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Five Masterworks by Louis Sauer by Antonino Saggio Pdf
Louis Sauer is known in the US as one of the greatest housing experts. He achieved national fame when many of his innovative designs were built in Society Hill, the historic colonial neighborhood in Philadelphia. The quality, variety and reasoning behind his creative solutions for the renewal of large areas of old and derelict urban context were the exemplars for those who followed him in this field. The five designs included in this book are selected from the period (1961-79) when Sauer practiced in Philadelphia. His work is exceptional for its variety and wealth of solutions. Some examples are his modernistic forms, intelligent understanding of the history of the locale and the requirements of diverse urban scales. The five works Antonino Saggio is presenting in this publication give a picture of his outstanding design and the ingenuity of his solutions when faced with diverse design challenges and scales. See Interview on this book http: //www.youtube.com/watch?v=PzAFTCJMUR
Louis Sauer The Architect of Low-rise High-density Housing (color version) by Antonino Saggio Pdf
As one walks the streets of the Philadelphia, Sauer's buildings stand out for the masterly way he calibrates architectural composition and the varied playfulness of his solutions which, through a complex body of intuitively defined rules, one will find the very essence of Sauer's field of action where he interprets the reality of the setting and its surroundings. This book, then, is an enjoyable, lively read, because it proposes a profoundly democratic architecture that opens individuals' minds, leaves room to the end-user's aesthetic sensibility and presupposes a curious, imagining heart.
Louis Sauer, The Architect of Low-rise High-density Housing by Antonino Saggio Pdf
... As one walks the streets of the Philadelphia, Sauer's buildings stand out for the masterly way he calibrates architectural composition and the varied playfulness of his solutions which, through a complex body of intuitively defined rules, one will find the very essence of Sauer's field of action where he interprets the reality of the setting and its surroundings. This book, then, is an enjoyable, lively read, because it proposes a profoundly democratic architecture that opens individuals' minds, leaves room to the end-user's aesthetic sensibility and presupposes a curious, imagining heart... From the Preface by P. C. Pignatelli L. Sauer, born 1928, FAIA, Hon FRAIA, is an architect, professor and design theorist. Extensive projects have been built in the U.S.A. and Canada where his work is an example of planning and design originality. A. Saggio (1955) teaches Architecture at «Sapienza» University (Rome). He is the founder of the book series "The IT Revolution in Architecture".
The Instrument of Caravaggio by Antonino Saggio Pdf
The Instrument of Caravaggio shows that the use of the camera obscura is not only a technical device but a profound challenge for a new revolutionary vision.Translation by Rebecca Guarda
A secret van Gogh. His Motif and Motives by Antonino Saggio Pdf
This book investigates a complex layer ofmysteries and cluesconcealed in van Gogh's paintings and biography. New points of view on the painter's life are introduced and a foundation is laid for the interpretation of the iconography withinhis work. The book deduces from the painter's biography: a previously unexplored interpretation of the final argument with Gauguin; the critical role played by Rachel, la jeune fille d'Arles working in rue des Récollets, in the final years of the painter's life; Theo's role in quelling the scandal of the December 23rd ear amputation and Gauguin's ensuing arrest; The author underscores his thesis though a series of details in van Gogh's works, the painter's own letters, and by re-visiting well known events in his life. This juxtaposing of biographical facts with the psychological origins of the works posits an exciting new thesis in "A Secret of Van Gogh: His Motif and Motives" that will be of great interest to a wide audience of readers.
Roma a_venire. Progetti per una Città dell'informazione e della storia viva by Antonino Saggio e Scanner@nITro Pdf
Il volume propone progetti innovativi, ma realizzabili per Roma e offre un contributo al dibattito architettonico e urbanistico della città. Il ruolo della società delle informazioni nel contesto delle città contemporanea è affrontato insieme a trenta progetti raggruppati attorno a dieci temi forti: le infrastrutture, le nuove istituzioni, la storia, le nuove marginalità, l'ambiente, l'informazione e l'elettronica, lo studio, lo sport e gli spazi ludici, le arti e il cinema, il brand. Sfogliando il libro, il lettore si troverà immerso in un mondo nuovo, stimolante e del tutto possibile: anzi, alcuni dei progetti qui proposti, stanno già vedendo la luce. Oltre a Saggio il libro si deve gli architetti Mammucari, Mastroianni, Mazza e Principia.
Luxury Arts of the Renaissance by Marina Belozerskaya Pdf
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Observations for Young Architects by Cesar Pelli Pdf
"Pelli focuses on the unique position of architecture among the arts. He analyzes eight "connections" that influence both the artistic and practical aspects of architecture: time, construction, place, purpose, culture, design process, constituency, and oneself. Pelli discusses each connection, drawing on historic and contemporary examples, and then turns to first-person commentary, illustrating his experiences with his own buildings and projects, including such important buildings as Petronas Towers in Kuala Lumpur, Malaysia (the world's tallest buildings), the Pacific Design Center in Los Angeles, and Washington National Airport."--Jacket.
March 1953. Four young men venture onto the rooftop of the Palazzo Muti Baglioni in Venice. Among them is Hugo Pratt, the comic book artist returning from his first success in Argentina. Corto Maltese, his best known character, will not appear until 1967 with the publication of "A Ballad of the Salt Sea". However, the inspiration for Corto may already be at this rooftop gathering in Venice. Antonino Saggio, professor in architecture at the Sapienza University of Rome, reconstructs the young mens' relationship through a set of photographs of that day and recognizes his uncle in a completely unexpected role among the young friends joking above the roofs of Venice.
The construction and operation of buildings is responsible for 41 percent of all primary energy use and 48 percent of all carbon emissions, and the impact of the demolition and removal of an older building can greatly diminish the advantages of adding green technologies to new construction. In Building Reuse, Kathryn Rogers Merlino makes an impassioned case that truly sustainable design requires reusing and reimagining existing buildings. Additionally, Merlino calls for a more expansive view of preservation that goes beyond keeping only the most distinctive structures based on their historical and cultural significance to embrace the creative reuse of even unremarkable buildings for their environmental value. Building Reuse includes a compelling range of case studies—from a private home to an eighteen-story office building—all located in the Pacific Northwest, a region with a long history of sustainable design and urban growth policies that have made reuse projects feasible. Reusing existing buildings can be challenging to accomplish, but changing the way we think about environmentally conscious architecture has the potential to significantly reduce energy consumption, carbon emissions, and waste.
Catalogue published in conjunction with the exhibition "Extravagant Inventions: the Princely Furniture of the Roentgens" on view at The Metropolitan Museum of Art, New York, from October 30, 2102, through January 27, 2013.
The Life of Ludwig van Beethoven (Complete) by Alexander Wheelock Thayer Pdf
If for no other reasons than because of the long time and monumental patience expended upon its preparation, the vicissitudes through which it has passed and the varied and arduous labors bestowed upon it by the author and his editors, the history of Alexander Wheelock Thayer’s Life of Beethoven deserves to be set forth as an introduction to this work. His work it is, and his monument, though others have labored long and painstakingly upon it. There has been no considerable time since the middle of the last century when it has not occupied the minds of the author and those who have been associated with him in its creation. Between the conception of its plan and its execution there lies a period of more than two generations. Four men have labored zealously and affectionately upon its pages, and the fruits of more than four score men, stimulated to investigation by the first revelations made by the author, have been conserved in the ultimate form of the biography. It was seventeen years after Mr. Thayer entered upon what proved to be his life-task before he gave the first volume to the world—and then in a foreign tongue; it was thirteen more before the third volume came from the press. This volume, moreover, left the work unfinished, and thirty-two years more had to elapse before it was completed. When this was done the patient and self-sacrificing investigator was dead; he did not live to finish it himself nor to see it finished by his faithful collaborator of many years, Dr. Deiters; neither did he live to look upon a single printed page in the language in which he had written that portion of the work published in his lifetime. It was left for another hand to prepare the English edition of an American writer’s history of Germany’s greatest tone-poet, and to write its concluding chapters, as he believes, in the spirit of the original author. Under these circumstances there can be no vainglory in asserting that the appearance of this edition of Thayer’s Life of Beethoven deserves to be set down as a significant occurrence in musical history. In it is told for the first time in the language of the great biographer the true story of the man Beethoven—his history stripped of the silly sentimental romance with which early writers and their later imitators and copyists invested it so thickly that the real humanity, the humanliness, of the composer has never been presented to the world. In this biography there appears the veritable Beethoven set down in his true environment of men and things—the man as he actually was, the man as he himself, like Cromwell, asked to be shown for the information of posterity. It is doubtful if any other great man’s history has been so encrusted with fiction as Beethoven’s. Except Thayer’s, no biography of him has been written which presents him in his true light. The majority of the books which have been written of late years repeat many of the errors and falsehoods made current in the first books which were written about him. A great many of these errors and falsehoods are in the account of the composer’s last sickness and death, and were either inventions or exaggerations designed by their utterers to add pathos to a narrative which in unadorned truth is a hundredfold more pathetic than any tale of fiction could possibly be. Other errors have concealed the truth in the story of Beethoven’s guardianship of his nephew, his relations with his brothers, the origin and nature of his fatal illness, his dealings with his publishers and patrons, the generous attempt of the Philharmonic Society of London to extend help to him when upon his deathbed.
A revealing new look at modernist architecture, emphasizing its diversity, complexity, and broad inventiveness Usually associated with Mies and Le Corbusier, the Modern Movement was instrumental in advancing new technologies of construction in architecture, including the use of glass, steel, and reinforced concrete. Renowned historian Kenneth Frampton offers a bold look at this crucial period, focusing on architects less commonly associated with the movement in order to reveal the breadth and complexity of architectural modernism. The Other Modern Movement profiles nineteen architects, each of whom consciously contributed to the evolution of a new architectural typology through a key work realized between 1922 and 1962. Frampton's account offers new insights into iconic buildings like Eileen Gray's E-1027 House in France and Richard Neutra's Kaufmann House in Palm Springs, California, as well as lesser-known works such as Antonin Raymond's Tokyo Golf Club and Alejandro de la Sota's Maravillas School Gymnasium in Madrid. Foregrounding the ways that these diverse projects employed progressive models, advanced new methods in construction techniques, and displayed a new sociocultural awareness, Frampton shines a light on the rich legacy of the Modern Movement and the enduring potential of the unfinished modernist project.
