film editor and director in Great Britain. As a result, he brought an art-house mentality to blockbuster films. Combining elements of biography and film criticism, Beyond the Epic: The Life and Films of David Lean uses screenplays and production histories to assess Lean’s body of work. Author Gene D. Phillips interviews actors who worked with Lean and directors who knew him, and their comments reveal new details about the director’s life and career. Phillips also explores Lean’s lesser-studied films, such as The Passionate Friends (1949), Hobson’s Choice (1954), and Summertime (1955). The result is an in-depth examination of the director in cultural, historical, and cinematic contexts. Lean’s approach to filmmaking was far different than that of many of his contemporaries. He chose his films carefully and, as a result, directed only sixteen films in a period of more than forty years. Those films, however, have become some of the landmarks of motion-picture history. Lean is best known for his epics, but Phillips also focuses on Lean’s successful adaptations of famous works of literature, including retellings of plays such as Brief Encounter (1945) and novels such as Great Expectations (1946), Oliver Twist (1948), and A Passage to India (1984). From expansive studies of war and strife to some of literature’s greatest high comedies and domestic dramas, Lean imbued all of his films with his unique creative vision. Few directors can match Lean’s ability to combine narrative sweep and psychological detail, and Phillips goes beyond Lean’s epics to reveal this unifying characteristic in the director’s body of work. Beyond the Epic is a vital assessment of a great director’s artistic process and his place in the film industry.
Author : Robin Blaetz
Publisher : Duke University Press
Page : 436 pages
File Size : 50,7 Mb
Release : 2007-10-16
Category : Performing Arts
ISBN : 0822340445
This volume offers introductions to the work of fifteen avant-garde American women filmmakers.