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NEW YORK TIMES BESTSELLER A riveting new collection of short stories from the beloved, internationally acclaimed Haruki Murakami. The eight masterful stories in this new collection are all told in the first person by a classic Murakami narrator, a lonely man. Some of them (like "With the Beatles," "Cream" and "On a Stone Pillow") are nostalgic looks back at youth. Others are set in adulthood--"Charlie Parker Plays Bossa Nova," "Carnaval," "Confessions of a Shinagawa Monkey" and the title story, "First Person Singular." Occasionally, a narrator who may or may not be Haruki himself is present, as in "The Yakult Swallows Poetry Collection." Is it memoir or fiction? The reader decides. The stories touch beautifully on love and loss, childhood and death . . . all with a signature Murakami twist.
The story of one man's struggle with Dissociative Identity Disorder (formerly known as Multiple Personality Disorder) & the 24 personalities that live within him. In this book readers accompany Cameron West on a roller coaster ride as he desperately tries to hang on to his family, his life & the thin red thread of reality that connects him to the world. The book chronicles his hunt for evidence to help him cope with & understand why his alter personalities are using his voice & body to retell & relive childhood sexual abuse.
An award-winning novel of love, betrayal, and Arab Israeli identity by the author of Dancing Arabs—“one of the most important contemporary Hebrew writers” (Haaretz). A successful Arab criminal attorney and a social worker-turned-artist find their lives intersecting under the most curious of circumstances. The lawyer has a thriving practice in Jerusalem, a large house, and a Mercedes. He speaks both Arabic and Hebrew, and lives with his wife and two young children. To maintain his image as a sophisticated Israeli Arab, he makes frequent visits to a local bookstore and picks up popular novels. But on one fateful evening, he decides to buy a used copy of Tolstoy’s The Kreutzer Sonata, a book his wife once recommended. Tucked in its pages, he finds a love letter, in Arabic . . . in his wife’s handwriting. Consumed with suspicion and jealousy, he decides to hunt down the book’s previous owner—a man named Yonatan. But Yonatan’s identity is more complex than the attorney imagined. In the process of dredging up old ghosts and secrets, the lawyer breaks the fragile threads that hold all of their lives together. Winner of the 2011 Bernstein Prize, Second Person Singular is “part comedy of manners, part psychological mystery” (The Boston Globe) that offers “sharp insights on the assumptions made about race, religion, ethnicity, and class that shape Israeli identity” (Publishers Weekly). “[Kashua’s] dry wit shines.” —Los Angeles Times “Kashua’s protagonists struggle, often comically . . . making his narratives more nuanced than some of the other Arabs writing about the conflict” —Newsweek “Sayed Kashua is a brilliant, funny, humane writer who effortlessly overturns any and all preconceptions about the Middle East. God, I love him.” —Gary Shteyngart, author of Super Sad True Love Story
Lingis's singular works of philosophy aren't so much written as performed, and in this work the performance is brilliant, a consummate act of philosophical reckoning. This book is, at the same time, an elegant cultural analysis of how subjectivity is differently and collectively understood, invested, and situated.
In this innovative exploration, told-to narratives, or collaboratively produced texts by Aboriginal storytellers and (usually) non-Aboriginal writers, are not romanticized as unmediated translations of oral documents, nor are they dismissed as corruptions of original works. Rather, the approach emphasizes the interpenetration of authorship and collaboration. Focused on the 1990s, when debates over voice and representation were particularly explosive, this captivating study examines a range of told-to narratives in conjunction with key political events that have shaped the struggle for Aboriginal rights to reveal how these narratives impact larger debates about Indigenous voice and literary and political sovereignty.
This book introduces readers to the major traditions in autobiography and biography, illustrates how writers transform personal experience for different audiences, and explores the relationship between the writer's voice and stylistic features that express the writer's attitude towards his or her personal experience. The book guides readers in developing their reading and writing skills, introducing them to various techniques writers use to interpret experience. Chapters are organized according to themes that have traditionally elicited compelling autobiographical narratives, and include accounts of personal growth, nature writing, and narratives of religious and philosophical exploration. The book presents many different kinds of writing including diaries, journals, letters, biographies, memoirs, and expressive essays. This book is rich in a variety of perspectives by African-American, Native-American, Asian-American and Hispanic writers and offers cross-cultural and regional narratives as well as a core of selections by classic authors. Almost half of the fifty-nine selections are by women.
Conjoined twins Owen and Porter Jamison, inhabiting one body with two heads, one torso, and two very different hearts, find their tentative bond threatened when Owen discovers that he is gay, which nearly destroys Porter's marriage as a complicated romantic rectangle develops. Original.
“A near-miraculous, brilliant debut.”—George Saunders, Man Booker Prize–winning author of Lincoln in the Bardo “In one exquisitely crafted story after the next, Will Mackin maps the surreal psychological terrain of soldiers in a perpetual war.”—Phil Klay, National Book Award–winning author of Redeployment WINNER OF THE PEN/ROBERT W. BINGHAM PRIZE FOR DEBUT SHORT STORY COLLECTION The eleven stories in Will Mackin’s mesmerizing debut collection draw from his many deployments with a special operations task force in Iraq and Afghanistan. They began as notes he jotted on the inside of his forearm in grease pencil and, later, as bullet points on the torn-off flap of an MRE kit. Whenever possible he incorporated those notes into his journals. Years later, he used those journals to write this book. Together, the stories in Bring Out the Dog offer a remarkable portrait of the absurdity and poetry that define life in the most elite, clandestine circles of modern warfare. It is a world of intense bonds, ancient credos, and surprising compassion—of success, failure, and their elusive definitions. Moving between settings at home and abroad, in vivid language that reflects the wonder and discontent of war, Mackin draws the reader into a series of surreal, unsettling, and deeply human episodes: In “Crossing the River No Name,” a close call suggests that miracles do exist, even if they are in brutally short supply; in “Great Circle Route Westward Through Perpetual Night,” the death of the team’s beloved dog plunges them into a different kind of grief; in “Kattekoppen,” a man struggles to reconcile his commitments as a father and his commitments as a soldier; and in “Baker’s Strong Point,” a man whose job it is to pull things together struggles with a loss of control. Told without a trace of false bravado and with a keen, Barry Hannah–like sense of the absurd, Bring Out the Dog manages to capture the tragedy and heroism, the degradation and exultation, in the smallest details of war. Praise for Bring Out the Dog “Cuts through all the shiny and hyped-up rhetoric of wartime, and aggressively and masterfully draws a picture of the brutal, frightening, and even boring moments of deployment. . . . The Things They Carried, Redeployment, and now Bring Out the Dog: war stories for your bookshelf that will last a very long time, and serve as reminders of what America was, is, and can still become.”—Chicago Review of Books
Do people with multiple personalities have more than one self? The first full-length philosophical study of multiple personality disorder, First Person Plural maintains that even the deeply divided multiple personality contains an underlying psychological unity. Braude updates his work in this revised edition to discuss recent empirical and conceptual developments, including the charge that clinicians induce false memories in their patients, and the professional redefinition of "multiple personality disorder" as "dissociative identity disorder."
The international literary icon opens his eclectic closet: Here are photographs of Murakami’s extensive and personal T-shirt collection, accompanied by essays that reveal a side of the writer rarely seen by the public. Many of Haruki Murakami's fans know about his massive vinyl record collection (10,000 albums!) and his obsession with running, but few have heard about a more intimate passion: his T-shirt collecting. In Murakami T, the famously reclusive novelist shows us his T-shirts—from concert shirts to never-worn whiskey-themed Ts, and from beloved bookstore swag to the shirt that inspired the iconic short story "Tony Takitani." These photographs are paired with short, frank essays that include Murakami's musings on the joy of drinking Guinness in local pubs across Ireland, the pleasure of eating a burger upon arrival in the United States, and Hawaiian surf culture in the 1980s. Together, these photographs and reflections reveal much about Murakami's multifaceted and wonderfully eccentric persona.
Author : E. F. K. Koerner Publisher : John Benjamins Publishing Page : 314 pages File Size : 53,8 Mb Release : 1991-01-01 Category : Language Arts & Disciplines ISBN : 9789027245489
This sequel to First Person Singular (1980) presents autobiographical sketches of 15 eminent scholars in the language sciences. These personal reminiscences on their careers in linguistics reflect developments in the field over the past decades and shed light on the role each of them played and the influences they underwent. This book is a valuable source for scholars of the history of ideas in general and for historiographers of linguistics in particular, while it makes interesting reading for every linguist interested in the history of the discipline. The volume includes photographs of all contributors and is completed by an index of names and an index of subjects and languages.
Law in the First Person Plural by Bert van Roermund Pdf
This incisive book offers an innovative understanding of Rousseau’s politico-legal philosophy to illustrate the legal significance of plural agency and what it means for a people to act together. Testing these ideas in controversial contemporary debates, Bert van Roermund provides a critical assessment of ‘political theology’ and establishes a new interpretation of joint action as bodily entrenched.
Author : Carl Schalk Publisher : Morningstar Music Publishers Page : 95 pages File Size : 54,6 Mb Release : 1998-01-01 Category : Children in public worship ISBN : 0944529291
There is no soul that lives on past the death of the body, no reincarnation, no life after death. Most religions today are outdated, and their teachings can no longer be logically sustained. Fear of death and what is to become of us after we die has motivated humans to create stories and belief systems that do not stand up to rational argument. The universe is eternal, but a single human’s place in it is not. First Person Singular replaces the need to believe in a God that can be explained into nonexistence. This book perspective has been crafted to help us confront the reality of our mortality. The First Person Singular—“I”—will always exist. By examining issues of religion, history, biology, astrophysics, and philosophy, the author explains how religions cannot be defended as offering a promise of eternal life or reincarnation. Human lives, however remarkable, are but trivial in the scope of evolution and the universe. First Person Singular offers assurance that “I” will live as long as the last human being is alive on Earth.