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"Essay collection [that] delves into notions of how we are shaped by the land every bit as much as we shape it, eschewing easy ways of understanding and experiencing the world by investigating place as a malleable psychological and phenomenological force"--Author's website.
This remarkable and monumental book at last provides a comprehensive answer to the age-old riddle of whether there are only a small number of 'basic stories' in the world. Using a wealth of examples, from ancient myths and folk tales via the plays and novels of great literature to the popular movies and TV soap operas of today, it shows that there are seven archetypal themes which recur throughout every kind of storytelling. But this is only the prelude to an investigation into how and why we are 'programmed' to imagine stories in these ways, and how they relate to the inmost patterns of human psychology. Drawing on a vast array of examples, from Proust to detective stories, from the Marquis de Sade to E.T., Christopher Booker then leads us through the extraordinary changes in the nature of storytelling over the past 200 years, and why so many stories have 'lost the plot' by losing touch with their underlying archetypal purpose. Booker analyses why evolution has given us the need to tell stories and illustrates how storytelling has provided a uniquely revealing mirror to mankind's psychological development over the past 5000 years. This seminal book opens up in an entirely new way our understanding of the real purpose storytelling plays in our lives, and will be a talking point for years to come.
Tropical Forest Census Plots by Richard Condit Pdf
By way of a summary of all the data collected by the mapping teams, I will review what is entered on each of the data sheets. The map sheet was already de scribed in some detail (Fig. 2.2.1A), and includes a circle or a point for the location of each tree and the tree's tag number (the last three or four digits) written next to it. The range of tag numbers used in the quadrat should be written at the top of the sheet. The main data sheet is where most other information about each individual is recorded (Fig. 2.2.1B). As for all sheets, the quadrat number, the first date a quadrat is censused, and the mappers' names are recorded at the top. For each plant, there are blanks for the following information: subquadrat number, tag number, species name, dbh, codes, and problems. Subquadrat number and tag number are straight forward. Size in millimeters is entered in the dbh column, except for multiple stemmed plants or big trees, which get a blank dbh on the main data sheet. Species identification will be handled by separate taxonomy teams (chapter 2.3), but map pers should enter a species name if they know it.
Fuzzy Recurrence Plots and Networks with Applications in Biomedicine by Tuan D. Pham Pdf
This book presents an original combination of three well-known methodological approaches for nonlinear data analysis: recurrence, networks, and fuzzy logic. After basic concepts of these three approaches are introduced, this book presents recently developed methods known as fuzzy recurrence plots and fuzzy recurrence networks. Computer programs written in MATLAB, which implement the basic algorithms, are included to facilitate the understanding of the developed ideas. Several applications of these techniques to biomedical problems, ranging from cancer and neurodegenerative disease to depression, are illustrated to show the potential of fuzzy recurrence methods. This book opens a new door to theorists in complex systems science as well as specialists in medicine, biology, engineering, physics, computer science, geosciences, and social economics to address issues in experimental nonlinear signal and data processing.
Narrative innovation is typically seen as the domain of the avant-garde. However, techniques such as nonlinear timelines, multiple points of view, and unreliable narration have long been part of American popular culture. How did forms and styles once regarded as “difficult” become familiar to audiences? In Perplexing Plots, David Bordwell reveals how crime fiction, plays, and films made unconventional narrative mainstream. He shows that since the nineteenth century, detective stories and suspense thrillers have allowed ambitious storytellers to experiment with narrative. Tales of crime and mystery became a training ground where audiences learned to appreciate artifice. These genres demand a sophisticated awareness of storytelling conventions: they play games with narrative form and toy with audience expectations. Bordwell examines how writers and directors have pushed, pulled, and collaborated with their audiences to change popular storytelling. He explores the plot engineering of figures such as Raymond Chandler, Agatha Christie, Dashiell Hammett, Patricia Highsmith, Alfred Hitchcock, Dorothy Sayers, and Quentin Tarantino, and traces how mainstream storytellers and modernist experimenters influenced one another’s work. A sweeping, kaleidoscopic account written in a lively, conversational style, Perplexing Plots offers an ambitious new understanding of how movies, literature, theater, and popular culture have evolved over the past century.