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Hannah Higgins explores the influential art movement Fluxus. Daring, disparate and contentious, Fluxus artists worked with minimal and prosaic materials now familiar in post-World War II art. Higgins describes the experience of Fluxus for viewers as affirming transactions between the self and the world.
Over 100 pages, including 50 full-page visual poems and accompanying Fluxus "instructions." Visual poems are "poems for the eyes," and are meant to be seen, rather than heard. The instructions are like little haiku mind games.
"George Maciunas is typically associated with the famous art collective Fluxus, of which he is often thought to have been the leader. In this book, critic and art historian Colby Chamberlain wants us to question two things: first, the idea that Fluxus was a "group" in any conventional sense, and second, that Maciunas was its "leader." Instead, Chamberlain shows us how Maciunas used the paper materials of bureaucracy in his art-cards, certificates, charts, files, and plans, among others-to subvert his own status as a "figurehead" of this collective and even as a biographical entity. Each of the book's chapters situates Maciunas's artistic practice in relation to a different domain: education, communication, production, housing, and health. We learn about his use of the postal service to make Fluxus into an international network; his manipulation of US copyright law to pursue a "Soviet" ideal of collective authorship; his intervention in Manhattan's zoning restrictions as founder and manager of the "Fluxhouse" artists' lofts in SoHo; and his performances protesting against normative ideals of health and family, focusing on his own, ultimately failed medical self-management. Fluxus Administration is not a biography, but it does delve more deeply than any other book into Maciunas's life and work, showing the lengths to which the artist himself went to disrupt any easy account of himself"--
"A history of the understudied but highly inventive Fluxus collective founded in NYC in the late 1950s/early 1960s. Fluxus was an unruly, endlessly shifting gang of performers, conceptual writers, musicians, and installation artists who wanted to integrate life into art using found and ordinary objects and processes (like cooking and shaving). Fluxus first arose in the United States under the leadership of George Maciunas and quickly spread to Europe. Artists from Claus Oldenberg to Allan Kaprow to Dick Higgins to Allison Knowles to Joseph Beuys to Gerhard Richter to Nam June Paik to Yoko Ono to Robert Filliou all participated in Fluxus at some point. Unlike other books about Fluxus, this one explores not just the movement itself but also how it figures the transition from modernism to postmodernism, and the historical origins of experimental art practices of the present"--
Fluxus as a Network of Friends, Strangers, and Things by Magdalena Holdar Pdf
Being based in different countries around the globe, but keen to work together, Fluxus artists developed collaborations based on shared resources and creative autonomy – methods that also gave the artworks agency to perform beyond the control of their originators.
Fluxus was a pivotal movement in redefining art’s role and the artist’s identity in the contemporary world, so that its aesthetics – as well as many of its gimmicks – have become so deeply embedded in our social setting that we now no longer realize where they originally came into being. Fluxus has been described as the most radical and experimental art movement of the 1960s, challenging conventional thinking on art and culture. It had a central role in the birth of such key contemporary art forms as concept art, installation, performance art, intermedia and video. The amount of Fluxus-related scholarly activity has increased since 2009, when New York’s Museum of Modern Art acquired the world’s largest collection of Fluxus works, the Lila and Gilbert Silverman Collection, and this in turn led to a series of exhibitions, first at MoMA and subsequently at other institutions worldwide. Focusing on Japanese artists involved in Fluxus, the book proposes a new understanding of this movement which, in spite of its anti-academicism, its aversion to authorial identity and the ephemeral character of its output, is “the best documented and best cross-indexed art movement in history,” (Nam June Paik 1994, 77). The book presents postwar Japanese radical avant-garde and the related and highly refined discourse and debate behind it, enlightening crucial if less known aspects of (local) Fluxus history and theory.
Natural Born Fluxus - Childhood Event Scores by Fluxus Artists by Cecil Touchon Pdf
Natural Born Fluxus is that tendency among artists to engage in Fluxus-like behaviors even if they never heard of Fluxus. Or possibly we could say that Fluxus ideas come out of a naturally occurring tendency in all artists that we now think of as Fluxus. It could be that the free wheeling nature of Fluxus allows artists to enjoy their creative, or at least peculiar, tendencies in an unfettered way that other forms of organized artistic activities do not. Includes: Peter Frank, Cecil Touchon, John M. Bennett, Ruud Janssen, Don Boyd, Keith Buchholz, Adam Overton, Sheila E. Murphy, Madawg, Litsa Spathi, Gregory Steel, Mark Block, Christine Tarantino, Allan Revich, Lorraine Kwan, Matthew Rose, Reid Wood, Luc Fierens, Brad Brace, Mary Campbell, Zachary Scott Lawrence, Bibiana Padilla Maltos, Eric KM Clark, Brian R. Nickerson, Walter Cianciusi, Neil Horsky, Roger Stevens, Matt Taggart, Anya E.V. Liftig, Yves Maraux, Roland Halbritter.
Fluxus, the first international, transmedia art movement this century, is recalled in this special edition by a number of original members: Emmett Williams; John Cage, Rene Block, Jackson MacLow, Nam June Paik; Robert Fillou. Fluxus took the art world by storm in the early 60s and its spirit is still relevant today. Stemming mainly from Joseph Beuys and John Cage, the movement believed in the performing arts where inspiration could be drawn from the spiritual responses of the audience and where stimulation and change were the only constants. The group worked predominantly in the US and Germany, though their shows travelled extensively. This is an essential read with a mixture of articles, interviews and letters.
Fluxus was an art movement of the 1960s and 70s that set out to abolish the canonized art idioms of the day. Pioneers of Conceptual Art and Minimalism, the Fluxus artists were known for their environments, performance art and mass-producible objects. This book is a study of the Fluxus movement.
"Twelve authors review Fluxus in an historical summary while they examine the theoretical and conceptual issues that make Fluxus what ist [sic] is"--P. 12.
Part I. Three histories : Developing a fluxable forum: Early performance & publishing / Owen Smith -- Fluxus, fluxion, flushoe: the 1970's / Simon Anderson -- Fluxus fortuna / Hannah Higgins -- Part II. Theories of Fluxus: Boredom and oblivion / Ina Blon -- Zen vaudeville: a medi(t)ation in the margins of Fluxus / David T. Doris -- Fluxus as a laboratory / Craig Saper -- Part III. Critical and historical perspectives: Fluxus history and trans-history: competing strategies for empowerment / Estera Milman -- Historical design and social purpose: a note on the relationship of Fluxus to modernism / Stephen C. Foster -- A spirit of large goals: fluxus, dada and postmodern cultural theory at two speeds -- Part IV. Three Fluxus voices : Transcript of the videotaped Interview with George Maciunas -- Selections from an interview with Billie Maciunas / Susan L. Jarosi -- Maybe Fluxus (a para-interrogative guide for the neoteric transmuter, tinder, tinker and totalist) / Larry Miller -- Part V. Two Fluxus theories : Fluxus : theory and reception / Dick Higgins -- Fluxus and company / Ken Friedman -- Part. VI-- Documents of Fluxus : Fluxus chronology : key moments and events -- A list of selected Fluxus art works and related primary source materials -- A list of selected Fluxus sources and related secondary sources.